In their press release, they say that it was "more honest" to play ol skool instruments. I think that is nonsense: The world won't remember Hugo/Williams as musicians, but as brilliant producers and auteurs. And if they feel that way, that's even fine with me. But insisting on releasing stuff made that way - why should we bother?
Inputs?
― Jay Kid (Jay K), Monday, 15 March 2004 22:12 (twenty-two years ago)
― jkhj, Monday, 15 March 2004 22:17 (twenty-two years ago)
― Barima (Barima), Monday, 15 March 2004 22:22 (twenty-two years ago)
― Barima (Barima), Monday, 15 March 2004 22:23 (twenty-two years ago)
Or indeed the N*E*R*D track on "Clones".
― Nick H (Nick H), Monday, 15 March 2004 23:08 (twenty-two years ago)
― Nik (Nik), Monday, 15 March 2004 23:29 (twenty-two years ago)
― Nick H (Nick H), Monday, 15 March 2004 23:52 (twenty-two years ago)
I presume its deleted?
I blame Virgin America and the yahoos that didn't know how to market the NERD sound to America.
― Nik (Nik), Tuesday, 16 March 2004 00:02 (twenty-two years ago)
― Nick H (Nick H), Tuesday, 16 March 2004 00:10 (twenty-two years ago)
― Tim Finney (Tim Finney), Tuesday, 16 March 2004 00:11 (twenty-two years ago)
― Alex in SF (Alex in SF), Tuesday, 16 March 2004 00:13 (twenty-two years ago)
― Menelaus Darcy (Menelaus Darcy), Tuesday, 16 March 2004 00:48 (twenty-two years ago)
― oops (Oops), Tuesday, 16 March 2004 01:03 (twenty-two years ago)
― Anthony Miccio (Anthony Miccio), Tuesday, 16 March 2004 01:08 (twenty-two years ago)
― Ronan (Ronan), Tuesday, 16 March 2004 01:08 (twenty-two years ago)
― Anthony Miccio (Anthony Miccio), Tuesday, 16 March 2004 01:10 (twenty-two years ago)
(anyhow, this isn't a thread about me! it's about an album that I'm pretty curious to hear!)
― Anthony Miccio (Anthony Miccio), Tuesday, 16 March 2004 01:11 (twenty-two years ago)
― Tim Finney (Tim Finney), Tuesday, 16 March 2004 01:18 (twenty-two years ago)
― Anthony Miccio (Anthony Miccio), Tuesday, 16 March 2004 01:19 (twenty-two years ago)
― The Lady Ms Lurex (lucylurex), Tuesday, 16 March 2004 01:21 (twenty-two years ago)
― The Lady Ms Lurex (lucylurex), Tuesday, 16 March 2004 01:22 (twenty-two years ago)
― Ned Raggett (Ned), Tuesday, 16 March 2004 01:23 (twenty-two years ago)
I ask, because I'm trying to remember when the Neptune's changed from being an anonymous production team to what they are today.
Xpost x 5 (not that it mattered)
― Jedmond (Jedmond), Tuesday, 16 March 2004 01:24 (twenty-two years ago)
― Pablo Cruise (chaki), Tuesday, 16 March 2004 01:26 (twenty-two years ago)
― scottontharox (scottkundla), Tuesday, 16 March 2004 07:16 (twenty-two years ago)
― JoB (JoB), Tuesday, 16 March 2004 07:53 (twenty-two years ago)
― nickalicious (nickalicious), Tuesday, 16 March 2004 07:56 (twenty-two years ago)
― Mark HArris, Tuesday, 16 March 2004 09:46 (twenty-two years ago)
― DJ Mencap (DJ Mencap), Tuesday, 16 March 2004 11:15 (twenty-two years ago)
― mark e (mark e), Tuesday, 16 March 2004 11:18 (twenty-two years ago)
― Jay Kid (Jay K), Tuesday, 16 March 2004 12:24 (twenty-two years ago)
― Matt DC (Matt DC), Tuesday, 16 March 2004 12:34 (twenty-two years ago)
― Menelaus Darcy (Menelaus Darcy), Tuesday, 16 March 2004 12:53 (twenty-two years ago)
― strongo hulkington (dubplatestyle), Tuesday, 16 March 2004 12:59 (twenty-two years ago)
― strongo hulkington (dubplatestyle), Tuesday, 16 March 2004 13:00 (twenty-two years ago)
― Jay Kid (Jay K), Tuesday, 16 March 2004 13:18 (twenty-two years ago)
― Mark (MarkR), Tuesday, 16 March 2004 13:50 (twenty-two years ago)
― strongo hulkington (dubplatestyle), Tuesday, 16 March 2004 13:51 (twenty-two years ago)
― Phil Freeman (Phil Freeman), Tuesday, 16 March 2004 14:48 (twenty-two years ago)
― AleXTC (AleXTC), Tuesday, 16 March 2004 15:16 (twenty-two years ago)
You mean 7 years in the spotlight?
