At 10:35 on an early summer's morning, John Lanchester sat down at his study desk, switched on his new Dell computer, opened up the word processing programme that the computer had come with and began

i have already seen this book in a number of charity shops (and i think that's where matt dc got his copy), no need to buy new

Yep got it second hand - speculative punts and hatereads always second hand.

Swear to god the intersting typo was unintentional.

" DFW describes things in microcosmic detail too, but it's used as a literary device in which, say, the glint of light off a ballpoint pen suggests an abstract ray of hope in a world of mundanity. Here it seems to be mundanity for the sake of filling up space"

DFW also wrote amazing sentences. Lanchester writes like he's putting together a primary school report about late capitalism.

I finished this on Friday, it doesn't even really have an ending, it just sort of stops. It does clear up the central "mystery" that ties the book together but I challenge anyone to be remotely interested in that.

that mystery isn't maintained in any meaningful way throughout the book - i still haven't finished this, but that description is exactly what i was expecting.

speculative punts and hatereads

was just reading (and cringing with) this thread thinking how alien this concept is to me. i mean i'll do any old film or album for the morbid craic but a whole shitty book seems like an affront to life somehow

i guess i'm not a very cultivated reader tho tbf

i've read as much of this book as i'm ever gonna read on this thread, but i'm neurotic about life being too short

seriously! when i think of the number of books that are actually good (or even just pleasurable) that i haven't read, how could i have time for hatereads?

tbh though that is the sort of thinking that if you transposed it to music would just leave you listening to the beatles and some bits off a wire magazine top 100 weird records list

literary poptimism, is it plausible

there's the simple fact of the time and effort it takes me to read but also i don't actively listen to things i think i'm gonna hate either. and there's plenty of pop/genre fiction i do like, so i dunno, i'm not gonna form a final codified judgement on what i'll waste time on before inevitable death and dissolution

Just have an afternoon off to skim through the "good" bits innit? Sure there are more choice bits to quote on this thread.

By this point its the only reason to read this.

tbh though that is the sort of thinking that if you transposed it to music would just leave you listening to the beatles and some bits off a wire magazine top 100 weird records list

wait, idgi, who is the beatles in this analogy? in the world of literary poptimism, Lanchester is, like, Frank Turner or something. comfortably 6music.

I think literary poptimism is plausible, I have read 50 shades and the novelisation of gremlins and a bizarre forgotten evangelical novel published in the 20s but I'm not gonna read capital by john lanchester

tru kult lit-popism = all urban fantasy all the time

There doesn't, unlike music or film, seem to be enough high-visibility product published (or consumed) on a weekly basis to drive a poptimism.

Otherwise we'd have way more threads here.

Can't read fast enough for one thing, compared to hearing the whole top 20 in an hour

also i think ilb posters aren't super interested in dealing w/ the most populist and formalist genres? i mean: people here do not post about YA novels, urban fantasy, crime, miseryporn, celebrity biography, romance novels, etc. (all of which tend to be much faster reads than contemporary literary fiction)

iirc there was a period where ILB was more poptimist - quite early doors, when there was a larger group of posters.

xp

agree, difficulty of consumption, slow production/turnover makes fiction popism difficult. Feel Harry Potter would be the core of a working lit popism, + YA fiction, maybe fantasy epic (though i think that last has moved in the respectability ratings lately, eg Lanchester on Game of Thrones in recent LRB).

I still think of ILB as being quite YA-fiction friendly, but maybe that's passed.

but otm c#

I am on holiday, which led to me finishing a book I didn't think much of (Americanah) for the first time in ages. Normally I'm ruthlessly life's-too-short about that kind of thing.

This may be a dumb question but what is meant by urban fantasy?

sexy vampire romance

there's something briefly interesting to be drawn from the parallel uses of "urban" as an adjective in pop music and popular fiction

Oh haha of course xp

YA novel?

I recall differently: there were never threads dedicated to anything too populist apart from maybe crime? I think the "50 Shades.." thread was posted in ILE so perhaps it shows this isn't very welcome.

ILB followed on from threads in ILE, back in 2001, where posters would talked about Pynchon, Joyce and the like.

i mean i'll do any old film or album for the morbid craic but a whole shitty book seems like an affront to life somehow

It's actually been both a perversely enjoyable and illuminating experience. I wouldn't do it regularly but, in general, I virtually never read genuinely bad books, so it's reassuring to realise that I can still recognise bad fiction writing.

I also was sort of hoping it would be either undemandingly enjoyable in a bollocks sort of way, or illuminate something about London. Neither of those things came to pass.

Also it's a piece of piss to read, you could probably cane through it in an afternoon if you were so minded, even if it is 500+ pages long.

