http://www.japanimprov.com/sachikom/index.html
Its a limited palette of sounds/tones, and at times, there's a lack of coherence to it, and you're screaming for some contrast from whoever she's playing a duo with. But I can't help to admire the straight-face-ed-ness of it all.
There's a ton of stuff on the otomo thread, so i guess there might not be much to say for now:
Otomo Yoshihide: Search and Destroy
But I think she deserves a thread of her own. I might just get the box (mentioned on the otomo thread) (its a bit cheeky of them, this could have been a 3-disc release):
http://www.japanimprov.com/indies/fmn/filamentbox.html
― Julio Desouza (jdesouza), Friday, 6 August 2004 11:09 (twenty-one years ago)
― Julio Desouza (jdesouza), Friday, 6 August 2004 11:10 (twenty-one years ago)
― Dadaismus (Dada), Friday, 6 August 2004 11:14 (twenty-one years ago)
― Julio Desouza (jdesouza), Friday, 6 August 2004 11:16 (twenty-one years ago)
― dleone (dleone), Friday, 6 August 2004 11:22 (twenty-one years ago)
― Julio Desouza (jdesouza), Friday, 6 August 2004 11:26 (twenty-one years ago)
also - quadraphonic phasing
― Red Panda Sanskrit (ex machina), Friday, 6 August 2004 15:30 (twenty-one years ago)
Tokyo Sextet was originally written for the sextet wich includes electric guitar, bass clarinet, violin, trombone and two electronics (two sine waves). This version is realized by Taku Unami, who where involved in the sextet, in 2006 by using only six sine waves.
"only".
― xyzzzz__ (jdesouza), Saturday, 23 September 2006 09:28 (eighteen years ago)
He's a very nice and talented dude, btw.
― sleeve version 2.0 (sleeve testing), Saturday, 23 September 2006 19:01 (eighteen years ago)
― Jena (JenaP), Saturday, 23 September 2006 19:33 (eighteen years ago)