This is the thread where we anticipate and then flip out over how great M.I.A.'s 'Arular' is

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Got the promo. Holy shit, people. Just... holy shit.

"Galang" and "Sunshowers" are tacked on at the very end, so in order to to run across a familiar track you first have to go through a half hour or so of new-if-you-haven't-heard-Piracy Funds Terrorism material (and the Diplo thing doesn't even have the proper beats for it). That first half hour will quickly distract you from the fact that "Sunshowers" and "Galang" actually exist. This is because it is the best album of the last two years.

I'd like to convince you all this isn't just me being hyperbolic, but to do that you'd probably have to hear "Pull Up the People" and "Bingo" and "Bucky Done Gun" first.

To reiterate: holy shit.

What's this place, Biblevania? (natepatrin), Friday, 14 January 2005 18:39 (twenty-one years ago)

(well, OK, "Fire Fire" might be a familiar track, too. It's on there near the beginning.)

What's this place, Biblevania? (natepatrin), Friday, 14 January 2005 18:39 (twenty-one years ago)

can't wait to hear this.

what does 'arular' mean anyway?

mark p (Mark P), Friday, 14 January 2005 18:47 (twenty-one years ago)

I think it's a play on her last name, but that's as much as I can understand.

What's this place, Biblevania? (natepatrin), Friday, 14 January 2005 18:51 (twenty-one years ago)

i wonder what the first single's gonna be.

mark p (Mark P), Friday, 14 January 2005 18:53 (twenty-one years ago)

hurry up and leak arular.

Hari A$hur$t (Toaster), Friday, 14 January 2005 19:03 (twenty-one years ago)

i like it, but i have yet to go ape-shit over it. i think i like piracy more. (i wrote a blog post about this a month or so ago.)

Jams Murphy (ystrickler), Friday, 14 January 2005 19:04 (twenty-one years ago)

My expectations aren't very high so I could end up liking this.

deej., Friday, 14 January 2005 19:24 (twenty-one years ago)

wait...

is 'China Girl' not on it then?

that's my favourite one :(

Hari A$hur$t (Toaster), Friday, 14 January 2005 19:26 (twenty-one years ago)

Arular is her Tamil Tiger dad's moniker.

Rich (Rich), Friday, 14 January 2005 21:23 (twenty-one years ago)

this is really fucking good.

mark p (Mark P), Friday, 14 January 2005 22:37 (twenty-one years ago)

!

s1ocki (slutsky), Friday, 14 January 2005 22:49 (twenty-one years ago)

i love that its under 40 minutes.

mark p (Mark P), Friday, 14 January 2005 23:01 (twenty-one years ago)

wait so has it leaked?

Hari A$hur$t (Toaster), Friday, 14 January 2005 23:34 (twenty-one years ago)

Goddamn it, answer Hari's questions!
It's on XL, right? When's the street date?

Chuckling at the Tomkat's Marquee (Ben Boyer), Saturday, 15 January 2005 00:38 (twenty-one years ago)

It's AWFUL by the way.

Awesome Welles (nordicskilla), Saturday, 15 January 2005 00:39 (twenty-one years ago)

Just kidding.

Awesome Welles (nordicskilla), Saturday, 15 January 2005 00:39 (twenty-one years ago)

14th of february.

in theory this should have leaked by now

Hari A$hur$t (Toaster), Saturday, 15 January 2005 00:40 (twenty-one years ago)

If any of you have this, can you at least email me a copy of the album version of "URAQT"?

Matthew "Flux" Perpetua, Saturday, 15 January 2005 00:40 (twenty-one years ago)

okay well i just got 'pull up the people'

this MUST have leaked if i can find single tracks.

also this song is fucking insane.

Hari A$hur$t (Toaster), Saturday, 15 January 2005 00:41 (twenty-one years ago)

'pull up the people' is the one that sold me. I wasn't too big on the diplo mix but I am suddenly looking forward to this album.

(Jon L), Saturday, 15 January 2005 00:42 (twenty-one years ago)

someone 'yousendit' please?

Nic de Teardrop (Nicholas), Saturday, 15 January 2005 00:47 (twenty-one years ago)

if i wasn't on 56k i'd yousendit that song

Hari A$hur$t (Toaster), Saturday, 15 January 2005 00:51 (twenty-one years ago)

matthew, i hate to be the one to have to tell you this, but "uraqt" ain't on the record.

mark p (Mark P), Saturday, 15 January 2005 01:10 (twenty-one years ago)

GUTTED!

That's the most obvious hit!

Matthew "Flux" Perpetua, Saturday, 15 January 2005 01:17 (twenty-one years ago)

Maybe the world isn't ready for a song that sounds like it's a nonstop string of killer choruses. Maybe that's the reasoning.

Matthew "Flux" Perpetua, Saturday, 15 January 2005 01:19 (twenty-one years ago)

unless maybe i have a sampler or something? its possible i guess.

mark p (Mark P), Saturday, 15 January 2005 01:20 (twenty-one years ago)

1. ba-na-na skit
2. pull up the people
3. bucky done gone (this is white hot)
4. fire fire
5. freedom skit
6. amazon (another highlight)
7. bingo
8. hombre
9. one for the head skit
10. 10 dollar
11. sunshowers
12. galang
13. MIA

mark p (Mark P), Saturday, 15 January 2005 01:22 (twenty-one years ago)

okay so they renamed 'china girl' 10 dollar (i pray)

Hari A$hur$t (Toaster), Saturday, 15 January 2005 01:24 (twenty-one years ago)

bingo is pretty fucking great too.

mark p (Mark P), Saturday, 15 January 2005 01:29 (twenty-one years ago)

'china girl' has been renamed '10 dollar'.

mark p (Mark P), Saturday, 15 January 2005 01:30 (twenty-one years ago)

good news

though i prefer china girl as a title.

Hari A$hur$t (Toaster), Saturday, 15 January 2005 01:31 (twenty-one years ago)

How are the skits?

Matthew "Flux" Perpetua, Saturday, 15 January 2005 01:39 (twenty-one years ago)

they're not actual skits, just little musical interludes. for example "one for the head" was the thing diplo mashed up with missy on pft.

mark p (Mark P), Saturday, 15 January 2005 01:46 (twenty-one years ago)

Now I'm wondering if the omission of "URAQT" will kinda wreck this album for me.

Matthew "Flux" Perpetua, Saturday, 15 January 2005 01:48 (twenty-one years ago)

matthew check your email.

mark p (Mark P), Saturday, 15 January 2005 01:49 (twenty-one years ago)

'YOUSENDIT' PLEEEEEZ

i'll love you forever

Nic de Teardrop (Nicholas), Saturday, 15 January 2005 02:48 (twenty-one years ago)

Mark, did you send it to one of the gmail addresses listed on Fluxblog? This address that I have here isn't actually in use, I just made it up so that I can post here since registration ate up every real address that I have. fluxblog@gmail is the best for mp3s. Thanks!

Matthew "Flux" Perpetua, Saturday, 15 January 2005 03:06 (twenty-one years ago)

yeah so i'm here on soulseek...where is this thing?

piscesboy, Saturday, 15 January 2005 03:45 (twenty-one years ago)

nedr@sbcglobal.net if nobody minds. :-) Thanks!

Ned Raggett (Ned), Saturday, 15 January 2005 03:46 (twenty-one years ago)

bingo and amazon are the highlights

Jams Murphy (ystrickler), Saturday, 15 January 2005 04:20 (twenty-one years ago)

"Pull Up the People"

David R. (popshots75`), Saturday, 15 January 2005 05:30 (twenty-one years ago)

If anyone wants to send this to colin.beckett42 at gmail dot com, I'd really appreaciate it.

C0L1N B--KETT, Saturday, 15 January 2005 05:57 (twenty-one years ago)

likewise for anephric @ gmail. com . .. thanks..

adam west (adamwest), Saturday, 15 January 2005 06:02 (twenty-one years ago)

i know there's a thread for gmail requests but ... ahem ... jflynch at gmail

lemin (lemin), Saturday, 15 January 2005 06:27 (twenty-one years ago)

since everybody else is asking:

lindseylohan@gmail.com

i leaked in my pants for this board, if somebody could leak to my inbox, it would make me a very happy man.

Hari A$hur$t (Toaster), Saturday, 15 January 2005 11:08 (twenty-one years ago)

hexenduction@gmail.com, just to get in on the fun.

adam (adam), Saturday, 15 January 2005 14:40 (twenty-one years ago)

COUGHalexfack@gmail.comCOUGH love you forever x

Alex in Doncaster, Saturday, 15 January 2005 14:47 (twenty-one years ago)

me too!

lexusjeep at gmail dot com

xxxxx

The Lex (The Lex), Saturday, 15 January 2005 15:00 (twenty-one years ago)

i'll be content with the anticipating, i think. lots of great shit i'm excited about in the coming months.

artdamages (artdamages), Saturday, 15 January 2005 16:41 (twenty-one years ago)

RJG123@gmail

xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx

RJG (RJG), Saturday, 15 January 2005 16:45 (twenty-one years ago)

rock.96@geemail.com

Captain GRRRios' Giggletits (Barima), Saturday, 15 January 2005 16:54 (twenty-one years ago)

?!?

mark p (Mark P), Saturday, 15 January 2005 17:00 (twenty-one years ago)

er...uh...econjohn @ gmail dot com. :D

john'n'chicago, Saturday, 15 January 2005 17:18 (twenty-one years ago)

thankyou

SPAMBOT BLOODHOUND!!! ((nani?) (....), Saturday, 15 January 2005 17:30 (twenty-one years ago)

it's on soulseek...

a, Saturday, 15 January 2005 17:36 (twenty-one years ago)

I'm not sending this to anybody, just so you know. I actually want to receive promos in the future.

What's this place, Biblevania? (natepatrin), Saturday, 15 January 2005 19:36 (twenty-one years ago)

still can't find it on slsk. anyone have it in their shares?

john'n'chicago, Saturday, 15 January 2005 19:39 (twenty-one years ago)

ok, slsk is being slow and I'm sitting on there handing out gmail invites. Anyone want to send me the album so I can pass it on? mike.harper@gmail.

mike h. (mike h.), Saturday, 15 January 2005 19:48 (twenty-one years ago)

downloading this, 9 songs in and sounds good

i'm on slsk, 'manolito goreiro', add me to yr lists!

manuel (manuel), Sunday, 16 January 2005 02:16 (twenty-one years ago)

IDMIA

vahid (vahid), Sunday, 16 January 2005 03:40 (twenty-one years ago)

if any wants to send it to me...
baby.squirrelATgmailDOTcom

T. Weiss (Timmy), Sunday, 16 January 2005 03:49 (twenty-one years ago)

XL has a pretty cool M.I.A/Ipod shuffle compitition.

i entered and then am given this annoying news:

Thanks for taking part. We'll be closing the competition at the end of February 2005, we'll email the winner to notify them. Naturally there's no cash (or otherwise) alternative to the prize - who'd want one?

In the meantime, catch M.I.A. on tour in the UK with Roots Manuva in February and March and hold out for 'Arular' in the US on 22nd February and in the UK from early April


I can't wait until APRIL!!

Hari A$hur$t (Toaster), Sunday, 16 January 2005 12:42 (twenty-one years ago)

wtf? that makes no sense at all.

Matos W.K. (M Matos), Sunday, 16 January 2005 12:44 (twenty-one years ago)

gorgeousglennyg at gmail if it's going round.......

glenny g2003 (glenny g2003), Sunday, 16 January 2005 12:53 (twenty-one years ago)

i guess maybe after the M.I.A/Diplo thing maybe they think it'll do better in America and create a buzz over here or something.

it doesn't make a lot of sense

Hari A$hur$t (Toaster), Sunday, 16 January 2005 12:53 (twenty-one years ago)

this is going to be briliant - this thread is depressing though.

jed_ (jed), Sunday, 16 January 2005 15:35 (twenty-one years ago)

you're right

sorry xxxxx

RJG (RJG), Sunday, 16 January 2005 15:38 (twenty-one years ago)

slsk is down, isnt it?

peter smith (plsmith), Sunday, 16 January 2005 18:07 (twenty-one years ago)

wait - nevermind.

peter smith (plsmith), Sunday, 16 January 2005 18:08 (twenty-one years ago)

matthew re: URAQT not being on the album:

the original is not great. it was on this seven-track arular EP that was floating around hard-copy, i think diplo did the beat for it and neither he nor MIA were happy with it so etc etc. i'll send it to you though soonishly (i'll just yousendit here), there's actually another track on the EP that didn't make the full-length too i think.

Nick Sylvester, Sunday, 16 January 2005 18:22 (twenty-one years ago)

siian6 at gmail.com if anyone is feeling generous.... can't wait for this.

stevo (stevo), Sunday, 16 January 2005 18:34 (twenty-one years ago)

yeah yeah - plsmith at gmail also... but im also busy harrassing everyone on slsk...

peter smith (plsmith), Sunday, 16 January 2005 18:36 (twenty-one years ago)

here's a direct link

big boo (+dancefloor), Monday, 17 January 2005 00:09 (twenty-one years ago)

http://s8.yousendit.com/d.aspx?id=2CX056KE2G7MM0HVOHBYKIGL2U

stomp (+dancefloor), Monday, 17 January 2005 00:10 (twenty-one years ago)

and another:

http://s8.yousendit.com/d.aspx?id=0LTZQ4I6QNKWW1RYIQ3Y4FJ7MS

big boo (+dancefloor), Monday, 17 January 2005 00:53 (twenty-one years ago)

Hey Nick, thanks for the info and the offer, looking forward to hearing it. I hope that MIA doesn't give up on that song, because it's pretty killer and I think that it would be an excellent future single.

Matthew "Flux" Perpetua, Monday, 17 January 2005 02:16 (twenty-one years ago)

http://s23.yousendit.com/d.aspx?id=1ZCD85IFV58XH17G7IH6EYO1R1

In this folder is URAQT, You're Good, and something else I don't have a title for (so "Untitled").

Nick Sylvester, Monday, 17 January 2005 02:55 (twenty-one years ago)

also, looks like richard x finished his ciara "goodies" remix, which features m.i.a.:

http://www.blackmelody.com/clips/good.mp3

Nick Sylvester, Monday, 17 January 2005 03:15 (twenty-one years ago)

NICE.

thanks nick.

mark p (Mark P), Monday, 17 January 2005 03:17 (twenty-one years ago)

holy shit. "Bingo" sounds so strange without Jay-Z's whistly flute in the back. did diplo do much production on Arular?

ken taylrr (ken taylrr), Monday, 17 January 2005 03:29 (twenty-one years ago)

well, it's not a flute.. but you know...

ken taylrr (ken taylrr), Monday, 17 January 2005 03:31 (twenty-one years ago)

>holy shit. "Bingo" sounds so strange without Jay-Z's whistly flute in the back. did diplo do much production on Arular?<

hombre, china girl (10 dollar), amazon

big boo (+dancefloor), Monday, 17 January 2005 03:33 (twenty-one years ago)

oops. why did i get richard x and diplo mixed up?

did diplo do any tracks on arular? i didn't think so but maybe not.

big boo (+dancefloor), Monday, 17 January 2005 03:34 (twenty-one years ago)

pretty sure hombre is richard x duders

Nick Sylvester, Monday, 17 January 2005 03:37 (twenty-one years ago)

Enjoying the beats most of all.

Ned Raggett (Ned), Monday, 17 January 2005 03:57 (twenty-one years ago)

Are new albums being more carefully mastered for mp3 existence? I just have a basic pair of with-the-Cube tiny speakers and this is sounding pretty incredible.

Ned Raggett (Ned), Monday, 17 January 2005 04:02 (twenty-one years ago)

i will never separate 'bingo' from 'big pimpin''

maybe the whole mixtape full of album-y content before full-length was a bad idea?

can i also say how crazy it is that we're halfway through january and through the past week, i've gotten the new m.i.a, beck, clipse mixtape, edan and mu?

will we name this 'stuff rollie likes' week?

HEY NICK

Rollie Pemberton (Rollie Pemberton), Monday, 17 January 2005 04:04 (twenty-one years ago)

maybe the whole mixtape full of album-y content before full-length was a bad idea?

Actually what's nice for me is that I still haven't heard that yet, so this is standing more on its own.

Ned Raggett (Ned), Monday, 17 January 2005 04:07 (twenty-one years ago)

up on indietorrents

Simon H. (Simon H.), Monday, 17 January 2005 04:08 (twenty-one years ago)

"can i also say how crazy it is that we're halfway through january and through the past week, i've gotten the new m.i.a, beck, clipse mixtape, edan and mu?"

Clipse MIXTAPE! Is this as good as it sounds?

Alex in SF (Alex in SF), Monday, 17 January 2005 04:10 (twenty-one years ago)

maybe the whole mixtape full of album-y content before full-length was a bad idea?

i think i agree with this. surely at least 50% of the love for pft is actually love for arular?

mark p (Mark P), Monday, 17 January 2005 04:11 (twenty-one years ago)

This was killing me today on the subway -- not even beat-wise, but strictly voice-wise. She's got a push and an energy to her delivery that takes even static beats somewhere terrific. Equally great: I'm not a big lyric-listener but there are enough unexpected loops to hers to give the thing a pretty cohesive world and personality. Terrific stuff, and I have this suspicion that it's only going to grow on me.

nabiscothingy, Monday, 17 January 2005 04:13 (twenty-one years ago)

Its supposed to be, I haven't heard it yet.

xp to alex obv

djdee2005 (djdee2005), Monday, 17 January 2005 04:14 (twenty-one years ago)

yeah i definitely ruined arular for myself searching so rabidly for it, piecemealing it together as tracks leaked, etc. it's still great (i mean way great obv), but wow imagine hearing all those tracks for the first time, one after the other.

Nick Sylvester, Monday, 17 January 2005 04:14 (twenty-one years ago)

And thankfully I think this stuff has plenty of potential to spread out way beyond the elite-type circle that heard much of PFT -- might be a comedown for critical types in that sense, but I don't think it's a major issue. I mean, geez, the alternative is to be like LCD Soundsystem and get critics all heated up over a string of terrific singles and then release an album the critics are drooling on themselves to praise but which ... oops, doesn't really contain as much of the stuff that excited the critics in the first place.

nabiscothingy, Monday, 17 January 2005 04:16 (twenty-one years ago)

the clipse mixtape is fucking awesome, they introduce this new guy named sandman and before all his verses he goes YEAAAAAAAAAAAAAAAAHHHHHHHHHHHHH CANNNNNNNNNNNNNNNNNNNNNNONNNNNNNNNNNNNNNNNNN it's great, he's my new favorite rapper. i put a song up on my blog, but it's already down and i'm stupid lazy. actually...

here's that clipse mixtape, i made this a few days ago, don't expect many dls out of it:
http://s14.yousendit.com/d.aspx?id=9050E8BB3D524DAD436830BB2D1CC30A

i love the internet.

this original version of URAQT isn't a dancefloor destroyer because it's fucking slow but the beat is GULLY as shit. these horns!

Rollie Pemberton (Rollie Pemberton), Monday, 17 January 2005 04:17 (twenty-one years ago)

xpost Well, that's me, I guess! I appreciate all the luv you're giving it but I have to admit this isn't a Saul-to-Damascus moment, it's just really nice and like I said, I like the beats most (sorry Nabisco!).

Ned Raggett (Ned), Monday, 17 January 2005 04:17 (twenty-one years ago)

I forgive you: the beats are great too!

nabiscothingy, Monday, 17 January 2005 04:20 (twenty-one years ago)

nabisco otm. anybody who wants to argue that m.i.a. isn't an interesting singer should listen to "pull up the people" about 47 times. at 2:30 she starts this cycle where she sings one chorus off (or behind) the beat and then sings the next one right back on top of it. for some strange reason it reminds me of steve reich's phase work, her vocals grind up against and match with the beats at intervals in the exact same way.

(mad xposts)

mark p (Mark P), Monday, 17 January 2005 04:25 (twenty-one years ago)

jesus and now the clipse mixed tape. wow, thanks rollie.

mark p (Mark P), Monday, 17 January 2005 04:27 (twenty-one years ago)

Thank you Rollie!

Alex in SF (Alex in SF), Monday, 17 January 2005 04:29 (twenty-one years ago)

omg I am hoping that Clipse mixtape is still up when I get home!

haitch™ (haitch), Monday, 17 January 2005 04:39 (twenty-one years ago)

wow... i thought i'd be spending at least two more weeks trying to hunt this shit down.

firstworldman (firstworldman), Monday, 17 January 2005 04:42 (twenty-one years ago)

err... that's an implied THANK YOU!!! of course

firstworldman (firstworldman), Monday, 17 January 2005 04:43 (twenty-one years ago)

Haha this is now sitting in the need to listen to cue behind the new Aim High Mix and the Justus Kohncke album. Fuck what a great start to this year.

Alex in SF (Alex in SF), Monday, 17 January 2005 04:46 (twenty-one years ago)

here's the cover:

http://img116.exs.cx/img116/897/clintonsparkspresentsclipseweg.jpg

OMG ALEX THE JUSTUS ALBUM CAN YOU GIVE ME THAT SHIT

Rollie Pemberton (Rollie Pemberton), Monday, 17 January 2005 04:51 (twenty-one years ago)

Are you on slsk, Rollie?

Alex in SF (Alex in SF), Monday, 17 January 2005 04:54 (twenty-one years ago)

yep. the name is Razorblade Runner.

Rollie Pemberton (Rollie Pemberton), Monday, 17 January 2005 05:00 (twenty-one years ago)

I just messaged you.

Alex in SF (Alex in SF), Monday, 17 January 2005 05:05 (twenty-one years ago)

friends!

s1ocki (slutsky), Monday, 17 January 2005 05:06 (twenty-one years ago)

this thread is the human face of pirating.

mark p (Mark P), Monday, 17 January 2005 05:09 (twenty-one years ago)

Hahaha I blame Apple. This stuff would just sit uselessly on my computer until I bought my iPod.

Alex in SF (Alex in SF), Monday, 17 January 2005 05:10 (twenty-one years ago)

IT'S A SMILEY WITH AN EYEPATCH

Rollie Pemberton (Rollie Pemberton), Monday, 17 January 2005 05:11 (twenty-one years ago)

Oh yeah, this version of "URAQT" doesn't touch the Diplo mixtape version. They should keep working on it though - I think that they should try to make a cleaner version of the mixtape version. It needs to be fast and perky. Faster, perkier, even. This mix drags. It should be more like a sugar rush.

It's probably smart to sit on it so that they have one guaranteed blockbuster on the follow up to this album.

Matthew "Flux" Perpetua, Monday, 17 January 2005 05:12 (twenty-one years ago)

This record is hot.

Spencer Chow (spencermfi), Monday, 17 January 2005 05:50 (twenty-one years ago)

OK, the press kit wasn't a huge help -- I guess Richard X did the beats for "Hombre" and I'm assuming most of the beats were done by a combination of M.I.A. and Steve Mackey, but who did what? Is Diplo on this thing or not? (Because "10 Dollar" sounds a fuckload like him.)

What's this place, Biblevania? (natepatrin), Monday, 17 January 2005 07:29 (twenty-one years ago)

steve mackey, interesting.

i thought 10 dollar was r-x too...?

mark p (Mark P), Monday, 17 January 2005 07:30 (twenty-one years ago)

Rollie, did you find that mixtape via my link from last week on the Hut?
THANKS SO MUCH for leaking this stuff; I'm VERY excited!!!
note the exclamation marks

Forksclovetofu (Forksclovetofu), Monday, 17 January 2005 07:44 (twenty-one years ago)

uh. two songs in. FUCK. whoa.
The new uraqt holds up... and bingo is rad.
The future is NOW.

Forksclovetofu (Forksclovetofu), Monday, 17 January 2005 07:50 (twenty-one years ago)

but rollie, how the heck do i open a .tar extension?

Forksclovetofu (Forksclovetofu), Monday, 17 January 2005 07:51 (twenty-one years ago)

winrar should do it.

mark p (Mark P), Monday, 17 January 2005 07:52 (twenty-one years ago)

naw homie, i heard word about the joint a couple weeks ago and my thug nerds supplied me with it upon my asking as of monday.

Rollie Pemberton (Rollie Pemberton), Monday, 17 January 2005 08:06 (twenty-one years ago)

I got it cleared... looking forward to that dropitlikeit'shot ish!

Forksclovetofu (Forksclovetofu), Monday, 17 January 2005 08:09 (twenty-one years ago)

Mackey co-produced Galang with Ross Orton from Fat Truckers (under the collective name Cavemen) (yes I actually bought a physical single and read the credits!) (that said yousendit sucks for dialup so if someone could pleaze gmail me that bonus tracks zip that'd be great, mwah)

kit brash (kit brash), Monday, 17 January 2005 08:32 (twenty-one years ago)

(xpost)

kit brash (kit brash), Monday, 17 January 2005 08:33 (twenty-one years ago)

If someone could please e-mail track 13 MIA to abegrand@gmail.com , I'd be forever grateful...

a. begrand (a begrand), Monday, 17 January 2005 10:14 (twenty-one years ago)

Abe, it's a happy coincidence for you that I posted that very song on Fluxblog today.

Matthew "Flux" Perpetua, Monday, 17 January 2005 14:57 (twenty-one years ago)

Um, A., not Abe. Sorry.

Matthew "Flux" Perpetua, Monday, 17 January 2005 14:58 (twenty-one years ago)

That first half hour will quickly distract you from the fact that "Sunshowers" and "Galang" actually exist. This is because it is the best album of the last two years.

I'd totally agree if Bunnybrains box didnt exist, but it does, so sorry.

David Allen (David Allen), Monday, 17 January 2005 15:00 (twenty-one years ago)

Hahahahaha

What's this place, Biblevania? (natepatrin), Monday, 17 January 2005 15:33 (twenty-one years ago)

New opinion: what's so terrific here is that the spare-and-grinding single-type tracks are great; and then in the middle it widens out into something a little richer, smoother, more hypnotic; and that, the "album"-type portion of it, is possibly even better.

nabisco (nabisco), Monday, 17 January 2005 18:15 (twenty-one years ago)

Abe, it's a happy coincidence for you that I posted that very song on Fluxblog today.

Many, many thanks.

a. begrand (a begrand), Monday, 17 January 2005 19:45 (twenty-one years ago)

I got around to listening to the whole album on headphones here at work, and am wondering... is there a list of who worked on/produced which songs?

mike h. (mike h.), Monday, 17 January 2005 20:53 (twenty-one years ago)

I love Bucky Done Gone. The horns make her sound like a triumphant superheroine.

Suedey (John Cei Douglas), Monday, 17 January 2005 21:01 (twenty-one years ago)

Yeah this is much better than that diplo mix disc.

djdee2005 (djdee2005), Monday, 17 January 2005 21:32 (twenty-one years ago)

Has anyone figured out what the 3rd "Untitled" bonus track is from the pre-release sampler? (and thank you, N-Sylvester)

Chuckling at the Tomkat's Marquee (Ben Boyer), Monday, 17 January 2005 22:47 (twenty-one years ago)

bonus tracks gmail? please?

kit brash (kit brash), Tuesday, 18 January 2005 13:19 (twenty-one years ago)

I am in love.

Suedey (John Cei Douglas), Tuesday, 18 January 2005 13:26 (twenty-one years ago)

i got an advance copy. i am obsessed with her. she deserves the attention. she is utterly smoochtastic. if only US r&b radio stations would play her, then she'd really explode but I have a bad feeling they wont.

owen reading, Tuesday, 18 January 2005 13:50 (twenty-one years ago)

The album version of MIA is fucking awesome. God I hope the whole album is this good.

Does anyone have this in MP3 format yet? I can't wait until April dammit!

Matt DC (Matt DC), Thursday, 20 January 2005 20:35 (twenty-one years ago)

Get on the ILX Hub of Direct Connect, Matt - it's all over it.

Alba (Alba), Thursday, 20 January 2005 21:36 (twenty-one years ago)

This is a phenomenal...phenomenon!

