Taking Sides: the TLS v. the LRB

calz spinning the dial for the highest quality melts he can locate

seeing as it's confession time I did actually go through a Tooze phase, which included admiring a few of his books (Deluge, Wages of Destruction, Crashed - I give up on the latter half way through it!) and listening to him podcast without yelling STFU, lol!

I have heard that Tooze is good.

I doubt that I would understand his work well enough to find out.

But yes, DR has his own podcast where he talks as Calzino describes. I know that from hearing, I think, a 30-second advert for it.

I concur with Mark S that nothing is going to oust DR from the LRB. He is readable enough, but he is a reactionary. They don't seem to have noticed.

Wages of Destruction is a study of Nazi economics and is v good, you learn some interesting stuff. Like for example during the period that Hitler was building the Atlantic wall. Such was the demand for bricklayers they were being paid higher wages than brain surgeons. It's a good conversation piece that, for when I'm trying to pass myself off as an expert Nazi historian.

An "expert Nazi historian" like this guy?

https://upload.wikimedia.org/wikipedia/commons/thumb/f/f8/David_Irving_1_%28cropped%29.jpg/1200px-David_Irving_1_%28cropped%29.jpg

lol, what a waste of skin. But hey at least you've achieved something if you get to be portrayed by Timothy Spall in a very mediocre movie.

he does actually look a bit similar to Sir Richard John Evans

sorry for posting that huge slab of gammon on this thread

I just read J. Robert Lennon's quite good review of a book called THE ANOMALY. This at least helps me slightly to understand what I think posters Fizzles and Ledge were talking about on another thread.

Michael Hofmann on Hrabal, whom I've of course also not read: well-written, or at least flamboyantly written, in this reviewer's distinctive way.

LRB 21.7.2022 turns out to be an unusually bad, boring issue. Not a great sign when Wood at the movies is practically the best thing in the paper.

enjoying shippey as usual, this time on crecy: TS has a good grasp of cultural as well as political-military history across a great reach of period, and plus he likes to drop in as illustration an old-timey map of the battle which -- while amplifying a point the book under review makes which interests him -- also looks very extremely like tolkien's hand-drawn maps with its lettering and its forests made of lots of little hand-drawn trees, no way this wasn't deliberate

Tooze is great. surprised to see anyone confess to having once liked him

LRB 8.9.2022.

Helen Thaventhiran on Eliot: contains bad exaggerations and extrapolations about poetic sounds. General feeling remains that Eliot is over-indulged, ie: written about too much, as a subject, certainly in the TLS and in other like publications also. And I don't even dislike Eliot.

Collini on the Huxleys good.

Jonathan Parry on Clubs bizarrely spends its latter section talking not about clubs but about modern politics. Not very fair on the book or its author.

I admire Tom Stevenson's authority on military matters. He also seems politically sound and critical. I see that Verso will publish his LRB articles. Why would an LRB reader then buy that book?

This was a relatively good issue.

I am a bigger enthusiast for Michael Wood than anyone I know, and even I must admit that his review of BULLET TRAIN is unusually bad. Drifting, tonally awkward, it contains several climactic sentences that barely make sense.

Havent been reading much of these recently and I just can't summon up the energy to read anything in the current issue (44/18).

LRB 22.9.2022.

Florence Sucliffe-Braithwaite on London since 1960s: very standard stuff. The first sentence -'In the early 1960s, London was boring' - seems dubious. Any such claim needs a comparative frame - was Kings Lynn in the early 1360s more exciting? How about Greenock in the early 1660s? Or for that matter London in the 1760s? Even in a more limited frame I would expect historians now to talk about how 'the 1950s were in fact much more vibrant than we might assume', in which case the 1960s were probably not less vibrant. Further, any life can be boring, sadly, and any period might look boring, anachronistically, to a later observer. I lived in Norwich in the early 1990s and it would seem boring to many young people now - no mobiles, no Internet, most things shut on Sunday, no craft beer (but plenty of old pubs), no modern cafés. But this is not a very useful perspective to assess how it felt then.

I suppose after that first sentence the only way was up.

Ian Jack's article takes up much of the issue. Is anyone actually going to read it and find out what it really says?

Stephen Sedley on Sydney Kentridge, who defended the ANC in court: genuinely interesting and important topic.

Michael Hofmann on Jane Feaver: livelier than most of the issue.

I finished LRB 22.9.2022 by properly reading in full Ian Jack on the Ferries Fiasco, "so you don't have to".

The story is that two ferries were commissioned to sail between Scotland and the Western islands. They went over budget and over time and still haven't been delivered. It seems that people in the Scottish state signed off on flawed contracts when they shouldn't have.

