John Carpenter -- unsung genius or burnt out hack?

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I'm a huge Carpenter fan and I think because his last few films have had less than stellar receptions it's diminished his huge and long lasting influence on genre films. Personally I'm even into of some his latest stuff like Vampires (misogynist manly-man vampire bloodbath), Escape From L.A. (Carpenter's only exercise in post modern self-parody) and Ghosts Of Mars (The third in his "trilogy" of Rio Bravo remakes also including Assault On Precinct 13 and Prince Of Darkness (a supernatural horror take on the story). I think it's notable that he is one of the few directors working whose protagonists are almost exclusively anti-heroes. I mean the leads in Ghosts Of Mars are a pussy hound, a lesbian, a drug addict and a criminal. Also think it's interesting that his casting has always been unselfconsciously color-blind and many of his films are surprisingly multi-racial -- especially for sci-fi and horror films which tend to be extremely "white".

PVC (peeveecee), Thursday, 1 May 2003 18:58 (twenty-one years ago) link

i like they live and big trouble in little china. i always like how carpenter does his own film scores. i imagine him sitting at home watching an unscored rough cut of big trouble in little china, totally rocking out with all of his synthesizers...

but to tie back to my chevy chase thread - memoirs of an invisible man? ugh....

j fail (cenotaph), Thursday, 1 May 2003 19:06 (twenty-one years ago) link

he's not exactly unsung though, is he? he gets his fair share of credit for stuff like halloween, the fog, assault, and the thing, doesn't he? or maybe that's just me giving him the credit cuz i love those movies so much.

scott seward, Thursday, 1 May 2003 19:09 (twenty-one years ago) link

and oh yeah, i think he invented techno with the halloween soundtrack. okay, maybe not, but listen to it some time. he was some sort of pioneer with that thing.

scott seward, Thursday, 1 May 2003 19:11 (twenty-one years ago) link

there seems to be some bizarre Chevy Chase connection with almost everything.

They Live and Big Trouble in Little China are 2 of my all time faves. Trouble was way ahead of it's time in bringing wire/kung-fu to western audiences and the idea of putting "John Wayne" in a kung-fu flic was genius, but credite for that has to go to (atl eat partially)to screenwriter W.D. Richter of Buckaroo Banzai fame. Did you know the original draft was set in the western era. They Live has republican aliens and a 10 minute long fist fight. What more could you want.

PVC (peeveecee), Thursday, 1 May 2003 19:12 (twenty-one years ago) link

oh yeah, one more thing. Morricone's soundtrack for The Thing fucking rules.great iceberg music.

scott seward, Thursday, 1 May 2003 19:13 (twenty-one years ago) link

It's amazing Morricone doesn't get hired more -- I guess he's thought of as too old school by the studios. In that regard Brett Ratner has to be given props for getting Lalo Schifrin for Rush Hour 1&2. I heard Tarantino has gotten Morricone to do some stuff for KILL BILL.

PVC (peeveecee), Thursday, 1 May 2003 19:18 (twenty-one years ago) link

The way he makes dark open spaces look inescapable is very impressive.

Frühlingsmute (Wintermute), Thursday, 1 May 2003 19:21 (twenty-one years ago) link

yeah, good examples of that in the Fog, The Thing and Prince Of Darkness. The way he shoots the suburban streets in Halloween makes them seem so desolate and menacing.

It just occured to me that many of Carpenter's films have an element of "unhinged angry mob" in them. Maybe he feels persecuted.

PVC (peeveecee), Thursday, 1 May 2003 19:27 (twenty-one years ago) link

Scott --

" he's not exactly unsung though, is he? he gets his fair share of credit for stuff like halloween, the fog, assault, and the thing, doesn't he"

I guess what I was really getting at is that I feel his newest work is dismissed because of it's cheesy B quality (which has always been there). cineasts seem way less tolerant of gorgeous cheese these days -- unless it's got the buffer zone of a couple of decades to make them re-evaluate it on it's own terms.

PVC (peeveecee), Thursday, 1 May 2003 19:35 (twenty-one years ago) link

Scott -- "i think he invented techno"

didn't Al Gore invent techno?