.ada.m. (nordicskilla), Friday, 21 January 2005 03:32 (twenty-one years ago)

It's something like a phenomenon!

.ada.m. (nordicskilla), Friday, 21 January 2005 03:32 (twenty-one years ago)

I mean, I can't believe there are people who don't like this/her...a lot of people!

Should I drive down to LA just to catch the show?

.ada.m. (nordicskilla), Friday, 21 January 2005 03:33 (twenty-one years ago)

Did someone upthread say that they like the album beats even better than the (great) Diplo beats! I agree with them!

.ada.m. (nordicskilla), Friday, 21 January 2005 03:33 (twenty-one years ago)

Bucky Done Gone is such a Baile Funk rip-off, but it is a freaking great one.

Michael F Gill (Michael F Gill), Friday, 21 January 2005 04:06 (twenty-one years ago)

if by "diplo beats" you mean the smattering of random instrumentals he put her acapellas over, then yeah that was me - I DEFINITELY prefer the album version.

djdee2005 (djdee2005), Friday, 21 January 2005 04:26 (twenty-one years ago)

no no that wasn't what I meant by "Diplo beats" actually

.ada.m. (nordicskilla), Friday, 21 January 2005 05:01 (twenty-one years ago)

I meant something else

.ada.m. (nordicskilla), Friday, 21 January 2005 05:01 (twenty-one years ago)

Did diplo do beats for her at some pt? That aren't on the album i mean.

djdee2005 (djdee2005), Friday, 21 January 2005 05:11 (twenty-one years ago)

So awhile ago i dl'd the MIA/Diplo mix and have been enjoying it greatly, so I ordered the CD from Turntablelab. Today it arrived, and on the tracklist, #s 3 and 9 are crossed out in marker. Upon listening, I found the "Headsprung" mix to be replaced by a version of "Pull Up the People" and the Cutty Ranks acappella is blended over "Drop It Liek Its' Hot." Anyone know why the changes were made?

one time gaffled 'em up, Friday, 21 January 2005 07:55 (twenty-one years ago)

(More diplo action here: Still Tippin' (Diplo Remix) )

djdee2005 (djdee2005), Friday, 21 January 2005 07:58 (twenty-one years ago)

one time: acc. to diplo it's because XL got behind the mixtape officially, and they couldn't get those two samples cleared.

Nick Sylvester, Friday, 21 January 2005 08:00 (twenty-one years ago)

There's a new version of URAQT being done apparently that uses the same Baltimore Club loop thing as on Piracy...there's to be a recut of the album soon with this on it

r (S]]), Friday, 21 January 2005 14:44 (twenty-one years ago)

Los Angeles, Thursday Feb 3rd, Knitting Factory, w/ Diplo

Chuckling at the Tomkat's Marquee (Ben Boyer), Friday, 21 January 2005 17:12 (twenty-one years ago)

i'll be at the knit and would love to meet up w/ whomever.

dan (dan), Friday, 21 January 2005 17:59 (twenty-one years ago)

I'll be there (already bought a ticket). I think Dimmak is throwing it. Should be fun.

Spencer Chow (spencermfi), Friday, 21 January 2005 18:16 (twenty-one years ago)

Off to get my ticket now!

Chuckling at the Tomkat's Marquee (Ben Boyer), Friday, 21 January 2005 18:24 (twenty-one years ago)

You can order tickets directly from the KF website too.

Spencer Chow (spencermfi), Friday, 21 January 2005 18:25 (twenty-one years ago)

http://slate.com/id/2112474/

nate's taking over the national media!

s1ocki (slutsky), Friday, 21 January 2005 18:56 (twenty-one years ago)

Is that our Jody Rosen? It isn't is it?

Alex in SF (Alex in SF), Friday, 21 January 2005 18:59 (twenty-one years ago)

Is the Jody Rosen I just saw in my local bookshop/music paper/Private Eye the same as ILX's Jody Beth Rosen?

No. Jody Rosen is a guy who writes about music. Jody Beth Rosen also writes about music but is not a guy.

faqtastic (Mark P), Friday, 21 January 2005 19:01 (twenty-one years ago)

That's a great roundup!

Spencer Chow (spencermfi), Friday, 21 January 2005 19:02 (twenty-one years ago)

Hahaha I think I knew that, Mark. One of them needs to change their names.

Alex in SF (Alex in SF), Friday, 21 January 2005 19:05 (twenty-one years ago)

Also just to clear up any confusion above - the vocals are f*cking amazing. The beats remind me of the best Renegade Soundwave dubs. This is one of very few albums I listen to all the way through at the moment.

Spencer Chow (spencermfi), Friday, 21 January 2005 19:12 (twenty-one years ago)

It's short, isn't it? It feel short. I like it for being short!

.ada.m. (nordicskilla), Friday, 21 January 2005 19:45 (twenty-one years ago)

You just like being short. Oh wait.

Now if only it wasn't a Thursday night. But maybe I could mysteriously 'fall ill' on Friday and miss work (except I've tried that before with bad results).

Ned Raggett (Ned), Friday, 21 January 2005 19:47 (twenty-one years ago)

Is it sold out? I don't think I can make it. She'll come to SF, she clearly has good taste...

.ada.m. (nordicskilla), Friday, 21 January 2005 20:14 (twenty-one years ago)

I like the design on her website and (what I've seen) of her singles artwork. Nice!

.ada.m. (nordicskilla), Friday, 21 January 2005 20:15 (twenty-one years ago)

Not sold out - just bought my ticket off the Knitting Fact. website. $15.60 with service charges ($2 donation to Tsunami Relief).
Can't wait!

Chuckling at the Tomkat's Marquee (Ben Boyer), Friday, 21 January 2005 20:24 (twenty-one years ago)

Why does it have to be a Thursday night? Is it because Thursday is the new Friday?

.ada.m. (nordicskilla), Friday, 21 January 2005 20:26 (twenty-one years ago)

http://img109.exs.cx/img109/2007/mayataype8mx.png

*mwah

djdee2005 (djdee2005), Friday, 21 January 2005 20:30 (twenty-one years ago)

jaysus.

mark p (Mark P), Friday, 21 January 2005 20:37 (twenty-one years ago)

The Edge?

Ned Raggett (Ned), Friday, 21 January 2005 20:42 (twenty-one years ago)

aye, the edge.

mark p (Mark P), Friday, 21 January 2005 20:44 (twenty-one years ago)

She has a sensible pair of shoes.

Ned Raggett (Ned), Friday, 21 January 2005 20:46 (twenty-one years ago)

maybe when i see her next week, i will tell her she has nice shoes. but THEN what should i say?

mark p (Mark P), Friday, 21 January 2005 21:53 (twenty-one years ago)

Please tell me she doesn't do her own art, as well. I'm sure I can handle that much talent.

Suedey (John Cei Douglas), Friday, 21 January 2005 22:04 (twenty-one years ago)

Oh crap. I didn't realise she was a fine art student.

Suedey (John Cei Douglas), Friday, 21 January 2005 22:24 (twenty-one years ago)

I think that is the problem for some people!

.ada.m. (nordicskilla), Friday, 21 January 2005 22:26 (twenty-one years ago)

At least she isn't SEVENFUCKINGTEEN like Lady Sovereign! I am still trying to wrap my head around that!

Alex in SF (Alex in SF), Friday, 21 January 2005 22:57 (twenty-one years ago)

The album does feel short. Not a bad thing. And that picture is GREAT.

jaymc (jaymc), Friday, 21 January 2005 23:00 (twenty-one years ago)

Alex:

ashman and titchy strider

.ada.m. (nordicskilla), Friday, 21 January 2005 23:18 (twenty-one years ago)

Get this: not only is she an artist, she (allegedly) designed THIS:

http://www.rockreviews.net/albums/menace.jpg

What's this place, Biblevania? (natepatrin), Saturday, 22 January 2005 03:39 (twenty-one years ago)

I am weeping.

Suedey (John Cei Douglas), Saturday, 22 January 2005 13:43 (twenty-one years ago)

why?

.ada.m. (nordicskilla), Saturday, 22 January 2005 17:33 (twenty-one years ago)

Tears of joy, joy and bitterness. So much talent! She makes it harder for everyone else to get by on what modest abilities they may have!

Suedey (John Cei Douglas), Saturday, 22 January 2005 17:55 (twenty-one years ago)

so does anyone have that clipse mixtape on slsk?

lemin (lemin), Saturday, 22 January 2005 18:03 (twenty-one years ago)

the one picture of lady sovereign i've seen she looks like she's 14!!

s1ocki (slutsky), Saturday, 22 January 2005 18:18 (twenty-one years ago)

"so does anyone have that clipse mixtape on slsk?"

Everyone has the Clipse mixtape AFAICT.

Alex in SF (Alex in SF), Saturday, 22 January 2005 18:26 (twenty-one years ago)

i really find it hard to listen to "10 dollar" without the "sweet dreams" riff and amazon without "goodies". i'll wait till i've burned a real copy, though before delivering the final verdict.

m. (mitchlnw), Saturday, 22 January 2005 18:29 (twenty-one years ago)

(allegedly)

She's credited in the booklet with taking the cover photo. Stand the lawyers down!

kit brash (kit brash), Saturday, 22 January 2005 23:08 (twenty-one years ago)

http://slate.com/id/2112474/

ilm in slate.
m.

msp (msp), Monday, 24 January 2005 17:22 (twenty-one years ago)

not to rain on the parade..but her interviews bug the hell out of me.
Yes, I like her music, yes, she is beautiful. But I grew up in Sri Lanka until I was 13, I'm exactly her age, and I'm half Tamil, half Sinhalese...and her Tamil 'freedom fighter' stories are SHIT. GOD!! The horrors the stupid terrorists have unleashed on my coutry, and she does ART with dynamite and molotov STENCILS??! I dealt with the racism of a new country, of being a refugee, of being poor...and please, this is not sour grapes. I LIKE her music. I think she looks HOT. But wish she'd shut the fuck up about politics, cause all she's doing is glamorizing something that's really fucked up.

cicatrix, Monday, 24 January 2005 22:01 (twenty-one years ago)

Are you an ILM regular? You should stick around.

djdee2005 (djdee2005), Monday, 24 January 2005 22:08 (twenty-one years ago)

this is my first time posting here. Just read the slate.com review, and thought I'd stop by. When I first heard about this Sri Lankan MC stirring shit up in London, I was mad excited to check her out....and now I'm in the sorry position of running after friends and media-types trying to stop them from donating money to the LTTE 'freedom fighters." Bleccchh! She's one confused cookie. Yes, things ARE bad there. But the LTTE just made EVERYTHING so much worse, for everyone. Especially the very Tamils, they're supposed to be fighting for.

cicatrix, Monday, 24 January 2005 22:19 (twenty-one years ago)

I've been cautious about her specific politics, but as a general stop being apathetic kind of thing, I think she can be a very positive force. Her music certainly doesn't seem specifically about Sri Lanka.

Tonight, Steve Aoki busted out "10 Dollar" twice at Cinespace in Hollywood. It was crazy. People went nuts. Also, her videos were bascially on repeat on various monitors which was super cool.

Spencer Chow (spencermfi), Wednesday, 26 January 2005 10:23 (twenty-one years ago)

A Question for ILM?

On rateyourmusic, M.I.A currectnly has two duplicate entries. Would you classify M.I.A as Great Britain or Sri Lanka - re: county?

DJ Martian (djmartian), Wednesday, 26 January 2005 15:31 (twenty-one years ago)

Her original passport is Sri Lankan, right?

Captain GRRRios' Giggletits (Barima), Wednesday, 26 January 2005 15:38 (twenty-one years ago)

I checked her website, apparently she was born in London, and then the family moved backed to Sri Lanka when she was six.

DJ Martian (djmartian), Wednesday, 26 January 2005 15:43 (twenty-one years ago)

I think if you live somewhere, record there, and that's the main audience for your album, then yeah... it's a London album.

mike h. (mike h.), Wednesday, 26 January 2005 15:54 (twenty-one years ago)

I don't know much of anything about the Sri Lankan civil war, but I did get the feeling from one interview that I read that MIA is pretty strongly invested in one particular perspective on it that could be quite controversial.

o. nate (onate), Wednesday, 26 January 2005 15:58 (twenty-one years ago)

Apparently her father was some kind of guerilla fighter. Come to think of it, M.I.A. is a rather martial-themed name, isn't it?

o. nate (onate), Wednesday, 26 January 2005 16:04 (twenty-one years ago)

I think it's pretty much a london album too, but the Sri Lankan roots sure makes for an interesting story for the press to gobble up

owen reading, Wednesday, 26 January 2005 21:09 (twenty-one years ago)

10 Dollar is great! That acid noise!

Matt DC (Matt DC), Wednesday, 26 January 2005 22:04 (twenty-one years ago)

It sounds like a London album, maybe even more so than BIDC.

.ada.m. (nordicskilla), Wednesday, 26 January 2005 22:08 (twenty-one years ago)

You West London scumbag you.

Matt DC (Matt DC), Wednesday, 26 January 2005 22:13 (twenty-one years ago)

Get bent, South.

.ada.m. (nordicskilla), Wednesday, 26 January 2005 22:17 (twenty-one years ago)

If only the new Roots Manuva album was better...

Matt DC (Matt DC), Wednesday, 26 January 2005 22:21 (twenty-one years ago)

If someone could gmail me this I'd be very appreciative: gdenzil@gmail.com

Geoff, Thursday, 27 January 2005 11:02 (twenty-one years ago)

Just making sure everyone saw this:

What exactly IS "rockism"? Just kidding. *** Click here, M.I.A. fans!!!! ***

Chuckling at the Tomkat's Marquee (Ben Boyer), Thursday, 27 January 2005 22:59 (twenty-one years ago)

Whoops... do you put an i in front of it?

iWhat exactly IS "rockism"? Just kidding. *** Click here, M.I.A. fans!!!! ***

Chuckling at the Tomkat's Marquee (Ben Boyer), Thursday, 27 January 2005 23:00 (twenty-one years ago)

FUCK. I knew this once.

What exactly IS "rockism"? Just kidding. *** Click here, M.I.A. fans!!!! ***

Chuckling at the Tomkat's Marquee (Ben Boyer), Thursday, 27 January 2005 23:00 (twenty-one years ago)

Fucking hell, if she's got shit politics, I'll have to clumsily shift from beguilement to fence-straddling on the subject of her. I mean, the line about the P.L.O. was irksome enough as it was.

Michael Daddino (epicharmus), Friday, 28 January 2005 00:31 (twenty-one years ago)

So whois going to the Knitting Factory LA show? Im in.

Dude, are you a 15 year old asian chick? (jingleberries), Friday, 28 January 2005 00:55 (twenty-one years ago)

Wow. This record is really great. I like it better than the mixtape. I even like a lot of the songs (Amazon, Bingo, Bucky Done Gone) more than Galang and Sunshowers, which I asumed would not happen.

Magic City (ano ano), Friday, 28 January 2005 17:49 (twenty-one years ago)

I know there's supposed to be a place to request an e-mail of this, but I can't find it. Anybody? I'd love a copy in my inbox!! gdenzil@gmail.com

G Denzil, Saturday, 29 January 2005 03:35 (twenty-one years ago)

Dunno if it's been posted to ILM yet, but the cover is fantastic:

http://images.amazon.com/images/P/B0007KIFLO.01._SCLZZZZZZZ_.jpg

Telephone Thing, Saturday, 29 January 2005 06:37 (twenty-one years ago)

Disagree.

kit brash (kit brash), Saturday, 29 January 2005 16:15 (twenty-one years ago)

So whois going to the Knitting Factory LA show? Im in.

Going to do my best.

Positive side of the cover -- I supposed 'Jamaican album design' is not a real term but it clearly slots into the style of many covers I've seen of dancehall and reggae releases, and is neat for that reason.

Negative side -- the militaristic imagery combined with the jet (a passenger jet at that) raises...questions.

Ned Raggett (Ned), Saturday, 29 January 2005 16:44 (twenty-one years ago)

Positive side of the Negative side -- controversy still sells records.

As designs go I think the cover is really well done. Politically, hmmn, I think I need to read more MIA interviews before I pass any judgment on it.

Alex in SF (Alex in SF), Saturday, 29 January 2005 16:49 (twenty-one years ago)

Sorry for bringing politics into a topic about music..

Cicatrix,

The fact that you are half Sinhalese probably shielded you from witnessing what she witnessed as a Tamil. Yes, I'm a Tamil, and I can tell you many stories like that too. Things that happened to my family and friends.

It's time the world gets to hear something other than Sinhala government propaganda.

As for Mia, I really respect her for voicing her opinions like that. Most celebrities don't do that.

gt, Sunday, 30 January 2005 02:58 (twenty-one years ago)

I hope people don't start bashing MIA over the militaristic imagery when you consider the amount of far more explicitly violent music that gets a bit of a free pass round here. I've never noticed anyone on ILM express reservations over Cock Back, for example.

Is the PLO line really any worse than, say, "Dizzee run tings like Idi Amin", especially in the context of the rest of Sunshowers? It seems a bit early to be passing judgement.

That said I really hope she doesn't start spouting all sorts of bollocks in interviews because that will almost certainly detract from the sheer pleasure this record is giving me. I agree with Nate that its the best album I've heard in the last couple of years, best since Kish Kash at any rate.

Matt DC (Matt DC), Sunday, 30 January 2005 19:59 (twenty-one years ago)

Not wanting to get bogged down in politics, but gt - "It's time the world gets to hear something other than Sinhala government propaganda."

The thing is, anti-Tamil Tiger sentiment isn't the exclusive domain of the Sinhalese. It's shared by many Tamils who have suffered greatly themselves at the hands of the Tigers.

My iffy concerns are not her expression of her beliefs, but the fact that interviewers who don't know much about the situation label the Tamil's 'freedom fighters' from her references and leave the reader with inferences that - read without any knowledge - can really distort their impression of a much more complex situation.

Abby (abby mcdonald), Sunday, 30 January 2005 20:44 (twenty-one years ago)

I'd say it was more likely that interviewers take MIA to task over her 'support' for 'terrorism'. But whichever, it's kind of their responsibility to ensure that their information is accurate, not hers.

I think she presents her politics very well, musically and lyrically - this doesn't mean I agree with/endorse them. I'd definitely like to read more about what she has to say though. Wasn't her dad a Tamil Tiger?

The Lex (The Lex), Sunday, 30 January 2005 20:59 (twenty-one years ago)

This album is pretty good, I can tell it'll be a grower. As of now, though, "Pull Up the People" is the best track by quite a large margin. Excellent track.

The Brainwasher (Twilight), Monday, 31 January 2005 03:57 (twenty-one years ago)

Sorry, sorry, and more sorry for dragging this politics thing on. Eelam is something I am deeply passionate about..

Abby,

"It's shared by many Tamils who have suffered greatly themselves at the hands of the Tigers."

I beg to differ. Many Tamils SUPPORT the LTTE. They like me, may not agree with everything they do, but they support them. The only reason the LTTE is powerful now is because of the massive support it has within and outside of Sri Lanka. It is a fact that the Government of Sri Lanka is really trying hard to deal with. 17000 odd people don't just die for a cause that they don't believe in. People also don't send their hard earned money to an organization that they despise.

In anycase, I don't know if you have heard about "Pongu Tamil" celebrations. They occured in many places around the world, including in Canada. I was there, and it was really amazing to see many people show up there to voice their support for LTTE like that. I don't know the exact number of people who showed up for the Toronto event, but Global TV put it at 100 000 and the Toronto Sun reported it to be 10 000. The organizers said there were 75 000. You can take your pick! All I know is that Queen's Park was totally filled with people on that day.

Anyhow, there are few Tamils who don't support them, but those people are exceptions rather than the rule.

Also here is the thing, most of the Tamil people I know would chose LTTE over Government of Sri Lanka any day. And they don't even feel passionate about Eelam like I do!

gt, Monday, 31 January 2005 06:03 (twenty-one years ago)

PS: If a complete stranger asks me whether I support LTTE or not, especially in Sri Lanka, my automatic response would be a 'NO!'

It is just not a good idea to be vocal about your support for them there. People get arrested for being Tamil, can you imagine what would happen if you admit you support them..?!

That's one of the reasons why I admire MIA so much! It is not so easy to Stand up like that!

gt, Monday, 31 January 2005 06:13 (twenty-one years ago)

10 Dollar is so fucking good

Stevem On X (blueski), Monday, 31 January 2005 11:57 (twenty-one years ago)

hahaha this album is GREAT and I'm approxmiately halfway through the second song. I can't remember the last time I loved an album so quickly!

kyle (akmonday), Tuesday, 1 February 2005 22:59 (twenty-one years ago)

slang tang
that's the MIA thang
i got the bombs to make you blow
i got the beats to make you baaang

The Lex (The Lex), Wednesday, 2 February 2005 01:25 (twenty-one years ago)

SLANG TANG

Suedey (John Cei Douglas), Wednesday, 2 February 2005 02:18 (twenty-one years ago)

gt,
Perhaps we should continue this conversation off the board, since it's becoming entirely irrelevent to the fact that we all agree that we love her music.

Therein lies the problem for me, though, because her lyrics, artwork, interviews etc. reference the LTTE... and nomatter how glamorous and romatic the term 'freedom fighter' may be, the truth is never clear cut.

I object to your presumption that my half-sinhalese status shielded me from anything. I LIVED there during the '83 riots. I still have a Sri lankan passport. As sinhalese mobs searched the streets for tamils to attack, my tamil mom and her tamil friend hid indoors, and I was told to hide under the bed with the friend's son. My tamil uncle had a gun held to head by a LTTE member when the LTTE decided to take over the Batticaloa university where he taught as a professor. He had fingers broken for objecting. I have many more, but that's beside the point.

I agree that the Sinhala govt. is shit. What third world govt. isn't? In the aftermath of the post-colonial period, only the most pandering and corrupt types of people survived the power vacume. But randomly blowing up bus stops, schools, places of worship, markets...these ONLY kill and miame the innocent. Those LTTE supporters in Cananda....how many are Tamils from Southern India, I wonder. They have nothing to lose, and ethnic pride to flaunt. Most Tamils in Sri L:anka have been sqeezed from both ends - the singhalese govt bigotry on one side, and LTTE forced recruitment on the other.

There are never any good alternatives, you know? I just ask that, please, consider what exactly you say you support, before you throw the full weight of your enthusiasm behind it.

(sorry to everyone else for this long tangent.)

cicatrix, Wednesday, 2 February 2005 09:28 (twenty-one years ago)

"Pull Up the People" was produced by Dave Taylor AKA Solid Groove and everything he does is magic, although not necessarily as pop-friendly as the M.I.A. song. If you like the beats, check out his other stuff!

JoB (JoB), Wednesday, 2 February 2005 10:53 (twenty-one years ago)

I'm actually finding the side-politics things here interesting.

Hari A$hur$t (Toaster), Wednesday, 2 February 2005 11:15 (twenty-one years ago)

Yeah keep the politics on the thread please, its relevant and interesting.

Matt DC (Matt DC), Wednesday, 2 February 2005 12:39 (twenty-one years ago)

Thirding this request to keep the discussion here. It's a striking consideration of questions of image and motivation in music as part of a larger context.

Ned Raggett (Ned), Wednesday, 2 February 2005 13:49 (twenty-one years ago)

Er, fourthing. Ned otm.

adam (adam), Wednesday, 2 February 2005 14:52 (twenty-one years ago)

i talked to her about all this stuff yesterday. whenever i brought up the cover imagery or certain lyrics (the plo thing didn't interest me b/c everyone's asked her about it already, but the rest of sunshowers is pretty striking, esp. the line about showers of bullets), she seemed pretty cagey re: intent. i haven't transcribed the interview yet but it certainly felt like she was talking in circles a little bit.

mark p (Mark P), Wednesday, 2 February 2005 15:16 (twenty-one years ago)

i haven't been following her press much lately. is out that her father was a tamil tiger?

lauren (laurenp), Wednesday, 2 February 2005 15:23 (twenty-one years ago)

because i think that was vaguely being, well.. not exacty "covered up" at first but certainly not advertised.

lauren (laurenp), Wednesday, 2 February 2005 15:24 (twenty-one years ago)

ohhh yes.

mark p (Mark P), Wednesday, 2 February 2005 15:29 (twenty-one years ago)

no. it's categorically not been covered up. first thing i knew about her, after her name and the titles of the tunes. can't recall how, but wasn't it all over her biog on the (old?) official site from more than a year ago.

funny to re-read this recently :

mya 'gilang'.

believe it or not 'Arular' was due september according to that thread.

piscesboy, Wednesday, 2 February 2005 15:41 (twenty-one years ago)

apparently its not coming out in the uk until april now? the feeling is that she has a better chance stateside than she does in the uk.

mark p (Mark P), Wednesday, 2 February 2005 15:44 (twenty-one years ago)

Intriguing.

Ned Raggett (Ned), Wednesday, 2 February 2005 15:46 (twenty-one years ago)

wow. ok. politics shall stay here, then.

I've read everything I could find about her, and the question of her father's involvement in the LTTE still remains hazy and somewhat contradictory. Some articles say he was one of the founding members of the group, others say that he was just a sympathizer, and some others say he was just 'involved' in some murky way.

No doubt that whatever his involvement, the family was in danger...but I sense that with her British sense of how things should be, she never understood that ALL families in Sri Lanka are in danger... and her experiences with the poverty and fear and bigotry in Sri Lanka left a searing impression.

When I moved to the West, I thought kids here were unbearable pampered little shits. When a bell rang in school, I'd jump in fear and almost wet myself, cause it sounded like the bomb-alert sirens in SL. I was quite violent and angry for years. As a teen my drawings were consistently disturbing abstracts, or graphic depictions of death and amputation that I hid from prying eyes. My point is that MIA's art makes sense to me. It's what anyone with PTS would do, where ever they were from. But while it's one thing to work out your emotional/creative issues out like that, it's quite another to present them as a 'statement' of some sort. (Maybe some would disagree with that.) I get the sense that she's got all this creative talent, but isn't exactly thoughtful or logical.

I mourn the fact that the country I grew up in barely exists. What wasn't bombed to bits by the LTTE, has now been washed away. I don't know if it's possible to undo 20 years of fear-mongering and chest-beating by both the greedy, unscrupulous government and the greedy, unscrupulous terrorist. Different sides, same coin.

For anyone interested in learning more about SL, but would like to start small - Salon.com sent a journalist to cover the post-tsunami situation in Sri Lanka. Much to my surprise he's turning out quite accurate descriptions of the people, customs and political climate there as well. (You view a short ad to access the site)

btw, I hear her Knitting Factory show in NY sold out in hours.

cicatrix, Wednesday, 2 February 2005 16:49 (twenty-one years ago)

Her official website seems, to me at least, to be very very supportive of the Tamil Tigers. There are several portraits of Tamil leaders, and the "Galang" video has Tiger symbolism. She also links a documentary about Sri Lanka that seems (from the information on the documentary's website) to focus on the problems the Tamil people face from the government, but ignores the violence committed by the Tigers. So, in short, I think that her presentation of information is extremely one-sided and a fan of her music without background knowledge about Sri Lanka could very easily be misinformed. One of my best friends is Sinhalese and has had family injured in Tiger bombings, when I showed her M.I.A.'s site (at that time I knew next to nothing about the conflicts in Sri Lanka), she was extremely upset by it. Although I am aware my friend is biased herself and the Tigers aren't the only ones at fault, I do worry about kids in the West seeing her music and the site and supporting a cause they don't fully understand.

So my question for everyone is this: does anyone have any moral qualms about listening to a musician who espouses a view you don't agree with (obviously I mean more extreme cases than just red/blue)? Is it wrong/irresponsible/understandable/etc. that M.I.A. uses her music to show support for terrorists (government's definition of the Tigers, not mine)?

I am really glad this topic was brought up--I considered it myself when the thread originally started, but I didn't want to be a killjoy.

