Taking Sides: Boston's Eponymous Debut VS. Destroyer by Kiss

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I was going to throw News of the World by Queen in there too, but that's a bit later, isn't it. And too confusing. I suppose Bat Out of Hell by Meat Loaf could be a contender as well, but oh well...that's another thread.

Anyway, prior to discoverng the joys of stoopid heavy metal and Punk Rock, these two albums played significant roles in my slowly gestating music-appreciation in the late seventies.

Big Rock Staples from the Golden Age of Hesherdom. Swathed in suitably sci-firiffic cover art and boasting then state of the art production, both of these albums are surely rockist touchstones. But which reigns supreme? Proto-prog-metal pomp versus Stack-heeled, Grease-painted superheroics. Tom Scholz versus Ace Frehley. Big hair and mustaches versus big heels and fire-spitting.

Roll up the sleeves of your black satin tour jackets and weigh in.

Alex in NYC (vassifer), Friday, 22 October 2004 00:03 (twenty-one years ago)

Incidentally, I'm going with Kiss. Shockah.

Alex in NYC (vassifer), Friday, 22 October 2004 00:04 (twenty-one years ago)

Boston. duh.

Al (sitcom), Friday, 22 October 2004 00:12 (twenty-one years ago)

All must bow before the 'fro of Sib H.

Joe (Joe), Friday, 22 October 2004 00:55 (twenty-one years ago)

Boston: wailing voice
Guitar through harmonizer
Heavy organ riffs

Edward Bax, Friday, 22 October 2004 01:12 (twenty-one years ago)

Oh yeah, the haiku requirement was only in the Rush thread wasn't it...

Speaking of Boston, though. That catalog is due for a remaster. The thing is, Tom will probably insist on doing it himself and taking six years for each one.

Edward Bax, Friday, 22 October 2004 01:13 (twenty-one years ago)

Boston's debut is the Pet Sounds of the '70s. I'd elaborate, but I'm kind of tired today.

alfalfa romeo (natepatrin), Friday, 22 October 2004 01:15 (twenty-one years ago)

'Destroyer' = 'Satanic Majesties'?

dave q, Friday, 22 October 2004 01:19 (twenty-one years ago)

Boston OWN. Absolutely, positively, undoubtedly, immutabley, irrefutably OWN KISS in any conceivable manner on any plane of existence physical and metaphysical.

Comparing them is god damned offensive.

Pure pop fury with spine tingling vocals and love for life spiraling each note. Boston discovered the sequence of notes that unlocks the primal urge to rock out and gave it to us WITH FUCKING LASER BEAMS AND GUITARS THAT GO INTO OUTER SPACE.

KISS are boredom personified. They rock posture where Boston rocksplode and leave you with rock shrapnel that you talk to your pals at the Veterans hall about, and drink away the post-traumatic stress disorder that Boston shook into your bones.

David Allen (David Allen), Friday, 22 October 2004 02:26 (twenty-one years ago)

They rock posture where Boston rocksplode and leave you with rock shrapnel that you talk to your pals at the Veterans hall about, and drink away the post-traumatic stress disorder that Boston shook into your bones.

I disagree vehemently, but this sentence is so fuckin' awesome that I'll let it slide.

Alex in NYC (vassifer), Friday, 22 October 2004 02:30 (twenty-one years ago)

Like Never Mind the Bollocks, that other revolutionary back-to-the-song populist response to prog, Boston effected a huge shift in how I listened to and thought about rock and ultimately music. Like NMTB, I don't listen to it anymore. But there were moments at Boston's show last summer when I almost felt embarrassed at being genuinely moved. When it's not screaming at you in a grocery store, "More Than a Feeling" can be disarming. And it has to be some sort of template for pop song construction.

In one of my first threads on this board, I asked if Smashing Pumpkins' Pisces Iscariot was the Pet Sounds of the 90s. But, actually, I've never heard Pet Sounds so I don't know if any album is the Pet Sounds of its decade, whether that's a good thing, or even what that would mean. I'm guessing it has something to do with elaborate production, vocal harmonies, falsetto singing, and whitebread sentimentality.

