xtc show their sarcasm on go2

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did it sell ?
This is a RECORD COVER. This writing is the DESIGN upon the
record cover. The DESIGN is to help SELL the record. We hope
to draw your attention to it and encourage you to pick it up.
When you have done that maybe you'll be persuaded to listen to
the music - in this case XTC's Go 2 album. Then we want you
to BUY it. The idea being that the more of you that buy this
record the more money Virgin Records, the manager Ian Reid and
XTC themselves will make. To the aforementioned this is known
as PLEASURE. A good cover DESIGN is one that attracts more
buyers and gives more pleasure. This writing is trying to pull
you in much like an eye-catching picture. It is designed to get
you to READ IT. This is called luring the VICTIM, and you are
the VICTIM. But if you have a free mind you should STOP READING
NOW! because all we are attempting to do is to get you to read
on. Yet this is a DOUBLE BIND because if you indeed stop you'll
be doing what we tell you, and if you read on you'll be doing what
we've wanted all along. And the more you read on the more you're
falling for this simple device of telling you exactly how a good
commercial design works. They're TRICKS and this is the worst
TRICK of all since it's describing the TRICK whilst trying to
TRICK you, and if you've read this far then you're TRICKED but
you wouldn't have known this unless you'd read this far. At
least we're telling you directly instead of seducing you with
a beautiful or haunting visual that may never tell you. We're
letting you know that you ought to buy this record because in
essence it's a PRODUCT and PRODUCTS are to be consumed and you
are a consumer and this is a good PRODUCT. We could have
written the band's name in special lettering so that it stood
out and you'd see it before you'd read any of this writing and
possibly have bought it anyway. What we are really suggesting
is that you are FOOLISH to buy or not buy an album merely as a
consequence of the design on its cover. This is a con because
if you agree then you'll probably like this writing - which is
the cover design - and hence the album inside. But we've just
warned you against that. The con is a con. A good cover design
could be considered as one that gets you to buy the record, but
that never actually happens to YOU because YOU know it's just a
design for the cover. And this is the RECORD COVER.

This is the back of a RECORD COVER. Catalogue No. V2108.
This writing is the DESIGN on the back of the cover. This
design is not like that on the FRONT. Its aim is to impart
information about the RECORD and the GATEFOLD INSERT within
rather than trying to sell it by being impactful or clever
or any of those things. We have kept it in the same style
so that the entire package has a sense of IDENTITY which-
ever way you see it. The record is by XTC. This is their
second album. We won't attempt to describe their music
because all you have to do is play it and you can describe
it for yourself. XTC is made up of Andy Partridge, Barry
Andrews, Colin Moulding and Terry Chambers. We have shown
photos of them below because this is regarded as commer-
cially sensible and helpful in creating their image. And
if you're curious at all you might find it interesting to
see what the musicians actually look like. And there are
more pictures and words on the very colourful insert
which you can only see if you buy the whole thing.

Many people think it helpful and useful to know some details
about the songs on the record in side, so here they are:-
1. Meccanik Dancing (Oh We Go!) 2. Battery Brides (Andy
Paints Brian) 3. Buzzcity Talki ng 4. Crowded Room 5. The
Rhythm 6. Red 7. Beatown 8. Li fe is Good in the Greenhouse
9. Jumping in Gomorrah 10. My Weapon 11. Super-Tuff
12. I am the Audience. You m ay also be interested to know that
the record was produced and Engineered by John Leckie with
assistant engineers Haydn Be ndall and Pete James at Abbey Road,
also, Andy Llewelyn and Jess Sutcliffe at Matrix and that Barry's
Roots photos were by Dave Eagle. We have to repeat the catalogue
number on the insert for bureaucratic reasons and here it is V2108.

Lastly we would like to make it clear that this is a
product of Virgin Records Limited, partly because they
wanted us to and partly because it is a legal necessity.
Virgin Records' head office is located at Vernon Yard,
Portobello Road, London W.11. and is (P) Virgin Records
1978 and (c) 1978 Virgin Music (Publishers) Ltd. This
sleeve was written and photographed by Hipgnosis and
printed in England by James Upton Ltd.

retrogurl, Sunday, 11 December 2005 11:45 (twenty years ago)

yo bitch why yo be bringing dis shiznit

every gangsta and his ho knowz that me and c-money moulding bring da sarcasm and da guns in tha wesside of swindon yo yo yo

and bitch you bet it sold even if we had dat dumb no good nigga barry "b squared" andrews tryin to hold down tha xtc krew yo with his wigger organ yo

ps bitch yo gotta download tha xtc krew's new single "where da ordinary thugz be at?" yo which me and c-money be frontin on

gangsta andy partride be out yo yo yo

gangsta andy partridge, Sunday, 11 December 2005 12:37 (twenty years ago)

Easily one of my favorite records of theirs.


Alex in NYC (vassifer), Sunday, 11 December 2005 12:50 (twenty years ago)

Not one of their best, I'm afraid, but Battery Brides is amazing, especially the live version on the box set.