PVC (peeveecee), Thursday, 1 May 2003 19:43 (twenty-one years ago) link

i know what you mean.I was surprised that Starship Troopers got the praise that it did (a movie that I love, by the way).Of course, if you tell the average person that it's a great movie they will look at you like you have holes in your head.Pauline Kael mighta liked his last ones.after she got done telling you how great Femme Fatale was.

and yes, i think al gore did have something to do with that.

scott seward, Thursday, 1 May 2003 20:30 (twenty-one years ago) link

I think the multiracial casting is because he's a hippie at heart. His films still have a selfconscious "countercultural" feel -- which is an appealing anachronism now. Perhaps his newest work isn't greeted warmly--actually it's greeted quite warmly in France, but isn't everything?--because people feel they have seen it all before. Critics place too high a value on novelty, perhaps because of the basic drudgery of their jobs.

amateurist (amateurist), Thursday, 1 May 2003 20:42 (twenty-one years ago) link

I wish more hippies were like john Carpenter.

PVC (peeveecee), Thursday, 1 May 2003 20:49 (twenty-one years ago) link

"after she got done telling you how great Femme Fatale was"

-- LOL!

PVC (peeveecee), Thursday, 1 May 2003 20:51 (twenty-one years ago) link

I can't really deal with his recent stuff, but The Thing, Assault on Precinct 13 etc is pretty classic.

slutsky (slutsky), Thursday, 1 May 2003 23:03 (twenty-one years ago) link

"unhinged angry mob" fear = one of the great defining motifs of the era, obv - woven right into all those bizarro rock hits about survivors surviving unspecified threats despite insurmountable odds and all that, which Carpenter's scores sound like the karaoke backing-trax to.

what's really weird about how often he returns to this theme is that the only villains in his films that were ever actually frightening were the individual ones (there's even one in Escape - it whizzes past a door in the background behind k.russell at one point). Even when the gangs have leaders they're cartoonish unscary lame-os. also his idea of how tough guys look and talk and spend their time is very very odd.

but yeah his classics are untouchable. i kind of liked Vampires too.

jones (actual), Thursday, 1 May 2003 23:50 (twenty-one years ago) link

What whizzes past a door?

slutsky (slutsky), Thursday, 1 May 2003 23:52 (twenty-one years ago) link

a dark figure

jones (actual), Friday, 2 May 2003 00:00 (twenty-one years ago) link

(just like the one STANDING RIGHT BEHIND YOU)

jones (actual), Friday, 2 May 2003 00:00 (twenty-one years ago) link

Yeah, who is that guy?

slutsky (slutsky), Friday, 2 May 2003 00:07 (twenty-one years ago) link

"bizarro rock hits about survivors surviving unspecified threats despite insurmountable odds".

lol

PVC (peeveecee), Friday, 2 May 2003 00:12 (twenty-one years ago) link

The scene in the alley with Roddy Piper in "They Live" has to be one of the better fist fights in movies.

I don't know about you, but "Halloween" scared the living bejezus out of me when I was ten years old.

Add in "Big Trouble In Little China", "The Thing" and "Escape from NY" and he has to be one of my favorite filmmakers from when I was a kid as I absolutely loved those movies.

earlnash, Friday, 2 May 2003 13:54 (twenty-one years ago) link

the music from "Assault On Precinct 13" is the best ever.

DV (dirtyvicar), Friday, 2 May 2003 15:21 (twenty-one years ago) link

scott seward wrote:
>and oh yeah, i think he invented techno with the halloween >soundtrack. okay, maybe not, but listen to it some time. he was some >sort of pioneer with that thing

i don't know if you could call Carpenter a techno or soundtrack pioneer, per se, since he was only following the model of Goblin's pulsating Profondo Rosso(1975) and Suspiria(1977) themes. just as the rest of Halloween(1978) cribbed wholesale from Argento's flashiest lighting schemes and camera angles - knowingly and lovingly, but nonetheless derivatively, the mimicry culminating with Carpenter's restaging of Profondo Rosso's bathtub scalding setpiece as a gratuitous addition to Rick Rosenthal's arty Halloween II.

summerslastsound (summerslastsound), Friday, 2 May 2003 16:35 (twenty-one years ago) link

Didn't Carpenter end up shooting most of Halloween II.

aaaaah. Argento.

PVC (peeveecee), Friday, 2 May 2003 19:05 (twenty-one years ago) link

he isn't unsung, he is extremely variable

the thing is a very great movie: the fog and prince of darkness have great moments, but no comparision

mark s (mark s), Friday, 2 May 2003 19:18 (twenty-one years ago) link

he's a hack, but he's not burnt out. His best work that I've seen is probably Big Trouble In Little China and The Thing, maybe They Live and Assault In Precint 13 too. I hate Vampires, Halloween (easily one of his least inspired and atypically cold) and Escape In New York left me pretty whatever. Ghosts Of Mars and In The Mouth Of Madness had a few (if only a few moments).

