Post Here When You Consider Getting Off The Weekly Bandwagon

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Yo.

David R. (popshots75`), Wednesday, 10 January 2007 21:04 (eighteen years ago)

is this about 52?

Huk-L (Huk-L), Wednesday, 10 January 2007 21:33 (eighteen years ago)

haaaaaaaaaa

David R. (popshots75`), Wednesday, 10 January 2007 21:35 (eighteen years ago)

Mostly I'm pretty happy that I can't get on the bandwagon. (Well, it would be really inconvenient.)

do i have to draw you a diaphragm (Rock Hardy), Wednesday, 10 January 2007 22:13 (eighteen years ago)

I think this is me. Though does it count if you read some CBZs, etc, while waiting for the trades? About the only one I'm still buying in floppy format is 'Y', because I've been getting it that way from the start and it's almost over.

James Morrison (JRSM), Wednesday, 10 January 2007 22:24 (eighteen years ago)

What I'm still buying in floppies:

Y - winding down, yes?
The Red Star - ha ha ha
Astonishing X-Men - not long too many left.
Morrison Batman - Is this a fixed-term thing, like for a year? Does the fill-in stuff come out of that or not?
She-Hulk - This I will buy until the stars go out.
All Star Superman - See Astonishing X-men.
Nextwave - See She-Hulk.

I'm already at the point where I don't go to the shop every week.

Dead in the last year(ish): Lucifer, Planetary, 7 Soldiers, Powers, Hellblazer, Tom Strong

But basically I'm going to be reading comics for as long as Grant Morrison writes them.

Andrew Farrell (afarrell), Wednesday, 10 January 2007 22:46 (eighteen years ago)

There is a lot of stuff that I enjoy in CBR, but not enough to get in paper: Atom, Birds of Prey, Blue Beetle, Cable & Deadpool, Daredevil, Heroes For Hire, Irredeemable Ant-Man, Shadowpact, Ultimate X-Men, X-Factor.

Collect as trades only: Ultimates (though I should add Runaways, Young Avengers)

Should start buying in floppies: American Splendour, Criminal.

Andrew Farrell (afarrell), Wednesday, 10 January 2007 22:55 (eighteen years ago)


Stuff I buy in single issues:

Mark Martin's Runaway: shop doesn’t get, buy from Fanta every two years
Tales Designed To Thrizzle: see above
Shaolin Cowboy: comes out three times a year?
Super Fuckers: comes out once a year
Peep Show: comes out every five years
Optic Nerve: comes out every two or three years
Flaming Carrot: averages out to about once every two years over the last 15?
All-Star Superman: comes out every three months
Treehouse Of Horror: comes out once a year
Dork: comes out once in four years
League Of Extraordinary Gentlemen: averages about one a year?
Hate: supposed to be annual, has slipped
Apocalypse Nerd: just about twice a year
Conversations: once every two years?
Following Cerebus: I think this is at about thrice yearly
that new Gumby comic by Burden and Geary: shop doesn't get, will maybe buy however many issues have come out once a year from Mile High or something
Sock Monkey: about one a year on average
whatever Ariel Shrag's current comic is called, I think there are three issues so far but it's been three or four years since the last one and the shop only bothered to get #2 despite standing order but what the fuck, let's count it
do Mome or Kramer's Ergot count? one's quarterly (?) and one's once every year or two. Don't buy them from comic shop though so probably not relevant
The Comics Journal is every six weeks or so, the most regular thing I get. But I order it at bookshop.


Do I count as being on the bandwagon or not?

week-mongrel (kit brash), Thursday, 11 January 2007 05:30 (eighteen years ago)

Oh, you're fine.

I think the only true culprits here are aldo & I (tho I actually am bi-weekly, because I have my fix mailed to me). Tho if Huk's still reading Green Lantern...

David R. (popshots75`), Thursday, 11 January 2007 14:31 (eighteen years ago)

I have cut right back since my local shop got a bit of fright and cut back to just ordering (more or less) for pull lists. Obv "cut right back" is a proportional thing.

aldo_cowpat (aldo_cowpat), Thursday, 11 January 2007 14:36 (eighteen years ago)

I like single issues! They make me happier than trades ever will.