I think "Beth" is the only song on Destroyer I know. My sister used to really love it. It never did that much for me. Was "Detroit Rock City" the one Sonic Youth sampled for "Master=Dik"?

sundar subramanian (sundar), Friday, 22 October 2004 03:59 (twenty-one years ago)

Destroyer is the only Kiss album that I have. Similarly, Boston's first is also the only one I have. In their day, Boston blew me away at first listen far more, but I put it away much sooner than Destroyer.

25 years on the answer for me is Boston.

jim wentworth (wench), Friday, 22 October 2004 04:23 (twenty-one years ago)

(Since no one says anything bad about Boston anymore, not here at least, I'll state that they were kind of formulaic, they weren't as good at boogie as at pop-rock micro-symphony, and nothing they played that was from later than Don't Look Back was any good. Also, that I think I might actually take Journey these days. Aside from all that, they're awesome. They actually stretched out some genuinely proggy jams in that show, bringing a motherfucking pipe organ on stage for one of them, and pulled them off fine, with TS doing some cool delay-heavy shred solo at one point.)

sundar subramanian (sundar), Friday, 22 October 2004 04:29 (twenty-one years ago)

(And, of course, they really are totally vapid and superficial. The whole appeal is that they take vapid and superficial bombast to such a refined level that it's beautiful but that's still predicated on them being vapid and superficial.)

sundar subramanian (sundar), Friday, 22 October 2004 04:30 (twenty-one years ago)

They're sort of unique in that they don't have Heart's lust and rage and mysticism or Journey's narrative melodrama or Rush's righteousness or Styx's pathos. It's like they were solely concerned with singleminded perfection of form(ula?). It might be significant that when I bought Boston my favourite composer was La Monte Young. While I wouldn't quite say now, as Christgau said of one of their later albums, that "formalists bore me", I am far less fascinated by formalism than I was.

sundar subramanian (sundar), Friday, 22 October 2004 04:45 (twenty-one years ago)

I suppose it's not an entirely fair comparison. I chose the two albums based more on their common era (Boston was released in September of `76,....Destroyer in March of that same year). Boston were quite obviously the more musically accomplished of the two, whereas Kiss's emphasis was more on flamboyant spectacle (though this album did see them branching out beyond simple bombast and gratuitous power-chordage, largely thanks to producer Bob Ezrin). That said, I just remember Boston being rivals to Kiss in the eyes and ears of my not-entirely-discerning grade school classmates. As I mentioned upthread, perhaps Queen might've been a more accurate counterpart to Kiss than Boston. Sure, they too were probably more musically accomplished than Kiss, but their penchant for showmanship certainly rivalled Kiss'. That said, 1976's A Day At the Races doesn't rank anywhere near Destroyer nor Boston in terms of significance, so long as we're sticking with that year.

I still dig both albums out on occaision. There is something indefinably great about that Boston record, as vapid and superficial as Sundar so rightly describes it. Those soaring harmonies and crystaline guitars...it's such a well-crafted, finely honed sound.

By grade school standards, though, despite its cool album cover art and funky logo, Boston was absolutely no match for Destroyer (the saccharine scmaltz of "Beth" notwithstanding).

Alex in NYC (vassifer), Friday, 22 October 2004 04:50 (twenty-one years ago)

Incidentally, as far as I'm concerned "Foreplay/Long Time", blows "More than A Feeling" away. Their finest moment, though, remains the title track to Don't Look Back.

Alex in NYC (vassifer), Friday, 22 October 2004 04:53 (twenty-one years ago)

"agents of fortune" deserves mention, sort of.

it wouldn't be fair to bring up "presence" or "rocks" so i won't.

dan (dan), Friday, 22 October 2004 05:39 (twenty-one years ago)

Their finest moment, though, remains the title track to Don't Look Back.

Ahah. So very true. For this comment, I will forgive you for taking the side of Destroyer.

"Don't Look Back" absolutely kills. Especially the guitar on the outro.