Jessie, Wednesday, 2 February 2005 20:36 (twenty-one years ago)

"Although I am aware my friend is biased herself and the Tigers aren't the only ones at fault, I do worry about kids in the West seeing her music and the site and supporting a cause they don't fully understand."

This is a groundless worry, because let's face it kids in the West don't care passionately enough about anything to meaningfully support it. (And those who do care passionately enough about politics are either a) smart enough to do the research to get a complicated view of the situation or (and more likely) b) likely to be too dumb to care about the nuances if MIA bothered to point them out.)

Alex in SF (Alex in SF), Wednesday, 2 February 2005 21:01 (twenty-one years ago)

"So my question for everyone is this: does anyone have any moral qualms about listening to a musician who espouses a view you don't agree with (obviously I mean more extreme cases than just red/blue)?"

Yes.

"Is it wrong/irresponsible/understandable/etc. that M.I.A. uses her music to show support for terrorists (government's definition of the Tigers, not mine)?"

No. Maybe. I have no idea. And I'm sure she doesn't think about what her music does or the "government's definition" of the Tamil Tigers in the same bizarrely Bush-speech colored way you do.

Alex in SF (Alex in SF), Wednesday, 2 February 2005 21:04 (twenty-one years ago)

Those who see her at the Knitting Factory shows should be extremely happy, as her support for the LTTE could well get her banned from the US...

john'n'chicago, Wednesday, 2 February 2005 21:08 (twenty-one years ago)

Which is probably why she was cage-y during Mark's interview (also might have had something to do with some of the "sexy" ILM suggested questions though haha.)

Alex in SF (Alex in SF), Wednesday, 2 February 2005 21:10 (twenty-one years ago)

For anyone interested in learning more about SL, but would like to start small - Salon.com sent a journalist to cover the post-tsunami situation in Sri Lanka. Much to my surprise he's turning out quite accurate descriptions of the people, customs and political climate there as well. (You view a short ad to access the site)

Could you provide a direct link to a particular story there, or grouping of them? My understanding of Sri Lanka's history in general has always been poor beyond generalities -- a perhaps typically-Western construct I grew up with was that it was 'that island off India called Ceylon once,' but there's little I've learned about the island beyond that. I fear the only other thing I know offhand is that Arthur C. Clarke has lived and taught there for years!

Ned Raggett (Ned), Wednesday, 2 February 2005 21:17 (twenty-one years ago)

the NY show sould out quick, but LA tickets are still available. which seems strange to me, but whatever.

Dude, are you a 15 year old asian chick? (jingleberries), Wednesday, 2 February 2005 21:21 (twenty-one years ago)

It's more diffuse. (Also has there been much publicity?)

Ned Raggett (Ned), Wednesday, 2 February 2005 21:22 (twenty-one years ago)

Not as much as in New York (I mean the Voice, the TIMES!?!? and the NEW YORKER wowza that is some nice press for a new artist!)

Alex in SF (Alex in SF), Wednesday, 2 February 2005 21:25 (twenty-one years ago)

The LTTE are terrorists, by dictionary definition. They coined the term 'suicide bombing.' They were the first group to heavily recruit women since, back then, no one ever suspected women. Not just for suicide missions, either.

Before the govt. banned tinted windshields and tinted motorcycle visors, they'd do motorbike 'drive-bys.' A tinted-helmet wearing man would steer, while a woman, spraying bullets from a semi-automatic, rode behind him. Sprayed into people shopping for groceries at open-air markets, kids in line for school buses, people waiting to see a parade roll by. Not to mention letter bombs, car bombs, school-bag bombs, tiffin-carrier bombs...pretty inventive, and exhausting to recount.

I was pretty upset by MIA's site too. My point is that the Sri Lankan government IS corrupt and flawed and guilty of crimes against citizens BOTH Sinhalese and Tamil. And this remains true nomatter which 'legitimate' political party (there are many) assumes power. But the LTTE is NOT an answer. They just made everything so much fucking worse. Seeing MIA present them like hipster Che Guevara types, with the cool tiger icon and the scrappy bandanas....when I know TAMIL people who've got shrapnel in their mouths because a LTTE car bomb detonated while they were stuck in traffic jam...honestly, makes me want to vomit.

Fight the system from within, yeah? If not willing to do it the boring way, you're probably out for something besides genuine social change, and therefore are full of shit.

Jesse, your questions are hard to answer. It's a bit of a mind-fuck for me. I think she's beautiful...Her music is orgasmic. But then, there's the site. There's what she says when she opens her frikkin' mouth at interviews. I think I can go on admiring her apearance, even listening to her songs.. but I don't dare see her perform live, in case she exhorts the audience to chant LTTE slogans or some such shit. I can't say that might not do something irrational and violent if so.

I'm glad she's getting her music out. She's 'different' from what's out there, which is always a good thing, even if everything she does/wears/dances is exactly like that of my sisters and childhood friends. I'm just very afraid the the sinhalese (who are terrible at PR, and don't have the internet savvy of pro-LTTE orgs) will soon be tarred and feathered by the international community...Lead by a some of the 50 million South Indian Tamils, who, like I said, have nothing to do with Sri Lanka except when it's about flaunting ethnic pride in the name of some 'cause' jerry-rigged by some militia types.

I don't expect any Western journalist (let alone MUSIC journalists) to clarify the situation for western fans. It's too complicated, and they'd be terrified of accusations of bias. How would the journalist know which side can be believed? There are opinions on this board that conflict wtih mine...how to know which is right, if you've never lived there yourself? It's been 15 years since I emigrated, and despite visiting, I don't think I can say I know the country with assurance anymore.

Ok. Getting off my soap-box.

cicatrix, Wednesday, 2 February 2005 21:46 (twenty-one years ago)

This is seriously some of the best stuff I've seen written in a while about the conflict in one's mind between music and other factors when it comes to an artist one enjoys. Cicatrix, whoever you are, I hope you're a writer or want to write more! And definitely stick around.

Ned Raggett (Ned), Wednesday, 2 February 2005 21:51 (twenty-one years ago)

Here's the URL to the salon.com article. It's the first of about 5 or 6.

http://www.salon.com/news/feature/2005/01/11/sri_lanka/index_np.html

Please let's not drag Bush into this. Anyone who talks about 'evildoers' should be banished to the children's table for perpetuity.

cicatrix, Wednesday, 2 February 2005 21:54 (twenty-one years ago)

I know the dictionary definition of a terrorism and I also know that when people try to trot things out as being as simple as dictionary definitions they're "probably out for something besides" attempting to clarify an obviously complicated situation "and therefore are full of shit." Just my two cents.

Alex in SF (Alex in SF), Wednesday, 2 February 2005 21:55 (twenty-one years ago)

Haha I like that Ned inserted a compliment right before I posted an insult. We have this good cop/bad cop thing down!

Alex in SF (Alex in SF), Wednesday, 2 February 2005 21:56 (twenty-one years ago)

Going to read the Salon pieces btw. Very curious about this and got to admit I know very little about Sri Lanka.

Alex in SF (Alex in SF), Wednesday, 2 February 2005 21:58 (twenty-one years ago)

Hey, thanks Ned! I'm surprised and pleased that you're interested. I'm an unemployed wannabe actually. So if you know anyone hiring in the NY area...

Alex, if you've read my posts, I don't see why you seem to think I'm concealing something. As I said, I'm ethnically half and half. If I'm against the LTTE it's because they made the situation worse. If you don't know much about Sri Lanka, it seems rather silly of you to blast me for simply using the phrase 'dictionary definition.'

cicatrix, Wednesday, 2 February 2005 22:02 (twenty-one years ago)

I think that by any reasonable definition of the term "terrorism" that the Tamil Tigers would meet that definition. One could argue that terrorism can be justified in certain cases, but it would be hard to argue that what the Tigers do is not terrorism. As Cicatrix mentioned, they basically invented suicide bombing. I think it's only the fact that Sri Lanka is a relatively tiny and remote island country that we in the US never hear about except when there is a tsunami that has kept the Tigers from being as well known as groups like the PLO, the IRA, or the ETF.

o. nate (onate), Wednesday, 2 February 2005 22:07 (twenty-one years ago)

ETF=ETA

o. nate (onate), Wednesday, 2 February 2005 22:09 (twenty-one years ago)

Cicatrix -- not offhand but you're in a good place for it if writing work is the goal. Post here and/or more on ILE to get a bit better known, it helps in getting yer name out. Have a blog anywhere?

Ned Raggett (Ned), Wednesday, 2 February 2005 22:17 (twenty-one years ago)

"If you don't know much about Sri Lanka, it seems rather silly of you to blast me for simply using the phrase 'dictionary definition.'"

Not knowing a lot about Sri Lanka doesn't necessarily mean that I don't know something about terrorism and how people characterize terrorists (and I wholeheartedly agree that terrorism solves very little, but I also don't think it's fair to expect people who are put in the impossible situation of having very little or no means of effecting change/freeing themselves from oppression to look at things with some sort of logical cost/benefit analysis) and I think that definition itself is a bit of dodge since it basic alleviates any necessity to actually engage with terrorism ("they are terrorists after all, they aren't rational, they are extreme ideologues, we should stamp them out blah blah blah.")

I find it interesting that I have read the entirety of this thread and unless I missed something only the barest attention has been given to the reasons why the LTTE exist (and all terrorist organizations have a putative reason, it's pretty hard to recruit people to blow themselves up without one--I don't buy that) and why someone from MIA's perspective would reasonably think that despite their violent actions that these reasons would be enough to justify their existence.

Alex in SF (Alex in SF), Wednesday, 2 February 2005 22:21 (twenty-one years ago)

Haha I can't remember what I was gonna say after "I don't buy that", but it probably doesn't matter now.

Alex in SF (Alex in SF), Wednesday, 2 February 2005 22:22 (twenty-one years ago)

I wholeheartedly agree that terrorism solves very little

But piracy funds it!

Ned Raggett (Ned), Wednesday, 2 February 2005 22:26 (twenty-one years ago)

ARRRRRRRRRRRRRRRR, matey

Long Alex Amber in SF (Alex in SF), Wednesday, 2 February 2005 22:27 (twenty-one years ago)

Anyway, an overview, not the only one:

http://news.bbc.co.uk/1/hi/world/south_asia/country_profiles/1168427.stm

Various Sri Lanka government sites are linked there, so in the interest of an alternate perspective as well:

http://www.tamilnet.com

Ned Raggett (Ned), Wednesday, 2 February 2005 22:30 (twenty-one years ago)

Jesus it sounds like fucking Rwanda!

Alex in SF (Alex in SF), Wednesday, 2 February 2005 22:34 (twenty-one years ago)

Dude, I wouldn't go THAT far. We're not talking nearly a million dead in a genocidal orgy (at least I hope not).

Turns out that the bottom of the profile page has a slew of Sinhal and Tamil newslinks, so go nuts.

Ned Raggett (Ned), Wednesday, 2 February 2005 22:36 (twenty-one years ago)

No no no I mean just in terms of the seed of the conflict. Replace "Buddhit Sinhalese" with Hutus and "mainly-Hindu Tamils" with Tutsi and "British" with Belgian and this sentence--"[b]ut the majority Buddhist Sinhalese community resented what they saw as favouritism towards the mainly-Hindu Tamils under British administration"--could describe the situation there exactly!

Alex in SF (Alex in SF), Wednesday, 2 February 2005 22:40 (twenty-one years ago)

I find it interesting that I have read the entirety of this thread and unless I missed something only the barest attention has been given to the reasons why the LTTE exist (and all terrorist organizations have a putative reason, it's pretty hard to recruit people to blow themselves up without one--I don't buy that) and why someone from MIA's perspective would reasonably think that despite their violent actions that these reasons would be enough to justify their existence.

Which a) gives remarkably little credit to M.I.A., a 28(?)-year-old artist--seeing her as a passive product of her environment (a view that is perhaps encouraged by her website/label's promotion of her subaltern identity)--and b) presumes a moral relativism that the person above was uncomfortable with ("one can't condemn something if it exists for a reason"), and thus obviously doesn't address his concerns.

Yes, the horrific violence perpetrated by various terrorist groups comes out of oppression, without which they could not get support, etc. But I think it's perfectly reasonable to object to legitimating that violence in the way that M.I.A. apparently is doing.

Graeme Friedae, Wednesday, 2 February 2005 23:52 (twenty-one years ago)

And may I say that anticipating the M.I.A. backlash is sort of interesting.

Graeme Friedae, Wednesday, 2 February 2005 23:52 (twenty-one years ago)

"But I think it's perfectly reasonable to object to legitimating that violence in the way that M.I.A. apparently is doing."

Who said it was unreasonable? I might have said it was pretty fucking pointless and completely myopic and basically a way to dodge dealing with politics in any sort of serious way, but unreasonable nah. Not me.

Alex in SF (Alex in SF), Thursday, 3 February 2005 00:07 (twenty-one years ago)

I just came back to this, and its all very interesting.

GT- I never said that many Tamils didn't support the LTTE, only that many do not as well. The forced recruitment of child soldiers and violence from the LTTE against Tamils themselves who oppose their methods have created Tamil refugees fleeing Tigers, not just the main government situation.

Abby (abby mcdonald), Thursday, 3 February 2005 00:38 (twenty-one years ago)

pretty fucking pointless and completely myopic and basically a way to dodge dealing with politics in any sort of serious way

I don't know, maybe for some people. But I think it's pretty obnoxious to accuse cicatrix of myopia and political naivete for objecting to M.I.A.'s iconography when s/he apparently has a more informed perspective than anyone else who has posted in this thread. It really is possible to condemn organizations like the Tamil Tigers from a politically sophisticated position, even if that's not always the way it's done.

Graeme Friedae, Thursday, 3 February 2005 00:49 (twenty-one years ago)

"It really is possible to condemn organizations like the Tamil Tigers from a politically sophisticated position, even if that's not always the way it's done."

I would agree and quite a lot of what cicatrix said I find/found very informative and worthwhile (and well written.) I realized I didn't say this before, but with the heat of the argument and all it's hard to stop. Anyway I've probably derailed this thread enough so back to arguing about art and politics and responsibility and what we expect from artists and all that.

Alex in SF (Alex in SF), Thursday, 3 February 2005 01:04 (twenty-one years ago)

I think most of his criticism is aimed at me, for pointing out that the LTTE are considered terrorists by the government. While I admit that probably came across as some Bush Doctrine lingo, I merely said that so it wouldn't appear as if I was throwing the label "terrorist" around without any justification. Sorry for any misunderstanding!

Jessie, Thursday, 3 February 2005 01:14 (twenty-one years ago)

This conversation would be pretty different if we were talking about nazi imagery as opposed to Tamil imagery. I don't know the first thing about the Sri Lankan situation, but I do know that for some reason, in progressive circles, the acts of terror (essentially primitive warmaking, yes?) perpetrated by leftist resistance groups is easily tolerated. I find it pretty disturbing, being against killing and all. Which granted is simplistic, but that's okay.

firstworldman (firstworldman), Thursday, 3 February 2005 01:19 (twenty-one years ago)

"I don't know the first thing about the Sri Lankan situation, but I do know that for some reason, in progressive circles, the acts of terror (essentially primitive warmaking, yes?) perpetrated by leftist resistance groups is easily tolerated."

I am back to solely say that this almost (I mean there are a FEW groups like this, but come on really) complete bullshit designed to smear left wing groups and persons and the same sort of right wing media branded fuckwittery that facist regimes live and breath on.

Alex in SF (Alex in SF), Thursday, 3 February 2005 01:26 (twenty-one years ago)

i'm sympathetic to/involved with many left wing causes, but i oppose the killing of innocent people in all forms. full stop. if you're killing people then you're not making things better and i have no time for you.

firstworldman (firstworldman), Thursday, 3 February 2005 01:30 (twenty-one years ago)

I do know that for some reason, in progressive circles, the acts of terror (essentially primitive warmaking, yes?) perpetrated by leftist resistance groups is easily tolerated.

I understand that sentiment...I would imagine it comes from the unnecessary persecution of leftist groups--the Red Scares in the '20s and '50s, the Sandinistas in Nicaragua, etc. etc. From a personal standpoint, it is hard to justify political views when there are terrorist groups that are on some level on your side--for instance, supporting the creation of Palestine/opposing the politics of Israel is hard when taking that position puts you on the side of the PLO, in some people's eyes. Just like listening to an incredible artist is hard when you realize what her lyrics mean, I suppose. ;)

Jessie, Thursday, 3 February 2005 01:33 (twenty-one years ago)

I don't think MIA has a responsibility to present balanced political arguments in her art, and I certainly don't think she should be qualifying what she says with opposing viewpoints.

It strikes me that a lot of the fuss is caused by the perception that MIA is some sort of spokesman, whether for the Tamil people or the Sri Lankan political situation, which is entirely inaccurate: what comes across in her music is the sound of an individual following and expressing her own deeply held political beliefs. The criticism seems partly due to the exotica factor: very few of us can claim to have any decent knowledge of the politics she casually drops into her songs, and I definitely get the impression that it's because of this that so many people are paying attention to the nuances of the position she's espousing - as opposed to what would happen if MIA was American, or French, even if she took an equally radical stance. I'm not sure this higher standard is particularly helpful.

On a purely artistic level, I have to say the imagery and political connotations of her work are pretty awesome: the album sounds like a form of guerrilla warfare, the beats sound like bombs, various noises spring out of nowhere and suddenly attack your ears. It's very much immediately reactive to a changing situation around it, rather than being a planned-out attack.

The Lex (The Lex), Thursday, 3 February 2005 01:43 (twenty-one years ago)

I'd really like to respond to some statements made her, but don't have time right now. Will be back in a day or two.

For now, thanks very much for the info Ned. Appreciate it.

Also, regarding leftist resistance groups...I pretty much agree with what Jessie said. Though I do think you can retain a particular view while condemning those who commit terrorist acts for the same cause. I would think that though the objective may be the same, the paths followed can diverge widely enough (e.g.pacifism vs. violence) to cleave into two viewpoints.

Anyway, just wanted to inform y'all that the current Sri Lankan president's mom (who was the world's first female president, by the way) was not just leftist. She was a frikkin' trotskyite! How'd you like dem apples, eh?

So much for leftist sympathy with terrorists, etc. The whole thing is a fucking soup. I can take SL politics apart further if any of you are interested, but for now let me repeat something I believe in ...There are no perfect alternatives. There are no good guys. I'm jsut not sympathetic to any group that belives their ideals to be more important than innocent civilian lives. Bombing schools? c'mon. Forcibly recruiting child soldiers (Abby also seems to know something about this) from the very people you say you represent? please. I will be first in line to bash the Sri Lankan government. But please don't lets cheer everything that's happend in the name of Eelam.

"very few of us can claim to have any decent knowledge of the politics she casually drops into her songs"
I can. And frankly, she's one confused chick. An artist's reponsibility is something we can argue about for a while, but just look at how "awesome" you find the "guerilla warfare" sounds of the album to be. THAT is the "exotica" factor, and she emphasizes it with the tiger flags, dynamite sticks, guns, molotovs, and all her statements in interviews. And THAT is what I have a really hard time dealing with. She's making this fun/hipster/cool..very "Viva Zapata!" as said by Gen Y...it's cute when it's about a situation over and done with.. but this is NOW in Sri Lanka. There's nothing awesome about it.

cicatrix, Thursday, 3 February 2005 01:58 (twenty-one years ago)

i have no problem separating the art from the politics because i'm not that familiar with the politics. if i knew more it might be more difficult. then again, there are works of art made by people who were either nazis or sympathizers, fascists or advocates that i can still fully enjoy. i try to learn as little as i can about these people, in most instances.

and also, no one really seems to be considering that these could very well be her deeply held convictions that she fully wants to communicate to people. it's probably not a gimmick, she does seem intelligent.

firstworldman (firstworldman), Thursday, 3 February 2005 02:13 (twenty-one years ago)

The whole thing is very gimmicky. Its v. selling-che-t-shirts-at-the-mall. Her music is good, though.

deej., Thursday, 3 February 2005 02:20 (twenty-one years ago)

i just don't buy that... the music is catchy to people that have an ear for it, but many of the people i've played it for have found it totally impenetrable and/or harsh. i just can't see that the motivation for this would be to make her more marketable... it didn't really work out for any number of other radicalized musicians whose appeal was far more broad.

firstworldman (firstworldman), Thursday, 3 February 2005 02:27 (twenty-one years ago)

"i'm sympathetic to/involved with many left wing causes, but i oppose the killing of innocent people in all forms. full stop. if you're killing people then you're not making things better and i have no time for you."

Show me all these left wingers that are "tolerating terrorism" (and first person who says by downloading music and buying Chinese DVDs gets a hearty laff)? Excepting occassionally doofus-y groups like ANSWER who may do and say all sorts of weird non-representative things as point making exercises mostly, I do not KNOW any leftist individuals or credible left wing group which supports, advocates or tolerates terrorism, torture, genocide, etc. . . (first person who sez Weather Underground gets a double laff cuz I said credible--and probably should say current to boot, cuz people did some crazy shit in 60s/70s.) I don't know ONE leftist who gives money to "terrorist" organizations or who has openly defended violence against civilians or non-militants. So show me and everyone here where and how these left-wingers are supporting/tolerating (and pointing out that military aggression against Saddam Hussein is complete insanity amongst other things does not = tolerating btw--thank you Bush Admin and Fox News for being forced to make that stupid point) terrorism or shut the fuck up.

Alex in SF (Alex in SF), Thursday, 3 February 2005 04:28 (twenty-one years ago)

Cicatrix,

I haven't read all your posts yet; just the first few. Your comment about the South Indians supporting LTTE is so way off.

I admit, it was India that raised and nurtured LTTE in the early '80s. That was mostly because of MGR (Chief Minister of Tamil Nadu who was born in Sri Lanka), and Indira Gandhi (Prime Minister of India). MGR was very genuine in his support, Indira Gandhi wasn't. They both still funded not just LTTE, but a whole lot of other Tamil militant organizations as well.

In anycase, to the Tamils' bad luck they both died soon after, and Rajiv Gandhi came into power. With that India's foreign policy changed. They started opposing separation in Sri Lanka (mostly because of Kashmir). Due to pressure from Tamil Nadu, India still wanted to make sure the Tamils in Sri Lanka were treated fairly. So, the Indo Lanka Peace Accord was signed (LTTE signed too). Under the requirement, Sri Lanka would grant rights to the Tamils, and the militants were to disarm (LTTE, EPRLF, TELO, etc). This was when Tamil was recognized as an official language, and the North East provinces were merged.

This is where Sri Lanka's true nature kicks in. Because of the concessions being made to the Tamils, JVP starts getting all powerful again. A lot of people started joining, and Jeyawardene got his hands full. As a result, Indian Peace Keeping Force was brought in to well, keep peace. Instead, due to escalating violence, fighting erupted between IPKF and LTTE.

Since there was also massive opposition to IPKF in the South, Premadasa came into power on the promise that he would make them leave. As a result, he ended up arming LTTE himself! Eventually, IPKF left. Many consider Sri Lanka to be "India's Vietnam".

Later on, in 1991, Rajiv Gandhi was assasinated. Some say it was done by LTTE because he was seriously considering sending Indian Troops again to Sri Lanka.

Because of the whole IPKF thing, and because LTTE is blamed for Rajiv Gandhi's assasination, India hates LTTE. This inclues South Indians.

As a result, LTTE gets no funding from India. Most of the funding they get now is from Expats living overseas.

Secondly, there are not that many South Indian Tamils in Canada, atleast not compared to Tamils from Sri Lanka. I think there are approximately 300 000 SL Tamils in Canada.

In anycase, I was at the Pongu Tamil event in Toronto, and I didn't come across any Indian Tamils. That's not to say there weren't any, but if there had been a significant number of them, I would have noticed.

gt, Thursday, 3 February 2005 04:42 (twenty-one years ago)

This thread is fascinating.

Alex in SF (Alex in SF), Thursday, 3 February 2005 04:50 (twenty-one years ago)

It's _really_ fascinating.

Words that always raise my hackles and suspicions when people use them to describe themselves or justify their actions: "freedom fighters."

Douglas (Douglas), Thursday, 3 February 2005 05:21 (twenty-one years ago)

i just don't buy that... the music is catchy to people that have an ear for it, but many of the people i've played it for have found it totally impenetrable and/or harsh. i just can't see that the motivation for this would be to make her more marketable... it didn't really work out for any number of other radicalized musicians whose appeal was far more broad.

But she's totally using militaristc/political symbolism w/ real world meanings in her music yet she removes it from context, making it into a part of the package of her music.

djdee2005 (djdee2005), Thursday, 3 February 2005 05:23 (twenty-one years ago)

I still haven't read all the posts! There is too much to read, and I have work tommorrow!

Anyways, a lot of you here seem to accept that LTTE is a terrorist organization. So, I have a couple of questions for you.

1)What do you do if you want to separate from a country because you were repeatedly being abused, and you failed after trying democratically? (Please keep in mind that our struggle has been going on for about 50 years, and it has only gotten violent in the last 20 years. In 1977 Tamils of North East voted for TULF on a platform of separation (this was when it was first proposed). They failed to deliver Eelam and after the July 1983 anti-Tamil riots they got banned by the Sri Lankan government. That's when the war "officially" started.)

2)The number one reason LTTE is considered a terrorist organization by US is because of it's use of Sucide bombings. Is sucide bombing worse than air raids? In anycase, Sri Lanka has the highest number of sucide deaths in the world. Infact, it's so high that scientists there are going through dead people's brains to determine why people sucide (I'm not kidding!) If people are killing themselves like that, can you imagine what somebody who had lost family members or been raped or tortured by the Sri Lankan Army would do?

3)LTTE for the most part targets military, government, and financial establishments. Their most recent attack was on Katunayake International Airport, and there was no civilian death. Of course, that attack severely damaged Sri Lanka's economy. It was so severe, that the government finally came to the table to talk. Anyways, I admit civilians have died in other attacks, but LTTE doesn't target cilians though. Sri Lankan Army on the other hand bombs indiscriminately. I lived in Sri Lanka until 1991, I know this. I still remember the times, when I have gone to bed not knowing whether what I saw outside was shelling or lightning. They have bombed our schools, our homes, our temples and our churches. They have also raped many women, and killed many more innocent people. I just visited Sri Lanka very recently (just got back 3 weeks ago), so I have heard many stories like this, from the people who live there. So please, enlighten me, how is the LTTE terrorist, and Sri Lankan government our representative? There are thousands of "innocent" Tamil civilians who died because of government sponsored riots, who died because of torture in the hands of SL Police, who died in air raids by the SLA, and who died because of economic embargo on Tamil areas by the Government of Sri Lanka. Are they less "innocenter" than the civilians (mostly Sinhalese) who died in LTTE attacks??

Why this double standard? Why would the world accept LTTE as terrorists based on the words of a government that doesn't represent us? Why would the world not accept what LTTE is asking for (Tamil Eelam) as legitimate even after some 17000 LTTE soldiers died asking for it?

gt, Thursday, 3 February 2005 06:12 (twenty-one years ago)

If you guys are more interested in finding out about our struggle, check these two sites out:

www.tamilnation.org
www.sangam.org

They are both exceptionally good. They are both Tamil sites, so yes there are very supportive of LTTE.

gt, Thursday, 3 February 2005 06:15 (twenty-one years ago)

I like you, gt, and I'm not being flip. It's good to have two equally passionate and thoughtful posters on this subject, especially coming from different points of view -- it not only grounds the issues but further shows how irreducible this situation is to easy judgment. (Without pretending I wouldn't have my own axes to grind, I am finding it very interesting how certain judgments are already being made in larger contexts by others on this thread.)

If I could, let me ask one question for now -- in your second point you make an observation about the study of suicide rates in Sri Lanka. Could you point to a site or paper or anything on the Net confirming this? I have no problem in giving both you and Cicatrix the benefit of the doubt in your various posts, but I think you'd both be able to show all of us looking at this from an outside point of view -- not a willfully ignorant one, but one that is curious and wants to find out more -- some good sources for reference. In part that's why I made the links I did above, and I know I was only scratching the surface.