M Perpetua (mperpetua), Thursday, 11 January 2007 17:37 (eighteen years ago)

I kinda like my weekly Wednesday comic shop run. I don't know how many of you work from home, but I definitely look for excuses to run errands in order to break up my day and leave the house.

M Perpetua (mperpetua), Thursday, 11 January 2007 17:39 (eighteen years ago)

Definitely. (even thought I don't work exclusively from home, the job I go out to do takes me to the nastiest part of town, nay, the nastiest part of the country, so it's nice to have a nice, frivolously bourgeois thing to do once a week like go to the comic shop. Especially since on my days when I don't go into work, I generally don't get more than three blocks from home, to pick up cigarettes and papusas.)
AND I AM STILL READING GREEN LANTERN.

Huk-L (Huk-L), Thursday, 11 January 2007 17:48 (eighteen years ago)

Oh, you're fine.

But does that mean I'm on or off?! I'm not planning on dropping any of these.

(And I do go to the bookshop most fortnights, the schedule they get their Diamond shipments on, to see what happened to come in.)

nu? mongrel (kit brash), Thursday, 11 January 2007 20:08 (eighteen years ago)

I've just inaugurated my status as someone who waits for the trade with GODLAND (impressive pops and buzzes which never add up to much) and (probably after the current storyline) DAREDEVIL, but the notion of going completely "sans singles" seems to me a fate worse than death - I love my floppies and I like to think they love me.

Richard Baez (Johnny Logic), Thursday, 11 January 2007 20:33 (eighteen years ago)

I like reading floppies but I hate having them around afterwards. I never re-read them.

Jordan (Jordan), Thursday, 11 January 2007 20:40 (eighteen years ago)

I would not like not being able to re-read JLA/E/I/O/U, or ten years of Giffen And Pals LSH, or Pal-Yat-Chee by Tom King and Walt King, or that Hectic Planet short in DHP where the guy turned up for a date ten (three?) years later, or pretty much any E. Campbell short stories or essays, or Flex Mentallo or Doom Patrol or New Adventures of Hitler or Big Dave (okay I photocopied my own collections of the first two), or Ambush Bug or Video Jack, or Mystic Funnies, or Real Stuff, or Schizo, or the Darwyn Cooke or Duncan Fegredo issues of Tangled Web, or most of Paul Pope or I dunno, loads more. And obviously lots of these would be fine if there were book collections that existed, but some really work best in the formats they were originally designed for (Hate's a good example, much more so in the five-issue collections, but I did buy Buddy Does Seattle so can't count it here). And it's easier to hold a pamphlet in bed than a 2-kg hardback.

I actually really enjoy floppies now, though I buy lots more actual books - it makes them feel more special, it's exciting to be able to re-read an issue of All-Star Superman half a dozen times before the next one comes out, and often it feels like rewarding someone who bothers to put together a considered package with thought-out design. The She-Hulk trades are shoddy and ugly enough, I would hate having to read 1.5 ads for every page of story - whereas Super Fuckers or Tales Designed To Thrizzle are a treat from front to bac.

nu-mongrel (kit brash), Friday, 12 January 2007 01:25 (eighteen years ago)

Huk, I am now totally fascinated by you, speculating wildly as to what your life is like.


Are you Roland Pryzbylowski?

M Perpetua (mperpetua), Friday, 12 January 2007 02:16 (eighteen years ago)

Hey Richard, why would you go trade-only on Brubaker's Daredevil? I find that to be sort of counterintuitive because I think that's a great example of a comic that works in arcs that fit in trades, but is engineered to be read month-to-month, not just in terms of cliffhangers and drama, but in that every issue is a lot more dense and meaty than your average comic in this era.

M Perpetua (mperpetua), Friday, 12 January 2007 02:24 (eighteen years ago)

why ought anyone prefer to buy Marvel comics these days with their demented ad placement? (also = more expensive)

bru-mongrel (kit brash), Friday, 12 January 2007 04:23 (eighteen years ago)

I don't know why people get so upset about the ads -- I've been tuning out ads in comic books since I was five years old, it's no big deal. They are in a business, and the ads are good for the business.