Edward Bax, Friday, 22 October 2004 11:19 (twenty-one years ago)

BOSTON. FOREPLAY/LONGTIME, 7 minutes of Barry, Sib, Fran, Tom and Brad sexxxxxxin it up.

Velveteen Bingo (Chris V), Friday, 22 October 2004 11:54 (twenty-one years ago)

(the saccharine scmaltz of "Beth" notwithstanding)

but "beth" isn't saccharine at all. it's a mean song, a casual defense of selfishness and neglect. at the same time, it's about the all-powerful allure of rock and roll. i looooooove this song. (i'm also a big fan of scrawl's answer song, "charles.")

fact checking cuz (fcc), Friday, 22 October 2004 14:13 (twenty-one years ago)

I suddenly realize that I've *never* heard a Boston song via any format other than radio. Does "More Than A Feeling" get even better on CD, or is it one of those things that sounds best squashed into an FM signal?

dlp9001, Friday, 22 October 2004 14:25 (twenty-one years ago)

I suddenly realize that I've *never* heard a Boston song via any format other than radio. Does "More Than A Feeling" get even better on CD, or is it one of those things that sounds best squashed into an FM signal?

Depends on whether you want to hear the full album of bombast in one sitting or prefer small doses...

If one were to judge this contest solely on radio airplay, tracks from the Boston record get played much much more. Not that that is necessarily a good thing.

Edward Bax, Friday, 22 October 2004 14:43 (twenty-one years ago)

Why are we arguing this? Boston beat New York.

Justin Farrar (Justin Farrar), Friday, 22 October 2004 15:22 (twenty-one years ago)

Hahahaha

Alex in NYC (vassifer), Friday, 22 October 2004 16:21 (twenty-one years ago)

(i'm also a big fan of scrawl's answer song, "charles.")

Never heard of this one! More info, please!

I'm gonna go with Boston in this debate, as there's a large chunk of my childhood that was soundtracked by the debut album. Also, Weezer stole their harmonic vocal attack schtick wholesale, and I love Weezer.

Tantrum The Cat (Tantrum The Cat), Friday, 22 October 2004 17:07 (twenty-one years ago)

but "beth" isn't saccharine at all. it's a mean song, a casual defense of selfishness and neglect. at the same time, it's about the all-powerful allure of rock and roll. i looooooove this song. (i'm also a big fan of scrawl's answer song, "charles.")

Oh pleasey plese. "Beth" is the veritable QUINTESSENCE of saccharine. It's a power ballad without even the slightest semblence of power involved. Moreover, it needn't be so much about selfishness and neglect so much as loyalty, committment, tenacity and vocational obigation. In any event, it's still a soppy dollop of weakitude.

Never heard "Charles". Which Scrawl album is that on?

Alex in NYC (vassifer), Friday, 22 October 2004 17:16 (twenty-one years ago)

we shd do saccharin vs sugar!!

saccharine = sweeter but fucks you up worse!

jonathan king had a one-off novelty semi-hit by a faux-metal band called sakkharin - he is a nasty man but he knows what time it is!

mark s (mark s), Friday, 22 October 2004 17:20 (twenty-one years ago)

"charles" is from scrawl's third album, smallmouth, definitely not their best album (for me, it's a tossup between the first two), but not bad. "charles" is the reason to own it. it reverses the roles of "beth," with the singer demanding that her boyfriend wait up for her while she rocks out with the girls. it's a great pop song.

fact checking cuz (fcc), Friday, 22 October 2004 17:34 (twenty-one years ago)

Must check that out. I only have Bloodsucker.

Alex in NYC (vassifer), Friday, 22 October 2004 17:36 (twenty-one years ago)

it needn't be so much about selfishness and neglect so much as loyalty, committment, tenacity and vocational obigation

right, but that loyalty and commitment to the band, and to the sound that they just can't find, comes at the expense of one's girlfriend. she needs him, and he may pretend to care, but he really doesn't. given a choice between the woman who loves him and the elusive "sound," he chooses the sound. call it selfishness or call it tenacity, either way it's an ice-cold, mean-ass love song.

fact checking cuz (fcc), Friday, 22 October 2004 17:39 (twenty-one years ago)

right, but that loyalty and commitment to the band, and to the sound that they just can't find, comes at the expense of one's girlfriend.