I find I tend to take roughly the same amount of time over densely-written prose as easy-but-dull fluff. It can take me a strangely inordinate amount of time to read a graphic novel for instance, but I don't find myself necessarily taking lots more time over more complicated stuff. I guess if something's well-written I find it easier to concentrate on but something like Capital I'd probably end up taking AGES over because it's so tedious.

am engaging in my own version of literary poptimism atm - have put Mason & Dixon on hold and am halfway through The Crying Of Lot 49 instead

lol u cad

I've been working summers at the Notting Hill farmer's market for a few years, and our customers are a blend of long-time residents with family money (the kind of middle class who bought fixer-uppers in 1970), expats who nevertheless appreciate the community and participate in local stuff, older people of colour, ageing aristos in mansion flats shopping with their housekeepers, young middle-income professionals, old school BBC, oligarch WAGs, and (occasionally) Terence Stamp. But most are rosy-cheeked middle-class British foodies, and 99.9 per cent are genially polite and genuinely neighbourly to each other.

― aldi young dudes (suzy), Wednesday, 3 July 2013 08:22 (3 hours ago) Bookmark Flag Post Permalink

<3

haaaaaaaaaaaaaaaaaaaarsh

kind of want the context but i think s is generally better at observing these things than john lanchester

high praise

Saw a guy reading this on the bus the other, chuckled at the thought of this thread

im a fan of suzy and her social panopticism is probably closer to zola or gorkiy or dreiser or some other writer i have never read than it is to big lancs but it still deserves inclusion itt for comparative reasons

This book was every bit as bad as the thread led me to think it would be. The whole thing reads like it was written by an 11 year old - this happens and then that happens and this is what the characters are feeling and thinking and then this happened. It reads like it's been written by an 11 year old who has read The Mezzanine and is trying to copy that focus on detail but hasn't the attention span, so it just slides into a list of superficial things thing things (different people in the park, the amazing, tone deaf football insults).

Favourite part: p193 "what he was qualified to know what a semen stain" - what does this even mean? Why do we need to be reassured as to Smitty's cum-spotting bona fides? This is the most perplexing of all the many irrelevancies in this book.

Actual favourite part: "such a mad texter" - the only instance of an interesting/rythymical phrase cropping up in the books facile, gliding artlessness.

And then at the end when you get to *SPOILER* the resolution of We Want What You Have its laid out as if this is the grand climax of the book, as if this it the moment that the curtain is pulled back and each and every reader will gasp at how they would never have guessed - the problem being that the mystery is (a) not interesting and (b) ignored pretty much for the vast chunks of the book, so the revelation of who the culprit is is more an exercise in tidying some of the more glaring loose ends. The book has no climax, it just slides before your eyes and then is gone.

(b)ignored pretty much for the vast chunks of the book

Yes!

Reminds me of Sarah Waters' The Night Watch, where *the central mystery* is an event that happens in passing and is explained a couple of hundred pages later - but I never realised it was the key event until I read the blurb after I'd finished. A shame in that case, because it really is a good book but now I groan inwardly whenever I think of it.

I challenge anyone to give a shit about that mystery.

It might be part of the JL's masterplan to document, like a novelistic Robert Shields, all the mundanities of human life but there does seem to be a preponderance of shitting and pissing in this book: the Yount shit carpet thing; Petunia Howe's bedpan; Shahid's loose stools; polish builder pissing; Smitty's assistant having some amazing capacity for possinng (carthorse? is that the expression he used?). Maybe the shit signifier is JL's way of identifying the characters he sees as being key, or signigificant: Yount as banking pinata/effigy; Howe as reminder of simpler time, anchor to the past; Shahid as oh I don't know - the problem is that each of the characters is resolutely depthless. Hanging significance of any of them is a fool's errand.

Ladies and Gentlemen, I give you Roger Scruton:

Capitalism may be a dead concept. But the many meanings of 'capital' remain. John Lanchester's novel Capital (Faber), published in 2012, exploits this fact in a most ingenious way. It is a beautifully written attempt to put a smile on a multicultural and disintegrating capital of our country. Lanchester creates memorable characters, and implants them in their contexts with extraordinary delicacy and erudition. London may have become a vast airport terminal; but it still has the streets, and in those streets, Lanchester shows, life goes on

http://femaleimagination.files.wordpress.com/2011/10/white-rabbit.jpg

lol Scruton finds new way to be a douche

i can't make head nor tail of a single sentence of it. what the fuck is he going on about?

I can't get my head around how little appreciation of the art of prose one would require to describe Capital as "beautifully written".

have you read Scruton's work?

that is a very racist paragraph to have its racism go unhighlighted on a forum that discerns and complains about the most minor racisms at tedious length

not complaining tho, this is ilb after all and the esthetic bankruptcy is more striking