Rolling Comic Books 2020 Visions

Even among big Star Wars fans I doubt many read much of the novels.

Ok, I just caught up with Snyder's Justice League, Year of the Villain - Hell Arisen, so I could be up to speed with Death Metal. These books contradict each other and it makes so little sense. Often they ignore each other - not to mention the Bendis/Superman-verse with Event Leviathan which was/is also happening at the same time? And the Batman/Superman title, which focuses on the Batman Who Laughs' infection plot, which is then stupidly resolved at the end of Hell Arisen. DC's editorial department has really gone to shit! (The Tom King run on Batman ignores virtually all of this as well, but I feel like this kinda thing has become standard procedure for Batman; see Batman Inc./New 52.)

Still, I do admit I like that Snyder is willing to goof it up with these ideas for the sake of fun - I mean, Jarro alone made his JL run much more enjoyable. And Death Metal looks like it's going to be more of the same silliness as Dark Nights, and I am down for that.

Realizing also that both Marvel and DC did that weird thing again where they came up with similar ideas around the same time (Justice League's Perpetua arc has a lot in common with Jason Aaron's ancient Avengers/Celestials storyline, though I'm further behind on that one, plus that one added vampires for some reason.)

https://publicdomainreview.org/collection/night-parade-of-one-hundred-demons

DC's editorial department has really gone to shit!

― Nhex, Sunday, June 28, 2020 9:00 AM

Isn't it better when they give up trying to coordinate all the storylines?

https://www.comics.org/issue/407300/cover/4/

Felipe Smith interview at Kayfabe isn't finished yet (there's a third part forthcoming) but there's some great stuff in there. I knew most stuff about the manga industry but the sheer extent of the stress, health concerns and constant meetings with editors is incredible; I didn't know original art wasn't a real commodity and that some people have such a better life in doujinshi that I wonder why most people wouldn't prefer to work in that (you can make a good and legal living off fanfiction comics; if you can do Ninja Turtle sex comics for a big audience then are DC and Marvel characters viable?)
He said one Doujin author more or less laughed off an offer from a big time publisher because why would you want horrible deadlines and an editor as co-writer? I can only guess the main incentive not to doujin is you probably wont get a multi-media hit.

Smith's editor was amused shaking his head at the violence in Peepo Choo and Smith says that this is the country that shocked the rest of the world with things like Fist Of The North Star and the editor replied that that level of violence is mostly from a bygone era in manga.

Maybe I should check if Berserk gradually decreases the violence.

I knew that Berserk removed a chapter from the collected edition because it was deemed too much of a spoiler but Piskor says something like 100 pages were removed from the collected version of Akira.

Huh? Why was that?

I think he just wanted to omit and re-do some stuff because it was important to him. Apparently changes are made fairly often if the author has time to make these changes.

And the doujinshi printing services sound like a dream. It's not difficult to get all different kinds of paper and binding.

So glad I was reading Marvel and DC before all this online culture wars shit, it just looks like it would have sucked the joy out of everything.

anybody read Lewis Trondheim's (written not drawn) Infinity 8? I picked up a random issue and it seemed good, Dungeon-ish (in terms of complexity, not humor)

i've been waiting for enough backlog of it to give it a serious go; i think it's at issue #22 or so now? Probably ripe!

Read the first couple issues of Matt Fraction's Adventureman; it's just OK so-far storywise, but I might stay on just for the Dodsons' art.

Junji Ito's Lovesickness coming in April

I'm impressed how thorough the database is becoming, still a lot of smaller creators I can't find but there's even serialized magazine listings for the bigger creators.
Didn't realize the Violence Jack was quite long. I liked the look of some of this I've seen years ago but I've come to assume all the best Go Nagai art has a lot of help from assistants.
https://comicvine.gamespot.com/violence-jack/4050-48159/

https://i.imgur.com/EeKnCKc_d.jpg?maxwidth=640&shape=thumb&fidelity=medium

Just tried to read some graphic novel called Gang of Fools which is so bad I'm about to give up. (It takes a lot to get me to that point) Like, I get that it's fun to make a crazy alternate world and skip around a lot with the edgy characters/settings/dialogue, but the artwork is so bad it's unreadable at points.

infinity 8 is fucking amazing btw

Kurt Busiek is sort of producing a series of Marvels-themed one-shots called Marvels: Snapshots, each focusing on a different hero and done by a different creative team, covers by Alex Ross. This is sort of to hype up his new ongoing The Marvels series. Pretty slept on, though I'm sure they'll be collected when finished.