That sound they're looking for will help them sell albums and pay for that house that just ain't a home, though.

Alex in NYC (vassifer), Friday, 22 October 2004 17:40 (twenty-one years ago)

ironically, it will only pay for paul's and gene's houses, though. what will mr. criss and his girlfriend -- if she bothers to hang around -- get out of it?

fact checking cuz (fcc), Friday, 22 October 2004 17:45 (twenty-one years ago)

Peter Criss' brother was my upstairs neighbor for three years and that dude is not getting any love ($$$$$$$$) from his bro. It is god damn shame because he is a great guy.

Justin Farrar (Justin Farrar), Friday, 22 October 2004 17:56 (twenty-one years ago)

Oh yeah, the haiku requirement was only in the Rush thread wasn't it...

Well, since you asked, I tried:

Boston Haikus

I guess it never really caught on, though...

Joe (Joe), Friday, 22 October 2004 19:01 (twenty-one years ago)

Sorry Alex, but I gotta choose Boston. Kiss was never a particularly great band to begin with (altho their first three certainly have moments of greatness), but Side One, Track Four of Destroyer, "Great Expectations", is where they truly lost it. Title stolen from Charles (Fucking) Dickens plus the standard Bob Ezrin Kiddie Choir does not good rock 'n roll make. On the horizon: "Beth", the solo LPs, the disco move, Eric Carr, "The Elder", removal of makeup, etc...Nope, gimme the choice, & I'll choose Boston over the New Yorkers anyday, faster than you can say "Babe Ruth".

Myonga Von Bontee (Myonga Von Bontee), Friday, 22 October 2004 19:55 (twenty-one years ago)

Aye yai yai, again with the baseball allusions.

Fair enough. I too admit to loving Boston.....but you'll never shake my undying devotion to Kiss, specifically to Destroyer.

In Praise of.....DESTROYER by Kiss!

Alex in NYC (vassifer), Friday, 22 October 2004 20:01 (twenty-one years ago)

one year passes...
Revive because Alex in NYC was so very wrong about "Beth."

fact checking cuz is more right, but still a little off the mark.

Here's the thing about "Beth": dude left the studio hours ago and is banging groupies. He knows commitment to his bros and his "art" is an unassailable alibi. He's a total asshole, but a totally ROCK AND ROLL asshole.

rogermexico (rogermexico), Thursday, 3 November 2005 07:16 (twenty years ago)

Bahahaha

Alex in NYC (vassifer), Thursday, 3 November 2005 15:05 (twenty years ago)

Wait, hold on:

Anyway, prior to discoverng the joys of stoopid heavy metal

Loving Destroyer is prior to this?

Ned Raggett (Ned), Thursday, 3 November 2005 15:07 (twenty years ago)

Yeah. At the time (`76), I don't believe metal had really achieved its depth of stupidity (that wouldn't happen for another few years). And Kiss were my escorts into the world of metal. And it just got stupider from there.

I'd argue, for example, that, say, Shout at the Devil by the Crue and/or At War with Satan by Venom are far dumber than Destroyer (though no less awesome).

Alex in NYC (vassifer), Thursday, 3 November 2005 15:11 (twenty years ago)

I don't believe metal had really achieved its depth of stupidity (that wouldn't happen for another few years).

We need George and Chuck to weigh in on this.

Ned Raggett (Ned), Thursday, 3 November 2005 15:13 (twenty years ago)

OK. Boston. Scholz unfurled a sound on Boston no one else had. Destroyer had Bob Ezrin rock sound, a different kettle of fish tied to his contributions to songwriting and arrangement. It was also on AC albums, most notably Muscle of Love, which I'll also take over Destroyer by a hair or two. Destroyer goes downhill for me after "Detroit Rock City." "Beth" about equal to Alice Cooper's "Only Women Bleed." Hated 'em both but they served the same purpose for both acts.

