Question for ILX's Media Whores.

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Hi there.

I'm currently on a one year post-graduate Print Journalism diploma course at Tr!nity and @ll Sa!ints College in Leeds. Instead of being taught anything that people could possibly want to learn, our tutor has decided that the fact she wrote for the FeMail section of the Daily Mail once should be the bedrock of our course. Therefore, all copy we submit to her is dumbed down so it starts with "What does your (x) say about you?". Sidenote: her personal style sheet says we shouldn't use "MTV", but rather "Music Television".

Anyway, so, despite spending £3,500 grand on this course, I'm learning zero. I want to go on to a career in journal-me-ism, but at this rate I think the Thetford Free Advertiser sounds like the height of my chance.

So, what I come to ask you warriors of the writter word: how do you write to a magazine with a portfolio of work and apply to write for them? Do I need a CV? A covering letter? Do I need to drop some science on their publication? Do I write to the editor? Do publishing houses have a central office where they'll pimp your writing out to each magazine they have? How many pieces to a portfolio? Full reviews/articles or just the best cuttings? Should I include anything "controversial"? Anything really to prevent me from experiencing local newspaper hell, because if the highpoint of my journalism career is covering a break-in at a local school, I may as well just gas myself now.

Dom Passantino (Dom Passantino), Wednesday, 1 June 2005 08:54 (twenty years ago)

Well it's like everything else, you have to start at the bottom, like PJ Harvey fourth on the bill under Gallon Drunk, Thousand Yard Stare and Frank and Walters back in '89 or whatever.

Why not use your blog as a portfolio? Worked for me!

Marcello Carlin (nostudium), Wednesday, 1 June 2005 08:57 (twenty years ago)

dom, you rock! you can't fail. you don't need this course bullshit.

what kind of writing do you want to do, and what kind of portfolio do you have?

nb i have no actual advice, other than in a negative sense.

N_RQ, Wednesday, 1 June 2005 08:58 (twenty years ago)

but you don't need to start at the bottom! that's for shizzy.

N_RQ, Wednesday, 1 June 2005 08:59 (twenty years ago)

My portfolio is the two years (sweet Christ) worth of reviews and features that I've built up over at Stylus, plus my (slowly updated, you try getting through that many one hit wonders of the decade when they're all big trance tracks) blog, plus other stuff I've kinda fell into when writing. All my jobs so far I've been asked to do rather than apply for. I'm the new Conor McNichols!*

(*NB not true)

Dom Passantino (Dom Passantino), Wednesday, 1 June 2005 09:00 (twenty years ago)

Sounds like you're on the right track already. No need to subject yourself to the two-year hell of "Regulars at the Kristallnacht Arms in Knaresborough give a baked bean bath to ITN's Mark Austin."

Marcello Carlin (nostudium), Wednesday, 1 June 2005 09:02 (twenty years ago)

inevitable question: do you have contacts?

N_RQ, Wednesday, 1 June 2005 09:04 (twenty years ago)

Dom, if you want to start pitching for freelance work you need to contact the relevant section editor (features, reviews etc).
Do this by email, post will get lost.
You need to write an email stating who you are, what your experience is and what ideas you think will be suitable for their publication. You can be fairly chatty with magazines, newspapers tend to be a bit more formal.
Attatch your CV, offer to send cuttings, maybe, as you are starting out, attatch one of your best pieces and offer to send more. Beware of overloading their inbox.
If you don't hear anything, follow it up with a phone call about a week later. Offer yourself for work experience and keep hitting them with ideas.

Anna (Anna), Wednesday, 1 June 2005 09:07 (twenty years ago)

Bear in mind that newspapers, although more formal, might give you greater leeway for your ideas as the high-up folk there are generally not fully up on current popular kulture - so if you sound and look convincing enough, they'll take your word as gospel.

Marcello Carlin (nostudium), Wednesday, 1 June 2005 09:13 (twenty years ago)

"Media whores" That's like totally edgy dude!

Duder, Wednesday, 1 June 2005 09:15 (twenty years ago)

what do writers put on their cvs? i was asked to once, and it was embarrassing. 'temp -- social services'; 'student journo extraodinaire'.

N_RQ, Wednesday, 1 June 2005 09:15 (twenty years ago)

"Freelance journalist" NRQ.

Anyway, what Anna said.

Also, you could ring editors/desk editors of mags the day after publication (i.e. slack days) and say, "hi, I wondered if we could have a chat about some feature ideas you might be interested in - fancy a coffee in the next few days?" If you give the impression you have these conversations every day, they'll probably say yes, or if they say no they'll tell you about their usual commissioning process. Avoid saying, "hi, I'm near the end of a journalism course and I wondered if you could please give me some work" of course.