Slight x-post -- thanks for those two initial links, can I also note that the easiest way to create live links on this board is to include the 'http://' bit before the web addresses:

http://www.tamilnation.org
http://www.sangam.org

Ned Raggett (Ned), Thursday, 3 February 2005 06:22 (twenty-one years ago)

I couldn't sleep!

Ned,
The article I read on brain research isn't any one of these, but for now these will have to do:

http://www.ipsnews.net/interna.asp?idnews=22142

http://query.nytimes.com/gst/health/article-page.html?res=9A01E2D91E38F937A15752C0A9639C8B63

http://news.bbc.co.uk/1/hi/health/129684.stm

Since I read it recently, I should be able to find it again. :)

Anyways, thanks for the advice on the links! :)

gt, Thursday, 3 February 2005 07:40 (twenty-one years ago)

Yipes, what a thread. Random thoughts;

the album sounds like a form of guerrilla warfare, the beats sound like bombs, various noises spring out of nowhere and suddenly attack your ears.

Yeah, and I got the same marital vibe from the Diplo mix. Sort of joyously militant. Agile like an air raid.

The thing is, in the musc -- and on Piracy Funds Terrorism even more so, with its baile funk and so forth -- I hear all that as kind of generalized Third World/Global South power-to-the-people rabble-rousing. As opposed to actual incitement to arms or endorsement of terrorism. But of course, it's pretty easy for me to hear it that way, since I have the luxury (or disadvantage, depending on your point of view) of a generalized Western liberal view of the Third World/Global South. Specific conflicts in specific places all start to sound like somebody else's family feuds (this is the same reason most non-Jewish Americans don't really know what to think about Israel/Palestine, it doesn't really feel like our fight, and we can see problems on both sides, so there's a tendency to shrug and say, "Oh, those people have been killing each other for centuries").

But obviously one interesting thing about having a figure like M.I.A. emerge is that -- however Londonized she is -- that conflict in particular is personal and specific to her, even though it isn't for the primary audience she's reaching. (Which makes her different than Tamil or Sinhalese singers in Sri Lanka, e.g.) And we're only even having this conversation because she speaks English and performs in English for English-speaking audiences. In contrast, there's stuff like the "Princess Nicotine" collection, which could contain a bunch of angry political songs for all I know but since I don't speak the language I only hear it as a detached cultural artifact.

I'd like to read more about all of this, including from M.I.A. herself. I hope it doesn't capsize her or anything -- I can just see idiots like Bill O'Reilly picking up on it and distorting all of it ("She has an album called Piracy Funds Terrorism! She raises money for known terrorists!"). She may or may not be confused, but she's also ridiculously talented and smart and interesting and I'd hate to see her reduced to a political hackey-sack.

gypsy mothra (gypsy mothra), Thursday, 3 February 2005 09:37 (twenty-one years ago)

God, this is all so fascinating. It's making me appriciate the album more (not because i sympathise with any of her apparent politics; i know nowhere near enough about it), i really can't remember an artist this passionate about something - However right or wrong that thing might be - emerging in the mainstream as it were.

I am definately going to learn some more about this. My Dad is an Mauritian Tamil and i can't wait to ask him about this stuff as i'm sure he will have an informed view.

Hari A$hur$t (Toaster), Thursday, 3 February 2005 10:40 (twenty-one years ago)

"very few of us can claim to have any decent knowledge of the politics she casually drops into her songs"
I can.

cicatrix - just to clarify, I meant 'vey few of us' as opposed to you and gt, who obviously have the in-depth knowledge that the rest of us lack and which is a really valuable addition to this thread.

And frankly, she's one confused chick. An artist's reponsibility is something we can argue about for a while, but just look at how "awesome" you find the "guerilla warfare" sounds of the album to be. THAT is the "exotica" factor, and she emphasizes it with the tiger flags, dynamite sticks, guns, molotovs, and all her statements in interviews. And THAT is what I have a really hard time dealing with. She's making this fun/hipster/cool..very "Viva Zapata!" as said by Gen Y...it's cute when it's about a situation over and done with.. but this is NOW in Sri Lanka. There's nothing awesome about it.

I definitely understand where you and others are coming from in comparing MIA's imagery to the Che t-shirts &c, but I think the crucial difference here is that the Che t-shirts are sold and worn by people with very little awareness of who Che was/what he did, whereas MIA does seem to be deeply attached to her beliefs - i.e. whether or not we are able to endorse her views, she appears to have thought them through and is promoting them through her art out of conviction. I don't think she comes across as confused at all.

Also, like gypsy mothra, the guerrilla warfare evocation is a generalised one to me: I don't take it as an accurate depiction of Sri Lankan freedom fighters, more as a non-specific, quasi-mythical evocation of The Struggle. Which is a pretty common recurring theme in all sorts of art, and I like the way MIA taps into its motifs and tropes and presents them against this amazing sonic backdrop.

(Thanks for the links btw - I've so far refrained from coming at this from a political perspective because I know next to nothing about the real situation, so they're very welcome.)

The Lex (The Lex), Thursday, 3 February 2005 10:49 (twenty-one years ago)

terrific album and a great thread. ILM at it's best.

jed_ (jed), Thursday, 3 February 2005 11:09 (twenty-one years ago)

seconded

j blount (papa la bas), Thursday, 3 February 2005 11:13 (twenty-one years ago)

M.I.A. features on the Caveman remix of the new 12" from Cornershop featuring Bubbley Kaur ("Topknot"). Not sure if this is a promo only affair.

JoB (JoB), Thursday, 3 February 2005 11:18 (twenty-one years ago)

the plo thing didn't interest me b/c everyone's asked her about it already

Is her answer online anywhere?

Flyboy (Flyboy), Thursday, 3 February 2005 12:42 (twenty-one years ago)

Well, a very interesting discussion. I grew up in Jaffna, in the middle of the war zone. I lived there when Sri Lankan army officials regularly ransacked our houses, threatened me with a gun, interrogated me, a six year old child. I know what the Sri Lankan government is like. I know what its like to be bombed by them, shelled by them, and then by the Indian 'Peace Keeping' army.

Without electricity, no food supplies coming in, curfews, and the packed bags always ready to leave our homes just in case.

I also know about the LTTE.

I know the stories of how its own leading cadres, when they started questioning its internal authoritarianism, were killed. Its gradual descent into a death cult, where all the Tamil people were offered was their glorious chance to die.

Of how dissenting tamils "polluted" the Ealam, and how they had to be eliminated.

I know there are shades of gray, and situations are complicated, but what is complicated about children being torn from their parents arms because the LTTE have demanded that each family provide one child to fight? What is complicated about a parent who holds on to their child so strongly that the LTTE have to break her fingers in order to take the child away?

The only reason the Tigers can use the Sri Lankan Government's human rights abuses as an excuse for their own atrocities is because the Tamil people are offered no other alternative.

And the reason why there is no other alternative is becuase the Tigers have sytematically and ruthlessly murdered every Tamil voice that might be an alternative. Whether other terrorists, politicians, or human rights activists. Even their own cadres who escaped and left the group are hunted down. The Tiger's claim to "Sole Representation" is built on the blood, and the bodies of other Tamil people.


As for the implication that its difficult for Tamils to voice their dissent to the SL Government. Well, try voicing dissent against the Tigers. If you live in Sri Lanka, you'll quickly find you won't be alive for very long. And if you live in the West, you can only ever do it anonymously. They threaten you. And they have murdered Tamil dissenters *in the West*, and they use the threat to silence a lot more of them.

It is naive to believe that the Tigers don't target civilians. Not only do they target Sinhalese civilians they also target Tamil civilians.

There is something deeply wrong about Sri Lankan political culture. The militaristic response has become engrained in the mindsets of the Government and the terrorist groups on both sides (the JVP in the 80s on the Sinhalese side, the LTTE for the last three decades). Life is not valued, not those of children, or of adults. Sinhalese or Tamil.

Of course you will find Sinhalese people and Tamil people who justify armed responses, who talk about the ends justifying the means, who will say that this is the only opportunity we have.

I love the country of my origin. I feel a deep affection for both the Tamil and Sinhalese people. I believe we deserve better. I believe Tamil children (and when I see them carrying guns, the cyanide capsule around their neck how can I not think, "that could be me"?) deserve better than to die for a political ideal that is increasingly scary and authoritarian.

When I was living in Jaffna (the 'capital' of the Tamil people) we used to have this joke. There was this aeroplane which was in trouble. In order for the plane to survive, thre passengers had to jump off to their death. An American volunteered, and said that he was dying for Capitalism, and he jumped. A Russian volunteered, and said he was dying for Communism and jumped. A Tamil volunteered and said he was dying for Tamil Ealam (the 'Tamil Homeland'). He pushed the passenger next to him off the plane.

This was a joke told among Tamil people. We told jokes about the Indian army too. That they had come to kill our Tigers but were now killing our chickens (they kept commandeering our animals). We were frigthened of all of them. The Sri Lankan army, the Tamil army, the Tigers. They were all armed - we were unarmed. They had power over us. They could humiliate us, strip us off our human diginity, degrade our right to be called human.

That's the complexity of the situation. MIA can endorse the Tigers all she wants. But it's covered in the blood of civilians and huge numbers of talented, creative, courageous, inspirational Tamil men and women.

People who I loved dearly, whom I mourn every day. I live for the day when I can see the leader of the Tigers on trial, by the Tamil people. I'm pretty young. I'm hopeful. Because I think my community contains such brave, beautiful, strong people, that one day, we'll get there.

So I'm no Tamil self hater, though the LTTE regards me as a "traitor". Because I believe in things like human rights, civil society, democracy and the right of the Tamil people to live in a pluralistic, democratic community.

Parvati, Thursday, 3 February 2005 13:53 (twenty-one years ago)

This is going to sound extremely flip, I figure, but Parvati just made this thread even better and more moving. Welcome and thanks for the post.

Ned Raggett (Ned), Thursday, 3 February 2005 13:57 (twenty-one years ago)

Thanks for the welcome Ned. I could make an even more devastating attack against the LTTE, but then they would be able to identify who I am.....so I shall desist!!

Parvati, Thursday, 3 February 2005 14:00 (twenty-one years ago)

eta correcting a mistake I made -

When I wrote this:

"We were frigthened of all of them. The Sri Lankan army, the Tamil army, the Tigers. They were all armed - we were unarmed. They had power over us. They could humiliate us, strip us off our human diginity, degrade our right to be called human."

I of course meant to say: "the Sri Lankan army, the Indian army and the Tigers"

apologies for any confusion!

Parvati, Thursday, 3 February 2005 14:18 (twenty-one years ago)

Ned OTM.

Parvati - great post!

Hari A$hur$t (Toaster), Thursday, 3 February 2005 15:00 (twenty-one years ago)

I do not KNOW any leftist individuals or credible left wing group which supports, advocates or tolerates terrorism, torture, genocide, etc. . .

I think I saw Antonio Negri doing this in a recent Chronicle of Higher Ed. interview. (Can't get to that at a moment.)

RS £aRue (rockist_scientist), Thursday, 3 February 2005 16:07 (twenty-one years ago)

Well, Antonio Negri spent several years in Italian prison for his involvement with terrorist organizations in that country, so it's not too surprising to see his name in this connection.

o. nate (onate), Thursday, 3 February 2005 16:11 (twenty-one years ago)

But he's at least one example for Alex in SF who seems to think it's entirely a figment of people's imagination that some leftists have supported terrorism of various sorts. And Negri's work with Michael Hardt on Empire has been discussed pretty favorably here. (I don't know it, or him, really.)

RS £aRue (rockist_scientist), Thursday, 3 February 2005 16:33 (twenty-one years ago)

(Interesting thread.)

RS £aRue (rockist_scientist), Thursday, 3 February 2005 16:34 (twenty-one years ago)

In contrast, there's stuff like the "Princess Nicotine" collection, which could contain a bunch of angry political songs for all I know but since I don't speak the language I only hear it as a detached cultural artifact.

So true.

Keep this thread rolling, please.

john'n'chicago, Thursday, 3 February 2005 16:44 (twenty-one years ago)

Your reading comprehension skills are shit (since I very clearly said above that such people do exist and are what we in the industry of actually thinking call "rare" or "non-representative".) But let me get this straight in this individual case, anyway. You are pointing out that a single former leftist terrorist supports terrorism and are using that as an example of how leftists "tolerate" terrorism. Fantastic. Wow you shut me up.

OBV there are leftists who have committed terrorist acts and obv there are leftists who support terrorism (Jesus people STALIN was fucking LEFTIST for chrissake.) Terrorists come in all shapes and sizes and politics. I would never dispute that. But I think what Firstworldman was talking about was pretty specific and what I was SPECIFICALLY disagreeing with was his contention that among generally well-meaning progressive minded lefties there is a widespread tolerance for terrorists and terrorism. I call bullshit on this. This is not a fact. It is far from a fact. I do not hear the progressives I know saying this and I don't hear the progressive organizations I am involved advocating this. So again put up or shut up. This is a Fox News talking point and has about as much basis in fact as anything else that comes out of Bill O'Reilly's mouth.

Alex in SF (Alex in SF), Thursday, 3 February 2005 16:49 (twenty-one years ago)

I do not KNOW any leftist individuals or credible left wing group which supports, advocates or tolerates terrorism, torture, genocide, etc. . .

Unless you meant "know personally" rather than "know of," I think I read this correctly.

I agree that most leftists don't support terrorism, but there has been a strand within leftism that does. Apparently we agree.

Your reading comprehension skills are shit (since I very clearly said above that such people do exist and are what we in the industry of actually thinking call "rare" or "non-representative".)

The sweeping statements about reading comprehension are uncalled for, but unfortunately you're one of the people here who resort to that sort of thing.

RS £aRue (rockist_scientist), Thursday, 3 February 2005 16:59 (twenty-one years ago)

STALIN was fucking LEFTIST

Inasmuch as it gave him a chance to access power, he was. But not much more than that.

Ned Raggett (Ned), Thursday, 3 February 2005 17:03 (twenty-one years ago)

True, but I was just trying to say that some left wing "ideals" can be used ultimately for the same horrific purposes as any other kind of ideal if someone chooses to. But really you're right. Guys like Stalin or Pol Pot kind of remove themselves from the left-right scale after a while.

Alex in SF (Alex in SF), Thursday, 3 February 2005 17:09 (twenty-one years ago)

Alex in SF, you're right: I focused too narrowly on one sentence and scanned too quickly through other things you'd written. I'm at work, scrolling through a very long thread, not hanging on every word as though it were holy. I still think Negri is a decent counter-example though, since his recent work seems to be fairly well-received (although maybe it's more by arm-chair ILX type radicals like me rather than actual activists?). It's hard for me to believe he is a completely isolated case. But I agree that most progressives and leftists, in this country anyway, don't condone terrorism. (I'm often surprised at how many of them are out and out pacifists.)

I still think you turn arguments over facts and ideas into personal attacks way too quickly.

RS £aRue (rockist_scientist), Thursday, 3 February 2005 17:48 (twenty-one years ago)

Right, so I really really like the music and the vague revolutionary rhetoric in her excellent vocals.

Spencer Chow (spencermfi), Thursday, 3 February 2005 17:53 (twenty-one years ago)

I mean, all this focus on her biography is interesting (and a conscious part of the marketing strategy around her), but the music is really extraordinary.

Spencer Chow (spencermfi), Thursday, 3 February 2005 17:57 (twenty-one years ago)

(x-post)You're probably right. I get a little worked up esp. when I hear people who should probably know better trotting out ridiculous stereotypes about basically include ME and my friends and the groups we support.

Alex in SF (Alex in SF), Thursday, 3 February 2005 17:58 (twenty-one years ago)

I was listening to this again this morning actually (this thread made me want to hear it again) and was thinking the same thing. It's a really well sequenced album and I like how the little skit-bits/segueways link it all together.

Alex in SF (Alex in SF), Thursday, 3 February 2005 18:02 (twenty-one years ago)

Alas, I fear I cannot make the show tonight! I will regret it for many a moon, I know. One of the few times where I do honestly fret over not having a car here. ;-)

Ned Raggett (Ned), Thursday, 3 February 2005 18:11 (twenty-one years ago)

Hey Alex... your attack comes from a place of such anger that I'm not even going to address it, I'm not even remotely interested in having that kind of argument as an aside when so many other people are saying so many interesting things... Suffice it to say that a lot of the people I know, granted they haven't been interviewed by the NYT or whatever, have made many statements casually excusing behaviors that are just not acceptable by many different organizations for several different causes. You'll probably read this as an excuse not to debate the facts, but that's fine. Chill out. I have a feeling we're both learning a lot on this thread.

firstworldman (firstworldman), Thursday, 3 February 2005 18:35 (twenty-one years ago)

xpost
Ned, take a cab - seriously!

Spencer Chow (spencermfi), Thursday, 3 February 2005 18:37 (twenty-one years ago)

From Hollywood to Orange County? Cripes, SuperShuttle would be cheaper!

Ned Raggett (Ned), Thursday, 3 February 2005 18:38 (twenty-one years ago)

(And that would still be something like what, $50?)

Ned Raggett (Ned), Thursday, 3 February 2005 18:38 (twenty-one years ago)

FWM, so specify from the start that you're talking about YOUR naive friends (as opposed to making a huge sweeping generalization about leftists everywhere) and everyone gets happy, right? As for my anger and you not addressing me/it and me thinking you are dodging this and that and this not being germaine to this thread: I am, fine don't address it/me, you are but I knew you would and I think it's reasonably connected to the topic of M.I.A. It's certaintly germaine to any discussion of how personal politics and terrorism intersect.

Alex in SF (Alex in SF), Thursday, 3 February 2005 18:53 (twenty-one years ago)

i think that my "naive friends" are probably a reasonable sample of the majority of leftists. and i didn't say it was not germaine to the thread, just that i wasn't interested in detracting from the otherwise interesting conversation. i have a feeling that you'd just try to derail anything i said no matter what i said, at this point.

firstworldman (firstworldman), Thursday, 3 February 2005 19:04 (twenty-one years ago)

Can I just point out that vocally and lyrically she's absolutely shite. Like, really really shite.

I mean she's had a great press campaign (half-based on her being 'exotic') but come on, it's like listening to kids chanting in a playground.

If I was to get my sister to read out the local curry menu in a vaguely rhythmic manner then it would sound more accomplished than her.

Dyke Jones, Thursday, 3 February 2005 19:14 (twenty-one years ago)

it's like listening to kids chanting in a playground.

THAT'S WHAT'S GREAT ABOUT IT!

I was just listening to this on the way home actually, and I was thinking how astoundingly good MIA's vocal performance is over th album: she really nails every line in exactly the right way for it to burrow deep inside your brain, so every so often a random line from the album will rise unbidden in your mind. And her voice is astonishingly rhythmic, I think even if she did acappellas I could dance to them.

The Lex (The Lex), Thursday, 3 February 2005 19:17 (twenty-one years ago)

That's like dismissing JJ Fadd for sounding like kids chanting in a playground. Clearly, there' an appeal to that vocal sound. Frankly it makes me want to get up and dance and jump and smile.

Spencer Chow (spencermfi), Thursday, 3 February 2005 19:19 (twenty-one years ago)

I think you're all deluded.

I know this time of year isn't the greatest for new releases and stuff but come on, there's much better stuff out there. She sounds like a half-wit.

Dyke Jiggy, Thursday, 3 February 2005 19:20 (twenty-one years ago)

I mean she's had a great press campaign (half-based on her being 'exotic')... If I was to get my sister to read out the local curry menu in a vaguely rhythmic manner then it would sound more accomplished than her.

Oh, just fuck off.

Matt DC (Matt DC), Thursday, 3 February 2005 19:21 (twenty-one years ago)

And we all know how highly JJ Fadd is held these days...

Dyke Jimpster, Thursday, 3 February 2005 19:21 (twenty-one years ago)

(I know, DNFTT, I'm sorry)

Matt DC (Matt DC), Thursday, 3 February 2005 19:22 (twenty-one years ago)

"Oh, just fuck off."

Why? Is the little white liberal broadsheet reading twerp scared of criticising a - shock, horror - non-white artist? Grown up, clown.

Dyke jones, Thursday, 3 February 2005 19:22 (twenty-one years ago)

(half-based on her being 'exotic')

I find the suspicion of exotica thing very suspicious in itself. because we only want straight white men to make music, &c &c &c. (nb this is not an accusation but anti-exotica is not a position which is particularly defensible to me for much the same reasons)

The Lex (The Lex), Thursday, 3 February 2005 19:23 (twenty-one years ago)

aren't jj fad pretty well appreciated? i love 'em, anyway.

firstworldman (firstworldman), Thursday, 3 February 2005 19:23 (twenty-one years ago)

It's grown on me nicely, this album. But it had it to begin with in spades. And JJ Fad's "Supersonic" was great!

I realize that Spencer's return to the focus on the album is a good one but at the same time I don't want to lose the dynamic at work here, so FWIW, here's something of interest I posted elsewhere --

I've found this in terms of US government v. Tamil Tigers -- I'm looking here strictly in terms of official government statements and responses from the US, precisely because I want to see what those statements are:

http://library.nps.navy.mil/home/tgp/ltte.htm

Extracted from a later version of this report:

http://www.state.gov/s/ct/rls/pgtrpt/2000/2450.htm

As this report here indicates:

http://www.lankaweb.com/news/items01/061001-1.html

...the designation of the group dates back to the middle of the Clinton administration.

Meanwhile, here's an interesting report over at the official US Citizen and Immigration Services website regarding Muslims in Sri Lanka where the Tamils feature:

http://uscis.gov/graphics/services/asylum/ric/documentation/LKA02001.htm

To quote part of it:

Query:

Are Sri Lankan Moors (Muslims) at risk of harm by either Sinhalese or Tamils? Are they suspected by Sinhalese of collusion or affiliation with Tamils, or vice versa?

Response:

SUMMARY

Sri Lanka’s minority Muslims are at risk of extortion by the country’s Tamil rebels, who often fund their activities by forcing Muslim – and Tamil – merchants in northern and eastern Sri Lanka to pay unofficial “taxes.” The rebels, known as the Liberation Tigers of Tamil Eelam (LTTE) or the Tamil Tigers, have in the past kidnapped Muslim merchants who resisted their demands. Subsequently, the families of those kidnapped are forced to pay for their release. Human rights groups and other observers report that the LTTE continues to extort money from Muslims despite an April 2002 pledge to end the practice.

Again, doubtless many things can be said or linked in response, so if they're out there...

Ned Raggett (Ned), Thursday, 3 February 2005 19:24 (twenty-one years ago)

'Supersonic' was fine and so are the beats from 'Galang' but leave it at that!

If you don't think that she's had the type of press she's had because of her exotic ethnicity and the fact that she's female then you're being seriously naive. Fair play to her for running with it, but everytime you criticise 50 Cent or The Game for talking about getting shot but leave her alone then it's double standards time.

Dykester, Thursday, 3 February 2005 19:28 (twenty-one years ago)

A lot of people get press for being white and male too, it's just that nobody talks about it.

Spencer Chow (spencermfi), Thursday, 3 February 2005 19:28 (twenty-one years ago)

xpost - Er...did anyone here criticize either 50 or the Game for that? (Personally I criticize 50 for being as dull as ditchwater.)

Ned Raggett (Ned), Thursday, 3 February 2005 19:29 (twenty-one years ago)

50 to Ned: "Come give me a hug."

Spencer Chow (spencermfi), Thursday, 3 February 2005 19:30 (twenty-one years ago)

Aw.

Ned Raggett (Ned), Thursday, 3 February 2005 19:30 (twenty-one years ago)

Just out of interest, who on this thread isn't white and male?

Dykey Bird, Thursday, 3 February 2005 19:31 (twenty-one years ago)

*coughs* I rather believe our three eloquent posters up above from Sri Lanka are an initial example, yes?

Ned Raggett (Ned), Thursday, 3 February 2005 19:32 (twenty-one years ago)

"i think that my "naive friends" are probably a reasonable sample of the majority of leftists."

Hahahaha whatever.

Alex in SF (Alex in SF), Thursday, 3 February 2005 20:40 (twenty-one years ago)

Some of my best friends are white males.

Spencer Chow (spencermfi), Thursday, 3 February 2005 21:03 (twenty-one years ago)

Some of my best males are white friends.

Alex in SF (Alex in SF), Thursday, 3 February 2005 21:07 (twenty-one years ago)

Hahahaha whatever.

I know a fair number of who Greg's talking about and it might not be all THAT surprising, I have to say.

Some of my best friends are white males.

Yes, I passed the entrance exam!

Some of my best males are white friends.

Albinist.

Ned Raggett (Ned), Thursday, 3 February 2005 21:07 (twenty-one years ago)

"I know a fair number of who Greg's talking about and it might not be all THAT surprising, I have to say."

Parse this sentence for me, I'm not quite getting the gist of it.

Alex in SF (Alex in SF), Thursday, 3 February 2005 21:09 (twenty-one years ago)

Parvati,

Wow..I keep saying "there are no decent alternatives" ...but could never have explained why as brilliantly, beautifully and tragically as you just did.

Thank so much for joining this discussion; I hope you'll stay.

The joke in your post ... I'd forgotten the gallows humor that infected the country during the late 80s. The bitter, cycnical, dispairing "jokes." Don't know if you heard this one, from IPKF days of. er, 'peace-keeping' -

An American, Japanese, Indian and Sinhalese were sharing a train compartment. Someone asks for the time, so the American pulls out a solid gold watch, reads the time aloud, and then tosses the watch out the window, nonchalantly saying,"oh, we've got plenty of those back home."

After a while someone else wonders how many passengers the train could hold if every compartment was full, so the Japanese pulls out a dazzlingly hi-tech calculator, does the math, and then tosses THAT out the window, saying "oh, well, we've got lots of those back home."

Now the Sinhalese furiously tries to think of some way to compete in this macho showing of national pride. So he finally grabs the Indian and tosses him out the window. saying,"oh, those are crawling the streets back home."

As you explained so eloquently, it comes down to the powerful vs. the powerless. And the powerful manipulate religion, ethnicity, nationalism, and language to camouflage their greed and ruthless domination.

If I speak for the Sinhalese, it's only because their perspective should be on this board too. I'm half and half, as I keep saying. So I've heard both sides of everything, believe me. And both hate the people who claim to represent them. The Sinhalese hate the government. When Premadasa (Prez during the late 80s) got blown up by the LTTE, my Sinhalese relatives would whisper to each other, "they say they can't even find his TEETH!" and laugh like hyenas. They thought he deserved it. His wife was known as the Sri Lankan Imelda Marcos, and the rage and derision surreptitiously directed at her was something to see. Surreptitious because being critical alound of the goverment meant they'd come to take you away at night. Police, thugs hired by the police, thugs hired by a political party. It was all pretty much the same, and being Sinhalese didn't protect you.

The suicide rate in SL is so high because people have lost hope. The fact that foreign sciensts are dissecting brains to find the reason is typical, and ludicrous. The reason is right there - there is no hope. My Sinhalese Buddhist cousins there sound like jaded old drunks. They are scrambling to eke a living.. years of schooling are of no use. They all have friends who've committed suicide. On the Tamil side, most have left the country.

cicatrix, Thursday, 3 February 2005 21:57 (twenty-one years ago)

Parse this sentence for me, I'm not quite getting the gist of it.

Sorry, a bit of context -- Greg lives down here in OC and we have a number of friends in common, most of whom I would call pretty darn left. That said I admit I have no idea which friends in particular he's describing, or even if he's referring to the circle we have in common!

Ned Raggett (Ned), Thursday, 3 February 2005 22:18 (twenty-one years ago)

Aaah this makes more sense (well except for the part about lefties living in Orange County haha.)

Alex in SF (Alex in SF), Thursday, 3 February 2005 22:25 (twenty-one years ago)

Hey man, we're here! So I'll thank you not to scoff. ;-) (Our combination Little Red Book and social calendar.)

Ned Raggett (Ned), Thursday, 3 February 2005 22:27 (twenty-one years ago)

Oh I believe that you may be THERE, what I can't comprehend is WHY?!?!