I think the second version of the album is far superior to the first, which was cool but sounds tame in comparison. And I'm hardly one to worship at the floor of "real" instrumentation - I hate guitars, normally. But the second version had a LOT more energy than the first. And is superior.Also, I think "In Search of ..." was a great album. And come on, the entire thing is full of ridiculous lyrical conceits, so you yahoos get upset about "her ass is a spaceship"?! Come on, gimme a break. The lyrical conceits are what makes NERD's music so charming! That and its sonic awesomeness. "Tape You" = postmodern masterpiece.
― djdee2005, Tuesday, 16 March 2004 20:10 (twenty-two years ago)
― Ronan (Ronan), Thursday, 18 March 2004 21:09 (twenty-two years ago)
― @d@ml (nordicskilla), Thursday, 18 March 2004 21:15 (twenty-two years ago)
― Andy K (Andy K), Thursday, 18 March 2004 21:16 (twenty-two years ago)
― nickalicious (nickalicious), Thursday, 18 March 2004 21:20 (twenty-two years ago)
― JoB (JoB), Friday, 19 March 2004 00:46 (twenty-two years ago)
― strongo hulkington (dubplatestyle), Friday, 19 March 2004 02:09 (twenty-two years ago)
― The Lady Ms Lurex (lucylurex), Friday, 19 March 2004 02:21 (twenty-two years ago)
― strongo hulkington (dubplatestyle), Friday, 19 March 2004 02:22 (twenty-two years ago)
― Alex in NYC (vassifer), Friday, 19 March 2004 02:23 (twenty-two years ago)
― strongo hulkington (dubplatestyle), Friday, 19 March 2004 02:26 (twenty-two years ago)
― Anthony Miccio (Anthony Miccio), Friday, 19 March 2004 02:33 (twenty-two years ago)
― strongo hulkington (dubplatestyle), Friday, 19 March 2004 02:33 (twenty-two years ago)
― Anthony Miccio (Anthony Miccio), Friday, 19 March 2004 02:36 (twenty-two years ago)
― strongo hulkington (dubplatestyle), Friday, 19 March 2004 02:38 (twenty-two years ago)
― Menelaus Darcy (Menelaus Darcy), Friday, 19 March 2004 03:24 (twenty-two years ago)
― strongo hulkington (dubplatestyle), Friday, 19 March 2004 03:28 (twenty-two years ago)
― Colin Beckett (Colin Beckett), Friday, 19 March 2004 03:30 (twenty-two years ago)
― s1ocki (slutsky), Friday, 19 March 2004 04:42 (twenty-two years ago)
― Ronan (Ronan), Friday, 19 March 2004 15:36 (twenty-two years ago)
― JoB (JoB), Friday, 19 March 2004 15:39 (twenty-two years ago)
― Ronan (Ronan), Friday, 19 March 2004 15:41 (twenty-two years ago)
― s1ocki (slutsky), Friday, 19 March 2004 15:55 (twenty-two years ago)
― Ronan (Ronan), Friday, 19 March 2004 15:57 (twenty-two years ago)
― s1ocki (slutsky), Friday, 19 March 2004 15:58 (twenty-two years ago)
― Andy K (Andy K), Friday, 19 March 2004 16:03 (twenty-two years ago)
Yeah, the Neps were everywhere in, um, 1997...?
― Strachey, Friday, 19 March 2004 16:06 (twenty-two years ago)
― Ronan (Ronan), Friday, 19 March 2004 16:07 (twenty-two years ago)
― strongo hulkington (dubplatestyle), Friday, 19 March 2004 16:46 (twenty-two years ago)
― Ronan (Ronan), Friday, 19 March 2004 17:08 (twenty-two years ago)
― Ned Raggett (Ned), Friday, 19 March 2004 17:28 (twenty-two years ago)
oh sorry whatever, 5 years. Regardless "15 minutes of fame" is a bit of a stupid thing to say when describing the Neptune's creative streak. In fact, its an absolutely ridiculous thing to say.
― djdee2005, Friday, 19 March 2004 18:14 (twenty-two years ago)
You can all completely disregard any future things I ever have to say about music now, if you haven't already.
― Nate in ST.P (natedetritus), Friday, 19 March 2004 18:29 (twenty-two years ago)
utter trash, sounds like bad Lenny Kravitz singing over a weak back beat.