And don't stress. I did a crappy postgrad journalism diploma course too. Although it had its drawbacks, the certificate did help to prove I was serious about getting into journalism and now I'm doing good. So the course might be worth £3,500 to you in the long term.

beanz (beanz), Wednesday, 1 June 2005 09:31 (twenty years ago)

[Freelance journalist = suggestion not answer]

beanz (beanz), Wednesday, 1 June 2005 09:32 (twenty years ago)

it's funny I was about to ask the same question, at least about portfolios, I have sent cuttings and things alot but never actually made a portfolio. I am pretty much finished, bridges burnt, with Hot Press, and also finished college, so I must now seek out new employers.

as for CV, at the moment the strongest part of mine is probably being involved in a successful club and DJing, I imagine it must look good for writing work. other than that, yeah nothing!

Ronan (Ronan), Wednesday, 1 June 2005 09:34 (twenty years ago)

jesus. that's a tough one. errr... nope. no good advice.

doomie x, Wednesday, 1 June 2005 09:36 (twenty years ago)

i think emailing around just try to be really funny, witty ... or be like 'I'M SO FECKIN' AWESOME ME...'

doomie x, Wednesday, 1 June 2005 09:38 (twenty years ago)

cvs are weird: in the real-work world, cvs have all sorts of chest-puffing guff about skills, i don't know, database skills, whatevs. but can you really put: 'reviewing skills; when i review a motherfucker it stays reviewed'? i've tended to just put who i've written for in the pitch email (not that this has gotten me where i expected).

N_RQ, Wednesday, 1 June 2005 09:38 (twenty years ago)

"One spring evening in 1993, a community newspaper I was working for sent me to cover the 100th anniversary celebration of James G. Blaine Elementary School, on the far North Side of Chicago. This wasn't the sort of assignment I'd imagined for myself when I'd received my Bachelor's of Science in Journalism one year previous. But I'd begun to accept the fact that I wasn't exactly what Tina Brown was looking for at The New Yorker, or, in fact, what anyone was looking for anywhere, so I'd resigned myself to covering dog shows and neighborhood meetings about sewage abatement. It was the least sexy job in the world, until that evening..."

http://www.nerve.com/regulars/pollack/badsex/012/

ba bs (you better believe it), Wednesday, 1 June 2005 09:39 (twenty years ago)

basically dom, any emails sent to the editors are considered spam. so if you think like that ... and do something different and grab attention!!!! i know my editor gets 20 requests for freelance work a day.

doomie x, Wednesday, 1 June 2005 09:42 (twenty years ago)

mind, they are all from me ...

doomie x, Wednesday, 1 June 2005 09:42 (twenty years ago)

editors vary and they don't all treat it as spam. actually, older and more experienced eds have usually gotten back to me.

N_RQ, Wednesday, 1 June 2005 09:44 (twenty years ago)

of course, you get some work, start doing regularly features and you become the next simon price!!!! or if not, the work slides off, you become embittered, you start doing reviews for free and end up in a mental hospital regretting what you've done with your life!!

doomie x, Wednesday, 1 June 2005 09:46 (twenty years ago)

Or, if you're me, the review editor changes, gets all his mates to do the work you'd previously been doing and the work there dwindles to zero, leaving me embittered but thankful that I kept the day job.

Marcello Carlin (nostudium), Wednesday, 1 June 2005 09:49 (twenty years ago)

Or, if you're me, the review editor changes, gets all his mates to do the work you'd previously been doing and the work there dwindles to zero, leaving me embittered but thankful that I kept the day job.

was this at TO? if so... spoooooooooky...

N_RQ, Wednesday, 1 June 2005 09:52 (twenty years ago)

i never had any ambition beyond getting free music so things have pretty much stayed the same for me as it was three years ago!!

doomie x, Wednesday, 1 June 2005 09:54 (twenty years ago)

Oh no, Henry, this was at Uncut. John Lewis is the best review editor I've ever had and he's always sorry that he can't give me more work there. If a permanent vacancy in the music section at TO came up I'd seriously consider applying.

Marcello Carlin (nostudium), Wednesday, 1 June 2005 09:59 (twenty years ago)

When I was toying with this idea, or rather, one of the times I was toying with this idea, I was told that proper journalists are just as happy writing about Leslie Crowther opening a supermarket as they would be writing about..erm... the Asian tsunami. I immediatley realised that they were correct. And dropped the idea in disgust.