Boston didn't need a soppy uncharacteristic single for the radio to calm the corporates and subsidize the rest of the meat of the act. "More Than a Feeling" went right onto the radio and it's always been exactly what the band was about, music-wise. Plus, it had the good sense to lift from Joe Walsh, something Scholz has always done. "Rock & Roll Band" was boogie and Kiss was never good at boogie. No boogie on Destroyer although a couple points for pointing obscurely at Deborah Frost on "Flaming Youth," although it falls apart pretty fast. "Destroyer" was a Kim Fowley-type of record. Fowley would have thought of something like "Great Expectations." Maybe he did think of it and just didn't act on it quickly enough.

It's a good comedy song, fit for John Valby.

Boston didn't do comedy disguised as hard rock. Boston, the album, fostered a unique heavy pop rock tone everyone else wanted, so much so that Scholz created a small industry around it. Two of the most successful bands in the 80's, ZZ Top and Def Leppard, borrowed huge hunks of it and twisted it into their styles.

George the Animal Steele, Thursday, 3 November 2005 16:38 (twenty years ago)

Alice Cooper's Welcome to My Nightmare is a pretty stupid record in pop metal. It was even more profoundly stupid if you saw it live.

Speaking of stupid, it's hard to go beyond the adult stupid of the live side of ZZ Top's pig calling competition in front of Texan power boozers on Fandango. "Tush" is also stupid in a fine boogie manner. There's moments of high and great stupid on BOC's On Your Feet or On Your Knees -- the barking dog chick and "Manny" Bloom singing about how he knew Lucifer so well he called him by his first name, "I said, hey Lou."

Oh boy, we got stupid by the truckload in the early to mid-70's and that's why we loved it. Uriah Heep's Magician's Birthday is a pwner of stupid.

George the Animal Steele, Thursday, 3 November 2005 16:49 (twenty years ago)

Hey, now you got me going, hit the off switch. Deep Purple's Made In Japan, particularly the greatly stupid solo duel between Ritchie Blackmore and Ian Gillen, going "ee-ee-uh-ee-ee" which his voice. Come to think of it, there was probably stuff like that on Heep's Live in 73 album, too. Starz first two records were profoundly stupid and dirty. Their third -- Attention Shoppers -- was just stupid, and was therefore very poor.

George the Animal Steele, Thursday, 3 November 2005 16:55 (twenty years ago)

I wanna take back some of what I said there a year ago, stuff which I added to make that list of negatives look more imposing. I never liked "Beth" and the removal of the makeup was undoubtedly a BAD thing. But I have no problem with disco, and Ace's solo LP was real good. About Eric Carr I have no opinion, and I've never heard The Elder (tho Geir's recommendation makes me wary.)

As for Destroyer itself, I enjoy "Detroit Rock City", "King Of The Night Time World" and "Shout It Out Loud", and maybe "God Of Thunder" too, if memory serves (haven't heard it in 15+ yrs.) But I'll still take Hotter Than Hell over anything. And I've always been confused: How does the "Detroit Rock City" news radio announcer report the kid's car accident before it's even happened?)

Myonga Von Bosstone (Myonga Von Bontee), Thursday, 3 November 2005 19:01 (twenty years ago)

I'm curious as to how many of the people choosing Boston were born either after 1970 or before 1964.

darin (darin), Thursday, 3 November 2005 19:51 (twenty years ago)

darin, what's your hypothesis? that's a pretty narrow window.

Is it "people who were introduced to Boston by their presumably cooler older brothers" and "people who were those older brothers"?

b/c that would seem to include Destroyer too...

rogermexico (rogermexico), Thursday, 3 November 2005 20:39 (twenty years ago)

I was born in '68. I don't own Destroyer - only the 1st s/t LP - but I know some of the songs and I can't imgaine that I'd pick it over the 1st Boston album.

Tim Ellison (Tim Ellison), Thursday, 3 November 2005 21:21 (twenty years ago)

But I suppose I just didn't happen to grow up a Kiss fanatic. My brother was into 'em.