― DJ Martian (djmartian), Friday, 19 March 2004 19:02 (twenty-two years ago)
― DJ Martian (djmartian), Friday, 19 March 2004 19:03 (twenty-two years ago)
― DJ Martian (djmartian), Friday, 19 March 2004 19:05 (twenty-two years ago)
― Andy K (Andy K), Friday, 19 March 2004 19:34 (twenty-two years ago)
Is the hated Petridis right in his lukewarm review today that picks out 'No One Knows', 'The Way She Dances' and 'Drill Sargent' as the good tracks?
― N. (nickdastoor), Friday, 19 March 2004 19:41 (twenty-two years ago)
― Ronan (Ronan), Friday, 19 March 2004 19:49 (twenty-two years ago)
"Wonderful Place" is the best track. The last half of it, about a family fishing trip that nearly ends with a baby drowning, made me tear up.
― Andy K (Andy K), Friday, 19 March 2004 19:51 (twenty-two years ago)
I agree with Job that "The Way She Moves" is the best track, it hints at a bit of danger even if it never quite delivers.
― Ronan (Ronan), Friday, 19 March 2004 19:52 (twenty-two years ago)
I'm anxious to hear what Pablo has to say about it.
Petridis kinda fouled up by attributing some vocals to Williams when they weren't done by Williams.
― Andy K (Andy K), Friday, 19 March 2004 20:00 (twenty-two years ago)
― fields of salmon (fieldsofsalmon), Saturday, 20 March 2004 00:49 (twenty-two years ago)
― prima fassy (mwah), Saturday, 20 March 2004 09:29 (twenty-two years ago)
― prima fassy (mwah), Saturday, 20 March 2004 09:33 (twenty-two years ago)
― prima fassy (mwah), Saturday, 20 March 2004 09:39 (twenty-two years ago)
(in fact looking back I don't see anyone mentioning Pharrell's smugness or maybe even his name!)
― Ronan (Ronan), Saturday, 20 March 2004 12:16 (twenty-two years ago)
― prima fassy (mwah), Saturday, 20 March 2004 12:27 (twenty-two years ago)
As I said I just think it's really boring musically, I didn't want to talk about Pharrell, it's been done to death, I mean how long ago was Frontin'?
― Ronan (Ronan), Saturday, 20 March 2004 12:31 (twenty-two years ago)
― strongo hulkington (dubplatestyle), Saturday, 20 March 2004 13:54 (twenty-two years ago)
― strongo hulkington (dubplatestyle), Saturday, 20 March 2004 13:55 (twenty-two years ago)
― strongo hulkington (dubplatestyle), Saturday, 20 March 2004 14:11 (twenty-two years ago)
!
― Ned Raggett (Ned), Saturday, 20 March 2004 14:35 (twenty-two years ago)
― prima fassy (mwah), Saturday, 20 March 2004 16:10 (twenty-two years ago)
― fields of salmon (fieldsofsalmon), Saturday, 20 March 2004 21:15 (twenty-two years ago)
― prima fassy (mwah), Sunday, 21 March 2004 01:29 (twenty-two years ago)
Even Petridish managed to spot this comparison in his review a couple of days ago...
I thought "She Wants To Move" was fucking dreadful, but after a cursory listen to the tracks on offer at the website I really do see how it might be the best one.
― The Lex (The Lex), Sunday, 21 March 2004 09:43 (twenty-two years ago)
It's not like N.E.R.D. (or The Neptunes generally) haven't done heaps of tunes before that could have served the same schmindie-crossover purpose while still being, like, y'know, really good ("Young, Fresh & New" springs to mind here). And it's not like schmindie-crossover and mediocrity are inextricably linked. Although they have been quite frequently lately.
― Tim Finney (Tim Finney), Sunday, 21 March 2004 12:27 (twenty-two years ago)
― N. (nickdastoor), Sunday, 21 March 2004 12:53 (twenty-two years ago)
Confused? You should be. But also relieved that such idiosyncratic talents as N*E*R*D are prepared to cross genres and bring a fresh impetus to rock music.
― JoB (JoB), Monday, 22 March 2004 16:15 (twenty-two years ago)
― JoB (JoB), Monday, 22 March 2004 16:16 (twenty-two years ago)
― djdee2005, Monday, 22 March 2004 17:18 (twenty-two years ago)
― El Diablo Robotico (Nicole), Monday, 22 March 2004 17:25 (twenty-two years ago)
― JoB (JoB), Monday, 22 March 2004 17:27 (twenty-two years ago)
that's what I said in my review and I stand by that, NERD make a crap rock record=loads of half assed conservative old hacks suddenly use Fly Or Die as a chance to talk about what they should have been talking about ages ago, and why not, it's an album in a language they can understand!
― Ronan (Ronan), Monday, 22 March 2004 19:09 (twenty-two years ago)
― Al (sitcom), Monday, 22 March 2004 19:14 (twenty-two years ago)
I've read two features on them in the last week.