Now I think it would be quite good working on a local paper. I went for an interview at one not so long ago and it looked quite good. All the journalists were a right bunch of fat bastards, so it must be pretty easy. The hardest working people were those taking advertisements by phone.

It certainly seems like a more effective way of learning to be a journalist than doing a blog. You have to train yourself to be interesting to a wide range of people for a start. And you have to go out and talk to a wide range of people, overcoming any prejudices that might be holding you back. Which will always stand you in good stead if you want to make a living.

And people want demonstrable experience, and evidence of your reliability.

And if she wants you to use 'Music Television', use 'Music Television'. She's the boss. She's the one who can make your £3,500 look like a relatively good investment.

PS: I have no idea what I'm talking about, but this is what I think.

PJ Miller (PJ Miller), Wednesday, 1 June 2005 10:18 (twenty years ago)

I am sure that this is all accurate.

However, as a sufferer from Asperger's syndrome who finds it nearly impossible to interact with other people In Real Life, I have had to find alternative strategies. Partly what scuppered my music writing "career" was my extreme reluctance to do features as this would always involve having to interview people (which I found difficult enough to do as a sidebar to record reviews).

Thus did this subsidiary career dwindle to a lamentable, if predictable, end.

Marcello Carlin (nostudium), Wednesday, 1 June 2005 10:21 (twenty years ago)

If you get a local paper job you could do local sports coverage. Then you need to go to the Bull & Gate every single night for seven years. Hey presto, Steve Lamacq II.

Sociah T Azzahole (blueski), Wednesday, 1 June 2005 10:24 (twenty years ago)

omg, local papers. i did work experience on the cambridge evening news when i was 16. like most local papers, these days, it was sited in a business park on the ring-road. people spent their lunch-breaks at tescos. everyone looked like the 70s (in a bad way). i wrote a few pieces, and one of them made the pages. another, in which i used the word 'androgynous', was cut. another, where i made ironic use of the phrase 'surfing the web', was also cut. both of these explicitly because the subs didn't understand the words. at that point i decided that maybe i didn't really want to be a journalist, unless it was a bit more like 'his girl friday'.

N_RQ, Wednesday, 1 June 2005 10:25 (twenty years ago)

The sports editor was the fattest of the lot.

One of the reasons I have never done this is because I'm not keen on meeting people. I usually enjoy it when I do it (meet people, that is), but I usually dread it for some reason. Not as much now as I used to.

PJ Miller (PJ Miller), Wednesday, 1 June 2005 10:42 (twenty years ago)

If anything, these days I dread meeting people much more than I used to.

Marcello Carlin (nostudium), Wednesday, 1 June 2005 10:43 (twenty years ago)

i've done about 10 interviews in my life and i find them impossibly scarific and traumatic. i'm not that bad at meeting people in general, but the process of researching someone and then meeting them is one i find weird -- kinda stalkery.

N_RQ, Wednesday, 1 June 2005 10:45 (twenty years ago)

I've been a full-time newspaper journalist for ten years, and doing interviews used to scare the shit out of me. For a long time I lived with a gnawing, back-of-the-mind dread of the post-publication phone call from a source chewing me out for getting some detail wrong and promising to bring their wrath down upon me, my editors, and the publication. But eventually, I got comfortable, developed my own interview style, etc., Almost everyone I know in the field had similar fear/anxiety early on. If you do enough of the work, though, it eventually becomes perfectly natural. You even start to like the process, and come to particularly enjoy a difficult interview subject.

rasheed wallace (rasheed wallace), Wednesday, 1 June 2005 11:05 (twenty years ago)

dom: it's almost impossible to avoid a stint on local newspapers. it really is. but they're a good way to get some half-decent experience (ie unlearn all the crap you've been taught on the course) while you plot your escape/world domination.

if you want, e-mail me - best address to use is weesimon AT mac DOT com - with a phone number and i'll call you for a chat. even though 18 months ago you slagged off a feature in my magazine (heheheh, that'll have got you wondering), i'd really like to help you out if i can.

grimly fiendish (grimlord), Wednesday, 1 June 2005 11:32 (twenty years ago)

A stint at a local newspaper is especially helpful if you are at all interested in beat reporting. It's much easier to get your head around covering large institutions or companies if you've fine-tuned your reporting skills by covering zoning commissions, school boards and cops. Also, if you're hanging around the same city hall meetings, etc., all the time, you learn how to cultivate sources, which is probably one of the most important things you learn as a reporter and is one of the main things they just can't teach you properly in J-school.

rasheed wallace (rasheed wallace), Wednesday, 1 June 2005 11:47 (twenty years ago)

Yeah, I was terrified of doing interviews at first but once they were underway they always went fine, especially if you do them while having a pint or two. Just remember, in most cases the interviewee is just as nervous, worried about seeming like a moron or saying something they shouldn’t. I was absolutely bricking it before interviewing Lady Saw but she turned out to be great, really likeable and funny – afterwards I discovered my tape recorder failed to pick up ANYTHING that was said. Which was bad. Don’t use shabby equipment.