Anthony Miccio (Anthony Miccio), Friday, 2 May 2003 21:34 (twenty-one years ago) link

Come on, The Thing is not the work of a hack.

slutsky (slutsky), Friday, 2 May 2003 21:44 (twenty-one years ago) link

it's hackery in the sense that he didn't bother to make clear who everybody is (second time I watched it I realized I had little sense of who everyone is, especially since different characters refer to first names and last names) and ignored the fact that the resolution makes absolutely no sense whatsoever. his plotwork is PURE hackery, it's the level of imagination he puts into the details that makes his movies worthwhile.

Anthony Miccio (Anthony Miccio), Friday, 2 May 2003 21:47 (twenty-one years ago) link

Carpenter had great momenets but he was a hack (not always a bad thing) "Eascape from New York" is classic, "Eascape from LA" is bad but but in a funny way as he revisits the first film. What I've realzed when I watch his stuff over that past 20 years is that he has no idea of how to direct ppl and even tho he may asemble a great cast they end wooden and lsot. 'Ghosts of Mars' was painful to watch, it was aparody of older JC swork (like Escape) and not intentionally.

I'm blanking the name, but his Lovecraft adaptation with Sam Neill was one of the worst movies I have sat through - I kept forcing myself to go on hoping there would be somer sort o payoff - but no, it sucked.

One of the directors who I think burned out years ago and is coasting on past reputation.

H (Heruy), Saturday, 3 May 2003 01:21 (twenty-one years ago) link

"Hack" is a stupid lazy word. What do you people mean by it, and what does it mean that can't be covered by the word "bad"?

amateurist (amateurist), Saturday, 3 May 2003 06:15 (twenty-one years ago) link

saying a hack is just bad is like saying a b-movie is synonymous with bad movie. dictionary.com says to hack means to "cope with successfully, manage." A "hack" is pretty much somebody who's "managing" a movie, getting it done. Carpenter probably doesn't qualify thanks to his joy in detail, though. He seems hackish though, thanks to the lo-rent quality of his films and his use of genre cliches.

Anthony Miccio (Anthony Miccio), Saturday, 3 May 2003 16:17 (twenty-one years ago) link

I wasn't saying that a "hack" equalled "bad," I was suggesting that you guys seemed to be using it in this sense. I still don't understand how the word is useful.

amateurist (amateurist), Saturday, 3 May 2003 17:12 (twenty-one years ago) link

it's just as useful as auteur or film artist. It's a "type" of director.

Anthony Miccio (Anthony Miccio), Saturday, 3 May 2003 17:23 (twenty-one years ago) link

i believe there may have been some "hack" discussion on ILE awhile ago. it says more about the ascendancy of the auteur theory and the perception of present-day hollywood/variety-mag workings than about any of the directors it gets applied to. (and if it doesn't become a minor "rockist"-type point of contention around here i'll be pretty surprised)

jones (actual), Saturday, 3 May 2003 18:08 (twenty-one years ago) link

I admit it can be misused. Let's just say John Carpener is Brian DePalma if he whacked himself in the head about 90 times.

Anthony Miccio (Anthony Miccio), Saturday, 3 May 2003 18:48 (twenty-one years ago) link

and was less curious about girls than monsters.

Anthony Miccio (Anthony Miccio), Saturday, 3 May 2003 18:55 (twenty-one years ago) link

the thing's plot is perfect, better than any de palma plot ever (also more curious abt girls than any de palma plot ever, though possible also more ignorant)

mark s (mark s), Saturday, 3 May 2003 22:14 (twenty-one years ago) link

http://dante.ilt.columbia.edu/images/dd/credits.gif

(there is not a decent rendering on this grebt pic on the entire web: it's a scandal)

mark s (mark s), Saturday, 3 May 2003 22:16 (twenty-one years ago) link

if depalma is so curious about girls why does he keep getting men like michael caine and r.r.stamos to depict them?

jones (actual), Saturday, 3 May 2003 22:28 (twenty-one years ago) link

(mark there's a better version of that pic on the great thing thread i'm still sorry i missed out on!)

jones (actual), Saturday, 3 May 2003 22:36 (twenty-one years ago) link

yes but it's still blurry

mark s (mark s), Saturday, 3 May 2003 22:45 (twenty-one years ago) link

so it is. the thread's not quite the timeless revelatory masterpiece i remember from my missing-out sulk either (tho i'm still looking high&lo for that a.billson book)

jones (actual), Saturday, 3 May 2003 23:14 (twenty-one years ago) link

Leaving the Argento/ Carpenter link to the Argento thread - I think Carpenter has been up shit creek for a while now. I did enjoy Vampires as a popcorn movie but he's not made a truely great film since 1985's Big Trouble in Little China - which was totally ahead of its time. It basically subverts the 80s hardman genre to comical effect.

