When did 2000AD jump the shark?

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An article about 2000AD and DC - together at last again - linked to on FT wherein they trumpet the broad range of characters that the Americans need to knwo about stat, led Ian Moore to point out quite reasonably that no-one cares about Nikolai Dante, Sinister Dexter or Devlin Waugh. So when in your view did 2000AD's classic period end? Mine stretches perhaps further than the others, up to Big Dave.

Andrew Farrell (afarrell), Thursday, 9 September 2004 10:27 (twenty-one years ago)

Finding its feet: progs 1 to about 80. The stories at this point are good but a little slow or restrained, maybe a chastening effect from the ACTION! clampdown? Some fantastic stuff though.

TURNING POINT: Ro-Busters

Sustained excellence with pretty much every story having something entertaining in it - probably from the Starlord merger to, hmm, mid-400s. (I started reading with 423 and was pretty convinced it was declining after a couple years reading). Most characters introduced at this point were sustainable, i.e. could last quite a few stories.

TURNING POINT: Tomb Of Terror maybe?

Regular excellent stories with a few pointless or rubbish ones: 450 up to about 800 maybe? This period is an odd one, the problem was that almost all the 'big' characters were really tired, it was the era of Wulf getting killed, increasingly stupid Nemesis, Dredd lurching from saga to saga and Wagner and Grant trying to get their US careers going, the whole nonsense with the new Rogue Trooper, etc etc. At the same time you had Bad Company, Zenith, The Dead, Big Dave, Button Man, etc etc. - the 'minor' stories were carrying the comic.

TURNING POINT: Sinister Dexter ushers in the new era - rotten stories, kewl characters, realisation that comic is Not For Me. My dating may be off though.

800-ish to now: knackered franchise characters retconned back to 'classic' setups but still very tired, new franchises designed to appeal to 14-year-olds not 10-year-olds i.e. TITS AHOY, minor stories generally pretty awful, BUT occasional highlights pierce the gloom and a renewed sense of purpose for Dredd post The Pit doesn't hurt.

Tom (Groke), Thursday, 9 September 2004 10:47 (twenty-one years ago)

Actually I'm tempted to select OUTLAW as the shark jump moment.

Tom (Groke), Thursday, 9 September 2004 10:48 (twenty-one years ago)

It's been climbing back from the brink, although it's still on life support. I'd call the second Night Zero story a good indication of shark-jumping - or the issue which began both Tao De Moto, which was boring bollocks, and Mark Millar's Robohunter, which was VILENT and thus ACE but pissed off the 'old fans' something shocking, which you don't want to do when they're pretty much your whole readership.

I'll hold up Devlin Waugh as a recent example of goodness, as it basically did an old-style Dredd epic without Dredd but with a team of Invisibles-style occult mentalists, only with a bit less saying 'kewl' things and being Morrison's dreamlife and a bit more RAMMING IMMENSE FUEL TANKERS INTO RAMPAGING SERIAL KILLING MONSTERS WITHOUT FACIAL FEATURES. Best thing John Smith ever did and out for collection in the 'Red Tide' book early next year, I think.

Vic Fluro, Thursday, 9 September 2004 12:26 (twenty-one years ago)

A related question: can it climb back from the brink? If it hired a half-dozen new guns (if there are any: if moore/milligan/morrison/gaiman/ennis were growing up today, would they want to be comics writers? (same question for the artists, obv)) could it get the kids back en masse?

Andrew Farrell (afarrell), Thursday, 9 September 2004 12:43 (twenty-one years ago)

the big problem with 2000AD now is it seems to be aimed mainly at oldarses who have been reading it since the early 1980s.

I think it stopped being any good about 1985/86, although Zenith is from after this period.

DV (dirtyvicar), Thursday, 9 September 2004 12:45 (twenty-one years ago)

I think it's too expensive now to be honest.

I would buy it every week if Vic Fluro was in it every week, obviously, but Vic Fluro does not have the necessary 40,000 siblings to make it a cultural force.

(I think if VF *was* writing something regularly the people who do buy it would enjoy it hugely, of course, but I fear it's gone below the sales event horizon where 'buzz' cannot function.)

Tom (Groke), Thursday, 9 September 2004 12:47 (twenty-one years ago)

At £1.60 you still get more bang for your buck than any other 'pamphlet' style comic, and as far as I know it's not reproduced in a scroungeotronic format so you have no choice.