Alex in SF (Alex in SF), Thursday, 3 February 2005 22:30 (twenty-one years ago)

Cicatrix, I was glad to read your posts on this thread when I got here. Gallows humour, exactly! I can remember how we laughed about things that were absolutely sick. Because after awhile, you'd go mad if you didn't.

And Premadasa - god yes, I hated him, and I knew he was hated by many of the Sinhalese too. The funny thing about the oversimplified picture of "Tamil" versus "Sinhalese" that is often portrayed is the fact that the problems in the Sinhalese South between government and various groups are completley ignored. I can remember how afraid we were of the JVP, and yet we were all shocked at how ruthlessly the government crushed them.

I remember for a while I couldn't see Sinhalese soldiers as human beings, because when they looked at me, I didn't think they saw a human being, but i realised that if I didn't recognise their humanity, and in many cases, their youth and desperation and poverty that forced them on this bewildering and brutalising war, I would cross a boundary I would never be able to return from.

Many sections of Sinhalese people were struggling against repressive Sri Lankan governments at the same time as the Tamil nationalist movement got under way.

I also wanted to make a quick point about the Muslims. In 1990, the Tigers forced 80, 000 Muslims to leave their homes in the North. These people were often given minimum notice that they had to leave their homes. The LTTE cadres that were sent to force them out were carefully picked so they were from different villages - so that the evicted people were confronted with strangers.

Their neighbours, the people they had known all their lives, stood by and watched them leave. Some of them cried, but no one said anything or did anything to stop it happening. Afterwhile such things become easy to accept.

Many of the evicted still live in refugee camps. They are traumatised, still identifying themselves as part of the communities they were so abruptly excised from, the homes they have lost.

What I remember about the war zone was the effect it had on people. Sometimes it shocked you, to see what people would do, the moral degradation. And at other times I'd be amazed at the courage I would witness on a daily basis. I carry that with me at all times.

To tie all this back to MIA. There is always this difficult question about art - and artists. There are many authors and poets I find very disturbing in a personal capacity. How does one reconcile this to their talent, their work? I believe it's always down to the individual negotiations all of us make. For me, some artists are worth it. And even then, I always look at the art in that context, I try to find the meaning there, I problematise it for myself. I don't often listen or view or read stuff divorced from its contexts.

And then there are artists I do not believe it is worth undergoing that negotiation for. MIA is one of them for me.

Parvati, Friday, 4 February 2005 00:26 (twenty-one years ago)

"Just out of interest, who on this thread isn't white and male?
-- Dykey Bird (dykeste...), February 3rd, 2005 11:31 AM."

Most oft-abused straw man ever?

Amazing how fast this thread went from one of the most educational and interesting threads I've ever read on Ilx to total horseshit with Dyke's "reading the curry menu" zinger. Depressing.

Chuckling at the Tomkat's Marquee (Ben Boyer), Friday, 4 February 2005 01:12 (twenty-one years ago)

Fear not, Ben. So long as Cicatrix, Parvati and GT are willing to post it'll all be good. :-) And if all three of them are as much music freaks as the rest of us, stick around and post elsewhere too, please!

Ned Raggett (Ned), Friday, 4 February 2005 01:54 (twenty-one years ago)

We'll miss you tonight, Ned.

Chuckling at the Tomkat's Marquee (Ben Boyer), Friday, 4 February 2005 02:23 (twenty-one years ago)

I shall be there in spirit, if not pickled in spirits. ;-)

Ned Raggett (Ned), Friday, 4 February 2005 02:26 (twenty-one years ago)

I have been reading about Tamils a lot the past day. This whole tread provoked me to research parts of my history that i had ignored for a long time. Thanks

Hari A$hur$t (Toaster), Friday, 4 February 2005 12:35 (twenty-one years ago)

Wow, neat. :-) "ILX: We Help You Realize Who You ARE, Man."

Ned Raggett (Ned), Friday, 4 February 2005 13:43 (twenty-one years ago)

Finally some time to read some of the posts here!

Cicatrix,
What is wrong with women joining the fight? This is one of the things I love about LTTE, the way they treat women! They are treated equal. The Tamil society I grew up in, women had to accept what is bestowed on them. If the husband was abusive, they were expected to live with it. However, when I went to Vanni (LTTE controlled area) in December, I learned for the first time in my life that Tamil women don't have to accept such treatment. In LTTE land, women are protected. There, women are respected the same way as men. They can rule Eelam if they wanted to.

Anyways this is getting very interesting. I thought I was very informed about our struggle for Eelam. Seems like I have been missing out on some information. I have never heard of "drive bys." Well, before the peace talks started, and the government lifted it's ban on LTTE, there weren't many vehicles in the North East to start with. Anyways, would you be able to provide me specific incidents? If you read it somewhere, can you please provide a link or something? Honestly, this is the first time I am hearing of "drive by" shootings. I know they ambush soldiers, and I know how they attack banks, and such in the South. But "drive bys" aimed at people shopping in markets? Also, "letter bombs", "tiffin bombs", etc? Please, provide more info.

gt, Friday, 4 February 2005 16:09 (twenty-one years ago)

Ned,

I found that article I was talking about:
http://www.indianexpress.com/full_story.php?content_id=63824

Here is a very interesting and a very sad statistic from that article "An alarming 70,000 people have committed suicide from 1990 to 2000 in Sri Lanka, with an estimated 14 million suicide bids."

It's even more sadder, because it's estimated that from 1983 to 2002 about 65000 people died in the war.

I guess to be technically correct I should also correct myself. Since we are not living in 1995 anymore, my statement should have read as "Sri Lanka has ONE of the highest suicide rates in the world."

gt, Friday, 4 February 2005 16:19 (twenty-one years ago)

Thank you, GT! :-)

*reads story* A very sobering article indeed. I note the doctor says that alcoholism is a huge problem in Sri Lanka -- certainly I didn't expect the country to be teetotallers since there are a large number of beers produced in the South Asia region but I hadn't realized that there was such a strong impact on the country.

Ned Raggett (Ned), Friday, 4 February 2005 16:29 (twenty-one years ago)

This thread is getting crazzzy! I'm not sure what to think about all this anymore (except that no one has popped up defending the government so it's probably safe to say it sucks)!

Alex in SF (Alex in SF), Friday, 4 February 2005 16:33 (twenty-one years ago)

GT, I am a tamil woman and I grew up in Jaffna. I have quite a different opinion from you as to how the Tigers vision what a Tamil woman should be.

Yes, they incorporate a new place for women in a culture which is often misogynistic - now, we are more than just mothers, caring and nurturing. We can also kill. So we have two options, the pure, the unsullied vision of Tamil womanhood, and the self-less self sacrificer for the nation. The Tigers have been quite clever but don't be fooled.

When Tamil feminists have rejected both these options the Tigers have called them "too western", that Tamil women are quite happy with the Tiger's brand of 'liberation'.

I have talked to Tamil women from other groups who were captured and tortured by the Tigers. I guess that's the Tiger's unique brand of 'respect'.

After the IPKF arrived, and the rapes and abuses they perpetrated, there was this leaflet that was distributed - that told Tamil women to take care how they dressed, to dress traditionally, to wear saris, to have long hair - that they shouldn't attract men with their appearance and that "we are engaged in a strugle for national liberation. But the changes whcih have been taking place in our culture will only demean our society".

GT, you talk about how many people have died for Eelam. How much the Tamils have sacrificed, the paramount struggle.

There is no place for the individual in Ealam - we are all supposed to be subsumed into the 'national liberation' no sacrifice is too great. We must give our lives to it.

Human Rights Watch interviewed the former Child Soldiers recruited by the LTTE:

The training was very difficult. They don’t care if it’s a rainy or sunny day. If you get too tired and can’t continue, they will beat you. Once when I first joined, I was dizzy. I couldn’t continue and asked for a rest. They said, “This is the LTTE. You have to face problems. You can’t take a rest.” They hit me four or five times with their hands.

—Selvamani, a girl recruited in 2002 at age 15

Lots of people tried to escape. But if you get caught, they take you back and beat you. Some children die. If you do it twice, they shoot you. In my wing, if someone escaped, the whole group was lined up to watch them get beaten. I saw it happen, and know of cases from other groups. If the person dies, they don’t tell you, but we know it happens.

—Nirmala, a girl recruited in 2001 at age 14


After four months I was sent to a landmines unit. I learned to handle landmines, to place them. I did this for four months. I couldn’t concentrate. Sometime a landmine would explode and children would be injured. Their fingers, hands, face. One time we were working in a line, and the last girl made a mistake when removing a landmine. It exploded and she lost a finger. She was 17. I was scared to handle them.

—Vimala, a girl recruited in 2003 at age 17


My parents refused to give me to the LTTE so about 15 of them came to my house—it was both men and women, in uniforms, with rifles, and guns in holsters…. I was fast asleep when they came to get me at one in the morning.… These people dragged me out of the house. My father shouted at them, saying, “What is going on?”, but some of the LTTE soldiers took my father away towards the woods and beat him…. They also pushed my mother onto the ground when she tried to stop them.

—Rangini, a girl recruited by the LTTE in 2003 at age 16


Anyway - re music - I have a very eclectic tastes in music - from Western (esp opera) and Indian classical music, rnb, soul, pop. I seem to have fallen out of hte habit of keeping up with current music during the last couple of years, but I'm slowly catching up.


Re the SL government - the Sri Lankan government is not a static entity. Different leaderships and parties have been in and out. There are complicated alliances. The reviled Premadasa made a secret deal to arm the Tigers when the IPKF started alarming the Government. The current Sinhala political parties are very divided on the LTTE question.

So in a way, without going into a lot of detail, it is difficult to explain the differing actors and their positions to you guys.

Parvati, Friday, 4 February 2005 16:40 (twenty-one years ago)

Re the SL government - the Sri Lankan government is not a static entity. Different leaderships and parties have been in and out. There are complicated alliances.

I was going to ask about this, I don't blame you for saying it was difficult to explain. Is there a division of any sort between 'right' and 'left' among these parties regarding the Tigers or is that far too simplistic a description?

Ned Raggett (Ned), Friday, 4 February 2005 16:49 (twenty-one years ago)

To those of you who seem to say that LTTE isn't supported by the population, please read this article.

http://www.worldpress.org/Asia/1015.cfm

It was written by Mia Bloom, and I believe that article is neither PRO LTTE nor PRO Government of Sri Lanka.

The interesting thing about this article is, she in many ways expressed what I was feeling when I went to Vanni. Many people in the west, seem to have this view of LTTE, that they are brutal, reckless, inhumane, etc. Even though I was a Tamil, and I did support them, it was only when I went there did I see how very Human they are. Of course, who can blame the media in the west to be portraying that image when the Government of Sri Lanka is trying to paint such a picture? But what I really don't understand is how the world will take the Government of Sri Lanka to be the voice of the Tamils, when the Tamils are clearly funding the LTTE, supporting them in every way possible, and the are the ones who are fighting the Government. Yes there are voices of dissent amongst the Tamils there. There are some who don't support the LTTE, and even some who don't want separation. But if the world can accept George Bush as the president of America when almost half of the population didn't vote for him, how can they not the accept the LTTE as legitimate?

Anyhow, if I supported them before it was nothing like what I'm feeling now. I deeply, passionately want to show the world they are not terrorists and what they are asking for is what we need because I was there in North East. I talked to the people living in areas under their control. I also spend time in Jaffna, which is now under Sri Lankan Government Control, and I talked to the people there. Since I went in December, I was there when the Tsunami hit. I saw the LTTE members weeping because the people they were fighting for were suffering. I saw them picking up dead bodies with their bare hands. I heard stories of how they went to the recue of the people when the waves hit. I just can't watch the world calling people like that 'terrorists.' I just can't.

gt, Friday, 4 February 2005 16:53 (twenty-one years ago)

Anyway - re music - I have a very eclectic tastes in music - from Western (esp opera) and Indian classical music, rnb, soul, pop. I seem to have fallen out of hte habit of keeping up with current music during the last couple of years, but I'm slowly catching up.

Heh, I think a lot of us here have felt that way at one point or another, certainly I have! Eclectic = you'll fit in here just fine. What's recent you've really liked?

Ned Raggett (Ned), Friday, 4 February 2005 16:54 (twenty-one years ago)

Ned, Right and Left is a very difficult description for Sri Lankan politics.

For example in the post-colonial-independence days, both right and left wing Sinhalese dominated political parties were very nationalistic and there was a good deal of chauvinism against the Tamils.

Whether it was the UNP or the SLFP, (and their policies in terms of western right/left dichotomies are rather complex) they both exploited nationalism and promoted discrimination against the Tamils.

The situation now is more difficult because of the potential money that any Government could get as a result of demonstrating to the West that the peace process could be on track. If they go ahead with negotiations, they can point to political stability and the worth of Sri Lanka as a place for international development.

Frex, this is why the current Prime Minister, Ranil, (from the UNP, and opposed to the President, Chandrika, is making favourable noises about giving the Tigers an interim Administration in the North and East.

Because the Tamils are now just a 'problem' and one that the Government can't cope wtih any more. Together with the potential for some kind of peace process giving additional enrichment (and the possiblities for corruption as well) the incentives to just dump the Tamil people to the tender mercies of the LTTE is very strong.

the LTTE aren't very left wing by the way. They are very conservative in terms of social issues, in terms of women, in terms of the economy. As you'd expect with any armed group that stresses obedience, social order, and self sacrifice to the 'state' or what they characterise as the 'legitimate' state.

Parvati, Friday, 4 February 2005 17:07 (twenty-one years ago)

Okay if anyone can determine by reading this thread (who wasn't already sure before reading it that is) whether or not M.I.A.'s politics are "suspect" and/or whether or not the LTTE is a terrible horrifying civilian killing organization or whether or not they friends to all Tamils and a glorious benevolent scrappy group of freedom fighters or whatever midpoint in between then I give you $5 and a hearty round of applause, because I haven't the faintest clue what to think at this point.

Alex in SF (Alex in SF), Friday, 4 February 2005 17:16 (twenty-one years ago)

Alex, I'm not out to convince or persuade but rather, to offer a differing opinion. It's up to you what to take away. If you feel that Human Rights Watch and Amnesty are credible organisations (and indeed, I do) you can check out what their opinion of the Tigers is.

Conflict situations are very traumatic. People undergo such experiences, and when democracy and civil society crumbles away, there is a tremendous and understandable fear and shock. You start getting very numb. Liberators? terrorists?

In the end you stop caring, you just try to stay alive.

But I think when Tamil Eelam gets set up, we will see the tragic end note to the Tamils of the North and East. I don't think I could bear to see it, and I do all i can in my own way to stop its conclusion.

It's a private tragedy.

GT, the problem is not whether the Tigers are 'legitimate' or not. The problem is that they will not let *anyone else* who can also represent the Tamil people *stay alive*. Any tamil politician who disagrees with them ends up on their hit list. *That's* my problem.

And *of course* I feel for LTTE cadres. I feel such sorrow for them, especially the younger ones. I feel sorrow for the brutalisation they'v experienced, the fact that they are figthing - the place they've ended up in their lives.

LTTE cadres per se are not my enemies. But they characterise me as their enemy.

I do not know what your working definition of a 'terrorist' is but I believe that any group that bombs buildings, uses suicide bombers and employs assassinations against their community is a pretty good definition of what a terrorist is. They are still human beings. A lot of them have had to make choices in their lives that I cannot imagine. I can even have respect for some of them and feel for them. But that doesn't change the terrible damage that is being inflicted.

Why the need to demand that every Tamil *must* support them? A healthy political culture should have dissent, not a one party state.

Ned - re what I am currently listening to - lots of old stuff actually. Al Green, early Stevie Wonder, Aretha. Because I didn't grow up in the West, I don't have the familiarity for all this stuff as you guys may have had.

Parvati, Friday, 4 February 2005 17:31 (twenty-one years ago)

I got food poisoning last night. Arrived at the KF and immediately had to go back to my car and lie down. Missed the show, barely made it home and spent the evening talking to the toilet. Feeling better today, but seriously bummed.

Also, can we take all this stuff to another thread?

Spencer Chow (spencermfi), Friday, 4 February 2005 17:33 (twenty-one years ago)

That's life for ya, Alex. I'm not saying that to be dismissive, but to note that black and white must often be replaced by many different shades of grey.

Very moving concluding paragraph up there, GT. I have not yet faced death and its aftermath so directly as what you describe after the tsunami -- I hope never to have to, as I don't know how I would react.

Thanks for the further explanation re left/right, Parvati -- a murky situation indeed. Seems to me that an artist who was able to capture the detailed complexity of this situation -- in any medium, musical or otherwise -- would be the one to have nailed it most completely.

Ned - re what I am currently listening to - lots of old stuff actually. Al Green, early Stevie Wonder, Aretha. Because I didn't grow up in the West, I don't have the familiarity for all this stuff as you guys may have had.

It's interesting because many things by them or equally well known artists can slip by still when one grows up -- call it socialization or the way that mainstream culture is constructed and consumed, though time perhaps has changed this. For instance, I knew Stevie Wonder well enough but Al Green was actually something of a mystery until my college years.

Ned Raggett (Ned), Friday, 4 February 2005 17:34 (twenty-one years ago)

Spencer, how awful! Another friend of mine got food poisoning this week and we had to cancel a lunch date, then this! Jeez, that sucks. :-(

Also, can we take all this stuff to another thread?

I think that there's still something to say in terms of MIA's image and music w/r/t this but certainly we have moved very far afield. I'll start a new thread on ILE and link it here, hold on. :-)

Ned Raggett (Ned), Friday, 4 February 2005 17:35 (twenty-one years ago)

"Alex, I'm not out to convince or persuade but rather, to offer a differing opinion."

I didn't say that you were necessarily trying to convince or persuade us. But I do think that most everyone else on this thread is trying to assimilate what are at times wild differing visions of this group and the situation over there and of course your view of it (as well as gt's and cicatrix are pretty central to our understanding.)

Alex in SF (Alex in SF), Friday, 4 February 2005 17:40 (twenty-one years ago)

"That's life for ya, Alex. I'm not saying that to be dismissive, but to note that black and white must often be replaced by many different shades of grey."

No kidding, but I gotta admit I was hoping that I wouldn't be MORE puzzled now than I was say 100 posts ago.

Alex in SF (Alex in SF), Friday, 4 February 2005 17:42 (twenty-one years ago)

Okay, the new thread is created:

A thread for discussing Sri Lanka and the Tamil Tigers

I'd say any further specific statements from MIA or discussion about her in context of these issues is very much appropriate to this thread, but that the larger debates should go to the new thread.

Ned Raggett (Ned), Friday, 4 February 2005 17:43 (twenty-one years ago)

I was hesitant to post before (didn't want to get involved in the politics), but I do want to write about her music.

Bf and I have a bet as to whether or not she will make the top of many year end lists. He is so certain that he is willing to bet this now, in February. I say no. Reading this thread, and some other profiles on M.I.A, I am just wondering what everyone's opinion is on how popular she is/ will be. (Obv, outside of ILM)
(As much as possible, I am trying to omit the popularity that could be spurred by her politics and/or looks.)

jenn K (satellitesynth), Friday, 4 February 2005 17:51 (twenty-one years ago)

I suppose in part that would be due to what her promo people are trying to do in terms of pitching her to Various Folks. What is her US label exactly again?

Ned Raggett (Ned), Friday, 4 February 2005 17:58 (twenty-one years ago)

Beggars XL is what allmusic lists.

I know she's been profiled in the Times, etc. but I can't tell what kind of spin they are trying to give her.

jenn K (satellitesynth), Friday, 4 February 2005 18:03 (twenty-one years ago)

I was surprised to see no mention of the Clash in this thread. Not that the politics and spraypainted militaristic graphics were necessarily influenced by the Clash but they do seem similar to me (obv. both reminiscent of Jamaican album covers). I wouldn't be surprised if that's driving the critical acclaim a bit among a certain type of critic.

walter kranz (walterkranz), Friday, 4 February 2005 18:12 (twenty-one years ago)

Parvati,

Let me address your posts one at a time..

I have heard those stories too, and quiet frankly, I don't know whether to believe them or not. What I do know is that if the world knows about our problem it's because of the LTTE. I also know that the very reason the government is even discussing 'peace' and 'final negotiated settlement' with the LTTE is because of LTTE's strength. If the Elephant Pass attack hadn't occured, if the Katunayake attack hadn't occured, the government would still be arresting us, torturing us, and bombing us. Had we not armed ourselves, had we not fought for ourselves, had we not killed 'Sinhalese civilians more innocenter than Tamils', had we not brought instability to the Economy, had we not posed a threat to Sri Lanka's growth, NOBODY would be discussing Tamils' rights. Nobody would've cared that Tamils needed to get higher marks than the Sinhalese. Nobody would have cared that Tamils were denied rights to vote. Nodoby would have cared that Tamils lands were colonized.

Anyways about the internal killings, you have probably heard about the various theories floating around as to why Mahathaiya was killed. Anyways, LTTE claimed that he was killed because he was working for the Indian government.

Here is an interesting article that appeared on the Hindu in July 1989:

Prabhakaran reported killed in LTTE shootout

"Madras, July 23
The top leader of the Liberation Tigers of Tamil Eelam, Mr.V.Prabhakaran, was killed in a shoot-out by the Mahatiya faction of the LTTE a few days ago, according to political sources in the North-Eastern Province of Sri Lanka. Mr.Mahatiya was the deputy leader of the LTTE.

His body is reportedly at a village called Ananthaperiyakulam 20 km north-east of Vavuniya town. Various political sections in the North-Eastern Province of Sri Lanka have been talking about this over the last two days. Another indication is that a video-cassette is being circulated in which Mr.Mahatiya has proclaimed himself the leader of the LTTE. Mr.Mahatiya is also reported to be wounded in one version. When contacted in London, an LTTE representative, while not willing to credit the reports, declined to issue a formal denial.

LTTE watchers say that the basic difference between Mr.Prabhakaran and Mr.Mahatiya was that Mr.Prabhakaran opposed the line of talking with the Sri Lankan Government and collaborating openly with it against India and the other Tamil organizations. Mr.Prabhakaran was also against lining up with the Sri Lankan President R.Premadasa, in the course leading to a confrontation with India as he took the position that Sinhalese politicians could never be trusted. Besides, he was reportedly opposed to killing the TULF leaders, A.Amirthalingam and V.Yogeswaran, as he felt it would alienate the Tamil people of Sri Lanka and the people of India from the LTTE.

Mr.Mahatiya has, over the past two years, been the key figure in the military structure of the LTTE. He had become co-equal with Mr.Prabhakaran, if not the main leader in the military there while Mr.Prabhakaran remained the apparent political leader. Various political elements in the North-Eastern Province had become aware of a situation of dual power at the top in the organization which has gone on an extremely violent course over the past year and more.

In the last ten days starting from July 13 the top political leaders of the Eelam movement have been eliminated violently - the outstanding moderate political figure, the veteran A.Amirthalingam, his colleague, V.Yogeswaran and the leader of PLOT, Uma Maheswaran, who earlier lost to Prabhakaran in the violent struggle for supremacy in the militant movement.

Kittu also killed?

According to Sri Lankan Tamil sources here, Mr.Krishnakumar alias Kittu, lieutenant of Mr.Prabhakaran, was also feared killed in the shoot-out. The rival groups clashed in the Vavuniya jungles, from where Prabhakaran and others were driven out before being shot.

Some other prominent LTTE leaders were also understood to have been killed or grievously injured. The sources said their information was based on a message the LTTE groups were passing among themselves, which was intercepted at Koriakulam village near Vavuniya. The sources added that people at Ananthaperiyakulam village had been paying homage to Mr.Prabhakaran by garlanding his portraits during the past two days.

LTTE denial

However, in Colombo, an LTTE spokesman dismissed as 'baseless rumours being spread by interested parties' that Mr.Prabhakaran was killed in a shootout. He said there was no truth in the reports doing the rounds in Colombo that two senior LTTE leaders had heated arguments with Prabhakaran over the killings of two senior TULF leaders in the Colombo residence last week."

That story appeared in an Indian news paper after India's policy change. I found it in Tamilnation.org, I don't think they would be printing false information. If you want to you try to find it in some archives, and arrive at your own conclusions.

Anyways to those of you wondering. No, Prabhakaran did not die. He is still alive and well. Contrary to the wishes of Sri Lanka and India, he survied the Tsunami too.

Anyways, I have to run now. I'll post more later.. :)

I know the stories of how its own leading cadres, when they started questioning its internal authoritarianism, were killed. Its gradual descent into a death cult, where all the Tamil people were offered was their glorious chance to die.

Of how dissenting tamils "polluted" the Ealam, and how they had to be eliminated.

I know there are shades of gray, and situations are complicated, but what is complicated about children being torn from their parents arms because the LTTE have demanded that each family provide one child to fight? What is complicated about a parent who holds on to their child so strongly that the LTTE have to break her fingers in order to take the child away?

The only reason the Tigers can use the Sri Lankan Government's human rights abuses as an excuse for their own atrocities is because the Tamil people are offered no other alternative.

And the reason why there is no other alternative is becuase the Tigers have sytematically and ruthlessly murdered every Tamil voice that might be an alternative. Whether other terrorists, politicians, or human rights activists. Even their own cadres who escaped and left the group are hunted down. The Tiger's claim to "Sole Representation" is built on the blood, and the bodies of other Tamil people.


As for the implication that its difficult for Tamils to voice their dissent to the SL Government. Well, try voicing dissent against the Tigers. If you live in Sri Lanka, you'll quickly find you won't be alive for very long. And if you live in the West, you can only ever do it anonymously. They threaten you. And they have murdered Tamil dissenters *in the West*, and they use the threat to silence a lot more of them.

It is naive to believe that the Tigers don't target civilians. Not only do they target Sinhalese civilians they also target Tamil civilians.

There is something deeply wrong about Sri Lankan political culture. The militaristic response has become engrained in the mindsets of the Government and the terrorist groups on both sides (the JVP in the 80s on the Sinhalese side, the LTTE for the last three decades). Life is not valued, not those of children, or of adults. Sinhalese or Tamil.

Of course you will find Sinhalese people and Tamil people who justify armed responses, who talk about the ends justifying the means, who will say that this is the only opportunity we have.

I love the country of my origin. I feel a deep affection for both the Tamil and Sinhalese people. I believe we deserve better. I believe Tamil children (and when I see them carrying guns, the cyanide capsule around their neck how can I not think, "that could be me"?) deserve better than to die for a political ideal that is increasingly scary and authoritarian.

When I was living in Jaffna (the 'capital' of the Tamil people) we used to have this joke. There was this aeroplane which was in trouble. In order for the plane to survive, thre passengers had to jump off to their death. An American volunteered, and said that he was dying for Capitalism, and he jumped. A Russian volunteered, and said he was dying for Communism and jumped. A Tamil volunteered and said he was dying for Tamil Ealam (the 'Tamil Homeland'). He pushed the passenger next to him off the plane.

This was a joke told among Tamil people. We told jokes about the Indian army too. That they had come to kill our Tigers but were now killing our chickens (they kept commandeering our animals). We were frigthened of all of them. The Sri Lankan army, the Tamil army, the Tigers. They were all armed - we were unarmed. They had power over us. They could humiliate us, strip us off our human diginity, degrade our right to be called human.

That's the complexity of the situation. MIA can endorse the Tigers all she wants. But it's covered in the blood of civilians and huge numbers of talented, creative, courageous, inspirational Tamil men and women.

People who I loved dearly, whom I mourn every day. I live for the day when I can see the leader of the Tigers on trial, by the Tamil people. I'm pretty young. I'm hopeful. Because I think my community contains such brave, beautiful, strong people, that one day, we'll get there.

So I'm no Tamil self hater, though the LTTE regards me as a "traitor". Because I believe in things like human rights, civil society, democracy and the right of the Tamil people to live in a pluralistic, democratic community.

gt, Friday, 4 February 2005 18:12 (twenty-one years ago)

I think she'll do pretty well. Dizzy/Streets level though obv unless someone manages to market her Nina Sky style to urban radio. In which case she might do really well, but I'm skeptical that'll happen.