His best work is comparable with any director's best work (The Thing, Halloween and Assualt on Precinct 13 though I'd also argue in favour of Big Trouble in Little China and The Fog) while his second teir stuff is good fun (I enjoyed both Christine and Escape from New York). I'm not quite so over on Dark Star, Star Man or They Live, though I don't actively hate them in the way I hate Memoirs of an Invisible Man, Village of the Damned or Ghosts of Mars...

Calum, Sunday, 4 May 2003 02:48 (twenty-one years ago) link

Ghosts of Mars was one of the first Carpenter film I saw, unusually, so I think my (not great, but real) enthusiasm for it may have something to do with my not having already grown familiar with his particular tics and strengths. But why did you hate it, Calum?

amateurist (amateurist), Sunday, 4 May 2003 02:52 (twenty-one years ago) link

you should ask Nancy Allen, Margot Kidder, Sissy Spacek, Melanie Griffith and Amy Irving about that, Jones.

Anthony Miccio (Anthony Miccio), Sunday, 4 May 2003 19:32 (twenty-one years ago) link

lemme guess mark s, you've figured out some cuh-razy metaphor in The Thing about women that explains why you think the movie, which consists solely of a male cast, is more about women than any DePalma plot (have you SEEN Dressed To Kill?). Do you really think that statement is obvious or are you just trying to be cryptic?

And how can the plot to the Thing be perfect? How does the Brinkley character's actions at all fit with the idea that he's secretly the alien?

Anthony Miccio (Anthony Miccio), Sunday, 4 May 2003 19:35 (twenty-one years ago) link

ok, I just read the thread that Jones was nice enough to link too, and I still think this metaphor deal is totally full of shit.

Anthony Miccio (Anthony Miccio), Sunday, 4 May 2003 19:37 (twenty-one years ago) link

i. "how does the brinkley character etc" = covered in the thread mr miccio hasn't read properly yet
ii. "this metaphor deal" = so basic and central to the routine history of gothic metaphor as to not really require "figuring out" (it's WHY there aren't any women in the movie, obviously...)

mark s (mark s), Sunday, 4 May 2003 19:56 (twenty-one years ago) link

basic, routine, obviously. I'll figure it out when I learn to read properly.

Anthony Miccio (Anthony Miccio), Sunday, 4 May 2003 20:05 (twenty-one years ago) link

anthony you know i kid you but come on - m.griffith is like the dream creation of mad scientist drag queens

jones (actual), Sunday, 4 May 2003 20:07 (twenty-one years ago) link

!!!

jones (actual), Sunday, 4 May 2003 20:08 (twenty-one years ago) link

http://www.csun.edu/~hcfll004/medusa2.jpg

mark s (mark s), Sunday, 4 May 2003 20:09 (twenty-one years ago) link

Jones, I threw her in at the last minute (ok, I haven't actually seen Body Double). But I stand by Nancy Allen's multiple performances and Dressed To Kill and Carrie as proof that DePalma goes way beyond Carpenter re: women.

Anthony Miccio (Anthony Miccio), Sunday, 4 May 2003 20:11 (twenty-one years ago) link

except in the thing obv

mark s (mark s), Sunday, 4 May 2003 20:11 (twenty-one years ago) link

obv

Anthony Miccio (Anthony Miccio), Sunday, 4 May 2003 20:13 (twenty-one years ago) link

that picture is the scariest "DO YOU SEE??" ever

jones (actual), Sunday, 4 May 2003 20:32 (twenty-one years ago) link

(that thread really is worth a second look anthony. depalma/carpenter business aside, i think mark's/billson's(?) ideas are compelling and cool)

jones (actual), Sunday, 4 May 2003 22:12 (twenty-one years ago) link

(muttering-to-himself guy on the street a minute ago: "what did he look like?... what were his feet made out of?" i wanted so badly to find a way to tie that into this thread, but i can't figure out how)

jones (actual), Sunday, 4 May 2003 22:17 (twenty-one years ago) link

the ideas are "cool", but, and maybe this is because I think Carpenter would have been having to take genius pills to actually pull off what Mark's claiming he has (I think), it feels like these ideas are being assigned to the movie rather than being found in it. Though I haven't read Billson's book, which may be more enlightening.