― Ronan (Ronan), Monday, 22 March 2004 19:21 (twenty-two years ago)
I really don't hear any indie crossover appeal to "She Want to Move." It's closer to rap-rock Linkin Park territory.
― bnw (bnw), Monday, 22 March 2004 19:24 (twenty-two years ago)
This sorta annoys me because I feel like NERD get unfairly shit on for using "real" instruments rather than electronic ones, as if electronic ones are INHERENTLY superior and using "real" instruments is now automatically regressive backward rockist worship of old music.(use of quotes obviously signifying that "real" = guitar bass drums, no quality judgement intended). I'm HARDLY someone that is gonna prefer "real" instruments to electronics/samples/whatever, but I don't think that NERD's music sucks because of that! Nor do I think that's a fair point to criticize them on. You can criticize them if their songs aren't catchy, if their shit is wack, but by being ANTI-rockist you're being just as controlled by the medium rather than the music itself!NERD's new album may very well suck. But it won't be because they used guitars instead of synths, it'll be because the songs just aren't as good.
― djdee2005, Monday, 22 March 2004 19:25 (twenty-two years ago)
No. There is a remix. With De La, Common, Mos Def, and Q-Tip.
― djdee2005, Monday, 22 March 2004 19:29 (twenty-two years ago)
I never said anything about the real instruments thing, in fairness!
I don't think the Neptunes are over either, I'm totally open to them making more good records, as I say from the starting point of me not liking Fly Or Die I've come to the rest of my conclusions.
I'm not just saying it's shit because of the timing or the expected critical reception, it's a rubbish record and this for me is compounded by the fact that it's the right kind of rubbish record to appeal to people who were too lazy to praise the Neptunes before.
If you don't think some critics won't praise an act until certain things fall into place then you're being naive.
Yeah I don't think I'm guilty of what you accuse me of djdee.
― Ronan (Ronan), Monday, 22 March 2004 19:40 (twenty-two years ago)
― djdee2005, Monday, 22 March 2004 19:42 (twenty-two years ago)
I mean surely post-Timberlake this moment in time is a truly desperate one for any self respecting critic to start bigging up the Neptunes! Especially when they big up the back catalogue aswell. When Like I Love You came out that would have been fair enough, I'm not being that strict.
(I agree your point is important, I mean to be honest guitars etc are used in so much of all music anyway that the whole real/fake thing is odd, loads of dance has guitars in it now anyway)
― Ronan (Ronan), Monday, 22 March 2004 19:43 (twenty-two years ago)
― Al (sitcom), Monday, 22 March 2004 19:45 (twenty-two years ago)
It is actually pretty good! If you listen, it becomes clear that this is not rock. It is the Neps fooling around with rock, just as they've been fooling around with hip-hop, disco and jazz, even. Only this time, it happens to be r'n'r that they've run through the NeptunesTM machinery.
If you listen closely, you'll hear that they only play a few bars of instruments, loop them and manipulate them to the exact same extent as they do all their other stuff. Not that this is automatically 'better' or more 'inventive' than actually playing the tunes from start to finish using ol skool instruments, but it just tells you something about the status of raaawk in this recording: It is a means to an end, just like all the other musical styles they've taken inspiration from.
So, this is not a N*E*R*D record. This is just another Neptunes record. And it is pretty good. Luv the shouting chorus on 'Thrasher'. Luv the Led Zep-mimicking on 'Don't Worry About It'. Luv the allusions to theatrical Queen rock. Luv the Boo Radleys-like 'Drill Sergeant'. It's all completely post-modern, with all the probs (sic!)and cons that bears with it. It displays a lot of love for rock. But isn't rock. That's the whole beauty of it.
Shame about the Lenny bit, though.
