the dirtbombs

King's Lead Hat, though... ooh, that is fantastic.

search: the gories, blacktop, the demolition dollrods, the screws, the originals of all those great collins covers (esp machine's "there but for the grace of god go i", beefheart's "here I am...", sly stone's "underdog" etc etc)...

destroy: 95% of the dirtbombs originals & their half-assed snooze-fest of a live show

so! I have valid content for this thread too:
Menswear for dinosaurs is tight!

i really don't like anything else he's ever done *ducks*

aieee!

I am still trying to figure out The Gories, I actually *bought* a copy of Houserocking and it isn't clicking.

Jess it's like totally OK to say "I dunno, I just don't get it"

There was an interview with Mick Collins in The Age a couple of weeks back, and he explained that the 'bubblegum' album went on the backburner because he thought this would be a pretty good opportunity at having a big-selling record, and an album of bubblegum covers would probably confuse the audience. It's now going to be the next one.

Anyone seen them live? How are they?

Excellent.

I saw them in Bath around the time of Dangerous Magical Noise and they were brilliant, it was one of the best gigs I've been to. Haven't heard anything from them in a long time, that comp was ages ago, have they got anything new coming out?

new album out in spring, 'we have you surrounded'. it is awesome.

do NOT miss them live

Yeah, absolutely fucking fantastic live band. Seen 'em about 5 times, and they've never let me down. Sometimes a little disjointed/uptight towards the beginning of the set, but they always loosen up as they go (or maybe that's just me).

Studio records are always a little disappointing, even Electraglide. They miss the rawness that makes the live show such a blast. Dangerous Magical Noise was especially disappointing. Mostly a singles band - check the If You Don't Already Have a Look comp. Also S: Live North of 8-Mile. Versions on that are uniformly better than on the studio LPs.

Wanted to go see 'em in Hoboken a few years ago, but my gf found a kitten in a dumpster on the way, so we had to bail and take it back home. Which was a big mistake, but that's neither here nor there.

Anyway, the new LP is apparently out! Haven't seen or heard it yet, but I'll try and track a copy down for the weekend. From the Midhaven mail-order page: ...the opening track has been acknowledged by Collins as his tribute to Mark E. Smith and The Fall. <contains> fantastic takes on songs by comic artist Alan Moore, Portland, Oregon stalwarts Dead Moon, and labelmates Sparks.

I think it comes out later this month actually. I was hoping to order it from In the Red because it would probably be cheaper than Midheaven, but they apparently haven't updated their site in a little while. Anyone ordered Media Mail from Midheaven? It says it could take up to 6 weeks, but I can't imagine it taking that long.

love how the dirtbombs' Sharevari video is an animated homage to the dancers in The Scene Sharevari clip.

This is hilarious and I really wanna hear the album asap

I love Sharevari. But too many tracks on here suffer from essentially being the same thing being played over and over again. Fine if it's hypnotic minimal techno, but in a garage rock context, it can sound like a particularly uninventive jam in, well, in a garage. I love the concept, but there aren't enough peaks and troughs to hold my attention much of the time. Sharevari is amazing though.

Love Sharevari, Strings of Life and Jaguar on first listen but the whole things pretty solid imo

good life is a jam. would love to hear them do big fun.

yeah good life is just monumental

feel like they didn't quite nail jaguar - as dog latin hints it could have used more dynamics. but i have a feeling those problems will be worked out on the road

I am looking forward to hearing Good Life especially, I was into Inner City as a kid when it came out and loved that song, while I didn't hear most of the other tracks until much much later.

I think their version of Jaguar is awesome but needs the swooping strings and I'm not sure how they'd do that without use of an AXE SOLO.

just got the vinyl :D

I think it could do without a 20-minute "Bug in the Bass Bin" freakout in the middle.

yup, me too. i don't find i really get much from it in that 20 minutes. does the original have the same run time? i've never heard it.

aside from that song, the album is a sweaty, dirty, fun record and i love it.

http://farm5.static.flickr.com/4144/5410153899_1d2dcfdf2e.jpg

"Alleys of Your Mind": so so good. reminiscent of the Gories. i just wish we could hear Mick's wail a little more.

I wish they'd covered Industrial Lies too.

Actually, I wish they'd just follow this up with a whole 'nother album. Some Man Parrish would be nice, not Detroit I know, but imagine Hip Hop Be Bop done in this style or Join The Future or LFO...

SCION A/V REMIX PRESENTS:
THE DIRTBOMBS

CD AND 12" RECORD AVAILABLE FEBRUARY 1st FOR FREE FROM SCION, DIGITAL AT MAJOR ONLINE RETAILERS MARCH 15th.

