― Dale the Titled (cprek), Friday, 27 February 2004 15:12 (twenty-two years ago)
The history aspect has been fascinating, as well as knowing exactly where all the horse farms are. Plus, many of the crooked politicians and old-money horse farmers have descendents that are in public office today.
― Dale the Titled (cprek), Friday, 27 February 2004 15:17 (twenty-two years ago)
― eleni (eleni), Friday, 27 February 2004 18:37 (twenty-two years ago)
Also, if anyone is into NYC history, you shold read Forever by Pete Hamill.
― miss lara (MissLara), Friday, 27 February 2004 18:57 (twenty-two years ago)
I think there was a Neil Gaiman story set here, and American Gods has lots of Wisconsin stuff in the House on the Rock chapter (to the point that my girlfriend and I actually drove there using directions from the book). There must be more though.
― Jordan (Jordan), Friday, 27 February 2004 20:06 (twenty-two years ago)
― DV (dirtyvicar), Friday, 27 February 2004 21:36 (twenty-two years ago)
― David Nolan (David N.), Saturday, 28 February 2004 00:54 (twenty-two years ago)
― SJ Lefty, Saturday, 28 February 2004 04:32 (twenty-two years ago)
― adam (adam), Saturday, 28 February 2004 16:40 (twenty-two years ago)
― Ann Sterzinger (Ann Sterzinger), Sunday, 29 February 2004 01:28 (twenty-two years ago)
― tokyo rosemary (rosemary), Sunday, 29 February 2004 07:35 (twenty-two years ago)
Val
― Val Phillips (valpal), Monday, 1 March 2004 21:09 (twenty-two years ago)
― James Ohn, Wednesday, 3 March 2004 15:56 (twenty-two years ago)
“I Sit And Listen To Gillian Welch As The Sun Rises” was going to be the tile of a poem I had stringing through my mind, until I realized I was actually sitting on my couch listening to bluegrass as the sun was poking through the blinds. It took me a while longer to remember I’m not a poet, but by then it didn’t matter. The song had already worked its way through me, and I was watching the sunlight catch and grow through the room. And it was simply following the music which had been spreading from corner to corner of the house since I had wrapped up my work an hour or two earlier, a disastrously productive late night. But sometimes my work, like the songs we listen to, are lonesome and require silence to complete. I forget who described the early Kentucky wailers as carrying that “high, lonesome sound,” but they knew what I’m describing here. It happens every morning, though we let it go. It’s even too early for the birds; just a low, soft light across the fields framing the dark silhouetted trees in the neighborhood like veins, a shadowed aortal flow. There are no mountains here, but the same silences exist. All the earth shares in the vacancy of first light. I wish what I had to say was from poetry. I wish I had time to fold, spindle, mutilate words to match what I’d like to say all day. Even greater, I wish I knew what to say. But then, what I listened to this morning was evidence that people do. Perhaps a few others. And as Saturday morning occurs here across Ohio I sit and watch Gillian Welch and Emmylou Harris sing a tune older than the couch I’m sitting in, older than Scout or myself and half the people in this neighborhood, and I’m drawn into thinking about how old things really are, and how long it takes people to really write what should be said about the oldest things. And don’t you know, darn it, but the birds started their first songs as I wrote this? The light pours through my windows now, all of them golden and alarming. I should go to bed. And I’m glad I got my work done, for one, but I’m even happier that I was able to be here and witness this dawn, which we so rarely see, full of music. And I’m glad for this old couch. And my dusty drapes. And I’m glad some old coot grabbed his gitbox one day in the backwoods smokey hills of Tenneseee years ago and slung his voice skyward. He too, like these dawnbirds, simply had something to say and voiced it low, high, and then quite seriously, into song.
― McDowell Crook, Saturday, 6 March 2004 14:13 (twenty-two years ago)
― Natalie (Penny Dreadful), Saturday, 6 March 2004 22:46 (twenty-two years ago)
― Moti Bahat, Friday, 26 March 2004 18:01 (twenty-two years ago)
― Vermont Girl (Vermont Girl), Friday, 26 March 2004 20:13 (twenty-two years ago)
But there are loads of books cashing in on London geography and mythology innit.
― Liz :x (Liz :x), Monday, 29 March 2004 10:53 (twenty-two years ago)
Perhaps this thread should be renamed, Books set in the pub you live in.
― Mikey G (Mikey G), Monday, 29 March 2004 10:57 (twenty-two years ago)
― Archel (Archel), Monday, 29 March 2004 11:21 (twenty-two years ago)
― Mikey G (Mikey G), Monday, 29 March 2004 13:00 (twenty-two years ago)
― mookieproof (mookieproof), Monday, 29 March 2004 14:27 (twenty-two years ago)
― The Huckle-Buck (Horace Mann), Monday, 29 March 2004 17:28 (twenty-two years ago)
― Markelby (Mark C), Thursday, 1 April 2004 13:46 (twenty-two years ago)
Mark Helprin's "A Winter's Tale," which, daft as it is, convinced me at 15 that I had to live in New York someday. The book has some dubious poetic pretensions, but some of the sections (the battle between the two newspapers, the winter carnival) are pretty marvelous.
And Jonathan Lethem's "Motherless Brooklyn" has several scenes (including the opening) set smack dab in my neighborhood. His description of the Papaya King at 86th & Lex. is dead on.
― spittle (spittle), Thursday, 1 April 2004 20:46 (twenty-two years ago)