Halloween Spooky Party Hints! (Bimble...), Sunday, 11 December 2005 14:08 (twenty years ago)

Although generally regarded as their worst of the century, I actually pull this one out much more often than White Music, which I only browse through for the singles.

Mitya (mitya), Sunday, 11 December 2005 14:09 (twenty years ago)

go2 is half shite/half great. alex always defends it. classic for meccanik dancing, though!

gangsta andy partridge always makes me laugh.

cutty (mcutt), Sunday, 11 December 2005 14:15 (twenty years ago)

Oh god I LOVE White Music.

Halloween Spooky Party Hints! (Bimble...), Sunday, 11 December 2005 14:21 (twenty years ago)

PRUSSIAN BLUE - White Power Folk Duo.... of 12-year-old twin sisters...

latebloomer: Deutsch Bag (latebloomer), Sunday, 11 December 2005 15:44 (twenty years ago)

LOL

Mitya (mitya), Sunday, 11 December 2005 15:55 (twenty years ago)

http://www.discogs.com/image/A-76242-1130839993.jpeg

Andy_K (Andy_K), Sunday, 11 December 2005 16:07 (twenty years ago)

ilm fail to show their sarcasm on go2 thread

will it swell?

Doctor Casino, Sunday, 11 December 2005 16:20 (twenty years ago)

Although generally regarded as their worst of the century, I actually pull this one out much more often than White Music, which I only browse through for the singles.

I have to agree. White Music just sounds like goofy hyperactive pub-rock to me, whereas Go 2 has a broader palette (the slash-and-burn of "Meccanik Dancing" and the Eno-inspired "Battery Brides") and a more judicious use of discord. And if we're considering it era by era, "Are You Receiving Me?" - one of their most pulse-quickening singles - was released the same month as the album.

Myke Weiskopf (Myke Weiskopf), Sunday, 11 December 2005 16:40 (twenty years ago)

A lot of the Go2 material worked much better live, it's a pity they stopped playing a lot of it after Barry left the band.

Wasn't the cover already done by Hipgnosis and they just picked it after not liking what was presented to them, Hipgnosis called it the 'office joke'.

mzui (mzui), Sunday, 11 December 2005 16:47 (twenty years ago)

It lacks some of the tunesmithery of Drums & Wires, but there are some hugely great songs on Go2, notably "Crowded Room," "Mecchanik Dancing," "Are You Receiving Me?" and "Beattown". I fucking love this record, actually. It certainly shits all over everything they've done since Oranges & Lemons.

I also quite enjoy "Jumping in Gomorrah" for both its sentiment and its wilfully silly execution," and I even like "My Weapon" (most loathed XTC number?)

Alex in NYC (vassifer), Sunday, 11 December 2005 17:53 (twenty years ago)

Wasn't the cover already done by Hipgnosis and they just picked it after not liking what was presented to them, Hipgnosis called it the 'office joke'.

I didn't know about Hipgnosis part... damn, I would have loved to see that. But it's true that the album cover art as it stands now was a Virgin records office joke that had been around for years before, and XTC were just the first one to accept the offer to use the idea for that album.

dali madison's nut (donut), Sunday, 11 December 2005 18:40 (twenty years ago)

Why always the hate "My Weapon"?

kwhitehead (stephen schmidt), Sunday, 11 December 2005 18:40 (twenty years ago)

I meant to say "for My Weapon"? Sorry.

kwhitehead (stephen schmidt), Sunday, 11 December 2005 18:42 (twenty years ago)

I used to, but that Cupboards box set showcased a few other Barry songs that didn't make Go 2, and they were all great.. they chose the two weakest ones for the album it seems like. Also in the liner notes, Andy admits he was being a nervous control freak about wanting control over the band and not having Barry's songs on the record... Barry also admits that he suddenly wanted to be the band's fascist as well. Both have made up since, and admit they were both being childish. The way Barry phrased his "master plan" at the time in the box set liner notes is hilarious.

dali madison's nut (donut), Sunday, 11 December 2005 18:53 (twenty years ago)

have you read the lyrics for "my weapon"? that may answer your question.

cutty (mcutt), Sunday, 11 December 2005 18:56 (twenty years ago)

I have read the lyrics but I also read an interview with Andy Partridge where he states the weapon referred to in "my Weapon" is farting in bed. This makes the song much less sinister if one chooses to believe him.

kwhitehead (stephen schmidt), Sunday, 11 December 2005 19:14 (twenty years ago)

less sinister? it's still fucking retarded.

cutty (mcutt), Sunday, 11 December 2005 19:18 (twenty years ago)

AP: That kind of stuff. And to be honest, it really - all this stuff they laid out on the floor of the office. My heart sank and I thought, "Oh, Jesus." And we're kind of being obliged by Virgin to pick something from this pile of shit. [laughter] And I really don't like it. And I still wanted to carry on the black and white, strong sort-of simple kind of graphic thing. 'Cause I thought we hadn't wrung all the goodness out of that. We hadn't wrung all the monochrome-marvelousness out of that. [laughter] And the stuff that Hipgnosis were showing us I really didn't like it. And I was feeling pretty depressed at the end of the afternoon. And it was a case of, "Well, uh - you know, we'll let you know which one then." And as we were walking out of the office - the office was a big high, sort of Victorian room and they had a huge fireplace at one end - you know, not working or anything. And on the mantelpiece of this fireplace they had a twelve-inch sleeve, just covered in writing, saying [click to view the actual cover] "THIS IS A RECORD SLEEVE, THE PURPOSE OF THIS SLEEVE IS" - blah blah.You know, the whole thing.