M Perpetua (mperpetua), Friday, 12 January 2007 13:12 (eighteen years ago)

And frankly, anything that discourages double-page spreads is fine by me.

M Perpetua (mperpetua), Friday, 12 January 2007 13:12 (eighteen years ago)

"Anything that discourages double-page spreads..." Do you hate fun, too, MP? Or would you rather have the actual comic on the left side, and an ad on the right ALL THE WAY THRU the book (which is what Marvel's heading towards)?

And I'm all for Marvel making money, but speaking as a guy that's also somehow been trained to ignore ads in funny books (unless they're annoying cardboard inserts like this month's eMusic promotion), it's gotten to the point that the ads (more often than I'd like) interfered w/ my enjoyment of the story. (Folks that bought the first issue of the FF / Iron Man Big In Japan know what I mean.)

As for pooing on double-page spreads (which is MADNESS, unless you're of a mind that dp spreads = less content & a sense of laziness on the creator's part, which can be true about anything), I'd like to rep for the latest issue of Nextwave, which features 4 (if not more) dp spreads w/ Elvis MODOKs shooting hamburgers, tiny Iron Dudes flying around, double-headed samurai, and loads more fun. Also: SEE ONE ULTIMATES.

David R. (popshots75`), Friday, 12 January 2007 14:40 (eighteen years ago)

I've been reading comics w/ads since short pants days too but some of them are totally out of hand, the first issue of FF/Iron Man was exactly what I was thinking of. Usually I read cbrs and wait for the trade anyway just for ease of storage but I was excited for that and didn't think reading on the computer would do it justice. Unfortunately it was so completely unreadable it put me off buying the rest of the singles. Also yeah double page spreads rule so long as it is a good artist doing something awesome and not just Warren Ellis making an easy buck. Or in the case of Nextwave I guess even if it is Warren Ellis making an easy buck.

A B C (sparklecock), Friday, 12 January 2007 15:20 (eighteen years ago)

I only fell back into the weekly habit in March or April, so I'm nowhere near ready to make the trade jump. I gotta head in my store's general direction every Wednesday, anyway, so I might as well stop off and buy some comics.

I did drop Nextwave after the sixth issue, thinking I'd just wait for the second trade and save a couple of bucks. I guess I helped kill that one, there, didn't I.

barefoot manthing (Garrett Martin), Friday, 12 January 2007 17:37 (eighteen years ago)

My problem with double page spreads is mainly in that they are so rarely necessary, and when people try to spread panels horizontally across two pages, it's usually sort of mess and awkward. Really great example: the recent issues of Justice League of Meltzer, which are totally counterintuitive. On the other end of the spectrum you have your BIG DUMB FILLER SPLASH ACTION PAGES of the Image era.

Sorry, generally just not keen on double page spreads as a formal device. If I was writing comics, I would never ever use them.

M Perpetua (mperpetua), Friday, 12 January 2007 17:47 (eighteen years ago)

Hey Richard, why would you go trade-only on Brubaker's Daredevil? I find that to be sort of counterintuitive because I think that's a great example of a comic that works in arcs that fit in trades, but is engineered to be read month-to-month, not just in terms of cliffhangers and drama, but in that every issue is a lot more dense and meaty than your average comic in this era.

Sorry for the late response, Matthew - I'm currently moving.

Personally, I've found the latest batch of issues, while a mighty decent read, to be fairly monotonous - I'm suspicious that, upon a rereading of the arc, I could switch parts two and three and not notice any significant difference. I recognize the enormous amount of craft Brubaker, Lark, and whoever the glorious colorist is (those skin tones!) and am sufficiently curious as to where the story is headed, but my monthly anticipation is waning. Alas...

Richard Baez (Johnny Logic), Friday, 12 January 2007 21:27 (eighteen years ago)

The colorist is Frank D'Armata, and he's amazing. He does all of Brubaker's stuff at Marvel.

M Perpetua (mperpetua), Friday, 12 January 2007 23:56 (eighteen years ago)


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