Manga/Anime-what's the big deal?

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And is there a difference between Anime and Manga? Isn't Manga just a brand? I have just NEVER been interested in this stuff, and find what I have seen (Akira, Urotsukidoji (sic?), etc.) confusing, plotless, and messy. Spirited Away just seemed like a lengthy and ponderous Saturday-morning cartoon. I mean, I'm a big comics fan and all, but I just don't get it.

Please tell me what Anime means to you.

adaml (adaml), Wednesday, 22 October 2003 03:50 (twenty-two years ago)

Manga=comic book
Anime=cartoon

Anthony (Anthony F), Wednesday, 22 October 2003 05:32 (twenty-two years ago)

It's tough to answer your question, cause people seem to treat anime as if it were some kind of seperate entity unto itself, when really, it's like asking "What's the big deal with animation?"

I agree, a lot of anime is messy and confusing, Akira being one of them. It's certainly different from American animation, and to appreciate the good stuff, you gotta accept it on its own terms. But just like American animation, there are great films and then there are awful ones. So I can't really say how I feel about anime in general, since it varies from film to film.

Spirited Away is, in my opinion, a masterpiece, as is Miyazaki's Princess Mononoke. I think its detractors dislike it because the hype surrounding it creates incredibly huge expectations. First of all, you've gotta consider that this movie was made with children as its target audience. To appreciate it, you've gotta approach it like a child would. Once you do that, you realize how much more intelligent and creative Spirited Away is in comparison to the majority of so-called "family films." On an intellectual level, its environmental themes may seem trite, but like I said, this is a kids' movie.

By the way, some other anime worth checking out is Grave of the Fireflies, and a series called Wolf's Rain. Good stuff.

Anthony (Anthony F), Wednesday, 22 October 2003 05:43 (twenty-two years ago)

i've only seen one anime thing-- called "lain: serial experiments" or something like that. it was actually really cool. "cowboy bebop" has been strongly recommended to me, but i've yet to check that one out. i gather that these were both aimed at adults; but they're not porn or tentacle rape insanity or whatever.

Dallas Yertle (Dallas Yertle), Wednesday, 22 October 2003 09:43 (twenty-two years ago)

Confusion: Manga (the company) is an American distributor of Anime (the style of film).

Andrew Farrell (afarrell), Wednesday, 22 October 2003 12:29 (twenty-two years ago)

I disliked Lain: Serial Experiments greatly, I hate when someone substitues stupid words for common technology, like the whole Wired aspect of it. I much prefer Boogiepop Phantom.

Jeff-PTTL (Jeff), Wednesday, 22 October 2003 13:04 (twenty-two years ago)

Cowboy Bebop is Once Upon a Time in Mexico meets, I dunno... Star Trek. It's one of those love-it-or-hate-it kind of things.

Anthony (Anthony F), Wednesday, 22 October 2003 15:10 (twenty-two years ago)

The number of anime films I've seen can be counted on two hands, but I have to say that I liked Cowboy Bebop (the movie, anyway). I wasn't terribly hot on Ghost in the Shell, but Miyazaki is golden as long as you don't go in expecting him to be the be-all, end-all of Japanese animation. He is the best, in my opinion, but there is plenty of other great stuff he's competing with.

Girolamo Savonarola, Wednesday, 22 October 2003 15:47 (twenty-two years ago)

I loved Captain Future when I was little so all I expect from anime now is to entertain me with mindless non-stop action and catchy music. Unfortunately most of them fall short on the music part. The only exceptions I can think of are Blue Submarine No. 6 - whoever thought of fusing underwater battles with jazz deserves a medal - and the Daft Punk movie.

Herbstmute (Wintermute), Wednesday, 22 October 2003 16:34 (twenty-two years ago)

Once you do that, you realize how much more intelligent and creative Spirited Away is in comparison to the majority of so-called "family films."

I think that this is a fair point, and certainly a lot of time and effort has gone into it, as opposed to some kid's stuff which is just knocked out and almost patronisingly bad. I just don't get the whole idea that Spirited Away is so "creative" just for having such a bizarre concept and so many odd characters. It's still a very pedestrian story, and as another thread pointed out, borrows outright from Japanese mythology, which might suggest that it is not as "unique" or "original" as it might seem. Granted, some of the artwork, especially during the train sequence, is lovely.

adaml (adaml), Wednesday, 22 October 2003 19:20 (twenty-two years ago)

Another point - I notice how using figures/themes from mythology can never be categorized as plagiarism, obviously because these are basic elements that inform pretty much every story ever told, and the nature in how we tell/understand them, but does that render a lot of "creative" films redundant? Could you say that the SFX and puppetry in Star Wars are just dressing up what is in fact a very traditional story?

*goes off on a severe tangent*

adaml (adaml), Wednesday, 22 October 2003 19:24 (twenty-two years ago)

Well, how much of anything these days is truly original? Star Wars, like Spirited Away, IS a very traditional story. It's how the story is told that makes it special.

Anthony (Anthony F), Wednesday, 22 October 2003 20:32 (twenty-two years ago)

yeah, what's wrong with a traditional story?

(unless you're the coen bros and the traditional story is the odyssey)

s1utsky (slutsky), Wednesday, 22 October 2003 21:51 (twenty-two years ago)

:)

Nothing really, but why not call a spade a spade?

adaml (adaml), Wednesday, 22 October 2003 22:37 (twenty-two years ago)

Note on the use of the word "redundant"- I meant that this renders some of the claims made on behlaf of these films redundant, rather than the films themselves. I'm still talking about Star Wars I guess - a good film, but is it as much as a cultural watershed as it gets credit for, if we can leave aside the whole marketing aspect?