Anthony Miccio (Anthony Miccio), Monday, 5 May 2003 22:18 (twenty-one years ago) link

three years pass...
Escape In New York left me pretty whatever

yes. a well-made, aggressively dumb movie. Kurt's hot tho.

Dr Morbius, Wednesday, 18 April 2007 14:08 (seventeen years ago) link

one month passes...

big trouble in little china has the wit and suspense of an aftershave commercial, with slightly better visual effects. I really hope you fans saw it when you were 8.

Dr Morbius, Thursday, 24 May 2007 13:35 (seventeen years ago) link

one year passes...

Cage and Carpenter both need a movie like this. I'm going to cross my fingers at least as this could be terrific...

Nicolas Cage to Star in John Carpenter’s Scared Straight

I think almost everyone has been subjected to Arnold Shapiro’s documentary Scared Straight! in High School. But for those who haven’t, the film follows a group of delinquent teens who are brought into a maximum security prison to help them change their ways. Supposedly, many of the teens in the original program were, in fact, “scared straight” and went on to lead happy, productive lives. As a result of the film, many states introduced “scared straight” programs in an attempt to rehabilitate young delinquents. While I was never a troublemaker, one of my high school sociology classes took a field trip to our local prison. I remember on the bus ride over, talking to friends about what would happen if a riot broke out while we were in the prison. It seemed like a great idea for a movie. Looks like someone else also had the same idea.

Nicolas Cage is in final negotiations to star in John Carpenter’s Scared Straight, a prison thriller about a troubled youth who is sent to the Scared Straight crime-prevention program. But when a riot breaks out and the prisoners take him hostage, a lifer (played by Cage) is forced to help the young man out. xXx director Rob Cohen was attached to the project when it was set-up at New Line. Carpenter is a huge step up. I’ve heard that the original spec script by Joe Gazzam was rather weak. Ron Brinkerhoff, who wrote The Guardian, has since rewritten the entire screenplay.

Elvis Telecom, Monday, 11 August 2008 21:13 (sixteen years ago) link

I've long given up hope that Carpenter can make another great film. But I did see Big Trouble in Little China recently for the first time in nearly a decade... man, I love that movie. It's absurd goofiness still does the trick. Too bad we'll probably never see a third and final Escape flick.

Nhex, Thursday, 14 August 2008 06:20 (sixteen years ago) link

two years pass...

"unhinged angry mob" fear = one of the great defining motifs of the era, obv - woven right into all those bizarro rock hits about survivors surviving unspecified threats despite insurmountable odds and all that, which Carpenter's scores sound like the karaoke backing-trax to.

Still one of my fave sentences ever.

Stockhausen's Ekranoplan Quartet (Elvis Telecom), Thursday, 9 December 2010 05:59 (fourteen years ago) link

i think 'halloween' is one of the worst movies i've ever seen, and re-watching 'the thing' recently, it is absolutely horrible. even 'escape from new york,' which i saw when i was young, i never liked.

big trouble is great though, but i feel like it has no right being so badly plotted.

marc iv, Sunday, 12 December 2010 05:05 (fourteen years ago) link

Are you Dr. Morbius' new username? You seem to be hating everything I like?

StanM, Sunday, 12 December 2010 11:23 (fourteen years ago) link

(sorry Doc)

StanM, Sunday, 12 December 2010 11:23 (fourteen years ago) link

no i am my own self thank you very much, humph.

marc iv, Monday, 13 December 2010 03:05 (fourteen years ago) link

big trouble is great though, but i feel like it has no right being so badly plotted.

― marc iv, Sunday, December 12, 2010 5:05 AM (Yesterday) Bookmark

youre life has no right being so badly plotted

flopson, Monday, 13 December 2010 04:29 (fourteen years ago) link

BTW, Carpenter collaborator Alan Howarth has a terrific mix up at Resident Advisor: http://www.residentadvisor.net/podcast-episode.aspx?id=230

Stockhausen's Ekranoplan Quartet (Elvis Telecom), Monday, 13 December 2010 07:53 (fourteen years ago) link


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