Alex in SF (Alex in SF), Friday, 4 February 2005 18:13 (twenty-one years ago)

After giving the album several fair listens, I am still not in awe. I'm not sure if a Nina Sky attempt will be successful--I don't think Arular is mainstream viable. (Unless the lady M.I.A did something with Gwen or someone equally famous ansd slightly experimental in her own right.)

But, again, I can't tell because I don't love the album.

jenn K (satellitesynth), Friday, 4 February 2005 18:19 (twenty-one years ago)

I think she'll do much better in the US. Her music is much more danceable/party music than Dizzie's grime-mare and Streets reflective poetry.

Spencer Chow (spencermfi), Friday, 4 February 2005 18:24 (twenty-one years ago)

I can so see "Galang" getting radio play if a record company decided to push it. It definitely fits in with the dancehall and exotica tinged stuff that I hear on urban radio. But I don't see a label doing that. I think she'll end up being marketed to a more hipster-ish crowd (which was why I used Dizzy and the Streets as examples--I can see her easily outselling both, but I'd be shocked if this record went gold, for example, unless it really penetrates urban radio.)

Alex in SF (Alex in SF), Friday, 4 February 2005 18:30 (twenty-one years ago)

She's gorgeous if that helps.. But yeah, I think the decision to try to break in the US before the UK was the wrong one.

Dude, are you a 15 year old asian chick? (jingleberries), Friday, 4 February 2005 18:30 (twenty-one years ago)

I could see "Bingo" getting minor radio play, under the right circumstances. "Galang" less so.

nabisco (nabisco), Friday, 4 February 2005 18:32 (twenty-one years ago)

I wonder if their US before UK decision is at all politically influenced. UK folk seem more knowledgeable in terms of poltics and world news...more than people in the US at any rate. (which is awfully embarrassing but true.)

Otherwise, Dude, you are OTM. The Brits are tastemakers.

jenn K (satellitesynth), Friday, 4 February 2005 18:36 (twenty-one years ago)

"UK folk seem more knowledgeable in terms of poltics and world news...more than people in the US at any rate. (which is awfully embarrassing but true.)"

I seriously doubt most people in the UK know significantly more about Sri Lanka than most Americans do. And I'm not inclined to think that knowledge would predispose them to like M.I.A. any more or any less.

Alex in SF (Alex in SF), Friday, 4 February 2005 18:39 (twenty-one years ago)

Why "Bingo"?

x-post

C0L1N B--KETT, Friday, 4 February 2005 18:42 (twenty-one years ago)

Galang is too harsh and repetitive for US urban radio. Sunshowers might work better (the video is MTV friendly too). 10 Dollar is the club hit. But there are a lot of potential singles.

Spencer Chow (spencermfi), Friday, 4 February 2005 18:42 (twenty-one years ago)

I mean, I guess the verses a little more rap-y, but it's so menacing and unsettling (and not in the huge crossover-crunk sense.)

C0L1N B--KETT, Friday, 4 February 2005 18:43 (twenty-one years ago)

Dancehall and reggaeton have paved a path for harshness and repetition, though. "Galang" really isn't a huge step from Nina Sky.

C0L1N B--KETT, Friday, 4 February 2005 18:45 (twenty-one years ago)

I seriously doubt most people in the UK know significantly more about Sri Lanka than most Americans do.

Actually I think you might be wrong there. Keep in mind that Sri Lanka was part of the Indian colonial structure for at least a century and a half and there has been notable immigration from Sri Lanka to the UK as well. Whether or not that makes a vast difference in the awareness I don't know but I'd be willing to bet there's more than here.

That said, back to the music. ;-)

Ned Raggett (Ned), Friday, 4 February 2005 18:45 (twenty-one years ago)

Alex, I wasn't sure. I don't know how much politics influences this listening taste of other countries, and I do know that British history is intertwined with Indian and Sri Lankan history.

Anyhow, Sunshowers has the gritty verse/ pretty chorus thing which seems to appeal to US radio listeners.

jenn K (satellitesynth), Friday, 4 February 2005 18:51 (twenty-one years ago)

Actually, what Ned said works better. He sounds like he knows what he is talking about.

jenn K (satellitesynth), Friday, 4 February 2005 18:52 (twenty-one years ago)

"Galang" really isn't a huge step from Nina Sky.

Sonically, it's a big step - *way* harsher.

Spencer Chow (spencermfi), Friday, 4 February 2005 18:54 (twenty-one years ago)

Well politics and taste are a weird intersection, but nothing indicates to me that the UK population would find listening to M.I.A. difficult (or any more difficult than the US) because of her politics (and this is assuming they could even sort her politics and the politics of the situation itself out and after having read these two threads, I gotta say this seems less and less possible with each passing post.)

Alex in SF (Alex in SF), Friday, 4 February 2005 18:55 (twenty-one years ago)

He sounds like he knows what he is talking about.

Who, me? I'm just a goof!

Sonically, it's a big step - *way* harsher.

Very, very true.

Ned Raggett (Ned), Friday, 4 February 2005 18:55 (twenty-one years ago)

I'm guessing, based on polls I've seen of the world knowledge of the average American, that more Britons would know something about Sri Lankan politics. But mostly, as with me, it wouldn't really extend much beyond "There's a separatist movement involving a group called the Tamil Tigers".

But yeah, as Alex says, I doubt this knowledge would predispose them to like M.I.A. any more or any less.

Alba (Alba), Friday, 4 February 2005 18:58 (twenty-one years ago)

Despite it's harshness it is still pretty hook-y. There are definitely a lot of tracks that I would characterize as having a similar sound that have been hits in the past esp. four years.

Alex in SF (Alex in SF), Friday, 4 February 2005 19:00 (twenty-one years ago)

She should join G-Unit

Dude, are you a 15 year old asian chick? (jingleberries), Friday, 4 February 2005 19:44 (twenty-one years ago)

ok. So I inadvertently sent this thread into a political discussion when I said her interviews were driving me nuts. Here's another one from a Canadian weekly:

http://www.eye.net/eye/issue/issue_01.27.05/beat/mia.html

The article is titled, "Tiger, Tiger, Burning Bright"

William Blake should be vomiting in his grave.

Best line in the article:

"The "Sunshowers" single -- her second after career-definer "Galang" and riding the same jolting mash of electro, grime, ragga, rap and South Asian influences -- contains more inflammatory politics than one might expect on a dance track that's available as a ringtone and has soundtracked fashion shows."

Going to go do something about this headache I got after reading the whole thing.

cicatrix, Friday, 4 February 2005 20:21 (twenty-one years ago)

So wait is her dad one of the founders of the Tamil Tigers or not?

Alex in SF (Alex in SF), Friday, 4 February 2005 20:35 (twenty-one years ago)

Also that article doesn't upset me, it just makes me want to ask her more questions.

Alex in SF (Alex in SF), Friday, 4 February 2005 20:37 (twenty-one years ago)

Dear Alex, of course it wouldn't upset you. Naturally, you're curious. That's what upsets ME. She, and the journalists interviewing her, seem to love presenting the LTTE with this 'fighting the true fight' halo.

If she wants to draw attention to the situation in Sri Lanka, it would be more honest, (and lot less sexy, so there's an answer) to paint the situation as it is, without picking a side to glorify. I can't fault her too much since her dad was involved (again, no one knows how much since her accounts vary. Or maybe the journalists can't transcribe their tape recorders properly) and it is personal for her.

But I just can't see how anyone who takes this seriously and personally would be ok with RING TONES being made out song with supposedly serious political intent.

She's breaking into a musical genre that doesn't allow women in very far.. and she's doing it by transgressing musical boundaries every which way...much to her credit. She seems to know far more about music and what she wants to creat than the stripped down, sing-along, goofing-in-my bedroom vibe of the tracks led me to think at first.. again, much to her credit.

But her politics. oh god. Yes, Tamils were oppressed after Sinhalese (and the country as a whole -Muslims, Christians, Dutch decendants) won independance from the British. But under the British, the Tamils flourished, since the British granted the Tamils positions of power, and civil service, white collar jobs.

Her talk of chicken and egg dilemmas was pretty good.. only then, how far back do you go? Who really 'oppressed' first?

Obviously, SL is mired in a post-colonial mess created by the British who brilliantly followed a 'divide and conquer' philosophy. Same thing in Africa, same thing in the Middle East.

But we're here now, yeah? Fighting isn't helping anything. And the fact that she's rubbed a sexy, glossy shine on the LTTE that gives Western kids who don't know anything about SL boners...(hot chick, freedom fighters, viva la libertad, yay!)....gives me a massise fucking headache.

cicatrix, Friday, 4 February 2005 21:08 (twenty-one years ago)

You know the journalist does point out that UNICEF claim right at the beginning there (not to mention the state department thing.)

"But I just can't see how anyone who takes this seriously and personally would be ok with RING TONES being made out song with supposedly serious political intent."

Um you are joking, right?

Alex in SF (Alex in SF), Friday, 4 February 2005 21:14 (twenty-one years ago)

I mean she signed to a relatively large label with the intent, I assume, of getting her music widely distributed and promoted. One of those promotions these days is having ringtones made of the biggest singles which happens to be political. Almost every single has a ringtone these days (I think even "POW" has a ringtone haha.) I don't see what's baffling or contradictory about it at all.

Alex in SF (Alex in SF), Friday, 4 February 2005 21:20 (twenty-one years ago)

only then, how far back do you go? Who really 'oppressed' first?

But isn't that kind of what she's asking too? Who's a terrorist and who's a freedom fighter? I mean, obviously she's sympathetic to the LTTE, maybe more than they deserve, and it would be nice to hear her talk about the whole thing in more depth. But from that artice -- and from her songs -- I'm not sure that she's calling one side all good or another all bad. It seems more like she's protesting the division of the world into "good" and "evildoers" without taking into consideration the underlying histories, oppression, etc. I totally understand someone with personal history involved having a negative reaction (or positive reaction, depending on the personal history in question), but there are other possible reactions too. I can imagine Palestinians having negative reactions to, say, a nationalist Israeli rapper, or vice versa; but if they were talented performers with something interesting to say (plus good beats and stuff), I'd personally be interested in hearing both of them.

I will say that it would be nice if Maya came across in interviews as thoughtful as cicatrix does. But you go to dance with the artists you have, not the artists you wish you had.

gypsy mothra (gypsy mothra), Friday, 4 February 2005 21:30 (twenty-one years ago)

(also, cicatrix, did you see the movie The Terrorist? if so, I'd be curious to know what you thought)

gypsy mothra (gypsy mothra), Friday, 4 February 2005 21:31 (twenty-one years ago)

"Almost every single has a ringtone these days (I think even "POW" has a ringtone haha.) I don't see what's baffling or contradictory about it at all."

Well, yeah..exactly. How does she want us to see her? Is the medium more important than the message, or vice versa? I was a bit hyperbolic about the ringtone thing.. but since not much about Sri Lanka is known in the West, it disturbs me that she's presenting this sexy package of booty-shaking music (with all the marketing plans of a savvy label), and here's-my-political-agenda (which is presented equally sexily even though it's supposed to be honestly what she cares about) social awareness. The blurring of her sincerity and marketing savvy concerns me...I don't care if she's out to become a superstar, good for her, yeah? But for to combine it with a political viewpoint that seduces Westerners...echh.. I dunno.

I'm repeating myself, since I don't feel like I'm getting my point across. I'm too close to this to take another tack. I'm out.

cicatrix, Friday, 4 February 2005 21:35 (twenty-one years ago)

Thanks gypsy mothra. Maybe I'm being too fastidious in my feelings about this. I probably am. Just wanted to say that there was another perpective on all this, and I guess that part's been accomplished...all too well ;)

Haven't seen The Terrorist, sorry.

cicatrix, Friday, 4 February 2005 21:45 (twenty-one years ago)

So wait, by not having a ringtone she would be demonstrating that she's a serious political artist. . . but having a ringtone represents a complete prostitution of those political ideals?!? I think you um might be overthinking this. I don't think that ringtones represent any more hypocrisy than oh I don't know having your music sold and distributed by a GIGANTIC MULTINATIONAL CORPORATION (probably less actually.) And I don't buy this sexy package to sell terrorism argument (frankly it's stupid.) People are not going to magically all become Tamil Tigers fans or believe that terrorism is AOK cuz they are listening to M.I.A.

Alex in SF (Alex in SF), Friday, 4 February 2005 21:50 (twenty-one years ago)

wow - coming to this thread late, but good on ya Ned (and everyone else) for keeping the dynamic going. this has been very informative. I eagerly await hearing this album (someone's yousendingit to me), just so I can make some judgments on my own...

politically my sentiments mirror Alex's. going a step further, it sounds to me like what Sri Lanka needs is not more militants - of any stripe, left or right - but some good old fashioned HIPPIES. Or even a Bob Marley type of figure. (I am not being flip here, I really mean it - in any of these brutalized situations where you've got cultural genocide going back to god knows when and everyone's hands are dirty I really *do* revert to a "can't we all just get along?" pluralist pacifism stance. it's all those Moorcock books I read).

Shakey Mo Collier, Friday, 4 February 2005 21:52 (twenty-one years ago)

And I don't buy this sexy package to sell terrorism argument (frankly it's stupid.) People are not going to magically all become Tamil Tigers fans or believe that terrorism is AOK cuz they are listening to M.I.A.

Alex, I'm a bit surprised you would say this -- while I don't think that something 'magical' like that could happen I would be *very* surprised not to see some sort of specific romanticization at play here. I agree that this is not thirty years back or so in terms of the impact of terrorism on a domestic audience (9/11 really DID change everything!) -- this isn't West Germany 1973 or whatever. But nonetheless to completely deny that some sort of dynamic couldn't happen just because you think that it's 'stupid' to think that way strikes me as dodging the possibility.

Ned Raggett (Ned), Friday, 4 February 2005 21:59 (twenty-one years ago)

I don't buy it. The idea that people are going to become passionately involved with and positively opinionated about a terrorist group which they've barely heard of in a country thousands of miles away and that that passion/interest will in some real way positively impact the LTTE and negatively impact the Sinhalese strikes me as extremely fanciful. This sounds like the controversy about Ice-T's Home Invasion album cover to me.

Alex in SF (Alex in SF), Friday, 4 February 2005 22:07 (twenty-one years ago)

if we're talking strictly American kids, Alex is OTM. Remember the Beastie Boys' "Free Tibet" campaign? neither does anyone else in America....

Shakey Mo Collier, Friday, 4 February 2005 22:10 (twenty-one years ago)

cicatrix,

how come you always telling the story of the sinhala side? why dont you look for a story from the other side of sri-lanka?
sri-lanka has two sides, the north and the south, u been living in south side too much to know whats happening in the north.

u keep saying that LTTE keeps bombing colombo, thats a rare event, and its mostly aimed at politicians or financial institutions that provide cash for bombin the north.

u have no idea about the problems up north of the country, all u care about is what happens in the south. compared to the north, absolutley nothing happens in the south.

there is so seduction of westerners, this is the telling of the true story, this is no lie,majority of tamils support the LTTE!

bombs scare u, the random once a year bombs scare you, what about the tamil children up north who got bombed all the time? aeroplanes droppin bombs on civilians, tamil shelled, u think u r da shell shocked one? u think only the kids in colombo got PTS or shell shocked?

the fact remains, LTTE never aims for civilian targets, some get caught up in the assasination attempts, but how many innocent tamil civilians does SL army bombings kill up north?

LTTE are freedom fighters.

MIA, whatever her plan is telling the truth about GoSL.

ajen, Friday, 4 February 2005 22:12 (twenty-one years ago)

Alex, I think dealing in extremes about the potential public impact serves neither your argument nor cicatrix's well. I think it IS entirely possible to create a general vague sympathy for a political position or group on the basis of a work of art -- any work of art, really -- depending on its success or presentation. I do not think MIA will successfully cause all fans to move in lockstep with her own stance, but I find your sudden stridency on absolutely denying the possibility of influence interesting.

In part, of course -- like you say -- it's the devilish question of what influence music (or whatever) can have on that classic bugbear, Impressionable Youth. It almost seems that you're reading the possibilities here through your own lens -- "Hey, I wasn't turned into a monster via Home Invasion (or whatever), so clearly all this worrying is for nothing!" But is it? (The same could easily be asked of Cicatrix, though.)

Ajen -- thanks for joining us but there is a separate thread specifically about the Sri Lanka/Tamil situation now up and running.

Ned Raggett (Ned), Friday, 4 February 2005 22:13 (twenty-one years ago)

Remember the Beastie Boys' "Free Tibet" campaign? neither does anyone else in America....

And yet there's still a general sympathy at work -- an impression left (if not action taken, sure) that a Free Tibet is a manifestly good thing. Now I wouldn't argue against that myself! But what if the situation was as complicated as the one being presented here?

Ned Raggett (Ned), Friday, 4 February 2005 22:16 (twenty-one years ago)

I see your point, I'm not sure what the easily-encapsulated equivalent of "Free Tibet" would be ("Free Tamil" isn't really accurate). Um, where is this other thread? Until I hear the album, I should probably stick to the political end of things...

Shakey Mo Collier, Friday, 4 February 2005 22:18 (twenty-one years ago)

Ned, I can buy that some people will be inclined (however briefly) to perhaps think about Sri Lanka and perhaps even regard the LTTE in a more positive light than they perhaps deserve (this is a FAR cry from some of the hysterical hypothetical scenarios which have been presented on this thread.) But the idea that an American record buying audience is going to have much of an effect on the people of Sri Lanka? No, I'm sorry that's silly.

And NO one was turned into a BLACK NATIONALIST (monster wtf?) by the either the COVER of Home Invasion (which if you think back you'll remember THAT was what the controversy was about) or by the music inside. White middle class kids didn't start reading Eldridge Cleaver or Malcolm X en masse (pity too.) SO yes, all that worrying and hysteria was for NOTHING.

Alex in SF (Alex in SF), Friday, 4 February 2005 22:24 (twenty-one years ago)

western kids arnt very interested in political issues...they are more about cash.drugs.hoes.guns

ajen, Friday, 4 February 2005 22:29 (twenty-one years ago)

Also I think there is a built in counter balance to M.I.A.'s opinion here. No matter how much SHE perhaps would want to convince everyone that the LTTE is a great thing (and I'm not so sure she does but for the sake of argument let's pretend kay) this is a organization which engages in violent actions which even through the most positive of prisms are going to be viewed very very mixed feelings by Westerners. Even the most ardent supporters of Palestian rights in this country are very very uncomfortable with suicide bombers and organizations like Hamas. I'm sorry, groups like this (which are labeled as terrorists by our own State Department) are not something that Americans are going to get really gung ho about.

Alex in SF (Alex in SF), Friday, 4 February 2005 22:31 (twenty-one years ago)

I, on the other hand, DID start reading a lot of classic Black Panther/black nationalist stuff after hearing about them from PE/Ice Cube. (hey, I was 18! And those books are GREAT!) But I didn't join the Nation of Islam or buy a gun or anything...

Shakey Mo Collier, Friday, 4 February 2005 22:34 (twenty-one years ago)

I joined the Nation of Islam, but fuck that no pork shit. I left almost immediately.

Alex in SF (Alex in SF), Friday, 4 February 2005 22:35 (twenty-one years ago)

Um, where is this other thread?

My link is up above a bit.

Ned Raggett (Ned), Friday, 4 February 2005 22:42 (twenty-one years ago)

i'm more concerned about what these people on this thread who have never been to northern Sri-lanka describe LTTE by reading some sinhala propaganda website than how MIA describes the LTTE.

ajen, Friday, 4 February 2005 22:42 (twenty-one years ago)

White middle class kids didn't start reading Eldridge Cleaver or Malcolm X en masse (pity too.)

...

I, on the other hand, DID start reading a lot of classic Black Panther/black nationalist stuff after hearing about them from PE/Ice Cube.

I think this nicely illustrates the point I'm trying to make here. Individual reactions will always be more potent that group ones, I feel -- and while the hoped-for result of something might not occur (I mean, Alex, did you feel more disappointed that there was hysteria or that the audience of the album *didn't* step up), there can be other, harder to see impacts.

Ned Raggett (Ned), Friday, 4 February 2005 22:58 (twenty-one years ago)

Public Enemy and Ice Cube (in music and IN interviews) WERE explicitly Black Nationalist and made repeated references to the Cleaver, the Black Power movement and Malcolm X. They wanted people to READ and think about this stuff (esp. PE who provided mammoth liner notes and recommendations with all their records.) THIS WAS THE STATED INTENTION OF THEIR MUSIC. It wasn't an unexpected byproduct of it! It's no shock that young kids who loved their music and were curious about their politics went and studied stuff they recommended. BUT as Shakey pointed out it is NOT like we joined the Black Panthers or the Nation Islam. I don't think M.I.A.'s music or public persona is anyway as direct or as focused as PE or BDP. But if the correllary here would be that kids would read and study more about Sri Lanka and the LTTE because of M.I.A. and I can't imagine that being an entirely negative thing (because as I said I think any positive presentation of the Tigers is almost automatically balanced by a very specific white Western prejudice against their tactics.)

Alex in SF (Alex in SF), Friday, 4 February 2005 23:12 (twenty-one years ago)

in the interest of fanning the flames (ha!) I will say this - as someone who's so far to the left I usually feel entirely off the normal political spectrum entirely, if there's *any* "terrorist" group I ever would (or would have) supported morally, financially, and politically, it was the Panthers. But I pretty much don't make apologies for anyone else. Admirable as Hamas' goals and human services may be, I ain't gettin behind anybody with a death squad. And with the limited info I have at the moment, that would also apply to the Tamil Tigers (or the Chechen separatists, or the Shining Path, or whoever).

Shakey Mo Collier, Friday, 4 February 2005 23:20 (twenty-one years ago)

I don't think M.I.A has gone into enough depth in interviews for us to talk definatively about what message she is giving. I mean, in that interview she says that there is no distinction made between extremists, independent struggles and terrorism as a whole. That would suggest, if anything, that she wants the world to see the distiction between the Tamils in the North who was independence and the 'terrorists'.

Nor is there an overt encouragement in the album lyrics to support LTTE (It doesn't take a wild imagination to imagine far sinister chanting than 'ya ya hey').

I'm not trying to make excuses though. At this point it's not exactly clear what she is trying to say exactly (Especially given how murky these political waters are). But imagine if she was promoting an anti-LTTE message on this kind of scale. People have been killed by the for a lot less.


Hari A$hur$t (Toaster), Friday, 4 February 2005 23:43 (twenty-one years ago)

apart from the LTTE images she uses there is not much in the lyrical content to support the images/LTTE,

i dont think her gettin shot if she expresses anti-LTTE views is a matter, no need to speculation

ajen, Saturday, 5 February 2005 00:34 (twenty-one years ago)

could someone email this to anthony.easton@gmail.com;im pissed im going ot miss her, now that i am not in TO.

anthony, Saturday, 5 February 2005 05:02 (twenty-one years ago)

I'm not speculating that she could get shot or anything i'm just trying to say that it's a tough situation to talk about either way. xpost

Hari A$hur$t (Toaster), Saturday, 5 February 2005 11:03 (twenty-one years ago)

carl wilson explains it quite nicely for half a million canadians in the saturday globe and mail (direct link requires subscription): http://www.zoilus.com/documents//2005/000351.shtml#more

his recent debate with luca at ghetto postage is also worth your time, especially if you've read this far. links found in the feb 3rd posting here: http://flyboy.blogspot.com/

fwiw, i think the idea that her politics are those of "exile and migrancy and the hybrid identities, noises and dances that arise from them" is key. if she's glamorizing anything, it's that.

doctor love hewitt (doctor love hewitt), Saturday, 5 February 2005 19:23 (twenty-one years ago)

just to clarify: the globe and mail site is subscription-only, thus the link above to wilson's blog, zoilus.

doctor love hewitt (doctor love hewitt), Saturday, 5 February 2005 19:26 (twenty-one years ago)

She’s the daughter of a Tamil Tiger, but Maya Arulpragasam is saving her rebellion for the dancehall

by Abigail Wild
The Herald 5 Feb 2005

Maya Arulpragasam is busy, busy, busy. "But nobody cares, " she says.

"I'm there telling my record label, 'Look, you can't overwork me 'cause I'll die.' But they're like, 'You're from the third world, you should understand. If it wasn't for us, you'd be working in the sweatshop, okay?'

Honestly, these British people. Why do they always believe in this suffering-for-the-art thing?"

This, it should be pointed out, is not a genuine strop. After all, Arulpragasam knows real upheaval. Born in London, she was taken to Sri Lanka by her parents when she was six months old; her father quickly became a prominent figure among Tamil rebels fighting for their own homeland. As his commitment to the Tamil cause grew, his commitment to his family suffered. The civil war escalated, Sri Lanka became unsafe, and his family fled back to London without him.

Arulpragasam, now 28, did her best to forget about Sri Lanka, and would tell friends she was from Trinidad or Mauritius. But her attitude changed when she received a phone call - in the week she graduated from Central Saint Martins College - telling her that her cousin had blown himself up in Sri Lanka in a suicide bombing.

"Me and my cousin were exactly the same age, and it hit me hard that what I was thinking and what he was thinking just before he died must have been polar opposites, " she recalls. "I thought, God, I'm just getting set up in London to become really selfish, and think about my needs, and what shoes I'm gonna wear, and how I'm gonna cut my hair this week, just really pretentious things, 22-year-old things. After that, I spent more time thinking about where I came from."

Soon afterwards she took off to Sri Lanka with a camera and recorded as many reallife stories as she could, but there was little interest when she returned to the UK and she began to concentrate on music rather than film. She now records highly politicised dancehall tunes under the name MIA (Missing in Action). Her website, she says, receives regular hits from the US government.

Her experiences might provide a rich seam of material, but Arulpragasam doesn't do sob stories. "I decided I can either blame my dad, and listen to people telling me I have dad issues, this guilt, that complex, blah blah blah - or not, " she says. "I've got every victim card there is, but what if I just don't accept it like that? When I start complaining about how hard I'm working, I look back and go, f-, I don't have a leg to stand on. Shut up and do your thing."

MIA plays the Arches, Glasgow, on February 27.

Her album Arular comes out in April. Visit www.miauk.com

Another article, Sunday, 6 February 2005 15:13 (twenty-one years ago)

Her website, she says, receives regular hits from the US government.

Interesting indeed.

Ned Raggett (Ned), Sunday, 6 February 2005 15:28 (twenty-one years ago)

I've read about half this great thread and will finish it when I have time. Quite interesting.

But in the meantime I'm wondering how/if anyone thinks the pattern of this nascent politically motivated M.I.A. backlash may mirror some responses to the casual militancy, misogyny and/or racism of Public Enemy and Guns N Roses in the '80s and early '90s? Both of whom I love, btw, regardless.

Josh in Chicago (Josh in Chicago), Sunday, 6 February 2005 15:30 (twenty-one years ago)

While I'm risking an extreme boiling down of points here, the examples could parallel themselves this way:

"There are some really fucked up things being said/shown/portrayed by this musician."

vs.

"It's just music, jeez, enjoy it."

This need not be an external discussion between two people, but an internal one as well. It can be carried through more easily than others, depending. But if there IS a key thing to be taken away from it all, it's that if you find yourself leaning more in the end towards the latter argument then you shouldn't be surprised at the strength of the former one. Now you could reverse this and it still applies, but I've noticed that generally -- not *constantly* but generally (so no complaints, Alex ;-)) -- that those who could consider themselves to be pretty well aware of things on a political/social issue while still enjoying music that's 'suspect' react in interesting ways when those qualms are pushed more in their face. Sometimes the discussion is shut down and skirted around, sometimes there's handwringing, sometimes there's belligerence and anger, claims that those pushing the issues lack humor/perspective/a sense of fun. In all cases it strikes me as a desperate desire to hang on to a certain escapism, to value the pop/rock/rap/whatever rush for itself.