And I said, "That's good" and lifted it off of the mantelpiece and started reading it. And I said, "This is great - what's this? - have you done this for somebody? This is great!" And they said, "Oh no, that's the office joke. We did that as a joke to show what the ultimate sleeve could be, and of course nobody will touch it! We've shown that to every band that's come in and that is the one they reject." [laughter] And I thought, "This is it! I want this one!" Knowing that everyone else had rejected that. That was at the bottom of everyone's list. And to me, it was like - it just seemed to sum up what a sleeve should do. And I said, "We'll have this," and they didn't take us seriously. They said, "Yeah - sure - okay - so you're gonna ring us about which of those sleeves you want?" [Andy] "No, no. We want this one!" [Hipgnosis] "No, no, c'mon. You can't have that one it's a joke you know. It's our office joke. We leave it there on the thing as a joke. It's our office gag." [Andy] "No, no, this is what we want. We want this one." And we made them do the whole thing, you know, they printed up promotional T-shirts saying "THIS IS THE T-SHIRT - THE PURPOSE OF THIS T-SHIRT - THIS IS THE BADGE - THE PURPOSE OF THIS BADGE," blah blah. That sort of thing. The ads in the paper - you know, we took it the whole way.

WL: It's a great gimmick.

AP: Yeah. And I liked the fact that nobody else wanted it. I mean everyone had turned it down. Pink Floyd had turned it down. I kind of liked that. I liked the fact that it was the complete and utter joke. And the office new it as well, it was their joke because everyone had rejected it.

WL: Did Virgin react well to the idea?

AP: I think they were a little bit "Uhhm. My God, are you sure this is going to work?" And they were saying, "Well, can't we put XTC really big at the top?" And I said, "No, that takes away from the whole purpose of the actual design being all that white lettering." You know, if you look at it at twice arms length it just looks like static. It looks like just black and white static. It's beautiful. And we talked 'em round and they went with it eventually.

mzui (mzui), Sunday, 11 December 2005 20:27 (twenty years ago)


My Weapon


I dunno wot she got
I dunno wot she got
I dunno what she got but it seems to have a grip upon me
No telling where she learn the things she do to me
And I don't know what she done wrong but I want to hurt her

(wanna) take it out on her
Take it out on her
Take it out on her
With my weapon

She's so exacting that she tells me when I go wrong
She doesn't value the attention she receives
She says I'm taking all the time but I'm not returning
(that's right)

'Do this' but she won't do that
Lying beside me like a parcel of fat
Hot love - cold sweat - feel her beneath me wanna crush her to death
She tries to justify the people who despise me
She puts her finger on things she knows will hurt
And I can't defend myself till we turn the lights off then

I dunno wot she got - my weapon
My stinking weapon

latebloomer: Deutsch Bag (latebloomer), Sunday, 11 December 2005 21:16 (twenty years ago)

mzui, thank you.. the truth was somewhere in the middle there I guess.

dali madison's nut (donut), Sunday, 11 December 2005 22:11 (twenty years ago)

I have read the lyrics but I also read an interview with Andy Partridge where he states the weapon referred to in "my Weapon" is farting in bed. This makes the song much less sinister if one chooses to believe him.

Didn't Barry write it, though?

Alex in NYC (vassifer), Sunday, 11 December 2005 22:35 (twenty years ago)

I'm guessing it was Andy trying to calm the contrversy that the song generated at the time... he obviously hated the song.

dali madison's nut (donut), Sunday, 11 December 2005 22:37 (twenty years ago)

It certainly shits all over everything they've done since Oranges & Lemons.

yo yo yo just because yo punk ass is eastside swindon dont mean yo can punk out tha xtc krew from wesside swindon, alex in nyc yo yo yo

yo bitch check it out: orangez and gin and lemonz? crankin. nonsuch pimping? off tha hook. suck mah apple penis? held it tight yo. kill all wasps with tha star? pimpin, yo, pimpin.

do dont be dissin tha xtc krew again unless yo want me and c-money poppin a cap in yo ass yo yo yo

gangsta andy partridge, Monday, 12 December 2005 09:20 (twenty years ago)

zzzzzzzz....

Alex in NYC (vassifer), Monday, 12 December 2005 15:26 (twenty years ago)

yo alex in nyc in tha suv yo ass be skatin on thin ice

watch yoself punk because yo ass could end up at tha bottom of tha black sea thanks to me and c-money if yo dont watch it

gangsta andy partridge, Monday, 12 December 2005 15:39 (twenty years ago)

"Go 2" is their worst album, but that album cover is classic beyond words.

Geir Hongro (GeirHong), Monday, 12 December 2005 15:46 (twenty years ago)


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