There are immense shitloads of new writers and artists begging for work, since it is the Last British Comic apart from Striker and Action Man, but there just isn't room, so what's happening at the moment is an incredibly booming small press scene that will eventually coalesce into another 'proper' 2000AD-style comic that will either serve as an example to others before sinking like a rock or usurp 2000AD's place.

You're right about 'buzz', although I'm confident that the USA will love the reprints and the tactic of starting them on a mixture of old mad stuff and new slightly shitty stuff is a winner.

Vic Fluro, Thursday, 9 September 2004 12:53 (twenty-one years ago)

I don't understand, DV: how can it be aimed at oldarses and full of new shit characters?

Is Bloodrayne is whatever her name is actually a spin off from a loved property? Something in the back of my brain is telling me that one of the Dread four (her and the ones from my first post) is.

Andrew Farrell (afarrell), Thursday, 9 September 2004 13:04 (twenty-one years ago)

Funny, but the same criticisms I'm seeing here about 2000AD (ie, too expensive, made for a greying target market, etc.) are exactly the same kinds of things that are said about US comics (only add "and GOD THE COSTUMES!").

I for one am pretty happy with the stuff that's coming out from the Rebellion/DC deal, even if it's not the best that the magazine has to offer (a lot of it is a far sight better than most of the comics offerings out today.) I even hear that Rebellion is working on some of the older back catalog (like a completed run of NEMESIS THE WARLOCK), which would be keen, too.

Matt Maxwell (Matt M.), Thursday, 9 September 2004 13:16 (twenty-one years ago)

Is it really only £1.60!! Wow, OK, I take the too expensive thing back, sorry Tharg.

Tom (Groke), Thursday, 9 September 2004 13:23 (twenty-one years ago)

I don't understand, DV: how can it be aimed at oldarses and full of new shit characters?

it's one of life's mysteries.

DV (dirtyvicar), Thursday, 9 September 2004 14:18 (twenty-one years ago)

TURNING POINT: Ro-Busters

Sustained excellence with pretty much every story having something entertaining in it - probably from the Starlord merger to, hmm, mid-400s.

but Ro-Busters finished somewhere between prog 100 to prog 200.

DV (dirtyvicar), Thursday, 9 September 2004 14:19 (twenty-one years ago)

I meant the arrival of ro-busters was the turning point that switched 2000 AD from 'promising' to 'amazing'

Tom (Groke), Thursday, 9 September 2004 14:24 (twenty-one years ago)

I started reading around the late 600s, and for me the golden age is the 700s; Anderson in 'Shambala', Hewligan's Haircut, Killing Time, Kronichles of Khaos, Ennis and Wagner alternating on Dredd, the first Button Man etc. I stopped reading somewhere in the 900s, when the established strips all seemed to be getting tired and the new strips seemed to be just pants. I think the golden age of 2000 AD is when you are 14-16.

I'm intrigued by this 'new sense of purpose for Dredd post the Pit.' What's going on with the character?

Wooden (Wooden), Thursday, 9 September 2004 17:56 (twenty-one years ago)

For me, jumped the shark with Durham Red - a little low-grade T&A to bring in teenage boys, with no plot to speak of.

I bought the Shaun Of The Dead issue, and nothing else in it jumped out at me - I get more pleasure from things like Zarjaz! when it comes out. Although I quite liked Necronauts, and the bits of Nikolai Dante I've read.

aldo_cowpat (aldo_cowpat), Friday, 10 September 2004 09:22 (twenty-one years ago)

Grant and Ezquerra did one excellent Durham Red story, as I recall, where she was trapped on an island full of drug addicts.

Wooden (Wooden), Friday, 10 September 2004 13:43 (twenty-one years ago)

2000AD still hasn't 'jumped the shark', if by that you mean featured something so daft that it spoils the whole thing. There's been lots of very, very bad periods in its history, but it's been going through a very good patch these past few years since Rebellion tok over publishing it.

David Simpson (David Simpson), Wednesday, 15 September 2004 14:52 (twenty-one years ago)

three years pass...

The Judge Dredd film. Seemed to go shit after that.

Bodrick III, Wednesday, 30 January 2008 22:10 (seventeen years ago)


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