Ned Raggett (Ned), Sunday, 6 February 2005 15:39 (twenty-one years ago)

I would never encourage people not to think and talk and criticize music (and there is a lot about M.I.A. worthy of talking about.) At the same time, I think people should keep some sense of proportionality when talking about these kinds of politics without resorting to hysterical "think of the children type" hand-wringing and imagining these awful doomsday scenarios (M.I.A. mobilizes forces of West against Sinhalese who suffer from not having charismatic musician to spout their propaganda--I mean come on.) Cuz really once you've played that card it's hard to take this stuff seriously. And I think the argument about her music and her persona and what she's about and actually advocating has a LOT of value (and unlike say cicatrix, I don't get this IMMEDIATE okay this is propaganda feeling from her stuff so I think THAT is under debate) but pretending that the stakes of this discussion have immediate earth-shattering real life consequences is just too much for me. Like I said that reads very Chicken Little-ish to me.

Alex in SF (Alex in SF), Sunday, 6 February 2005 16:09 (twenty-one years ago)

"and unlike say cicatrix, I don't get this IMMEDIATE okay this is propaganda feeling from her stuff so I think THAT is under debate"

Alex, I think you're misreading my statements. And please don't take that statement as a reason to go back, select phrases and parse them of all meaning.

The Abigail Wild article fleshes out what bothered me about her. (Again, I LIKE HER MUSIC. I've said that a fucking million times, so where do you get my perspective on this to be "shut your ears, this is propaganda"?)

Given the info in that article, let me explain what bothers me. A Sri Lankan aquaintance of mine grew up in the States. Had a pretty conventional stateside upbringing, and concerned himself mainly about girls and school and beer. Fair enough. Then one day in NY, an altercation with the police and a 24 hour stay in jail suddely brought on this 'ethnic consciousness.' Again, fair enough. But THEN, after a gorging himself on everything he could find out about Sri Lanka and identity theory, he went around 'schooling' people on reality. Including me. Needless to say, I had very little patience with a person who, when on Sri Lanka visits, lived in hotels and partied with the rich, who couldn't speak the language, who'd maybe spent few months of trying to understand a situation this complicated, telling ME that I had 'assimilated' and forgotten my roots.

From the article, I see that MIA had a similiar Road to Damascus conversion, and I do not think that people who go from unconcerned to zealot know what the hell they are talking about. So, I think she's found her Sri Lankan consciousness, fell in love with a romantized view of her family, and wants to share her newfound knowledge with the rest of us. This does not mean that I think she's a mouthpiece for the LTTE. I don't mean to sound as harsh as I possibly do about MIA. As I've SAID BEFORE, I think she's just confused. As many people would be, most with even less vested interest in a particular perspective than she does in the LTTE.

Again, Alex, I don't see why you think I'm wringing my hands about naive Western kids raising rifles in the name of Eelam. Frankly, I don't give a shit. It bothers me, however, as a Sri Lankan who lived there while unspeakable atrocities were committed by BOTH sides, to see her transmute the reason for so much suffering into something pretty glib. Again, I'm keeping her music (and whatever she chooses to say or do with it) distinct from her views as articulated in interviews. The former is her right as an artist, I think; the latter displays are uninformed/naive/idealistic/coy/mercenary in various combinations, and the stakes do have "immediate earth-shattering real life consequences"..sorry if that's too much for you.

cicatrix, Monday, 7 February 2005 00:23 (twenty-one years ago)

Thought I should further clarify what I mean by keeping her music distinct from her interviews.

By her music, I mean that she can sing "murder sinhalese galang a lang lang... landmine, torture.. lang a lang" - (Obviously, I just made that up) - and I won't care. I like her music enough to not take the lyrics that bother me seriously, as I do with hip hop, for example.

By her interviews, I guess I mean not just her the "facts" she disseminates in the articles, but also her website, and the role Sri Lanka/Freedom Fighter plays in the management of her image.

Any questions about real-life concequences - please see Parvati's post on the Sri Lanka thread.

cicatrix, Monday, 7 February 2005 00:51 (twenty-one years ago)

claims that those pushing the issues lack humor/perspective/a sense of fun

Ned - I've never gotten this reaction to what I wrote about Toby Keith, Montgomery Gentry, the Coup, Guns N' Roses, Trick Daddy, Kool Moe Dee, Spoonie Gee, Eminem, et al. Of course, what I write is humorous, perspicuous, and fun at all times. And I'm writing for the Voice, where talking about politics and social attitudes is expected - and often enough is humorless, self-righteous, and lacking perspective, though the music section has this problem less than most of the others.

Frank Kogan (Frank Kogan), Monday, 7 February 2005 02:09 (twenty-one years ago)

Ah, then you've found the magic combination (and I'm not being flippant!).

Ned Raggett (Ned), Monday, 7 February 2005 02:12 (twenty-one years ago)

Ah, hi Ned. I have gotten accused of "taking the fun out of chemistry," but this is by people who are impatient with all analysis, not just the political stuff. And some people disliked my Coup piece, but because they disagreed with it and thought I hadn't done the group justice; they weren't criticizing me for addressing politics per se. I wish there'd been people writing in to rip me for what I wrote about Toby and about Montgomery Gentry. The fact that no one did indicates that too few people from their prime audience read the Voice.

Frank Kogan (Frank Kogan), Monday, 7 February 2005 02:52 (twenty-one years ago)

Solution: move the offices to Nashville. (How's the cuisine?)

Ned Raggett (Ned), Monday, 7 February 2005 03:04 (twenty-one years ago)

MIA is keeping it real
cicatrix u might not like it, but its her life, its her story
she has the right to tell it
its not propaganda, there is no "kill da sinhala" lyrics,
its the hate of GoSL, every1 hates the GoSL

ajen, Monday, 7 February 2005 03:38 (twenty-one years ago)

Wow, Ajen. Really? I had no idea.

Did anyone see her show at the Knitting Factory last Saturday? I'm really curious about it, so please share if you did.

cicatrix, Monday, 7 February 2005 19:05 (twenty-one years ago)

There's another ILM thread about the shows. Also, it was in the NYTimes: http://www.nytimes.com/2005/02/07/arts/music/07mia.html

Spencer Chow (spencermfi), Monday, 7 February 2005 19:12 (twenty-one years ago)

Thanks Spencer!

cicatrix, Monday, 7 February 2005 19:15 (twenty-one years ago)

since when has MIA left out gunplay and crude sex jokes?! I like Sanneh's writing a lot but it's like he hasn't listened to half the lyrics.

The Lex (The Lex), Monday, 7 February 2005 19:17 (twenty-one years ago)

worth a read

Terrorism: Theirs and Ours
http://www.sangam.org/ANALYSIS/Ahmad.htm

da-onus, Monday, 7 February 2005 21:14 (twenty-one years ago)

She should make stencils of some HEAVY BAGGAGE.

Ian Christe (Ian Christe), Monday, 7 February 2005 22:11 (twenty-one years ago)

since when has MIA left out gunplay and crude sex jokes?! I like Sanneh's writing a lot but it's like he hasn't listened to half the lyrics.

I'm pretty sure he means that, gulp, *politically* the guns and sex makes more sense or is more palatable to tender indie ears. I.e. revolution versus thuggery.

Spencer Chow (spencermfi), Monday, 7 February 2005 22:14 (twenty-one years ago)

"Speaking of which: here is a list of all the critics/bloggers I spotted/hung out with at the show (because I know you people care): Matthew Perpetua, Sasha Frere-Jones, Julianne Shepherd, Jon Caramanica, Elliot Aronow, Tricia Romano, Nick Sylvester, Maura Johnston, Sia Michel, J. Edward Keyes, Simon Reynolds, Jessica Hopper, John Seroff, Jesse Fox Mayshark, Shirley Beans, Kelefa Sanneh, Mike Barthel. And Caryn Brooks and Daphne Carr, duh. I also saw Fancy from Fannypack, who says some very nice things about my boobs in the next issue of Mean magazine." (Amy Phillips)

cozen (Cozen), Monday, 7 February 2005 22:17 (twenty-one years ago)

if she has a clear head of what she is doing she will survive, if this records are coming out a confused child then she is bound too disappear.

There's only so long fake thugs can pretend - jay-z

ajen, Tuesday, 8 February 2005 20:11 (twenty-one years ago)

Sorry to clutter things up here. Could some please do me a huge favor and send me the Arular leak -- and/or PFT -- please please please? I can't find either of them anywhere right now.

drte25 at gmail

I would love you forever.

tee, Wednesday, 9 February 2005 23:09 (twenty-one years ago)

hari ashurst: do you like MIA?

ken c: the massachusettes institute of art?

Hari A$hur$t (Toaster), Wednesday, 9 February 2005 23:41 (twenty-one years ago)

finally heard the album last weekend - I liked it, not totally blown away but plenty interesting. However, anyone who thinks this will hit big in America is totally insane.

Shakey Mo Collier, Thursday, 10 February 2005 01:27 (twenty-one years ago)

I totally need to stop saying totally so much.

Shakey Mo Collier, Thursday, 10 February 2005 01:28 (twenty-one years ago)

Shakey, you are correct, of course. M.I.A. will take over just as much of the U.S. that Dizzee Rascal has. That said, I can't stop listening to "Arular" at the moment.

Mr Deeds (Mr Deeds), Sunday, 13 February 2005 01:40 (twenty-one years ago)

i'm thinking she'll make the next step up the ladder (compared to dizzy) because of that one important thing: she's photogenic. my guess is 100,000 sold.

bought my ticket to the seattle show today. 265 sold before mine with no press, no advertising, a month away. not sure what that tells you but there it is.

jergins (jergins), Sunday, 13 February 2005 01:54 (twenty-one years ago)

uh guys? album postponed indefinitely????

peter smith (plsmith), Wednesday, 16 February 2005 14:15 (twenty years ago)

Really? Where'd you hear this?

Ned Raggett (Ned), Wednesday, 16 February 2005 14:17 (twenty years ago)

PFMS - i thought for sure we'd know before them, though...

peter smith (plsmith), Wednesday, 16 February 2005 14:18 (twenty years ago)

err. PFM.

peter smith (plsmith), Wednesday, 16 February 2005 14:18 (twenty years ago)

Ding!

http://www.pitchforkmedia.com/news/05-02/16.shtml#story2

David R. (popshots75`), Wednesday, 16 February 2005 14:25 (twenty years ago)

any idea which sample they're referring to?

Space Is the Place (Space Is the Place), Wednesday, 16 February 2005 15:43 (twenty years ago)

Maybe M.I.A. can take this opportunity to change Bre-zil into Rio in "Bucky Done Gone". That would not only sound better, but it is also a city (and not a country) like London, New York and Kingston (the other places she mentions that should quieten down). Even musicologically this would be better than the generic Brazil.

JoB (JoB), Wednesday, 16 February 2005 17:21 (twenty years ago)

I hated the Diplo mixtape and really didn't expect to like this one much more, but goddamn.. this shit rules! "Pull Up The People" is jaw dropping.

greg ginn thought neubauten was bullshit, why don't you? (smile), Wednesday, 16 February 2005 18:16 (twenty years ago)

i finally found it on slsk but i'm not sure if i have the proper/full tracklisting (i googled it and skimmed this thread but couldn't find it). is it:
1. ba-na-na skit
2. pull up the people
3. bucky done gone
4. fire fire
5. freedom skit
6. amazon
7. bingo
8. hombre
9. one for the head skit
10. 10 dollars
11. sunshowers
12. galang
13. MIA
?

La Monte (La Monte), Thursday, 17 February 2005 00:05 (twenty years ago)


should be: London, New York, Kingston, Columbo, shouldn't it? bucky dun gun screws me up every time. brazil?

jergins (jergins), Thursday, 17 February 2005 00:08 (twenty years ago)

That's the only tracklisting I've seen. I think the "other" promo only version is 7 songs and has a couple of different tracks.

Alex in SF (Alex in SF), Thursday, 17 February 2005 00:10 (twenty years ago)

should be Rio, because of the favela funk beat...but Brazil works....columbo?

Space Is the Place (Space Is the Place), Thursday, 17 February 2005 15:30 (twenty years ago)

god it's good. and so *short*.

which is the track that's causing al the trouble sample-legality wise?

piscesboy, Thursday, 17 February 2005 15:33 (twenty years ago)

wtf?

nader (nader), Thursday, 17 February 2005 19:22 (twenty years ago)

oh wait, shipping's included! (that 'splains it.)

nader (nader), Thursday, 17 February 2005 19:23 (twenty years ago)

Uh-oh.

Stupornaut (natepatrin), Tuesday, 22 February 2005 07:02 (twenty years ago)

Wow, I have never had so many problems with an SR piece before.

Spencer Chow (spencermfi), Tuesday, 22 February 2005 07:09 (twenty years ago)

If you buy Arular the terrorists have already won

Stupornaut (natepatrin), Tuesday, 22 February 2005 07:48 (twenty years ago)

what's wrong with the Reynolds piece? his mention on blissblog of the crowd-member throwing a $20 bill onstage at the MIA gig and being told 'us refugees cna live a long time on this' is... interesting, certainly.

NRQ, Tuesday, 22 February 2005 10:14 (twenty years ago)

everything is wrong with the Reynolds piece.

-"I like the music but oh no, MIA might not have been brought up in Genuine Poverty because she went to art school (obv no working-class/immigrant kids ever go to art school)...
-...and oh no, white people like her music...
-...and oh no, it's a really 'suspiciously' convenient fusion of lots of styles of music which are popular at the moment (music in reflecting lots of different genres shocker)...
-...so therefore I CANNOT LIKE IT because MIA is FAKE."

And he has the fucking nerve to cite rockism in an article where his own criticisms of MIA are as rockist as can be!

People who go on and on about tropes of realness = the enemy, always, whether they want real instruments or real songwriting or real underground credibility.

I will also note that it is almost always women - MIA, Lady Sov - who are on the receiving end of this kind of criticism. Especially women who don't confine themselves to an underground scene's template (it's not 'proper' grime! it's not 'proper' dancehall! oh do fuck off you boring boring rockists).

The Lex (The Lex), Tuesday, 22 February 2005 10:22 (twenty years ago)

saw this posted on Dissensus re: Sov, it's equally applicable here:

There's an interesting discussion of this in Sarah Thornton's book Club Cultures. She develops the concept of 'subcultural capital' to describe who achieves authentic 'cool' and how they access that status (eg: pay their dues). She describes how this is founded largely on patterns of consumption and behaviour that are typically more socially and economically available to men (IE: because they can earn more, may have less family responsibility, enjoy greater physical safety, suffer less social scrutiny of their behaviours, etc.).

So, by this logic, 'underground' is implicitly defined as male a priori. Conversely, the mainstream has been 'feminized' through both subcultural discourses about who's authentic and who isn't, and by the larger music industry which developed its Middle of the Road [MOR] catalogues as a way to appeal to female consumers who were presumed to be indiscriminate music buyers with no real taste. This last bit has been examined by Will Straw in "The Changing Space of the Record Shop." In the same vein, Thornton looks at how women in dance music subcultures have been viewed both within those scenes and in the popular press as not really having any 'real' taste or sense of what the music is about. Hence the extra bullshit that female performers end up dealing with.

The Lex (The Lex), Tuesday, 22 February 2005 10:24 (twenty years ago)

yeah, a lot of that i agree with, but the anti-realness thing is misplaced. bands/artists who *insist on their realness* are the enemy, because the real enemy is not 'fakeness' but hypocrisy. and the radical chic thing is profoundly hypocritical. MIA's freedom-fighter chic is a claim to realness, and that's *her* rockism, not reynolds'. people do not have to have been brought up in genunine poverty... but if they claim that for themselves when it's not the whole story... then who's being rockist? reynolds' phobia against the combo of fashionable styles can look rockist, i agree, and there is a kind of rockism subtending his arguments. that's because he's deep down quite earnest and politically conscious.

NRQ, Tuesday, 22 February 2005 10:28 (twenty years ago)

yeah the blog note's considerably more interesting than the review sadly and i'm not sure how much blame i'd lay at his feet really, in the voice of old i suspect he'd be able to go into further detail, include that note from the knitting factory, engage the issue in other words; in today's truncated blendered voice he can barely touch on anything (esp. yknow the music) and so we just get something that looks like kneejerk rockist 'eh she's a poseur'. first acknowledgement of any politics to her (not to mention possibly troubling politics) i've seen outside of the great ilx thread, so worth something for that (in that it's at least a review that's post-establishing the backstory presskit nonsense that's made it easy to not read about her; really sfj did that better than anyone else is gonna so why keep regurgitating it??). it's a shame too cuz an article like he maybe could've written, something that doesn't even worry about being a 'record review' but just addressing seriously what he's clearly more interested in talking about is something the voice used to be very very good at; see them dealing with death certificate, pe summer of 89, etc.

j blount (papa la bas), Tuesday, 22 February 2005 10:33 (twenty years ago)

rockism is a critical method/trap, an artist's public image can be rockist no more than a remix or an album cover. the reynolds review is textbook rockism.

j blount (papa la bas), Tuesday, 22 February 2005 10:39 (twenty years ago)

MIA's freedom-fighter chic is a claim to realness, and that's *her* rockism, not reynolds'.

not really: I just see this as tapping into an existing artistic motif re: The Struggle, The Revolution, one which artists have tapped into for centuries regardless of how 'real' they were. part of being an artist is creating your own mythology which is often more important than your reality, as an art student I'm sure MIA understands this. (there's something very Warholian about her use of military imagery, actually.)

The Lex (The Lex), Tuesday, 22 February 2005 10:49 (twenty years ago)

“Don’t be fooled by her brown skin!” WTF?

Flyboy (Flyboy), Tuesday, 22 February 2005 10:51 (twenty years ago)

I just see this as tapping into an existing artistic motif re: The Struggle, The Revolution, one which artists have tapped into for centuries regardless of how 'real' they were.

I disagree. 'Realness' is quite a recent phenomenon. What artists have done in the past is commit themselves to political ideas and movements. In cinema Eisenstein, Renoir, Marker. In literature the list is incredibly long, and before anyone says 'red wedge', think through how much one bad example of political pop has been used to discredit all attempts at it. What good is a mythology of 'The Struggle' when there is so much real struggle out there?

part of being an artist is creating your own mythology which is often more important than your reality, as an art student I'm sure MIA understands this. (there's something very Warholian about her use of military imagery, actually.)

art students have also pledged allegiance: in '68 it was Hornsey that created the most significant UK contribution to the political/art movement of the time. warholian use of military imagery isn't really a big sell i'm afraid! 'The Artist' would seem to be your rock here.

NRQ, Tuesday, 22 February 2005 10:59 (twenty years ago)

The Lex OTM. What's doing my head in is the guilt, that British class-guilt. Fascinating alien stuff.

Omar (Omar), Tuesday, 22 February 2005 11:03 (twenty years ago)

expand. how is reynolds, whose politics are fairly well-known and left-wing, an apologist for the british class system?

NRQ, Tuesday, 22 February 2005 11:14 (twenty years ago)

The way I read it SR wants to be so right-on that he starts to behave like a class watchdog. It seems pretty clear to me: oh my, MIA went to art school, the shame, she isn't really from "the street". What's the problem, right there!? This to me really reads like "stay on your side of the tracks or you lose any rights of singing about that world. Strictly tracks about art school and hanging out at parties with Elastica from now on, girl." Now correct me if I'm wrong our Simon isn't exactly from The Street himself (these observations would be irritating from a working class perspective but coming from him it's pretty thick.)

But don't mind me, Simon's politics have been a mystery to me for some time now.

Omar (Omar), Tuesday, 22 February 2005 11:28 (twenty years ago)

It seems pretty clear to me: oh my, MIA went to art school, the shame, she isn't really from "the street".

no, it's not a shame she's not from the street; it's a shame she goes in for the old rebel-rock 'I Am From The Street' thing. SR is rockist to the extent that were she from the street he'd have less of a problem with this pose. but if she were from the street, chances are her pose would be a bit less gauche [?].

NRQ, Tuesday, 22 February 2005 11:32 (twenty years ago)

I dunno, again I don't know every detail of the MIA story (every bloody street where she lived etc) but she was from The Street once, yes? End of story isn't it? That's what I mean by guilt, this fear of upward mobility, the betrayel of roots.

(but having read the new comments on blissblog I have a feeling this is more about the off-chance she will run off with the grime label and you know "steal the fire of the gods". Which is also strange because In don't hear any grime in her music.)

Omar (Omar), Tuesday, 22 February 2005 11:59 (twenty years ago)

yeah but Omar have you read any of the press for this thing? Its being called "grime" and "hip-hop" all over the place.

I think ppl are misreading Simon's piece, i thought it was quite on the money because it avoids the traps on other side - that MIA is somehow the "future" or ultimate result of all these world musics meshing blah blah blah whatever on one side - surely this is just as unreliable of an "authenticity" as a class based authenticity (uh, she's just a girl copying other people's styles) - and on the other side, the people who say she sucks because she's inauthentic (in other words - does simon ever say her music is bad? I don't think so. I don't see it anywhere in the piece.)

Which is why i don't think it is rockist. He is trying to "place" MIA somewhere and I think he doesn't an excellent job of it. And he isn't judging the quality of her music from it, that's quite a seperate issue.

djdee2005 (djdee2005), Tuesday, 22 February 2005 12:06 (twenty years ago)

I don't think anyone has really 'got to the bottom' of whether she's originally from the street. (this is ridiculous, I know). She came over from Sri Lanka when she was a kid and I think there's a possibly racist assumption that that means she was a poor immigrant. She might well be from the Sri Lankan middle class and been brought up quite comfortably in the UK. I don't know, but then I haven't read all the interviews.

Alba (Alba), Tuesday, 22 February 2005 12:07 (twenty years ago)

when i say "she's just a girl copying other people's styles" that is not intended to be pejorative by any means, i like the m.i.a. album. Its just a lot more accurate than this bullshit about "the future of world musics" or whatever.

djdee2005 (djdee2005), Tuesday, 22 February 2005 12:08 (twenty years ago)

Arulpragasam said that her mother brought her and her siblings to England in 1986, as hostilities between the ruling Sinhalese and the Tamil minority were ramping up. Her mother is a seamstress—“She sews medals for the Royal Family and world leaders for minimum wage.” The family took a flat in Phipps Bridge Estate, a housing project twenty minutes south of London. “We were one of the two Asian families that lived there,” Arulpragasam said. “I used to come home from school and see people burgling my house, just walk past with my telly. But it wasn’t as horrible as being in Sri Lanka.” Eventually, the family found better housing, and at twenty-two Arulpragasam graduated from Central St. Martins College of Art and Design with a film degree.

Oh - well there you go, from the New Yorker piece.

Alba (Alba), Tuesday, 22 February 2005 12:09 (twenty years ago)

Her growing up away from people of her own ethnicity is probably (indirectly) what is stopping her being considered street/authentic/whatever.

Alba (Alba), Tuesday, 22 February 2005 12:14 (twenty years ago)

(the "brown skin" comment is an eye-raiser though, that i imagine he'd take back now if he were to re-write it. Thnx for translating brown skinned culture to us caucasoids, simon! ;))

djdee2005 (djdee2005), Tuesday, 22 February 2005 12:15 (twenty years ago)

yeah but Omar have you read any of the press for this thing?

[got a PE flashback there: "yeah but the way Chuck has been portraited in the media" TATATADADA.] ;)

Of course I've read those, but so what? Immediately the hounds are let loose so the poor dumb masses won't listen to the wrong kind of "grime" (which I always thought was a crap label, as in genre name, anyhow ;)

And yeah I agree with Alba that getting "to the bottom of her streetness" is somewhat ridiculous and in danger of destroying a very interesting artist. So enough from me.

Omar (Omar), Tuesday, 22 February 2005 12:18 (twenty years ago)

I think, Omar, the objection is to the issues of power here, how someone in a position of relative elite-ness is given so much press and international coverage while these quote-unquote "real" grime artists - i.e. grime artists without the BIG IMPORTANT CONNECTIONS like a DJ boyfriend popular with the music press never mind the hipster art school connections thing is so easily able to get tons of coverage.

I mean, why is MIA getting so much coverage relative to Ce'Cile in the major press outlets? Obviously neither artist is INHERENTLY better but I can understand how people would be annoyed at how easily she's been able to exploit her class privelege. (and i don't mean that she shouldn't ahve done this, either)

djdee2005 (djdee2005), Tuesday, 22 February 2005 12:21 (twenty years ago)

(PS: I know Ce'cile is not a grime artist, but MIA is more like dancehall anyway)

djdee2005 (djdee2005), Tuesday, 22 February 2005 12:22 (twenty years ago)

(PPS I don't know how popular ce'cile is in the UK, I'm talking solely in the U.S. here, where lots of the kids at my school - kids who will undoubtedly go on to be members of "the elite" if they aren't already, i.e. blue state journalists and marketers etc. - know who MIA is but ce'cile is not a household dormhold name by any means)

djdee2005 (djdee2005), Tuesday, 22 February 2005 12:23 (twenty years ago)

I can't help but feel like people are looking at this from mia's perspective rather than from the perspective of an artist without the connections, so everyone is all "its not fair that MIA isn't considered "authentic"" and I agree but I think its much much more unfair that lots of other artists who are releasing cool music that is worth coverage aren't getting coverage because they don't come from that art school background.

djdee2005 (djdee2005), Tuesday, 22 February 2005 12:25 (twenty years ago)

(and by extension have elite press/marketing/music biz connects)

djdee2005 (djdee2005), Tuesday, 22 February 2005 12:26 (twenty years ago)

Lex I agree with you really but Lady Sov is also clearly *way* rockist for all that "fucking fake" stuff in the Jentina diss.

Matt DC (Matt DC), Tuesday, 22 February 2005 12:27 (twenty years ago)

Her growing up away from people of her own ethnicity is probably (indirectly) what is stopping her being considered street/authentic/whatever.

Maybe also a key factor in MIA's music not fitting comfortably in any sort of "scene". I can't help but wonder if Reynolds would have less of a problem with MIA if there were seven or eight other artists knocking around in a similar vein.

Matt DC (Matt DC), Tuesday, 22 February 2005 12:39 (twenty years ago)

...aren't getting coverage because they don't come from that art school background

That's not the reason, surely? They lack that marketing push (read: record label $) that M.I.A.'s been getting in the US.

JoB (JoB), Tuesday, 22 February 2005 12:47 (twenty years ago)

Surely art school is about connections just as much as art. :)

djdee2005 (djdee2005), Tuesday, 22 February 2005 12:48 (twenty years ago)

I disagree. 'Realness' is quite a recent phenomenon. What artists have done in the past is commit themselves to political ideas and movements. In cinema Eisenstein, Renoir, Marker. In literature the list is incredibly long, and before anyone says 'red wedge', think through how much one bad example of political pop has been used to discredit all attempts at it. What good is a mythology of 'The Struggle' when there is so much real struggle out there?

MIA does seem committed to her particular struggle though: however she also seems aware that despite 'my dad's a freedom fighter' &c, her position of relative privilege detaches her from it, and so she plays on it by creating this romanticised mythology, this image. Her music is definitely as informed by the art student ethos as her cultural background, and the resultant tension between them is one of the best things about Arular. It's not a case of either/or, she seems to be genuinely committed to this struggle which she feels best able to represent through mythology and pop art imagery.

Lex I agree with you really but Lady Sov is also clearly *way* rockist for all that "fucking fake" stuff in the Jentina diss.

haha yes. I think 90% of artists are rockist. Even Britney's said some pretty rockist things in her time!

I'm not sure whether this 'there are other more deserving artists out there' trope isn't a red herring - it crops up regularly in Sov discussions too. I agree that Ce'cile should get more press, but why does it need to be Ce'cile OR MIA? They're both great.