― Jay Kid (Jay K), Monday, 22 March 2004 19:53 (twenty-two years ago)
― Ned Raggett (Ned), Monday, 22 March 2004 19:54 (twenty-two years ago)
― Ronan (Ronan), Monday, 22 March 2004 20:07 (twenty-two years ago)
Unlike In Search Of..., originally made primarily on N.E.R.D.'s various machines and then re-configured with assistance from funk-rock band Spymob, Fly or Die is kept almost entirely in-house. The ridiculous cover, along with first single "She Wants to Move" — and its accompanying video, including a literal translation of the line "Her ass is a spaceship I want to ride" — thankfully provide little indication of the album's true make-up. And the moments where the Star Trak hand sign gets flipped to a set of devil horns are mercifully fleeting, though "Backseat Love" is undoubtedly problematic — it plays Dumberer to "She Wants to Move"'s Dumber. ("Lapdance" was Dumb.) The rest of the album isn't just noteworthy for subject matter that skips through child-parent relationship sketches, ecological reveries, and protest songs; the bright, bold Neptunes glaze that normally coats their chart-aimed singles of all stripes is applied to material that will leave many people baffled. The album sees the group rummaging through parts of their record collection that don't normally bubble to the surface in their production work. Most disarming of all is "Wonderful Place," a seven-minute trip divided into halves. The first shows a chipper Pharrell striding through a sunny meadow, marvelling at the natural wonders of the planet in spite of its troubles; with a horn-punched chorus ("My soul's in my smile/Don't frown, just get up get up") and other subtle splashes of Baroque-pop elements, it owes equally to Burt Bacharach and the Left Banke. This dissolves into a fading whistle, only to give rise to a dramatic, synthetically orchestral and acoustic-folk tale about a near-fatal family fishing trip. Any parent of the past, present or near future will be stirred, especially once Pharrell goes falsetto to emphasize the relief of the nearly-drowned baby being rescued by his mother. Instead of pausing for effect, the album goose-steps into "Drill Sergeant," yet another two-parter. Half power-pop bounce and half tumbling, doomsday pummel, the song pulls no punches with anti-war sentiments that target the government and media; and when a teeth-clenched Pharrell talks about his fear of blowing up, you know he's not talking about fame. Despite the heavy subject matter in a third of the songs, the album nonetheless carries a lighthearted, fun-loving lilt. At face value, Fly or Die is a rather straightforward rock record. To N.E.R.D.'s credit, no one else could've made this particular rock record. Ideas come by the bushel, hooks arrive when least expected, embedded jokes get discovered like easter eggs. Nobody can tie all of these things together and make them glow quite like this. Apart from a ploy to get some rotation at your local mall's Hot Topic (Good Charlotte's Madden brothers make an appearance), they didn't appear to make this record for anyone but themselves. So while Fly or Die is one of the most creative and ambitious moments of the Neptunes' career, it might also be their least understood. — Andy Kellman
― djdee2005, Monday, 22 March 2004 20:07 (twenty-two years ago)
― Jay Kid (Jay K), Monday, 22 March 2004 20:20 (twenty-two years ago)
― Barima (Barima), Monday, 22 March 2004 20:28 (twenty-two years ago)
― Ronan (Ronan), Monday, 22 March 2004 20:29 (twenty-two years ago)
― Ronan (Ronan), Monday, 22 March 2004 20:30 (twenty-two years ago)
― Jay Kid (Jay K), Monday, 22 March 2004 20:31 (twenty-two years ago)
― djdee2005, Monday, 22 March 2004 20:48 (twenty-two years ago)
― Matt DC (Matt DC), Monday, 22 March 2004 23:30 (twenty-two years ago)
― Buffalo Stan (Buffalo Stan), Tuesday, 23 March 2004 15:49 (twenty-two years ago)
― nickalicious (nickalicious), Tuesday, 23 March 2004 15:57 (twenty-two years ago)
― Buffalo Stan (Buffalo Stan), Tuesday, 23 March 2004 15:59 (twenty-two years ago)
― nickalicious (nickalicious), Tuesday, 23 March 2004 16:10 (twenty-two years ago)
― nickalicious (nickalicious), Tuesday, 23 March 2004 16:14 (twenty-two years ago)
― Al (sitcom), Tuesday, 23 March 2004 16:51 (twenty-two years ago)
― Andy K (Andy K), Tuesday, 23 March 2004 17:00 (twenty-two years ago)
― Jay Kid (Jay K), Tuesday, 23 March 2004 18:10 (twenty-two years ago)
The same thing happened with "Me Against The Music," which I've recently decided is like a 3 out of 10, so there's a good chance Fly or Die is not gonna sit well with me.
BTW, the second version of In Search Of is my favorite record of 2002.
― billstevejim, Tuesday, 23 March 2004 18:16 (twenty-two years ago)
― Anthony Miccio (Anthony Miccio), Wednesday, 24 March 2004 22:42 (twenty-two years ago)
― bugged out, Sunday, 28 March 2004 20:40 (twenty-one years ago)
― Barima (Barima), Monday, 29 March 2004 13:49 (twenty-one years ago)
― strongo hulkington (dubplatestyle), Monday, 29 March 2004 13:58 (twenty-one years ago)
― Jay Kid (Jay K), Monday, 29 March 2004 14:35 (twenty-one years ago)
― Barima (Barima), Monday, 29 March 2004 15:04 (twenty-one years ago)
― David R. (popshots75`), Monday, 29 March 2004 15:05 (twenty-one years ago)
― Jay Kid (Jay K), Monday, 29 March 2004 15:18 (twenty-one years ago)
― strongo hulkington (dubplatestyle), Monday, 29 March 2004 15:25 (twenty-one years ago)
― David R. (popshots75`), Monday, 29 March 2004 15:33 (twenty-one years ago)
― strongo hulkington (dubplatestyle), Monday, 29 March 2004 15:39 (twenty-one years ago)
― David R. (popshots75`), Monday, 29 March 2004 15:43 (twenty-one years ago)
― strongo hulkington (dubplatestyle), Monday, 29 March 2004 15:50 (twenty-one years ago)
― Ned Raggett (Ned), Monday, 29 March 2004 15:52 (twenty-one years ago)
― Jay Kid (Jay K), Monday, 29 March 2004 17:14 (twenty-one years ago)
― Anthony Miccio (Anthony Miccio), Monday, 29 March 2004 22:11 (twenty-one years ago)
― strongo hulkington (dubplatestyle), Monday, 29 March 2004 22:13 (twenty-one years ago)
― ..., Monday, 29 March 2004 23:12 (twenty-one years ago)
maybe because the fucking album's been delayed for a YEAR AND A HALF?