(Not to be confused with the also Busiek-related Marvel #1 one-shot, or the Marvels X series which is a prequel to Earth X, sheesh. All of these have Alex Ross covers for maximum confusion.)

They've all been pretty decent, but this one I just read was great - Marvels: Snapshots - Captain America #1, written by Mark Russell. Taking place in grimy old '70s NYC, focuses on a young black man whose life gets altered when a supervillain "madbomb" attack causes massive violence throughout the city. The other boroughs get "fixed", but not the South Bronx, and his neighborhood and family business go to ruin. As a result, the kid loses out on college and he ends up joining AIM to make ends meet. Good story. (Bleeding Cool review here, to see about half the issue.)

Never read any Ito. Anywhere good to start?

Uzumaki, probably.

Fanta's virtual comicon schedule

Thursday, July 7/23, 4:00pm — Teaching and Making Comics
Ebony Flowers (Hot Comb), Roman Muradov (Vanishing Act), Trina Robbins (Flapper Girls), and Sophie Yanow (The Contradictions) are four vital cartoonists who have taught classes on comics themselves. They speak with James Sturm (Off Season) about their teaching philosophy, and how teaching has transformed their perspectives on the comics canon and their own work.
YouTube: https://youtu.be/I6A6OT1xr6U

Friday, July 7/24, 11:00am — TragiComics
Tom Gauld (Department of Mind-Blowing Theories), Simon Hanselmann (Bad Gateway), John Pham (J & K), Walter Scott (Wendy, Master of Art), and Rikke Villadsen (Cowboy) tackle complex subjects–and they are funny doing it! These five cartoonists speak to Graeme McMillan (The Hollywood Reporter) about how they use humor to process and respond to the difficulties and oddities of life.
YouTube: https://youtu.be/UuQ66Yw7Td0

Friday, July 7/24, 2:00pm — I Am Not Okay With This: From the Page to the Screen!
Cartoonist Charles Forsman (I Am Not Okay With This, The End of the F***ing World), director Jonathan Entwistle (I Am Not Okay With This, The End of the F***ing World), and actor Wyatt Oleff (It, I Am Not Okay With This) trace the evolution of the critically-acclaimed Netflix series I Am Not Okay With This back to its beginnings as an original graphic novel! Moderated by the book’s editor and Fantagraphics associate publisher, Eric Reynolds.
YouTube:https://youtu.be/RhgZSUbXJE8

Saturday, July 7/25, 12:00pm — Spotlight on The Cloven: With Garth Stein and Matthew Southworth
This panel will spotlight the debut sci-fi graphic novel collaboration by author Garth Stein (The Art of Racing in the Rain) and cartoonist Matthew Southworth (Stumptown). These two pacific northwestern creators have teamed up to create a one-of-a-kind story steeped in its Seattle roots. The Cloven: Book One is the first installment of this dynamic, atmospheric, and wryly funny graphic novel trilogy by two bestselling and critically acclaimed storytellers. Moderated by the book’s editor and Fantagraphics associate publisher, Eric Reynolds. YouTube: https://youtu.be/KQ-qOo1rGZw

Saturday, July 7/25, 6:00pm — Fantagraphics and IDW: Classic Comics Reprints
Classic comic reprints give readers of all ages a chance to read comic classics in new and exciting ways. Join moderator Karen Green (curator for comics and cartoons, Columbia University’s Rare Book & Manuscript Library) and panelists Dean Mullaney (The Library of American Comics creative director), Peter Maresca (founder and publisher of Sunday Press), and Eric Reynolds (Fantagraphics associate publisher) for a celebration of comic classics.
YouTube: https://youtu.be/7hoB7LgbjMU

Sunday, July 7/26, 6:00pm — Masters of Style: Woodring, Fleener, Muradov and Hernandez
The diverse but instantly recognizable styles of master cartoonists Jim Woodring (The Frank Book, Poochytown), Mary Fleener (Life of the Party, Billie the Bee), Roman Muradov (Vanishing Act), and Gilbert Hernandez (Love and Rockets) inspire many admirers and imitators. Join them for a discussion of line, color, abstraction, and the choice to hone (or not to hone) a single visual style of the course of a comics career. Moderated by Fantagraphics publisher Gary Groth.
YouTube: https://youtu.be/2ybAhDDsMvQ

https://hermespress.com/products/ditko-shrugged-the-uncompromising-life-of-the-artist-behind-spider-man-and-the-rise-of-marvel-comics-pre-order

I just found out about this. I'm very skeptical I'll learn much from it (and why so expensive?) but the decade worth of correspondence, new interviews with various creators and family involvement are probably enough for me.

