Girl mechanic, whom everyone seems to mistake for a boy, named Jo[sephine] wishes she was like 'normal' girls. She pieces together junkyard scraps in the shape of a person, which subsequently gets electrocuted and comes to life. She teaches robot, Galahad, how to read and he learns to communicate through a speak-n-spell.
Fine. That's all fine and I can flow with the story. When reading a story like this (or sci-fi or fantasy), one must let go of reality as one knows it and accept that these things happen.
I started having borderline angry feelings when the popular girls she wants to hang out with pick on her for reading. When one girls asks what she’s good at and Jo replies “fixing cars,” the other girl says, “No, that’s not what I mean. … You have really nice skin. People would kill for skin like yours. Let’s go with that.” I’m rolling my eyes, like where are these girls from? It was total bullshit.
Suffice it to say the end of the books gets “out of control.” Her drunk-ass policeman father comes home to rape her at gun point, Galahad rescues her, Jo and Galahad are about to drive out of town when her father catches up with them, a fist-fight ensues between father and daughter, other cops arrive and arrest Jo for assaulting an officer (her father, who was punching her lights out in front of them), father sets the auto garage and Galahad on fire, Galahad escapes, tries to bust Jo out of jail, Jo’s father tells her he’ll shoot her of she leaves, Jo says “go ahead”, father ends up shooting Jo’s mother, Jo shoots out both her father’s kneecaps and hand, drives off with Galahad in stolen police car, get stopped on bridge, sniper in helicopter shoots Jo’s shoulder, Jo whimpers about not wanting to die, Galahad grabs helicopter and smashes it into bridge, Jo and Galahad sink to the bottom of the river. Everyone assumes Jo died (she didn’t) and she starts a new life somewhere else.
And the artwork was sufficient but not the greatest. In the first chapter of the book, it looks as though Marvit draws Jo a different face in each panel. And the emotion attempted to be conveyed though Galahad’s eyes weren’t nearly expressive enough. I never knew whether he was confounded, curious or complacent.
This is a WARNING not to spend the $36.00 on this. And I notice that the stinkin’ price just went down on Amazon to $28.76. Seriously, that’s still too much. If anyone wants my copy bad enough, I’ll mail it to you. In FACT, I think we should all pass it around and leave comments in the book about how shitty it is.
― Vermont Girl (Vermont Girl), Wednesday, 3 March 2004 13:39 (twenty-one years ago)
― Jordan (Jordan), Wednesday, 3 March 2004 14:26 (twenty-one years ago)
― sally (sally), Wednesday, 3 March 2004 16:57 (twenty-one years ago)
― pepektheassassin (pepektheassassin), Wednesday, 3 March 2004 17:49 (twenty-one years ago)
― Leee the Whiney (Leee), Wednesday, 3 March 2004 18:26 (twenty-one years ago)
― McDowell Crook, Friday, 5 March 2004 06:00 (twenty-one years ago)
(I’m not sure what your reading tastes are, so check out the titles below and see which one suits your taste.)
Neil Gaiman: The Sandman series; Murder Mysteries; The Books of Magic (which everyone knows Harry Potter was stolen from)
Jason: The Iron Wagon; Sshhhh!
Hayao Miyazaki: Nausicaa of the Valley of Wind (4 vols)
Daniel Quinn: The Man Who Grew Young
Alex Robinson: Box Office Poison
Marjane Satrapi: Persepolis
Art Spiegelman: Maus
Craig Thompson: Blankets; Good-Bye, Chunky Rice
Adrian Tomine: Summer Blonde
Brian K. Vaughan: Y: The Last Man (vol 1 and 2 in trade paperback)
Chris Ware: Jimmy Corrigan
That should be enough to get your going. Graphic novels can be fantasy, sci-fi, every-day, funny, sad... Basically everything you can get from books plus something you can't: artwork and illustrations.
― Vermont Girl (Vermont Girl), Friday, 5 March 2004 14:10 (twenty-one years ago)
― McDowell Crook, Friday, 5 March 2004 18:09 (twenty-one years ago)
Geek Love is neither a graphic novel nor is it bad.
The worst graphic novel I've read was the first Sin City compilation. I decided I just hate Frank Miller's macho BS and his art looks like crap scribbled by the psychotic kid in high school.
― anthony kyle monday (akmonday), Friday, 5 March 2004 18:12 (twenty-one years ago)
― Vermont Girl (Vermont Girl), Friday, 5 March 2004 19:43 (twenty-one years ago)
― Leee the Whiney (Leee), Friday, 5 March 2004 22:24 (twenty-one years ago)
― pepektheassassin (pepektheassassin), Sunday, 7 March 2004 04:47 (twenty-one years ago)
Incidentally the first Sin City compilation is an amazing work (at least on the drawing side). Miller does the entire thing in the completely high-contrast, famous "black blobs on white space" style that's so popular right now and looks vaguely like a photocopier with extreme settings. The drawing style (which somehow manages to imply three dimensional space without any crosshatching or color) at once continues the spatial imagination of Will Eisner (the scene with the cops running upstairs is just like the cover of an issue of THE SPIRIT) and the inking of Eisner and Will Elder--but at the same time subverts conventional comics style with an aggressive, can't-instantly-tell-what-it-is use of negative space.
Yeah and stuff.
Does anyone have any recommendations on regular titles? Grant Morrison has finished everything I like and I'm down to just getting X-statix which is fun, nice to pass the time, but which am not terribly impressed by.
― Ken Chen, Tuesday, 9 March 2004 00:47 (twenty-one years ago)
And this board Ken.
― Leee the Lee (Leee), Tuesday, 9 March 2004 06:00 (twenty-one years ago)
― Vermont Girl (Vermont Girl), Tuesday, 9 March 2004 15:52 (twenty-one years ago)
All amazing (save the last which is just real good)
― Moti Bahat, Thursday, 25 March 2004 21:16 (twenty-one years ago)