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I love Patti Levin as a character and I think she and Kevin's arc is a highlight of the series as a whole, so even while I was delighted to see her again it *did* feel a bit fan-servicey. The logic of the show's metaphysics wasn't violated by Kevin bringing her out of "retirement", but I agree that it does cheapen the closure she was given.
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TP '17 seems to be the most explicitly self-conscious and meta television experiment that's been attempted. All the parts that seem to be pandering are so self-aware that they're rendered, for me, palatable. (Although I hated Michael Cera's scene, Frank Truman's eye roll as he walks away from it would be a good example.)
Above all, Lynch's decision to embed himself as a character so prominently in the narrative is appropriately multidimensional, and his admission to not understanding the situation is to me the best invitation as an audience member to participate and co-author the mystery that's unfolding. I've half wondered if Lynch wasn't editing and delivering episodes week to week, so accurate has it been in taking our temperature.
― Derdekeas, Saturday, 26 August 2017 22:00 (seven years ago) link