As for Dom’s qus, I’m fairly amateur at the moment but I’ve been asking similar qus to my journalist friends and pitching to magazines for a few months now. Just send a concise well-written email to the editor of the relevant section stating what you’d like to do and give a couple of links to your best pieces (I’d recommend setting up a website with all your writing on there). It helps massively if you know anyone on the magazine/paper as I’ve got most of my biggest pieces off people who I’ve met in clubs, at parties, etc.

I’ve got a similar qu to this, about post-grad diplomas, but I’ll start a new thread rather than hijack this one.

Affectian (Affectian), Wednesday, 1 June 2005 12:20 (twenty years ago)

Maybe another thread: What is the appeal of wanting to be a music journalist these days/how is it different now compared to 10/20 years ago, if at all?

Sociah T Azzahole (blueski), Wednesday, 1 June 2005 12:24 (twenty years ago)

or film journalist!

i *think* i'm right in saying the cost of living has risen, in real terms, since the early 80s. also the nme doesn't have the 'glamour' it had (for me) even ten years ago.

N_RQ, Wednesday, 1 June 2005 12:27 (twenty years ago)

After a gap between writing for MM in 92 and writing for Uncute in 2003, I was tickled to discover the payrate had remained at 10p per word. They've put it up a bit now, though.

I agree with those who say that the local paper may be worth your while. If you want to make a career of it, I think the more interesting music writing is increasingly likely to be found in researching and reporting stories (of the kind you'd get in a newspaper), rather than reviewing and interviewing.

Jerry the Nipper (Jerrynipper), Wednesday, 1 June 2005 12:37 (twenty years ago)

"Uncute"?

Accurate, if Freudian, description.

Marcello Carlin (nostudium), Wednesday, 1 June 2005 12:40 (twenty years ago)

I have pretty much given up on the idea of making a career out of being a writer, at least solely out of that. I think the appeal is, as ever, in its rawest form, to express yourself in print and bring some of the ideas you have about things to life for a bigger audience.

But it's not exactly easy. I think I can pretty much do everything I want as an average music writer by DJing, and so I do that more now, and what's more have practically walked up the ladder of success in that field whereas writing I have regressed really.

I think there is very little appeal in music writing for most, and then worse again I think alot of people are stuck between being not quite good enough to keep themselves going on the blogosphere, ie writing what they want for enjoyment, and seeing where that takes them, and being too independent to apply their style to a strict template. (though they would thrive with a moderately relaxed editor/magazine style)

Ronan (Ronan), Wednesday, 1 June 2005 12:44 (twenty years ago)

I should add the word "music" before writer in my first sentence there.

Ronan (Ronan), Wednesday, 1 June 2005 12:45 (twenty years ago)

I don't think it's a question of being "quite good enough to keep themselves going on the blogosphere," it's a question of, well you've said what you needed to say on the blog, and once you've done that, what's the point in keeping it going? No point blogging if it becomes a chore rather than a pleasure.

Marcello Carlin (nostudium), Wednesday, 1 June 2005 12:47 (twenty years ago)

10p a word!! That is truly horrifying, you'd make more money at McDonalds.

Jonathan Z. (Joanthan Z.), Wednesday, 1 June 2005 12:51 (twenty years ago)

Well, I didn't mean it that way as such Marcello, in relation to yourself, I actually meant that some people maybe benefit from the structure of a magazine without being completely dependent on it or slaves to it.

Ronan (Ronan), Wednesday, 1 June 2005 12:52 (twenty years ago)

Is this thread solely about music journalism? At my minor level it's great getting into clubs and gigs for free, and meeting a handful of starz AND getting paid for it. I'm not as interested in doing it full-time. I want to write about a wide range of subjects (film, food, technology, etc) but I'm currently pegged as a 'music writer' by my editors and it's a fucker trying to get beyond that.

My crummy provincial listings mag pays 10p a word, I'm shocked that Uncut is/was the same.