Tim Ellison (Tim Ellison), Thursday, 3 November 2005 21:24 (twenty years ago)

Born in `67. Bought the Kiss album. The Boston album came in a box of promo records from a friend of my dad's.

Alex in NYC (vassifer), Thursday, 3 November 2005 21:28 (twenty years ago)

Honestly, I think being born in '68, I was slightly out of range of the big Kiss fanatic demographic. My older brother was maybe more in the heart of it.

Tim Ellison (Tim Ellison), Thursday, 3 November 2005 21:31 (twenty years ago)

My cousin, ten years younger, was Kiss nuts as a little boy. He was into the entire buy the lunchpail and the my favorite character is "Kitty-Kat" thing. That was after Destroyer but not that much after.

I took my younger brother to see Kiss on the Destroyer tour. He liked them but wound up being into Sammy Hagar a little more. Hey, "Red, red, I like red!" and "Cruisin' and boozin'!"

George the Animal Steele, Thursday, 3 November 2005 21:47 (twenty years ago)

Well, my somewhat weak hypothesis (as Tim has already proved faulty) is that you had to be of a particular age to appreciate KISS. Older teens probably saw the schtick as silly or maybe they were done with the whole glam thing by '76. Those too young during the heyday probably looked at KISS as a bizarre camp artifact. Plus, I distinctly remember a KISS backlash in my schoolyard by the late 70's.

darin (darin), Thursday, 3 November 2005 21:49 (twenty years ago)

Plus, I distinctly remember a KISS backlash in my schoolyard by the late 70's.

True. By the time of Dynasty (`79...I was in eighth grade), I was getting very lonely in the Kiss hallelujah choir.

Alex in NYC (vassifer), Thursday, 3 November 2005 21:53 (twenty years ago)

Oh, there were plenty of hardcore hard rock fans into Kiss right after the first album and through Hotter than Hell. Saw them crush REO Speedwagon doing that show. People who bought Dust, the Gawlik BOC albums, early Mountain, etc. liked early Kiss then became disgusted fast. Sort of a similar track to Alice Cooper.

George the Animal Steele, Thursday, 3 November 2005 21:56 (twenty years ago)

Saw them crush REO Speedwagon

Not an especially diffficult feat, I'd imagine.

Alex in NYC (vassifer), Thursday, 3 November 2005 21:58 (twenty years ago)

No, I'd give Kiss a lot more credit for that one. Early REO, significantly before the breakthru LP, "You Can't Tuna Piano," were really a lot heavier and uncommercial live. They had a string of albums that weren't at all pop, most of which have been buried. They could kick up a good live show and were primarily led by their guitar player, Gary Richrath, not the singer. So they weren't shitty but Kiss just buried them with attack and volume as much as spectacle.


George the Animal Steele, Thursday, 3 November 2005 22:49 (twenty years ago)

Did Boston ever have a lunchbox? Because that could tilt this thing one way or the other.

I can't remember and unortunately Tom Scholz failed to anticipate Google when he named his band.

rogermexico (rogermexico), Thursday, 3 November 2005 22:52 (twenty years ago)

Never saw a Boston lunch box (thought I'd imagine they'd look pretty cool), but I did see a fair share of Boston logo belt buckles in my day.

Alex in NYC (vassifer), Thursday, 3 November 2005 23:12 (twenty years ago)

I'd imagine they'd look pretty cool

Yeah. I can picture it so clearly it feels like they must have had one.

rogermexico (rogermexico), Thursday, 3 November 2005 23:14 (twenty years ago)

I was born in '69, and Kiss just never did it for me, so I'd go for Boston, even though I wasn't a Boston fan when they were first big; like a lot of people, I came to them later, when I started playing the guitar. You see Tom Scholz mentioned in enough magazines, you buy the album, you know?

"Shout It Out Loud" is, however, my favorite Kiss song, to the extent that I have one.

monkeybutler, Thursday, 3 November 2005 23:54 (twenty years ago)


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