What is the best movie about Vietnam?

Message Bookmarked
Bookmark Removed
Platoon ? Apocalypse Now ?

ejad (daje), Saturday, 10 May 2003 23:52 (twenty-two years ago)

Universal Soldier

amateurist (amateurist), Sunday, 11 May 2003 00:47 (twenty-two years ago)

or Dark Star

amateurist (amateurist), Sunday, 11 May 2003 03:41 (twenty-two years ago)

Apocalypse Now. No question.

Combat Shock comes a close second.

PVC (peeveecee), Sunday, 11 May 2003 04:08 (twenty-two years ago)

Apocalypse Now is easily the best film set IN Vietnam but it's a stretch to say it's actually ABOUT Vietnam.

Justyn Dillingham (Justyn Dillingham), Sunday, 11 May 2003 05:09 (twenty-two years ago)

has anyone seen any Vietnamese made films about the war? I'm sure they must exist. I bet they have a great "Fuck you round eyed foreign devils, you killed ten of us for every one of you we killed, AND WE STILL WON" air to them.

DV (dirtyvicar), Sunday, 11 May 2003 14:10 (twenty-two years ago)

Check out The Wild Field by Nguyen Hong Sen. It's about rice farmers getting harrassed by US copters (but remaining stoically peaceful about it). The American soldiers are played by Vietnamese who wear beards to distinguish themselves from the "Vietnamese" Vietnamese. Good fun.

Frühlingsmute (Wintermute), Sunday, 11 May 2003 14:50 (twenty-two years ago)

Combat Shock is one of the most boring films ever made. How on earth can you mention a movie that feature most of its running time devoted to a man walking about deserted streets? And the Vietnam scenes take place in a bargain basement forest somewhere.

Best is Apocalypse Now. Special mention to Full Metal Jacket and Platoon. Woo's A Bullet in the Head, whilst not about Vietnam per se, is excellent.

Calum, Sunday, 11 May 2003 15:31 (twenty-two years ago)

The Little Girl of Hanoi
Capsule by Jonathan Rosenbaum
From the Chicago Reader

Perhaps the most amazing thing about Hai Ninh's 1974 Vietnamese propaganda feature, partly filmed during the U.S. bombing of Hanoi in 1972, is how strong and accomplished and beautiful it is, given the almost impossible circumstances under which it was made. The simple but powerful story centers on a little girl wandering through the rubble of the city looking for her parents, until a soldier takes her under his wing. Told partially through flashbacks and incorporating everything from animation to documentary footage to studio rear projection, the film is remarkable not only for its sincerity and emotional directness but for its accomplished visual style. And though it was clearly designed to boost morale, its anti-American feeling is remarkably mild given what we were doing to Vietnam at the time, especially compared to the anti-Vietnamese sentiments expressed in The Green Berets and The Deer Hunter; there's even a sympathetic American character, a nurse shown caring for wounded Vietnamese.

I can't stand most American "Vietnam films"--they either abstract the conflict entirely (Apocalypse Now, which I recognize is a very impressive film but not one I care for) or take the stance that the war was notable for the "loss of innocence" experienced by US soldiers (The Deer Hunter, not a bad film either but one I never wish to see again in my life). Platoon was notable for illustrating America's victimization of the Vietnamese more than previous films, but the bulk of the film just appropriates the worst of the previous two categories. Also it's embarrassingly schematic. Oliver Stone's later pictures are better "Oliver Stone pictures" if that's what you want. NB: I haven't seen Heaven and Earth.

amateurist (amateurist), Sunday, 11 May 2003 16:59 (twenty-two years ago)

as far as Deer Hunter goes, the Russian roulette scenes were great suspense filmmaking, but the rest of the movie is boring tripe.

ejad (daje), Sunday, 11 May 2003 18:47 (twenty-two years ago)

Heaven And Earth by Oliver Stone is pretty unique in the way it deals with the subject. Underrated film.

I didn't find Combat Shock boring. Yeah, it's a cheap piece of crap. But it's an ambitious cheap piece of crap.

PVC (peeveecee), Sunday, 11 May 2003 19:45 (twenty-two years ago)

Platoon is incredibly self-regarding and fatuous: "We didn't fight the enemy, we fought ourselves." That must have been news to four million dead Vietnamese.

Justyn Dillingham (Justyn Dillingham), Monday, 12 May 2003 03:25 (twenty-two years ago)

The Vietnam flashback scenes in The Eliminator (filmed in darkest Northern Ireland, with the staff of the local Chinese takeaway as the VC) have to be the most realistic ever committed to celluloid.

DV (dirtyvicar), Monday, 12 May 2003 10:34 (twenty-two years ago)

Perm between versions of The Quiet American.

Pete (Pete), Monday, 12 May 2003 13:00 (twenty-two years ago)

Full Metal Jacket is pretty damn great too, although I don't really think of it as a Vietnam film, but as a Kubrick war film.

PVC (peeveecee), Monday, 12 May 2003 20:41 (twenty-two years ago)

Platoon moved me, so it did its job I guess. Heaven and Earth is one of Stone's weakest films. Salavador is one of his best I think - I like it better than Platoon, though Platoon has a small role for Tony Todd in it, which makes me happy.

Calum, Monday, 12 May 2003 23:04 (twenty-two years ago)

I'm suprised no one has mentioned The Deer Hunter. True the whole scene at the wedding is way too long and boring as hell, but once they get into Vietnam, that movie gets intense. Perhaps in our sensory overloaded times those scenes of russian roulette don't get to people as much, all I know is they freaked me when I first saw them.

Bat 21 and Hamburger Hill are both decent movies.

Birdy is another good movie that has Vietnam weaved in it's story. The ending is one of my favorites. The book that Alan Parker based the movie upon was set in WWII and was also made into the movie A Midnight Clear.

I really liked Platoon when I first saw it, but after hearing my vet uncle's rant about hating that movie, it makes me feel weird. I suppose Stone should have just made a movie directly about Calley. The big jesus on the cross ending of Platoon is a bit much. Not that Apocalypse Now or Full Metal Jacket don't come off a bit overblown, but they come off with much more gusto. Either way, Born on the Fourth of July is a better movie anyway, at least to my way of thinking.

The movie that probably best sums up the insanity of that conflict is The Killing Fields or even better Vietnam: A Television History. Vietnam: A Television History is a documentary that will wring your guts out.

earlnash, Tuesday, 13 May 2003 00:31 (twenty-two years ago)


You must be logged in to post. Please either login here, or if you are not registered, you may register here.