― jess (dubplatestyle), Tuesday, 29 April 2003 19:21 (twenty-two years ago)
― amateurist (amateurist), Tuesday, 29 April 2003 19:25 (twenty-two years ago)
― slutsky (slutsky), Tuesday, 29 April 2003 19:34 (twenty-two years ago)
The best was a student film described to me by a friend, where a family converses over dinner, against the background of the Cuban Missle Crisis. How do we know? Because every few seconds one of characters says something like, "How can we be talking about the chicken, when there's a missle crisis going on!" etc. Unfortunately it wasn't a parody.
― amateurist (amateurist), Tuesday, 29 April 2003 19:39 (twenty-two years ago)
― Vic, Tuesday, 29 April 2003 19:41 (twenty-two years ago)
Someone is going to link to D.U.M.P.S. eventually, so it may as well be me.
― Nordicskillz (Nordicskillz), Tuesday, 29 April 2003 19:41 (twenty-two years ago)
― slutsky (slutsky), Tuesday, 29 April 2003 19:41 (twenty-two years ago)
― Nordicskillz (Nordicskillz), Tuesday, 29 April 2003 19:42 (twenty-two years ago)
― Andrew L (Andrew L), Tuesday, 29 April 2003 19:44 (twenty-two years ago)
― slutsky (slutsky), Tuesday, 29 April 2003 19:47 (twenty-two years ago)
I found descriptions of some of my "favorites":
http://www.nohofilm.org/festival/2000/images/big-final.jpgThe Final ResolutionDirs. Gregg Simon & Brent Katz, 1999, 16mm/color/15 min.A Holocaust survivor sees a fellow passenger who looks distressingly familiar. His memories lead to a sudden rage that impels him to face the most important decision of his life.Gregg Simon, a graduate of the University of Rochester, has worked as a producer’s assistant for Paragraph International at Pinewood Studios in London. He has also worked as a director’s assistant for Brett Ratner.Brent Katz has been a professional actor since the age of three months. His credits include Amityville 2: The Possession, Deathmask, and Last Exit to Brooklyn. He has also written three feature length screenplays and four television spec scripts.
A Holocaust survivor sees a fellow passenger who looks distressingly familiar. His memories lead to a sudden rage that impels him to face the most important decision of his life.
Gregg Simon, a graduate of the University of Rochester, has worked as a producer’s assistant for Paragraph International at Pinewood Studios in London. He has also worked as a director’s assistant for Brett Ratner.
Brent Katz has been a professional actor since the age of three months. His credits include Amityville 2: The Possession, Deathmask, and Last Exit to Brooklyn. He has also written three feature length screenplays and four television spec scripts.
*
http://www.nohofilm.org/festival/2000/images/big-dontlook.jpgLook Back, Don't Look BackDirs. Randy Bell & Justin Rice, 1999, 16mm/b&w/30 min.Fascinated by the mysterious power of D. A. Pennebaker’s film on Bob Dylan, Don’t Look Back, and with the wit, charisma, and energy of Dylan, two student filmmakers head to New York hoping to meet Dylan himself.Randy Bell and Justin Rice met at Harvard University in a class taught by Ross McElwee. They shared a passion for both Bob Dylan and documentaries. The result of that passion is Look Back, Don’t Look Back. Bell is currently working on a documentary about tattoos while Rice is working on a film about Wal-Mart.
Fascinated by the mysterious power of D. A. Pennebaker’s film on Bob Dylan, Don’t Look Back, and with the wit, charisma, and energy of Dylan, two student filmmakers head to New York hoping to meet Dylan himself.
Randy Bell and Justin Rice met at Harvard University in a class taught by Ross McElwee. They shared a passion for both Bob Dylan and documentaries. The result of that passion is Look Back, Don’t Look Back. Bell is currently working on a documentary about tattoos while Rice is working on a film about Wal-Mart.
― amateurist (amateurist), Tuesday, 29 April 2003 19:52 (twenty-two years ago)
I've seen some very good student films. A good approach to a production class is the one taken by Hal Hartley (I know! I know!) in his courses at Harvard, where he gives several groups of students the same prepared script--the differences in the treatments become a lesson in how similar material can be handled in wildly diverging ways. It also gives newbies a focus they might otherwise not have.
― amateurist (amateurist), Tuesday, 29 April 2003 19:56 (twenty-two years ago)
He has also worked as a director’s assistant for Brett Ratner.
says it all
― slutsky (slutsky), Tuesday, 29 April 2003 19:58 (twenty-two years ago)
― amateurist (amateurist), Tuesday, 29 April 2003 20:03 (twenty-two years ago)
― slutsky (slutsky), Tuesday, 29 April 2003 20:09 (twenty-two years ago)
― Nordicskillz (Nordicskillz), Tuesday, 29 April 2003 20:30 (twenty-two years ago)
― Nordicskillz (Nordicskillz), Tuesday, 29 April 2003 20:31 (twenty-two years ago)
Oh dear.
― amateurist (amateurist), Tuesday, 29 April 2003 20:44 (twenty-two years ago)
― Nordicskillz (Nordicskillz), Tuesday, 29 April 2003 20:55 (twenty-two years ago)
Yeah, isnt that the one on the RUSH HOUR 2 dvd? Crap.
― PVC (peeveecee), Tuesday, 29 April 2003 22:01 (twenty-two years ago)
― theodore fogelsanger, Tuesday, 29 April 2003 22:05 (twenty-two years ago)
― Honda (Honda), Tuesday, 29 April 2003 22:50 (twenty-two years ago)
― Honda (Honda), Tuesday, 29 April 2003 22:52 (twenty-two years ago)
― felicity (felicity), Wednesday, 30 April 2003 03:09 (twenty-two years ago)
― Ryan McKay (Ryan McKay), Wednesday, 30 April 2003 21:20 (twenty-two years ago)
what about the rose pedals falling off slowly subgenre? that ones usually pretty bad.
― A Nairn (moretap), Wednesday, 30 April 2003 21:47 (twenty-two years ago)
― Anthony Miccio (Anthony Miccio), Thursday, 1 May 2003 01:00 (twenty-two years ago)
― Anthony Miccio (Anthony Miccio), Thursday, 1 May 2003 01:01 (twenty-two years ago)