― Matos W.K. (M Matos), Monday, 29 March 2004 23:52 (twenty-one years ago)
― VengaDan Perry (Dan Perry), Monday, 29 March 2004 23:59 (twenty-one years ago)
― Al (sitcom), Tuesday, 30 March 2004 00:05 (twenty-one years ago)
― VengaDan Perry (Dan Perry), Tuesday, 30 March 2004 00:05 (twenty-one years ago)
― Anthony Miccio (Anthony Miccio), Tuesday, 30 March 2004 00:08 (twenty-one years ago)
― Ned Raggett (Ned), Tuesday, 30 March 2004 00:09 (twenty-one years ago)
― Anthony Miccio (Anthony Miccio), Tuesday, 30 March 2004 00:10 (twenty-one years ago)
― VengaDan Perry (Dan Perry), Tuesday, 30 March 2004 00:11 (twenty-one years ago)
Stop frontin', Perry.
― Anthony Miccio (Anthony Miccio), Tuesday, 30 March 2004 00:11 (twenty-one years ago)
― VengaDan Perry (Dan Perry), Tuesday, 30 March 2004 00:12 (twenty-one years ago)
― VengaDan Perry (Dan Perry), Tuesday, 30 March 2004 00:13 (twenty-one years ago)
― Anthony Miccio (Anthony Miccio), Tuesday, 30 March 2004 00:15 (twenty-one years ago)
― Anthony Miccio (Anthony Miccio), Tuesday, 30 March 2004 00:16 (twenty-one years ago)
I'm going to make a gabber song called "Asshat" that will have a video featuring Pharrell dancing around a tree with a parasol and a panda.
― VengaDan Perry (Dan Perry), Tuesday, 30 March 2004 00:18 (twenty-one years ago)
― VengaDan Perry (Dan Perry), Tuesday, 30 March 2004 00:19 (twenty-one years ago)
― o. nate (onate), Friday, 2 April 2004 19:29 (twenty-one years ago)
I didn't expect to like this album as much as I do. On a whim, I gave it a spin at the listening station at Tower, and a few minutes later I was in line to buy it. Since then, I haven't gone a day without listening to it.
On paper, it doesn't sound like the kind of thing that would be my cup of tea: funk metal anyone? I enjoyed the odd Fishbone song, but I was never a true fan - certainly, I never bought any of their albums. Same with Faith No More. And I've always loathed the Red Hot Chili Peppers.
Yet for some reason, when I spin Fly or Die, I just can't stop listening to the damn thing. For one thing, it has massive hooks. I mean humongous. Hooks you could park a couple of Hummers in. Choruses that you have to actively restrain yourself from singing along with. Melodies so infectious that Richard Clarke has a task force to study them.
Furthermore, these guys know something about songcraft. In the 60's they would have been the kingpins of the Brill Building (move over Bacharach and Sedaka). These songs are as tightly constructed as a Swiss timepiece. Verse, chorus, bridge - whatever all those other sections are called - they've got em all. And each section is so inventive that in the hands of a lesser songwriting intellect, it would be a whole song. I can easily imagine Stereolab, for example, spinning a 70+ minute CD out of the melodic material in just one of the songs on Fly or Die.
Some may quibble about the merits of Pharrell's voice. It's true that he wouldn't have a shot on American Idol. But in my book, that's a plus. Give me the earnest amateur over the trained professional any day of the week. If sappy histrionics and larynx gynmnastics are your thing, don't bother with N.E.R.D. But if you think that attitude and personality count for more than octave range, then keep reading, because Pharrell has got the stuff that matters in the vocal department.
And the lyrics! Ohmigod, the lyrics are great. By turns, comical, lustful, political, pointed, thoughtful, empathetic, or just plain weird - they lead your brain on logocentric journeys while your ears bob amongst the soundwaves. The song about the baby that falls in the ocean has got to be the strangest maternal ode ever committed to wax. "I was waiting for YOOOUUUU!" I get chills just thinking about it.