The Dirtbombs, the venerable Detroit garage outfit formed by Mick Collins, will be the next entry in Scion A/V's ongoing remix series. While the project intitally seems at odds with The Dirtbombs' oft-traditional blend of garage, punk, and soul, the new album marks a stylistic departure for the band, paying homage to the diversity of their hometown with a collection of classic Detroit Techno covers. Scion A/V, long proponents of both the garage rock and Detroit techno scenes, are commemorating the effort by releasing an EP of techno remixes of The Dirtbombs' covers, along with a booklet of stories by Collins about his youth in Detroit, his first exposure to Detroit techno at parties in 1982, and, most surprisingly, his forays into making dance records before forming the massively influential garage band The Gories, which his name would soon become synonymous with.

Opening with the classic 1981 A Number of Names single "Sharevari", recontextualized through both the Dirtbombs' and ubiquitous Detroit house DJ Omar S's filters. Then, handclaps and heavily delayed guitar lines signal the intro to techno collective Ectomorph's remix of the band's take on Knights of the Jaguar's classic 1999 single "Jaguar". The third and final remix, of Innerzone Orchestra's "Bug in the Bassbin", is a gritty facelift by Kyle Hall, the 19-year-old prodigy already being praised by the likes of XLR8R and many others as the new face of Detroit techno. Closing out the collection is the original Dirtbombs version of "Sharevari".

Scion A/V Remix: The Dirtbombs tracklisting:

1. Sharevari (Omar S Remix)
2. Jaguar (Ectomorph Remix)
3. Bug In The Bassbin (Kyle Hall Remix)
4. Sharevari (Original Dirtbombs Version)

Stream and download Scion A/V Remix: The Dirtbombs here:
Stream: http://soundcloud.com/scionav/sets/scion-a-v-remix-the-dirtbombs
Download: http://scionav.com/thedirtbombs

Watch the trailer here: http://vimeo.com/18965404

To see the video for The Dirtbombs' cover of "Sharevari" that came out last month as part of the latest installment of the Scion A/V Video series click here: http://vimeo.com/15623513

just got the vinyl :D

― progressive cuts (Tracer Hand), Wednesday, February 2, 2011 7:22 AM (8 hours ago) Bookmark

setting the bar awful damn high for 2011

want that 12"! dirbombs' last scion freebie no goes for stupid money

I don't really understand NYCNative's post. There's a 12" record of remixes being given away for free? How? Where?

"Jaguar" growing on me but yeah, it's hard to make up for those missing strings, whose arrival in the original is like the fucking cavalry showing up in the club, just whooshing everyone up into its vortex.

On record "Bug in the Bassbin" is much less annoying because you just don't play that side. Easy.

pretty intrigued about those Collins dance records mentioned - like the Gories started in what, 1985? So anyone in Detroit making 'dance music' before then has to be pretty close to techno year zero... I mean his tracks might have sucked but I love reading about stuff like this

tracer -

In its continual effort to show support for the arts, Scion covers all production, licensing and distribution costs for the A/V projects, and all proceeds go directly back to the label and artists involved. Promotional copies of the release will be available in CD and 12” vinyl formats at select Scion events and independent record stores nationwide.

http://www.pitchengine.com/scion/scion-av-remix-presents--the-dirtbombs-/121874/

(not v helpful really)

yeah, finding those scion freebie records is just dumb luck. hopefully you know the stores that tend to get them, or have a friend who knows someone or whatever. have had pretty good luck so far.

On record "Bug in the Bassbin" is much less annoying because you just don't play that side. Easy.

yeah, that's the solution. i mean, i don't hate "bugs", but it's not something i want to listen to every time, either. other than that and the remix that closes the album, it's damn near flawless. can see how "jaguar" might frustrate if you're expecting the strings, but taken on its own terms i think it works just fine.

in my mind, it's seven song mini-album running a little over 32 minutes (with a couple inessential bonus tracks or b-sides thrown in).

mick wanted to release it as 3 12" singles initially

I think I DRASTICALLY underrated this when I first listened to it. I thought it was nice enough but right now it's basically the perfect thing to hear.

"Strings of Life" is kind of amazing in that it doesn't sound anything like the original yet manages to capture the same type of euphoric haze.

IDK I love the dirtbombs and i love Detroit techno but didnt really like this much, drum machines overlayed but drums that arent in time erk me too much

i like them when theyre just being noisy. dont much like the ultraglide in black album that much (i love the originals however).

The Dirtbombs are releasing what is going to be, by their own estimation, a bubblegum album.

THE DIRTBOMBS SHARE "GIRL ON THE CAROUSEL"
NEW LP, OOEY GOOEY CHEWY KA-BLOOEY
OUT 9/17 VIA IN THE RED RECORDS

LISTEN TO "GIRL ON THE CAROUSEL" VIA PITCHFORK HERE
LISTEN TO "CRAZY FOR YOU" VIA SPIN HERE

For about a decade now Mick Collins, front man for the Detroit based Dirtbombs, has been threatening that the “next” record the band would release would be their “bubblegum” album. After a couple of albums of mostly originals, a compilation of singles and an album of Detroit techno covers it would be understandable for someone to think that the bubblegum record either fell to the wayside or was a farce to begin with. Well, at long last here is The Dirtbombs’ bubblegum record – Ooey Gooey Chewy Ka-Blooey.