This from the amazon page

“WALLY WOOD AND STEVE DITKO GOT ON WELL BECAUSE THEY SHARED A MUTUAL HATRED OF STAN LEE” - RALPH REESE

Ooft, shipping to the UK as expensive as the book.

Hideousness of the computer colours aside, lol that they have a special zoom-in function so you can see the super-janky zaggies on the terrible scan.

The cover on amazon has different coloring so I'm guessing one or both of them is not the final cover.

Also: it's only 208 pages, so where is the cost coming from? Maybe all the letters are scanned? I might wait for reviews before I jump.

https://comicsdc.blogspot.com/2020/07/quarantining-coronavirus-through-comics.html

https://www.hollywoodreporter.com/heat-vision/dc-comics-dc-universe-hit-by-major-layoffs-1306743

^^ Pulled out of Diamond altogether, switching all their periodical distribution to two mail-order companies, no international distribution to comic shops.

In normal times, this would definitely be a case of pointing and laughing when, like Heroes World, the plan flops. This seems so much more speedily doomed to failure that the only thing that makes sense is that it's intended as a strongarm move to get better terms out of Diamond.

However, decisions from DC that make sense have not been a core business strategy for about the last 15 years.

― an, uh, razor of love (sic), Saturday, June 6, 2020 9:27 AM (two months ago)

This went well, then.

AFAICT they are (at least in part) paying for the sins of HBO Go? Such fun to be part of a big corporate family!

There was an interesting post about this from the comics writer/researcher Peter Sanderson on his Facebook page:

Back in the 1980s Warners apparently toyed with the idea of shutting down DC and outsourcing the publishing rights to Marvel. I was in a Marvel editorial meeting at which we discussed which DC titles we should publish if we got the rights. (I pushed for a "New Gods" book.) Now I wonder if it might come to the point that AT & T decides to outsource the comics publishing rights to DC characters. But who would get them? Marvel? IDW? Dark Horse? Would some characters end up at one company and other DC characters at another?

Shooter had a very brief opportunity to buy DC outright IIRC? And decided against it?

http://jimshooter.com/2011/08/superman-first-marvel-issue.html/

Ahh, yes. Thank you for that.

LOL, of course Shooter decided that one of the seven launch titles would be LOSH.

Wow, so it didn't happen because Marvel was fighting off an anti-trust lawsuit at the time. It would've been mindblowing to my child self to see that happen, I remember having such an interest in that X-Men/Teen Titans crossover story.

That story is incredible! I didn’t know DC was in such dire straits back then.

I dunno if they were in unusual dire straits, so much as adapting to shifting their business to full-sale instead of sale-or-shred - 1984 would have been the time of the first Baxter books, with New Teen Titans experimenting with One Year Later vs LSH trying out parallel stories on the newstand. Crisis was already in prep, and their creative renaissance was ramping up solidly by 1985.

A big boss at Warner Communications would probably have just been looking at some balance sheets, and not giving any shrift to. effectively, a brand new retail channel.

of course marvel filed for bankruptcy in the 90's
https://www.washingtonpost.com/archive/business/1996/12/28/marvel-entertainment-files-for-bankruptcy-protection/73bb4597-3076-48eb-a113-1b5f8e654a6a/

that was because Perelman bought it for $80million and then ran up $700million debt on toy companies, sticker companies, trading card companies and... pulling out of the distribution market and attempting to run their own distro through a too-small shell company. HMMM

if DC hadn't done their version during a pandemic, they probably would have tried to open a national chain of DC Universe toy shops / theme restaurants as well

DC appointing a new General Manager from the eSports division instead of an Editor-in-Chief, starting Friday 18th September

the Director of Publishing Operations, a 28-year veteran of DC (one of their longest employees) is among the fired, and those laid off are required to work 2-3 months notice.

Odds on print publishing being shut down by Christmas?

No one with any decision-making ability has had any idea what to do with DC in a very, very long time.

Or, well, I guess driving the whole thing into a wall at top speed is a decision of sorts.

a very, very long time

it's only eleven years since Nelson replaced Levitz.

I guess that might feel like a very, very long time if I'd bought more than a dozen or so DC comics in that period tbf

It feels like a very, very long time to me BECAUSE I've only bought a (few) dozen or so DC titles in that period.

waitasec, Batman Inc. ran until 2013, I bought a few dozen too

Hope they at least finish Dark Nights: Death Metal