Affectian (Affectian), Wednesday, 1 June 2005 12:52 (twenty years ago)

xx-post: hey, i used to get 9p a word and was delighted.

crappy days ... :)

grimly fiendish (grimlord), Wednesday, 1 June 2005 12:53 (twenty years ago)

last job I had paid 9 cent a word, that's about 6p. and when I say "paid" I mean you'd probably have more luck extorting money out of homeless people

but this shouldn't become a moan thread, we all have our crosses to carry etc etc!

positive thoughts....

Ronan (Ronan), Wednesday, 1 June 2005 12:54 (twenty years ago)

I do freelance work as a commercial translator. The work is much, much easier than actually writing articles, and is paid at a pound a word.

Jonathan Z. (Joanthan Z.), Wednesday, 1 June 2005 12:56 (twenty years ago)

holy shit, get me on that gravy train

Ronan (Ronan), Wednesday, 1 June 2005 12:57 (twenty years ago)

the main thing to remember is that as a staffer or contributor for any publication - be it the banbury cake, the NME, the independent or harpers and queen - you are primarily a journalist, not a writer. indeed, if you really want to write - to express yourself and your opinions in florid prose - then journalism maybe ain't the best career.

after all, some c*** like me is just gonna rewrite it all anyway.

grimly fiendish (grimlord), Wednesday, 1 June 2005 12:58 (twenty years ago)

I have never got a pound a word for commercial translation. I have never got anywhere near a pound a word.

PJ Miller (PJ Miller), Wednesday, 1 June 2005 13:06 (twenty years ago)

I did once - for writing a press release and an artist biog - heady times

Anna (Anna), Wednesday, 1 June 2005 13:10 (twenty years ago)

xpost
Who did you work for? Was a middle man agency ripping you off? Technical translation isn't well paid, but advertising copy, press releases, press kits etc are paid a pound a word, if not more.

Jonathan Z. (Joanthan Z.), Wednesday, 1 June 2005 13:11 (twenty years ago)

Out of interest, how long should I expect to spend working on a local paper before gaining the skills to move onto somewhere bigger and better?

I've started my thread here: Question for ILX's Media Whores. Pt.II if anyone can help.

Affectian (Affectian), Wednesday, 1 June 2005 13:12 (twenty years ago)

bios, now there is way the money is at. £250.00 for like six paragraphs! paid my way to san francisco by writing bios.

doomie x, Wednesday, 1 June 2005 13:16 (twenty years ago)

I was working for various middle man agenices ripping me off, but even they weren't getting a pound a word. This was in Spain, but even allowing for that, the pay was nowhere near that good. No press kits though, and press releases were for the likes of supermarkets. Not very glam.

PJ Miller (PJ Miller), Wednesday, 1 June 2005 13:22 (twenty years ago)

I think a pound a word is a bit excessive.

PJ Miller (PJ Miller), Wednesday, 1 June 2005 13:27 (twenty years ago)

universal pays £250. never heard of a pound a word? mebbe for coldplay? just trying to get paid ... that's another story. universal owe me £1500.

doomie x, Wednesday, 1 June 2005 13:28 (twenty years ago)

Out of interest, how long should I expect to spend working on a local paper before gaining the skills to move onto somewhere bigger and better?

twelve of your earth months shd suffice. try to make sure you're not tied to the group: ie that you can sell pieces to other publications/do casual subbing work/etc to get yrself known.

grimly fiendish (grimlord), Wednesday, 1 June 2005 13:30 (twenty years ago)

It was Paul Oakenfold at the height of the trance boom.

Anna (Anna), Wednesday, 1 June 2005 13:31 (twenty years ago)

I think a pound a word is a bit excessive.

Like anything else, what you're paid for writing totally depends on who you're writing for. I do a lot of ads, press kits, press releases etc. for those big French luxury brands, and they have phenomenal promotion budgets.

Jonathan Z. (Joanthan Z.), Wednesday, 1 June 2005 13:36 (twenty years ago)

Cor!

I don't think they have Spanish luxury brands :-(

And the only Paul Oakenfold is DJ Sammy :-(

I can see why advertising copy would pay a lot.

But anyway, I don't do that any more. In fact I turned down a job this morning, which was nice. I did feel a pang of regret though.

PJ Miller (PJ Miller), Wednesday, 1 June 2005 13:46 (twenty years ago)

Thanks to everyone who's posted on this thread so far. I've not been online all day hence my long absence, but this is all getting printed out for future reference.

Dom Passantino (Dom Passantino), Wednesday, 1 June 2005 21:18 (twenty years ago)

If you're very lucky you might end up getting asked to write for money for a national publication by someone you repect and then fuck around and not do it!

Tracer Hand (tracerhand), Wednesday, 1 June 2005 21:28 (twenty years ago)


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