― francesco, Sunday, 9 November 2003 21:44 (twenty-one years ago)
― ron (ron), Thursday, 13 November 2003 06:07 (twenty-one years ago)
the anti-american message of the film was exactly about what? about amoral familism as displayed in a christian bigot little community? is that a quintessentially american thing? wasn't the last scene with poorly dressed kids plus david bowie's Young Americans so squallid? Do I make a relevent comment on Italian culture's political and cultural darksides showing the same images giving the name of some small town near Naples? And by doing that should I call it an "Anti-Italian" work?
― francesco, Thursday, 13 November 2003 10:33 (twenty-one years ago)
― DV (dirtyvicar), Thursday, 13 November 2003 14:33 (twenty-one years ago)
― @d@ml (nordicskilla), Thursday, 13 November 2003 15:02 (twenty-one years ago)
the most interesting part of the movie was the dialog between caan and kidman in the car, just before the big action. talking about how her actions were arrogant.
― ron (ron), Thursday, 13 November 2003 15:35 (twenty-one years ago)
― athos magnani (Cozen), Thursday, 13 November 2003 19:34 (twenty-one years ago)
― ron (ron), Friday, 14 November 2003 01:54 (twenty-one years ago)
― francesco, Friday, 14 November 2003 11:13 (twenty-one years ago)
― Elvis Telecom (Chris Barrus), Wednesday, 17 March 2004 01:44 (twenty-one years ago)
― miloauckerman (miloauckerman), Wednesday, 17 March 2004 05:49 (twenty-one years ago)
― anthony kyle monday (akmonday), Wednesday, 17 March 2004 17:54 (twenty-one years ago)
― dean! (deangulberry), Wednesday, 17 March 2004 21:49 (twenty-one years ago)
I'm irritated because I'm already going to see The Church at House Of Blues on Saturday and Stereolab on Sunday. Otherwise I'd be there both nights.
― Elvis Telecom (Chris Barrus), Saturday, 20 March 2004 05:58 (twenty-one years ago)
― dean! (deangulberry), Monday, 22 March 2004 17:34 (twenty-one years ago)
― anthony kyle monday (akmonday), Tuesday, 23 March 2004 23:57 (twenty-one years ago)
i) I love Lars
ii) I love Nicole
iii) I love dogs (it won the Palme Dog at Cannes).
but then I heard how long it was and I decided not to bother.
what is the dog who appears at the end like? is he a good dog?
― DV (dirtyvicar), Monday, 29 March 2004 13:49 (twenty-one years ago)
I hate dogs.
― @d@ml (nordicskilla), Sunday, 18 April 2004 16:41 (twenty-one years ago)
― ryan (ryan), Monday, 19 April 2004 02:59 (twenty-one years ago)
― lisafrank! (deangulberry), Monday, 19 April 2004 17:06 (twenty-one years ago)
― @d@ml (nordicskilla), Monday, 19 April 2004 22:55 (twenty-one years ago)
― ryan (ryan), Monday, 19 April 2004 23:22 (twenty-one years ago)
Ryan OTM that 'it makes more sense as a religious allegory'. But it's religious in a political way, because religion is always political. I think the two templates are the story of Sodom from the Old Testament, with the angels going to tell Lot to get out before God destroys the city, and Brecht's 'Good Person Of Szechuan', in which some angels come to a town on the understanding that it will be saved if they can find one good person. And of course the Christian story, with Kidman as Christ.
By the way, I thought it was a terrific film, best thing I've seen in a long time. Was it 'anti-American'? Well, is Hamlet anti-Danish?
― Momus (Momus), Thursday, 17 June 2004 21:26 (twenty-one years ago)
just watched this. incredible
― duke american, Thursday, 2 September 2004 05:51 (twenty-one years ago)
― Dr Morbius (Dr Morbius), Thursday, 2 September 2004 12:44 (twenty-one years ago)
― herbert hebert (herbert hebert), Sunday, 12 September 2004 06:46 (twenty-one years ago)
― Dr Morbius (Dr Morbius), Tuesday, 14 September 2004 21:03 (twenty-one years ago)
I also thought the film was visually engaging, pretty much throughout, despite the ultra minimal set design. The image of Grace and Tim on the park bench prior to the fourth of july picnic, in particular has stuck with me.Misanthropy is not an inherently flawed viewpoint in art and sometimes expressed rage can be bracing. Although I'd agree that hateful misanthropy in real life becomes problematic.
― herbert hebert (herbert hebert), Tuesday, 14 September 2004 23:16 (twenty-one years ago)
I'm with Jonathan Rosenbaum, the critic who refers to Breaking the Waves, Dancer in the Dark, and Dogville as Lars's "torturing women" trilogy. (And I like BTW.)
― Dr Morbius (Dr Morbius), Thursday, 16 September 2004 14:09 (twenty-one years ago)