Anyway, I fear my enthusiasm may be getting the better of me. But really, if you like and care about music, you owe it to yourself to go listen to this record. If you're like me, it will kick your ass!
― o. nate (onate), Wednesday, 7 April 2004 13:26 (twenty-one years ago)
― Jay Kid (Jay K), Wednesday, 7 April 2004 13:39 (twenty-one years ago)
― o. nate (onate), Wednesday, 7 April 2004 15:29 (twenty-one years ago)
― dlp9001, Wednesday, 2 June 2004 01:36 (twenty-one years ago)
the new fly or die is lyrically repulsive but musically i quite like parts of it. a lot of is trashy (in a bad way) FM retro rock though, and pharrell is the worst singer ever.
― titchyschneider (titchyschneider), Thursday, 2 December 2004 20:44 (twenty-one years ago)
wtf? I like the lyrics.
― o. nate (onate), Thursday, 2 December 2004 20:56 (twenty-one years ago)
"bigger than fish size."
― djdee2005 (djdee2005), Thursday, 2 December 2004 20:58 (twenty-one years ago)
also in the first single from fly or die, he only wants the girl in the lyric to stop seeing the other guy so he can get his sweaty palms all over her.
― titchyschneider (titchyschneider), Thursday, 2 December 2004 21:01 (twenty-one years ago)
yeah.... spectacularly corny!
much as i hate the kneejerk black rocker comparisons which have little foundation in anything other than melanin, pharrell can often be as terrible and corny a lyricist as lenny can.
― titchyschneider (titchyschneider), Thursday, 2 December 2004 21:03 (twenty-one years ago)
― James Mitchell (James Mitchell), Saturday, 19 March 2005 18:37 (twenty-one years ago)
― charleston charge (chaki), Sunday, 20 March 2005 05:10 (twenty-one years ago)
Isn't Nothing out today?
― Fastnbulbous, Tuesday, 7 September 2010 13:16 (fifteen years ago)
i may just be tired and tippin but this is dope as what
https://www.youtube.com/watch?v=2c_cStac_gQ
― The Reverend, Monday, 1 November 2010 06:56 (fifteen years ago)
You're right.
― Johnny Fever, Monday, 1 November 2010 07:10 (fifteen years ago)
i like 'perfect defeat'
― j. sargent & lil k3v (deej), Monday, 1 November 2010 07:21 (fifteen years ago)
i'd like to add "hypnotize u" and "i've seen the light/inside of clouds"
esp. the latter
― surfboard dudes get wiped out, totally, Monday, 1 November 2010 13:33 (fifteen years ago)
haven't heard the album, but maybe i should? that joint just came on the radio last night
― The Reverend, Monday, 1 November 2010 17:29 (fifteen years ago)
its wack but has moments
― deej, Tuesday, 2 November 2010 01:47 (fifteen years ago)
this album is dope. really like it
― surfboard dudes get wiped out, totally, Tuesday, 2 November 2010 21:35 (fifteen years ago)
I need a 10 minute extended version of "Hypnotize U" like, NOW.
― i am not a display name (The Brainwasher), Tuesday, 2 November 2010 21:36 (fifteen years ago)
certain songs just need to be 10 minutes long, you know?
― i am not a display name (The Brainwasher), Tuesday, 2 November 2010 21:38 (fifteen years ago)
The new NERD album is good? What a turn-up, I will listen.
― A brownish area with points (chap), Tuesday, 2 November 2010 22:15 (fifteen years ago)
Probably the best N.E.R.D. album since In Search Of... Pharrell toned it WAY down for this one.
― Evan R, Tuesday, 2 November 2010 22:38 (fifteen years ago)
Hypnotize U is amazing. Listened on headphones in bed and second half didn't seem as strong, but I was pretty into a book I'm finishing so will need to give it more listens. Definitely more enjoyable than the last two.
― Fastnbulbous, Wednesday, 3 November 2010 04:06 (fifteen years ago)
Hypnotize U is amazing.
Yes. Rather enjoying the whole album in fact.
― A brownish area with points (chap), Wednesday, 3 November 2010 13:47 (fifteen years ago)
It's all sounding surprisingly sophisticated and grown-up.
― A brownish area with points (chap), Wednesday, 3 November 2010 13:49 (fifteen years ago)
this album fucking rules.
pharrell is def. on some weirdo, i've been alone for way too long in my room on wikipedia getting stoned thing right now
it's like he just wants to bone every single girl he he's and he's really excited about it but also isn't it crazy that we evolved from fish!?!?