These are half-formed thoughts straight from brain to page here, so I'm talking as much to myself as to anyone on ILF. I guess that's kind of my M.O. on here.

adaml (adaml), Wednesday, 22 October 2003 23:05 (twenty-two years ago)

star wars's accomplishment from a storytelling point of view is in my opinion the resuscitation of serial-style storytelling; there's nothing really innovative there except that... which is still pretty good, I think.

there's also the whole "ancient myth"-joseph campbell thing that lucas is always jawing about but I think that's bullshit.

(indiana jones is even better at the serial stylee, like starting each movie with the end of an "episode" you never see in full)

s1utsky (slutsky), Thursday, 23 October 2003 00:30 (twenty-two years ago)

b-b-but what about James Bond?

adaml (adaml), Thursday, 23 October 2003 00:47 (twenty-two years ago)

Cowboy Bebop!

PVC (peeveecee), Tuesday, 28 October 2003 23:47 (twenty-two years ago)

I only got into anime a few years ago after a friend gave me a VHS of something called ARMITAGE III, I've been hooked ever since.

I would also like to see FIGHT CLUB remade as an anime.

PVC (peeveecee), Tuesday, 28 October 2003 23:49 (twenty-two years ago)

Star Wars IV also works well because it's so aesthetically pleasing.

PVC (peeveecee), Tuesday, 28 October 2003 23:51 (twenty-two years ago)

Speaking of which I read the Star Wars manga adaptation and it made me wanna see that remade in anime as well... ROCKY III too. I really have gone off the deep end.

PVC (peeveecee), Tuesday, 28 October 2003 23:53 (twenty-two years ago)

DePalma's films remind me of live-action anime.

PVC (peeveecee), Wednesday, 29 October 2003 00:00 (twenty-two years ago)

one year passes...
If you hate My Neighbor Totoro you hate fun!!

Andrzej B. (Andrzej B.), Monday, 7 March 2005 08:57 (twenty years ago)

I just don't get the whole idea that Spirited Away is so "creative" just for having such a bizarre concept and so many odd characters. It's still a very pedestrian story,

This is like saying "Eraserhead" is a failed film because is doesn't have a "strong plot". If plot and story means that much to you, then you should probably stick to literature. I enjoy films the most when they don't betray their essence--as a cinematic, visual medium. "Spririted Away" was an incredibly beautiful, surreal film that would have had the entire atmosphere and psychological mood of the work shattered if it had a "tight plot".

I suggest watching Brakhage's "Dog Star Man" in its entirety. After that, I'm pretty sure the anime plots will seem quite strong in comparison. :)

jay blanchard (jay blanchard), Monday, 7 March 2005 13:36 (twenty years ago)

That quote was from me. I love Dog Star Man, but I don't go to Brakhage looking for an entertaining narrative. I still think that Spirited Away was a failure because it is clearly an attempt at a narrative which still (for me, anyway) doesn't work!

adam.r.l. (nordicskilla), Monday, 7 March 2005 19:38 (twenty years ago)

I guess I'm not seeing where the failure comes in--could you be a bit more specific on what doesn't work for you?

(BTW--I consider "Dog Star Man" to be an entertaining narrative; maybe this is where the differences lie)

jay blanchard (jay blanchard), Monday, 7 March 2005 19:41 (twenty years ago)

Miyazaki films, to me, are more about worlds then they are about characters or stories. Which is why I like Totoro and Spirited, while I just found Mononoke plain boring and slightly confusing.

Girolamo Savonarola, Monday, 7 March 2005 21:42 (twenty years ago)

>If plot and story means that much to you, then you should probably
>stick to literature.

!?!

a spectator bird (a spectator bird), Monday, 7 March 2005 22:38 (twenty years ago)

???

I don't get the problem here.

jay blanchard (jay blanchard), Tuesday, 8 March 2005 01:28 (twenty years ago)

i should have offered more than punctuation, but didn't want to redirect the thread. it just surprised me because it seems like a really narrow view of literature. i mean, just keeping with brakhage, he drew a great deal of his inspiration from pound, stein, and emerson (this is addressed in his own writings, and in writings from critics like sitney). he saw many analogues in their work to the issues he was trying to address via film. what i'm saying is that i don't think that story is necessarily the "essence" of literature, in the way that you say that visual qualities are the "essence" of film. but maybe this isn't your point.

a spectator bird (a spectator bird), Tuesday, 8 March 2005 02:29 (twenty years ago)

Oh, ok--that's much better!

I agree with you completely spectator bird. I was only trying to point out that film is not in anyway a medium that, by nature, is made for narrative. It is a visual medium, and as such is made for creating images, not for telling stories. It just happens that it was used as such at one point & it proved to be very popular & profitable. But it's the images & sounds that engage the audience in a way that is unique.

As a fan of e.e. cummings, robbe-grillet, arthur rimbaud, etc., I agree that literature is much more than just "a story"--that the essence of any literature that appeals to me is its simple form--the Word, the Symbol. In the way that literature is about the way that words & symbols interact, film is about the way that images interact. And to chastise a film as being a failure for not carrying a coherent plot is about the same as criticizing Gertrude Stein for the same thing.

It's the responsibility of the viewer to open their mind & their experience to the medium and to the work. If you're not willing to do that, it's fine. Just don't critize a film for being a film if it doesn't meet your criteria for what constitutes a "plot" or a "story".

jay blanchard (jay blanchard), Tuesday, 8 March 2005 15:49 (twenty years ago)


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