That's about it. I see the waste of money, and the frustration. It's a relatively marginal story, in almost any sense, in that it pertains mainly to islands with small populations, so it's not something affecting millions of people every day -- except in the sense that lots of public money has been wasted. It's like a story about bus routes to Penzance in that sense. Not that people in Penzance, Oban, or anywhere, shouldn't have their rights protected by the rest of society and the state.

The story could probably be told in 1 page. Jack pads it out to 12 by reciting the entire history of seafaring around Scotland, the development of types of ship 100-200 years ago, and family history around particular small Scottish towns, especially Port Glasgow. He is correct to say that Scottish shipbuilding has an old romance, and even I am susceptible to it - it makes the article feel worth persisting with, for me, as one about Mexican or Chinese shipbuilding probably wouldn't.

Thank you for your selfless devotion to the cause

I enjoyed this.

truely no one I would rather read on Andrea Dworkin than @amiasrinivasan https://t.co/KNOxDlm3Se

— molly smith (@pastachips) October 7, 2022

found alex abramovich on annye c. anderson on her step-brother the blues guitarist robert johnson useful and exact, and very good (viz agrees with me) on the role of technology in the music -- i knew anderson existed, i saw her interviewed in a as i recall not especially great documentary made or anyway presented by john hammond jr back in the 90s. she already seemed tiny and tremendously old back then, and the interview treated her more as a marvel -- a survivor from the age of magic! -- than an important intelligent analytical witness, so it's good her story is now on paper and at thoughtful length

(of course it's the tale of how those who immortalised johnson also basically stole a great deal from him and his family, which i suppose is also somewhat the role of technology in music)

i like TJClark's writing abt art -- not least bcz it engages with the question "what are we doing when we write abt art" -- so his piece on poetry and painting (which i am halfway through) is also my kind of thing (i write abt music and worry abt i guess related questions)

a thing i did NOT expect him to do was to talk abt blake and wallace stevens and william carlos williams and then bring in ONE OF HIS OWN POEMS (abt a painting by cézanne): he in no way claims it's a good a or a successful poem, let alone comparable to its fellows in the essay, in fact he's using what he considers its failures (in hs own view) as a way into what other poets might be intending, but still OMG lol

I am *really* struggling with TJ Clark’s opening para. maybe because I think any intellect or intelligence I had is in the bargain bin now, as if i had suffered some sort of brain lesion, maybe because it’s been a long day, maybe because i’m not in the groove, but i don’t really get what a painting that did for poetry what poems do for paintings would look like (i think it would look very different to the painting to poetry route and may well be partly covered by images like Thomas Chatterton or Gottfried Kneller’s portrait of Pope).

ok i’ve talked myself through it now and will continue the article.

it has also produced for me an embarrassing moment which is that i have never read Marino Faliero, in fact hadn’t heard of it and had to look it up, and was horrified to see it was Byron someone i would have assured you i’d read reasonably comprehensively. I will be rectifying this weekend.

here is how much byron i have read: 0

:0

Don Juan is fun.

in the right mood.

the mood where you’re unlikely to be punctiliously irritated.

not a mood i’m in much these days but still.

i’m on the second sentence of the second para. having problems.

“There is no shortage of paintings derived from verse, often importing material (even mood and atmosphere) directly from the text”

even.

Not very keen on that article, though it's better than Clark usually is.

He's one of several people who has a license to write any old twaddle and see it in the LRB.

I have now read that entire issue, and started the one that starts with William Davies speculating about the future of controversial Chancellor K. Kwarteng.

the quote from Zbigniew Herbert in the Clark essay is v fine:

I felt I had waited an age for just this painter, that he filled a gap in the museum of my imagination I had sensed for a long time. It was accompanied by an irrational conviction that I knew him well and for ever … A road through a village, a ferry floating down the river, a hut among dunes – these are the typical subjects of Goyen’s paintings … Often the topography of his works isn’t clear: somewhere beyond the dune, on the bank of some river, at the turn of a road, on a certain evening … Canvases with no anecdote, loosely composed, flimsy and slim, with a weak pulse and nervous outline, they quickly leave their imprint on the memory. The eye assimilates them without any resistance … It was said he had the cheapest elementary props you can imagine in his studio: clay, brick, lime, pieces of plaster, sand, straw. From these leftovers, rejected by the world, he created new worlds.

now halfway through and despite what i still think is a very weakly held opening i think the essay is v strong indeed.

the moment where he quotes his own poem is indeed v amusing.

it’s actually a little bit of a shame because the quality of the quotation in the piece generally is extremely high and part of its value. but this is not a v good poem, and the essay sinks like soufflé in the middle because of it.