― surfboard dudes get wiped out, totally, Thursday, 4 November 2010 20:29 (fifteen years ago)
he's = sees
― surfboard dudes get wiped out, totally, Thursday, 4 November 2010 20:30 (fifteen years ago)
it's also very earnest and unpretentious. like, they said to each other,
you know what fuck it I love Black Eyed Peas! let's do that and not give a shit what anyone thinks
― surfboard dudes get wiped out, totally, Thursday, 4 November 2010 20:31 (fifteen years ago)
also they jsut tossed this into the middle of it!!
https://www.youtube.com/watch?v=tKC3AiQkmuY&feature=player_embedded
― surfboard dudes get wiped out, totally, Thursday, 4 November 2010 20:34 (fifteen years ago)
Having said that, there are quite a lot of songs about vaginas.
This may be top 10 of the year material for me, which I really wouldn't have guessed.
― A brownish area with points (chap), Friday, 5 November 2010 14:49 (fifteen years ago)
ok, i'm going to peep this
― kkkvagz (The Reverend), Friday, 5 November 2010 19:39 (fifteen years ago)
I am amazed that Pharrell's falsetto (which I still hate) is not ruining "Hypnotize U" for me
― DJP, Friday, 5 November 2010 20:07 (fifteen years ago)
also lol at the video:
https://www.youtube.com/watch?v=YM-41D89rdc
― DJP, Friday, 5 November 2010 20:09 (fifteen years ago)
His little falsetto kind of sounds like Adam Sandler's!
― 17th Century Catholic Spain (Abbbottt), Friday, 5 November 2010 22:31 (fifteen years ago)
The standard edition of this record (tracks 1-10) is tight as hell. I thought "Hot-n-Fun" was real boring at first but as a closer it is a motherfucker. Don't really know how that reversal happened.
― Brad Nelson (BradNelson), Saturday, 6 November 2010 17:03 (fifteen years ago)
Though I wish "Sacred Temple" were part of the album proper.
― Brad Nelson (BradNelson), Saturday, 6 November 2010 17:11 (fifteen years ago)
Really liking this album a lot, though parts of it make me think of a Tracy Morgan sketch. The bubble bath bit in Perfect Defect kills me...
― dlp9001, Tuesday, 9 November 2010 03:57 (fifteen years ago)
"hypnotize u" is magnificent, kinda hilarious. he looks like adam sandler at least as much as he sounds like him. "nothing on you" is pretty great too. anyone read the review/crucifixion in pitchfork yesterday? where "hypnotize u" = "mortifyingly stupid?" fuckheads.
― naked human hands and a foam rubber head (contenderizer), Tuesday, 9 November 2010 05:19 (fifteen years ago)
hated the last one and that p4k review kinda comforted me in my preconceived idea about this album, but the apparent consensus here is pretty intriguing.
― licorice oratorio (baaderonixx), Tuesday, 9 November 2010 08:37 (fifteen years ago)
this is dope.
― sister soulja boy (The Reverend), Tuesday, 9 November 2010 10:13 (fifteen years ago)
lol at the part where pharrell is chanting something that sounds like "i'm keith sweat! i'm keith sweat"
― sister soulja boy (The Reverend), Tuesday, 9 November 2010 10:14 (fifteen years ago)
i think it's "i came to sweat"
Love the horn breaks on Help Me.
― A brownish area with points (chap), Tuesday, 9 November 2010 13:56 (fifteen years ago)
Roklan20001 day ago
is it me or does pharrell look like the offspring of the other two guys?
― sister soulja boy (The Reverend), Tuesday, 9 November 2010 22:40 (fifteen years ago)
hahahaha
― J0rdan S., Tuesday, 9 November 2010 22:42 (fifteen years ago)
Rawkan2000
"perfect defect" is so so good
― flutes & fucking mexican death horns (The Reverend), Saturday, 15 January 2011 04:44 (fifteen years ago)
― Zsa Zsa Gay Bar (jaymc), Saturday, 15 January 2011 06:14 (fifteen years ago)
I mean, I know, right!
sandwiched on my best-of-01 mix between "yamaha" and "baby can't stop" tbh.
― Zsa Zsa Gay Bar (jaymc), Saturday, 15 January 2011 06:18 (fifteen years ago)
*best-of-10
― Zsa Zsa Gay Bar (jaymc), Saturday, 15 January 2011 06:19 (fifteen years ago)
This album makes me realize I have been missing dope basslines in my life for a while.
― flutes & fucking mexican death horns (The Reverend), Saturday, 15 January 2011 21:07 (fifteen years ago)
deej otm :)
― *gets the power* (deej), Saturday, 15 January 2011 21:09 (fifteen years ago)
i like the new track with Future
― (•̪●) (carne asada), Friday, 1 December 2017 15:58 (eight years ago)