It would be understandable to assume that a bubblegum record by the Dirtbombs would be an album of cover versions by bands like the 1910 Fruitgum Company, The Ohio Express and The Archies. After all, the band already has two albums of cover songs under their belt which salute specific genres. That is not the case in this instance. Mick Collins has written ten new original tracks in which he pays homage to the sound and style originally popularized in the late 60’s/early 70’s by producers/exploiters like Kasenetz-Katz and Don Kirschner amongst many others. The results are pretty much spot on to Mick’s intention. While the usual Dirtbombs’ double drums, fuzzy guitars and soulful swagger are definitely present, this album is sugary, sun-shiny pop rock that recalls the albums made by Josie & the Pussycats, the Banana Splits and Lancelot Link & the Evolution Revolution, to name but three. It’s all singalong choruses, childlike themes and a contrived innocence – it’s not the kind of record one would’ve predicted from a guy who once fronted The Gories.

The original bubblegum music was basically a cash-in produced in an assemblyline process usually using studio musicians and hired song-writers who dashed the stuff out as quickly as possible and most likely forgot about it even quicker. While The Dirtbombs adhere to some of this original approach by using a list of guest musicians so long there wasn’t room to credit them on the album cover, this album is actually a carefully crafted work that was almost two years in the making. Also not the sort of thing one would expect from the guy who once fronted The Gories. Still, this is incredibly catchy stuff.

https://gallery.mailchimp.com/18a1282ff4cd99bdf27d6022f/images/itr248.Dirtbombs_cover_300rgb.jpg

THE DIRTBOMBS
OOEY GOOEY CHEWY KA-BLOOEY!
(IN THE RED RECORDS)
SEPTEMBER 17th, 2013

1. Sugar On Top
2. Crazy For You
3. It's Gonna Be Alright
4. Hot Sour Salty Sweet
5. Jump and Shout
6. Girl on the Carousel
7. Hey! Cookie
8. Sunshine Girl
9. No More Rainy Days
10. We Come In The Sunshine

I predict my kid is gonna love this

if i see this in a uk shop, i will buy it.
simple as.

oooh, looking forward to this

it is awesome

This is going to be so great.

that's a strange painting for an otherwise ace album cover.

Only three tracks in, but this album is really knocking me out. He's absolutely nailing some of the lost aspects of the genre.

This record really surprised me. You hear that someone's doing a bubblegum album and you think OK, hopefully that will be fun, but there's just so much depth here.

Pls tell me there's a track with Coral electric sitar somewhere in there

I wrote 1300+ words on it, btw.

http://www.spin.com/reviews/the-dirtbombs-ooey-gooey-chewy-ka-blooey-bubblegum-album/?utm_source=spintwitter&utm_medium=social&utm_campaign=spintwitter

this turned out to be pretty fun, but not as great as I was hoping. they overreach in places - particularly with the more complex harmonies/vocals, they just don't have the vocal chops to pull off the sweeter vocal arrangements required by the material.

The album reminded me how strongly I used to feel about Collins being one of the best songwriters of his generation during the Gories days. (Not that he hasn't also demonstrated that previously with the Dirtbombs, but I haven't always been following them.)

Ultraglide in Black needs to be repressed on vinyl. Like NOW.

https://www.youtube.com/watch?v=W2DrZhOBO9o

https://www.youtube.com/watch?v=hAI16W7Z0eY

definitive . . . of . . . maybe everything

https://www.youtube.com/watch?v=yKgFEQVkUYU

It's funny how the Gories rule, but the Dirtbombs, who don't really sound anything like the Gories, also rule. Where's the logic in that?!?

They both inherit the Detroit Rules properties.

what's Mick Collins doing these days, know the Gories are playing some dates, but other projects?

was thinking today of how much I miss hearing Mick's wonderful voice. Saw the Dirtbombs reunion at the Third Man anniversary gig in Nashville in 2019, they fuckin ruled!

Mick is actually in a band with Bob Bert and Kid Congo Powers these days, The Wolfmanhattan Project. Actually haven't heard them yet, but keep meaning to check them out.

https://wolfmanhattanproject.bandcamp.com/album/summer-forever-and-ever

I was at a garage punk festival in 1999 and there was this awesome band I hadn't hear of before but I though one guy looked familiar and I though it was the guy from the Gories, and I went up at the end as he was packing his gear to tell him how great it was, and it was actually Kid Congo. (The band was the Knoxville Girls) (facepalm emoji)

Mick DJs at the Great Georgiana in Clinton Hill often.