At one level the point is simple. We don’t expect systems of representation to replace one another

ffs this should be the first sentence of the essay!

what an extraordinarily uneven essay.

slightly irritated by his reading andrea del sarto but forgiven for the excellent opening quote from How It Strikes Contemporary

Well, I never could write a verse, — could you?
Let’s to the Prado and make the most of time

clearly Atocha Station’s left luggage wasn’t closed that day *otherwise i wdve gone earlier this year*

LRB 6.10.2022.

Tom Stevenson on COMMAND and military history. I have remarked before that TS is a remarkable find for the LRB; a significant gain. He seems to be someone with profound, detailed knowledge of military practice who is also progressive and intelligent. This essay seems to me the most important and impressive part of the issue. In his off-beat focus on the UK defence / academic establishment, TS here comes uncannily close to ... Perry Anderson in his long conspectus AMERICAN FOREIGN POLICY AND ITS THINKERS (2014 I think). He even writes: "The British defence intelligenstia has an endorheic quality" - in a sense, the most PA sentence not my PA that I have read for a long time. (I still don't know what "endorheic" means.)

Miranda Carter at Westminster Abbey: not very interesting but does convey the sense that it's a kind of museum.

Daniel Soar on McEwan: for much of its length this is an excellent, incisive, critical treatment of an author about whom much has already been said. But it has one major flaw, which is that the novel evidently strongly features a kind of abuse (an older woman developing a sexual relationship with a boy), which is a very serious subject to say the least, and Soar makes light of it.

Alex Abramovich on Robert Johnson: I note that AA is writing with Courtney Love having previously co-edited a terrific Robert Sheckley collection with Jonathan Lethem. As Mark S has already observed, this is a very interesting review about the memories of Robert Johnson's surviving step-sister.

Clare Bucknell on Maggie O'Farrell's THE MARRIAGE PORTRAIT: the book sounds remarkably predictable and dull; CB is uncritical.

T.J. Clark: discussed above: better than his usual over-indulged rambling, but still rambling. Mark S was correct to note that the hair-raising moment in the article is when TJC, analysing poems, says "and now I'll analyse one of my own poems". The spiral of self-indulgence here is perhaps beyond parody and out the other side. But the final analysis of Ciaran Carson is actually not bad.

Blake Morrison on TOMB OF SAND: the novel sounds absolutely atrocious. I used to read books like that, I hope I won't again.

Nicholas Penny at the Wallace Collection: manages to be insulting about both Disney and Duchamp; fails to register the work done by others showing old connections between Disney and modernist thinkers.

I did read all the other articles, except the first one, but don't have enough to report on them.

jumping in here to say the "space snooker" squib in the 20.10.22 issue is wildly my jam, since its abt large rocky debris in and out of space, and what to do abt it: "there is no reliable record of anyone being killed by a meteorite strike" writes chris linott. well only a few days ago i was googling "people killed by meteorites", with a view to starting a thread about it (another and a dinosaur-light thread)

anyway i found nothing that challenges the quoted claim -- though what's interesting about it is p much that what's actually unreliable is whether or not an object that certainly seems to have killed people can be known to be a meteorite (and not some other much more mysterious whatever): viz the deathtoll of the tunguska event is often placed at just 0-3, so ok, if it was indeed three (and i believe local lore now suggests it was somwhat more than three), the issue is wtf caused it? if it wasn't an alien spaceship made of anti-matter and powered by anti-gravity cocking up its trajectory thru the middle of the earth (as some argue) or an igniting gas-mud bubble or undiscovered volcano (two other suggestions), well, it was p likely a precursor to nearby* chelyabinsk?

*nearby in cosmic terms

also the LRB piece doesn't mention ann hodges of sylacauga, alabama, clattered on the thigh as she slept on the couch by a 1954 bolide that had just smashed her ceiling and her radio

plus there's clear tales of sailors killed at sea by mysterious falling rocks (which yes, actually might have been ejected from volcanoes near the ship's route) and back in the deep past in china (twice) and in israel-palestine (once) there were colossal high-heat explosions over cities that killed enormous numbers and, well, yes maybe the chinese ones were the gunpowder shed blowing up at an unfortunate time and the one near the red sea (= possible inspiration for sodom and gomorrah), whichvitrified fortified walls and salted and for centuries rendered infertile the landscape with the water it churned up… i mean it might not have been a meteorite

anyway the piece is cheerfully and chattily sciencey and compact, has a nice photo of an asteroid we just blew to pieces, and veers well away from all my diseased speculations and fascinations…

I finished LRB 22.9.2022 by properly reading in full Ian Jack on the Ferries Fiasco, "so you don't have to".

The story is that two ferries were commissioned to sail between Scotland and the Western islands. They went over budget and over time and still haven't been delivered. It seems that people in the Scottish state signed off on flawed contracts when they shouldn't have.

That's about it. I see the waste of money, and the frustration. It's a relatively marginal story, in almost any sense, in that it pertains mainly to islands with small populations, so it's not something affecting millions of people every day -- except in the sense that lots of public money has been wasted. It's like a story about bus routes to Penzance in that sense. Not that people in Penzance, Oban, or anywhere, shouldn't have their rights protected by the rest of society and the state.

The story could probably be told in 1 page. Jack pads it out to 12 by reciting the entire history of seafaring around Scotland, the development of types of ship 100-200 years ago, and family history around particular small Scottish towns, especially Port Glasgow. He is correct to say that Scottish shipbuilding has an old romance, and even I am susceptible to it - it makes the article feel worth persisting with, for me, as one about Mexican or Chinese shipbuilding probably wouldn't.

― the pinefox, Tuesday, October 4, 2022

https://www.theguardian.com/media/2022/oct/29/ian-jack-guardian-columnist-and-former-granta-editor-dies-aged-77

It's a pity I didn't notice this in the paper, and maybe no-one here mentioned it, as it is, naturally, sold out.

https://www.eventbrite.co.uk/e/perry-anderson-and-john-lanchester-on-anthony-powell-v-marcel-proust-tickets-430925669277

Pretty much the ultimate ILB LRB event.

massive lol. the idea of proust being a 'touchstone' for lanchester is making me bounce up and down in my seat.

he dunked the sweet sponge-like confection his housekeeper had bought from the local bakery, where they sold a variety of bread and cakes and also pastries for people to buy who were on break for lunch from work, into his mug of tea. Memory is what it was, he thought, as he munched on the soft crumbs.

I would probably have a heart attack at this event.

another big lol. presumably we can attend remotely? i think you should attend. hire a defibrillator.

I don't think any remote link is involved. But surely it will be recorded.

LRB 20.10.2022.

William Davies first up with a topical analysis which was quite good, but rendered out of date almost by the time it was published, because of the absurd speed of UK political and economic news lately.

James Vincent on Dylan Mulvin on 'proxies': this became puzzling as the supposed 'proxies' were too diverse and didn't really all seem, especially, to be 'proxies'.

Rosa Lyster on IRA art thief Rose Dugdale: a colourful story I didn't know, but surprised to see an IRA activist and fundraiser of the 1970s and 1980s, who organised and funded bombings, described as heroic.

John Kerrigan on Irish studies, via the film BELFAST. I happen to know this area quite well, have read much of the early Seamus Deane work referred to. I think Kerrigan is correct to express some scepticism about Deane's judgments (important critic but never my favourite in the field). The descriptions of later Irish Studies become quite dreary, though - an academic field seemingly just going through the kind of fashionable evolutions for the sake of it that such fields do. Kerrigan's tone isn't really steady and consistent enough (it's too journalistically polemical, ironic, snide and under-evidenced) to give us a balanced view of what's good and bad in all this. And he ends up for some reason with a dreary, slightly contrarian restatement of the rights of NI Protestants. Maybe he should think more about the politics now being delivered or undelivered on their behalf.

Eric Foner on C. Vann Woodward: I learned things here, about this liberal historian of slavery who ended up more politically ambiguous. I don't think I'd ever heard of him. The article is careful and judicious, rather than journalistic in the bad way I just mentioned.

Charles Glass on Henry Kissinger: strong indictment of Kissinger's actions and how they led to violence. Good personal element with Glass disagreeing with an old contemporary (the author reviewed) from 50 years ago.

Susan Pedersen on conscientious objectors: a good under-referenced topic. Pedersen quite even-handed on the ethical paradoxes that may be involved in their stance.

Adam Mars-Jones on Hernan Diaz: superb takedown based on close reading and structural critique. I've read it twice and loved it. No-one now does this as AM-J still does.

Chris Lintott on 'space snooker': I share Mark S's appreciation. Very appealing subject.

Long Ling on China: it's odd that this author is some kind of Communist Party member or even official, as her articles always make China sound terrifying and dystopian, even when you read them in BJ's / Truss's / Sunak's Britain.

oh i must read that long piece - i’ve enjoyed articles in the past. the recent unfortunately paywalled piece in the ft on their shanghai corespondent being put in “close contact” covid quarantine is excellent and has a similar feeling of dystopia, probably for good reason.

long ling. confusing.

The Long (Ling) Read.