The Lex (The Lex), Tuesday, 22 February 2005 12:54 (twenty years ago)

Personally I find the most disturbingly reactionary thing about the Reynolds piece is that what he ends up objecting to is that her music "comes from nowhere" and lacks "local character" (cf: But where's she 'really' from, they ask). This suspicion of music/musicians who cannot be pinned to a fixed location strikes me as fundamentally similar to the suspicion with which stateless people are increasingly treated...

Flyboy (Flyboy), Tuesday, 22 February 2005 13:01 (twenty years ago)

Yes; also that applies equally to her social location as well as her geographic one. She's an immigrant and grew up in a tower block ergo her music is real - but she went to art college and is friends with Justine Frischmann ergo she's privileged and a fake, oh how to reconcile these two images. Even though there's nothing inherently contradictory about them.

The Lex (The Lex), Tuesday, 22 February 2005 13:04 (twenty years ago)

Also, I'm not entirely sure when or where she herself claimed to be "street", as some people seem to be assuming.

Flyboy (Flyboy), Tuesday, 22 February 2005 13:09 (twenty years ago)

I'm not sure whether this 'there are other more deserving artists out there' trope isn't a red herring - it crops up regularly in Sov discussions too. I agree that Ce'cile should get more press, but why does it need to be Ce'cile OR MIA? They're both great.

i'm just saying we need to recognize the power dynamics here, the way in which her elite status (lets not beat around the bush) has given her all these connections and opportunities denied to equally talented artists.

djdee2005 (djdee2005), Tuesday, 22 February 2005 13:11 (twenty years ago)

'I will also note that it is almost always women - MIA, Lady Sov - who are on the receiving end of this kind of criticism'

not really...these kind of criticisms have been levelled against white rock bands since the 60s/70s (simon mentions the clash in that review).

Julio Desouza (jdesouza), Tuesday, 22 February 2005 13:12 (twenty years ago)

and saying she's from "nowhere" is more about her coming from a broad musical movement vs. coming from the old fashioned auteur makes succint 40 minute album.

djdee2005 (djdee2005), Tuesday, 22 February 2005 13:12 (twenty years ago)

I think she's pretty upfront about all the 'contradictions' re: 'where she comes from', and that they inform her art in an equally upfront way.

(xpost)

The Lex (The Lex), Tuesday, 22 February 2005 13:13 (twenty years ago)

I mean Dizzee is a key playa in a major musical movement vs. MIA being a faux-dancehall artist. And that's not saying that either album is inherently superior, just recognizing where the artist is coming from.

djdee2005 (djdee2005), Tuesday, 22 February 2005 13:14 (twenty years ago)

STFU unless/until you can think of your own goddamn synonyms for "rockism" and "trope."

MV, Tuesday, 22 February 2005 13:17 (twenty years ago)

the way in which her elite status (lets not beat around the bush) has given her all these connections and opportunities denied to equally talented artists

What makes you so sure it's these supposed connections (she knows the fromer singer from Elastica, what else?) that have ensured M.I.A. the opportunity to make a very good album? People without pop star connections get record deals, too. You mention Dizzee Rascal.

JoB (JoB), Tuesday, 22 February 2005 13:19 (twenty years ago)

art school diploma = elite status?

JoB (JoB), Tuesday, 22 February 2005 13:20 (twenty years ago)

Penniless ex-student without qualifications for a real job, you could also argue...

JoB (JoB), Tuesday, 22 February 2005 13:21 (twenty years ago)

Uh she's dating one of the most jocked (by the press) DJs in the country?

djdee2005 (djdee2005), Tuesday, 22 February 2005 13:22 (twenty years ago)

I didn't know that. You see a clear connection?

JoB (JoB), Tuesday, 22 February 2005 13:26 (twenty years ago)

Not to talk about the music or anything, but as much as I love most of the Arular tracks I've downloaded, almost of all of the backbeat tunes are corny as hell. Aside from the vocals, Bucky Done Gone just does not work for me, sorry.

Jordan (Jordan), Tuesday, 22 February 2005 13:28 (twenty years ago)

Dude how do you explain all the press surrounding her? There's something going on here, because that press all appeared on the strength of one (admittedly good) single, "Galang," and the hype was already here before this album leaked (you could watch the people drooling at the top of this thread) and there's a reason girl has money and action behind her, she went to art school and made the connections and she's a hipster for god's sake, she's got connections out the ass. And before this gets me in trouble, of course that doesn't mean she doesn't deserve it, but it doesn't mean that other people don't deserve it too. The "she's not authentic" arguments are myopic as hell, but I don't think they're the biggest crime being perpetrated nor are they an affront to MIA's artistry, nor was SR's argument that she HAD to be authentic.

SR is thinking in terms of broad socio-musical change, talking about movements and genres colliding and MIA is merely one girl who's doing a cool faux-dancehall impression, and a lot of journos are going crazy for it because it manages to be both trendy AND good, which is pretty neat, but its also a reasonable thing to suggest she comes from "nowhere" not meaning that middle-class life is a cultureless void but just that her music is not a part of any sort of broad socio-musical development.

xp: Diplo, dude.

djdee2005 (djdee2005), Tuesday, 22 February 2005 13:28 (twenty years ago)

haha dee good press and two bucks will get you a cup of coffee as a dj, her great press came WELL before a diplo connection and there's a real chance when all's said and done it will benefit him more than her.

j blount (papa la bas), Tuesday, 22 February 2005 13:29 (twenty years ago)

yeah but blount i'm not saying its gonna make her rich, i'm just trying to explain why the press is there, why there's such a feeding frenzy.

djdee2005 (djdee2005), Tuesday, 22 February 2005 13:31 (twenty years ago)

I mean, was "Hot Like We" not deserving of some serious magazine coverage?

djdee2005 (djdee2005), Tuesday, 22 February 2005 13:32 (twenty years ago)

dizzee rascal's hype came on the back of one single, on the back of one single is pretty much the norm for ANY mc (whether or not they know anyone from elastica or date popular - albeit with white kids o no!!!! - djs or if this even becomes known WELL after the fact)(i mean seriously her looks enter into her success well before any diplo connex and even then they don't enter into it - "galang" was a phenom/hit/whatever well before her pic popped up).

j blount (papa la bas), Tuesday, 22 February 2005 13:32 (twenty years ago)

dee you name ever jamaican rockcrit that regularly gets published in the american press and i'll name every english rockcrit that gets published in the american press and let's see who runs out of names first.

j blount (papa la bas), Tuesday, 22 February 2005 13:33 (twenty years ago)

where was this press for "Rubberband Man"? Where was this press for "Get Low"? In both cases, after the fact. Where is the press for "Hot Like We"? Some songs get jocked, some do not. There's a reason for it. Pfork gave "Get Low" some awfully low score when that debuted, but Dizzee got jocked. Why is that? Why do some artists get this free press pass and others don't? And I don't buy that its just a coincidence, you get yr cool hipster cred journo pass or you don't, and i don't mean to get all stelfox about this but i don't believe for a minute that MIA's press is based wholly on how great "Galang" is.

djdee2005 (djdee2005), Tuesday, 22 February 2005 13:36 (twenty years ago)

its a conspiracy!!! ;)

djdee2005 (djdee2005), Tuesday, 22 February 2005 13:37 (twenty years ago)

dee the first MIA thread on ILM was this one - mya 'gilang'. - on which no one knows who/what she/they is/are. if there's any recent artist who got hype on the basis of just her music first it's MIA! it was months after I first heard "Galang" that I got to know anything about her back story.

The Lex (The Lex), Tuesday, 22 February 2005 13:38 (twenty years ago)

I don't see anyone really going nuts-o on that thread. The closest is when ppl confuse her for a different mia. "it's cool though" is the closest to a rave review.

djdee2005 (djdee2005), Tuesday, 22 February 2005 13:41 (twenty years ago)

I guess my point is there's a certain amount of identity politics going on here. I have a big paper to write and i need to go grab some breakfast but hopefully someone here will see what i'm saying, or maybe I'm just crazy. Whatevs you all have a wonderful day :)

djdee2005 (djdee2005), Tuesday, 22 February 2005 13:42 (twenty years ago)

Is there actually that much press for MIA though? I've barely seen any*, especially in relation to dozens of other artists over here.

*Admittedly, I haven't exactly been looking.

Matt DC (Matt DC), Tuesday, 22 February 2005 13:45 (twenty years ago)

Some songs blow up in a local subculture = publicity takes some time on a (inter)national level.
Some songs blow up in media circles (they come from nowhere = they have no particular locality to go to!) = instant publicity.

Is that it?

JoB (JoB), Tuesday, 22 February 2005 13:46 (twenty years ago)

(dizzee blew up in a local subculture AND in a media circle, obviously thanks to some strong lobbying from 'people who know' and those people had connections, its all about connections, vast conspiracy etc. etc. etc.)

djdee2005 (djdee2005), Tuesday, 22 February 2005 13:47 (twenty years ago)

(now i really do have to go! Later ladies + gents)

djdee2005 (djdee2005), Tuesday, 22 February 2005 13:47 (twenty years ago)

plus ce'cile = dancehall = bottomless well to alot of rockcrits who figure if you don't make that you're overriding interest and devote and insane amount of time to following it there's no way you'll keep up. 'galang' = incredibly easy pop latch on to larger 'scene that needs addressing' ie. GRIME (even if it doesn't really sound very grime, not as much even as that meth single from a couple of years ago), it's maybe the most POP single that's been called grime i can think of and the irony is if it were being released in the us as fake-dancehall instead of fake-grime (and it claims the former mantle as well as the latter) and were an afterthought artist on a major instead of a MAJOR artist on an indie label it would stand a chance at ten times the airplay and one tenth the press (ie she'd maybe be the new lumidee instead of the new dizzee).

j blount (papa la bas), Tuesday, 22 February 2005 13:48 (twenty years ago)

haha lil jon had CONSIDERABLY more connex before (and god knows after) the press (even pfork!) gave him love (whether this has really occurred is arguable) than dizzee had in the studio doing band aid, so really your 'connections' theory isn't really holding much. hell most people here had piracy funds terrorism nevermind 'galang' way before the new yorker story (which i'm guessing is when most people saw her for the first time). christ pretty much everyone i know's reaction was "o god and she's gorgeous too". this is after they'd freaked to her music.

j blount (papa la bas), Tuesday, 22 February 2005 13:54 (twenty years ago)

People are calling MIA grime now? Jaysus, I really haven't been paying attention.

Matt DC (Matt DC), Tuesday, 22 February 2005 13:55 (twenty years ago)

I've never made the connection between M.I.A. and grime, either. This has been happening in the press? Who/where?

JoB (JoB), Tuesday, 22 February 2005 13:56 (twenty years ago)

Pull Up The People: broken beat
Bucky Done Gone: favela funk
Fire Fire: dancehall
Amazon: dancehall
Bingo: rock
Hombre: some other Carribean beat, help me out here
10 Dollar: electro
Sunshowers: (see: Hombre)
Galang: raggamuffin
MIA: could be considered grime, possibly

JoB (JoB), Tuesday, 22 February 2005 14:02 (twenty years ago)

haha googling 'galang' and grime turns up some interesting, um, debates and very winceworty descriptions (only likely to get dafter still).

j blount (papa la bas), Tuesday, 22 February 2005 14:06 (twenty years ago)

broken beat? wtf?

Sven Bastard (blueski), Tuesday, 22 February 2005 14:30 (twenty years ago)

I thought reynolds captured the *sound of M.I.A. at least? There's something mechanical (and *not* funky mechanical) about the construction of the beats that does feel in itself very out-of-place.

Sterling Clover (s_clover), Tuesday, 22 February 2005 14:30 (twenty years ago)

i'm actually a bit disappointed by the album but i haven't listened to it enough to give up on it

j blount (papa la bas), Tuesday, 22 February 2005 14:36 (twenty years ago)

blount, i wasn't suggesting lil jon didn't have "connections" but i'm talking about the different channels artists use for promotion, lil jon was not getting ANY help from the new yorker before he broke, and I don't see how "Galang" is more pop than "Hot Like We" and similarly I really don't see "Galang" as being v. lumidee-like at all. I'm suggesting that MIA's hipster-dom is the reason for her media success, i can't imagine pfork jumping on the "lumidee is the future of music" train even though she's just as much the "future" of music as MIA.

djdee2005 (djdee2005), Tuesday, 22 February 2005 14:57 (twenty years ago)

I mean if you know a mixtape DJ and yr from the south its a "connection" but its hardly the same kind of connection as getting signed to XL on the basis of one single.

djdee2005 (djdee2005), Tuesday, 22 February 2005 15:03 (twenty years ago)

The first hype and excitement I encountered was from DJs and music geeks who didn't know whether MIA was an artist or a group... This idea that it's all an evil conspiracy of cynical hipster fakeness just doesn't hold water (see also: Lady Sovereign).

If Ce'Cille had blown up this much, some people would be hating her as much. Face it.

Flyboy (Flyboy), Tuesday, 22 February 2005 15:03 (twenty years ago)

But the Lumidee comparison wasn't really musical, it just means she might actually sell some records rather than having lots written about her and remaining relatively obscure.

Matt DC (Matt DC), Tuesday, 22 February 2005 15:08 (twenty years ago)

well "galang" could've been very lumidee like in that it could've been a hit but instead it's gonna be very dizzee like in that people are gonna write about it alot (everywhere but the source, or xxl, or even vibe) but it's not gonna get on the radio. if her record was coming out on interscope or something maybe it'd be different but instead this is the second big brit mc the rock crits (esp the net savvy rock crits)(and god knows that's not redundant) have gone crazy about, who've had their record released on hipster rock labels, and who can't get arrested.

j blount (papa la bas), Tuesday, 22 February 2005 15:09 (twenty years ago)

Uh hold up a minute.
I don't dislike MIA's music, so that's not really relevent here. MIA hasn't "blown up" she's getting a lot of top-down coverage rather than populist bottom-up support. And yes, it does make me a bit cynical because it seems like it turned into a feeding frenzy. I mean, in JA ce'cile is really popular so it makes sense that someone would say "hey, a lot of people like this record, we should cover it" as opposed to "a bunch of fashionistas like this record, we should cover it." (and again to make sure i'm not misunderstood there is nothing inherently wrong w/ being popular amongst fashionistas, and yet again i do like the album, but yet again...seriously, all i really want is to read an interview w/ ce'cile. Can someone hook me up?)

djdee2005 (djdee2005), Tuesday, 22 February 2005 15:10 (twenty years ago)

xxp to flyboy obv

djdee2005 (djdee2005), Tuesday, 22 February 2005 15:11 (twenty years ago)

in terms of breaking an mc gimme a mixtape over a fucking contract with xl (radio: who???) ANYDAY. i'll list all the mc's mixtapes have broke and you list all the mc's xl (or matador) has broke and let's see who runs out of names first. PLZ.

j blount (papa la bas), Tuesday, 22 February 2005 15:11 (twenty years ago)

i don't think 'Galang' could ever have been a hit as it was too 'harsh' sounding. but by the same token i don't suppose anyone ever expected Lumidee to be a sustainable success chartwise either?

Sven Bastard (blueski), Tuesday, 22 February 2005 15:12 (twenty years ago)

(um, i'm not sure we disagree about that blount)

djdee2005 (djdee2005), Tuesday, 22 February 2005 15:12 (twenty years ago)

(also why all this lumidee talk? The wayne wonder version was +++ better ;)

djdee2005 (djdee2005), Tuesday, 22 February 2005 15:13 (twenty years ago)

PLENTY of tracks more 'harsh' than 'galang' hit all the time

j blount (papa la bas), Tuesday, 22 February 2005 15:14 (twenty years ago)

(anyway blount i'm talking more about a disconnect between the press and the "real world" etc, i don't feel like additional press coverage for ce'cile would mean her getting signed to XL and bombing in the states like dizzee)

djdee2005 (djdee2005), Tuesday, 22 February 2005 15:15 (twenty years ago)

Personally I find the most disturbingly reactionary thing about the Reynolds piece is that what he ends up objecting to is that her music "comes from nowhere" and lacks "local character" (cf: But where's she 'really' from, they ask). This suspicion of music/musicians who cannot be pinned to a fixed location strikes me as fundamentally similar to the suspicion with which stateless people are increasingly treated...

OTM.

and uh, Lumidee had more of a chance than "Galang" of being a hit cuz the lyrics are about how she really really luvs a guy. matters of the heart and crotch have a leg up on the radio.

miccio (miccio), Tuesday, 22 February 2005 15:19 (twenty years ago)

seriously, all i really want is to read an interview w/ ce'cile. Can someone hook me up?

http://www.guardian.co.uk/arts/features/story/0,,1120799,00.html

The Lex (The Lex), Tuesday, 22 February 2005 15:19 (twenty years ago)

you UKers are lucky.

djdee2005 (djdee2005), Tuesday, 22 February 2005 15:21 (twenty years ago)

hahaha and thats a stelfox interview! he hates MIA!

djdee2005 (djdee2005), Tuesday, 22 February 2005 15:22 (twenty years ago)

I know ;)

The Lex (The Lex), Tuesday, 22 February 2005 15:24 (twenty years ago)

(Will there be a "This is the thread where we anticipate and then flip out over how great Ce'cile's 'Bad Gyal' is" thread?)

djdee2005 (djdee2005), Tuesday, 22 February 2005 15:25 (twenty years ago)

plz miccio affairs of the heart go toe to toe with let's get this party started right/quickly on the radio. urrbody in the club getting tipsy blaze a blaze galang a lang a langa.

j blount (papa la bas), Tuesday, 22 February 2005 15:27 (twenty years ago)

god i hope not dee! surely dancehall's teflon strong like bull status is due to being maybe the least album driven genre out there

j blount (papa la bas), Tuesday, 22 February 2005 15:28 (twenty years ago)

(Will there be a "This is the thread where we anticipate and then flip out over how great Ce'cile's 'Bad Gyal' is" thread?)

Been waiting for it for like a year now, am beginning to think that this album is a total myth :(

The Lex (The Lex), Tuesday, 22 February 2005 15:29 (twenty years ago)

(oh right only art school students know how to make strong albums, except for, you know U Know How We Roll or Up 2 di Time etc. etc. etc.)

djdee2005 (djdee2005), Tuesday, 22 February 2005 15:30 (twenty years ago)

"tipsy"..."get busy"..."galang"

(which of these phrases will resonate least with American radio ears?)

miccio (miccio), Tuesday, 22 February 2005 15:31 (twenty years ago)

seriously what was the last genre that became BETTER when it became less singles focused and more albums focused? jazz?

j blount (papa la bas), Tuesday, 22 February 2005 15:32 (twenty years ago)

"skeet skeet"..."galang"..."shimmy shimmy ya"..."doo wah diddy diddy dum diddy doo"

j blount (papa la bas), Tuesday, 22 February 2005 15:33 (twenty years ago)

PLENTY of tracks more 'harsh' than 'galang' hit all the time

like what?

Sven Bastard (blueski), Tuesday, 22 February 2005 15:34 (twenty years ago)

BLOUNT AIN'T NO CHICKEN!!!

http://www.achimmohne.de/images/1996/denn01.jpg

miccio (miccio), Tuesday, 22 February 2005 15:37 (twenty years ago)

'drop it like it's hot', every track featuring lil jon but not featuring usher, 'overnight celebrity', KHIA, DOZENS of hip-hop tracks really, seriously 'galang' is maybe a smidgen harsher than 'hey baby'.

j blount (papa la bas), Tuesday, 22 February 2005 15:40 (twenty years ago)

i disagree, plus all the acts you mention are AMERICAN anyway

Sven Bastard (blueski), Tuesday, 22 February 2005 15:41 (twenty years ago)

overnight celebrity?!

djdee2005 (djdee2005), Tuesday, 22 February 2005 15:42 (twenty years ago)

ELEPHANT MAN THEN OK BITCH

j blount (papa la bas), Tuesday, 22 February 2005 15:43 (twenty years ago)

what the fuck happened to basslines in any of this stuff incidentally?

Sven Bastard (blueski), Tuesday, 22 February 2005 15:44 (twenty years ago)

dee them violins and the crescendo 'o o o ooooh! ooooo ooo oo oh! uh uh oh uh uh oh!' strike me as more harsh than whatever's supposed to be harsh about 'galang'.

j blount (papa la bas), Tuesday, 22 February 2005 15:47 (twenty years ago)

Galang isn't any harsher than Milkshake and that was huge here. I can't really see any reason why MIA won't do well in the UK once the bandwagon gets rolling, which it hasn't yet. Maybe she'll be more of an albums artist than a big singles act. But she won't start shifting properly until Arular inevitably wins the Mercury Music Prize in September.

Matt DC (Matt DC), Tuesday, 22 February 2005 16:17 (twenty years ago)

it is harsher

Sven Bastard (blueski), Tuesday, 22 February 2005 16:20 (twenty years ago)

and MIA is not American

Sven Bastard (blueski), Tuesday, 22 February 2005 16:21 (twenty years ago)

i always found 'Galang' in the centre of a triangle that features 'Warm Leatherette', dancehall (faux, authentic, whatever) and a general pop lean at it's respective corners. i think the bleeps and blarps are heavier than what you get on the American crunk-pop and Neptunes productions ('Drop It Like It's Hot' sold because of the names - granted it's a startling party track in it's own right but i'm not convinced it would've done as well without that instant Pharell n' Snoop label, plus they could have a hit with any old cobbled together in ten minutes schlock - the new single a case in point, altho i do still quite like it).

'Galang' would be lucky to make the top 40 even in the UK - and it was the UK market/charts i wa actually thinking about in the first place (assuming the US was a no-brain no-go pretty much, despite bloggerati adulation here and there).

Sven Bastard (blueski), Tuesday, 22 February 2005 16:26 (twenty years ago)

for 'despite' read 'irrespective of'

Sven Bastard (blueski), Tuesday, 22 February 2005 16:27 (twenty years ago)

"Galang" tanked utterly when it was released as a UK single, I'm not sure if it even made the top 75. it's waaaay more abrasive than anything mentioned so far - the harshness of stuff like Drop It Like It's Hot and even Milkshake is more a kind of discordance/awkwardness than genuinely rough textures - and the beats themselves are recognisable as such - but "Galang" is abrasive all over, inc the vocal line, and the beats sound like exploding bombs.

The Lex (The Lex), Tuesday, 22 February 2005 16:30 (twenty years ago)

that's the thing about the Neptunes (and Timbland and more recently Lil Jon). they opened things up commercially for this style of stark, minimal, electronic production, but all retained crucial hip-hop equities that was the stamp on chart success. MIA's in a totally different position even if some of the tracks make you think 'oh i can totally hear a backing track like that on the next Lil Kim album' or whatever.

Sven Bastard (blueski), Tuesday, 22 February 2005 16:31 (twenty years ago)

I don't understand what you're getting at with this American thing. I didn't say she was.

The reason I think Arular will do well in the UK is because MIA is the sort of artist the glossier end of the British press absolutely loves - its an awesome album, there's an identifiably modern London vibe, she's got a story behind her, there are no immediate precursors (cf Wiley/Dizzee), she'll give good interview, Sunday broadsheet hacks will get to show off their knowledge of terms like 'baile funk', an oh yeah the hotness thing. Even the NME etc will probably give her the non-rock vote a la Dizzee etc, and Arular is considerably more accessible than either Boy In Da Corner or Showtime.

Unless this release date stuff fucks everything up, in which case we could see an Annie situation, I dunno.

(xposts re the harshness thing - I think MIA, 10 Dollar or Amazon could be the key single here and not Galang or Sunshowers)

Matt DC (Matt DC), Tuesday, 22 February 2005 16:33 (twenty years ago)

I don't understand what you're getting at with this American thing. I didn't say she was.

i suppose i'm venturing the suggestion that she won't be successful in the UK at least partly because she's not American!


I think you're being extremely optimistic about Arular's potential success but I'd like to be proven wrong.

Sven Bastard (blueski), Tuesday, 22 February 2005 16:35 (twenty years ago)

i mean sure 'Heartbeat' is SO a million-selling number one single but it's not going to be is it?

Sven Bastard (blueski), Tuesday, 22 February 2005 16:36 (twenty years ago)

Amazon definitely, 10 Dollar too and even more so with a remix. Actually I can see some pretty awesome MIA remixes in the works this year...

it's not promising that Galang flopped so utterly though. I think Dizzee-level success would be a nice surprise, and even then it's not as if we're talking top ten hits.

The Lex (The Lex), Tuesday, 22 February 2005 16:37 (twenty years ago)

Matt if anything the range of reasons you put forward for her prospective success could actually count against her just as much. modern London vibe not of much worth to general record buying public outside London seemingly, story TOO political for mainstream media to want to deal with, no precursors means no-one to compare to means writers block for many hacks etc.

Sven Bastard (blueski), Tuesday, 22 February 2005 16:38 (twenty years ago)

yeah i don't like annie anywhere remotely near as much as most of you but i'm kinda mystified as to why those records haven't scored in the uk? is it just a logistics thing (matt mentions an 'annie situation')?

j blount (papa la bas), Tuesday, 22 February 2005 16:40 (twenty years ago)

Its a promotional thing as well. The marketing of Annie was atrocious and the album release was fluffed.

Was there any promotion of Galang so to speak or did it just slip out like x number of indie or dance singles every week?

Matt DC (Matt DC), Tuesday, 22 February 2005 16:42 (twenty years ago)

'forward riddim' was pretty harsh but that reached no.11 didn't it? xp

Julio Desouza (jdesouza), Tuesday, 22 February 2005 16:42 (twenty years ago)

Because Annie just wouldn't fit in anywhere in the British music scene. Same as Mania, same as Darren Hayes. If Tyler James crosses over, maybe we'll get some piggybacking going on, but I doubt it.

Kaiser Chiefs are on course for a top 5 single this week. That's the British music charts.

Dom Passantino (Dom Passantino), Tuesday, 22 February 2005 16:42 (twenty years ago)

'Chewing Gum' did actually do relatively well despite next to no promotion. 'Heartbeat' MIGHT dent the top 20 if you're lucky.

Sven Bastard (blueski), Tuesday, 22 February 2005 16:43 (twenty years ago)

is europop starting to be marginalized from british radio/charts the way it (TRAGICALLY) has in the us?

j blount (papa la bas), Tuesday, 22 February 2005 16:44 (twenty years ago)

i think so yes.

Sven Bastard (blueski), Tuesday, 22 February 2005 16:46 (twenty years ago)

despite the success of 'Dragostea Din Tei' and MINOR success of Alcazar

Sven Bastard (blueski), Tuesday, 22 February 2005 16:46 (twenty years ago)

Yeah, although "This Is The World We Live In" went top 15 with a LOT less publicity than Annie managed (ie, no broadsheets were calling Alcazar "THE FYOOCHURRR OF TEH POP", they just got played out in every gay bar everywhere).

(x-post)

Dom Passantino (Dom Passantino), Tuesday, 22 February 2005 16:47 (twenty years ago)

Europop, electropop, grime and girl/boybands (that didn't originate on TV shows) still chart, sometimes quite high but it's clear that it's easier now to debut in the top ten if you're New Britrock/Indie (Haircut or otherwise) - that's the measure of the shift (factoring in general sales decline important tho)

Sven Bastard (blueski), Tuesday, 22 February 2005 16:48 (twenty years ago)

Also, there's usually a lot more tabloid sales mileage in Haircut Indie (and R&B and reality show acts and Mathers-endorsed hip-hop for that matter) than there is in grime and electro, it's hard to imagine Kano making the front page of the redtops six days running like Pete Doherty did.

Dom Passantino (Dom Passantino), Tuesday, 22 February 2005 16:51 (twenty years ago)

Um first of all the forward rhythm might as well be a fucking dance song it got played on hot 97 here in the states and its nowhere near as abrasive and awkward as galang (and i mean those terms as neutrally as possible). But yeah galang is way more abrasive than any of the songs blount mentiond wout question, maybe it could hit in the uk but theres no way it has a snowballs chance in hell here, fix up look sharp had a better chance.

deej., Tuesday, 22 February 2005 16:51 (twenty years ago)

Alcazar went Top 15?! Really?

A quick glance at the UK Top 20 shows the only two records I've knowingly heard are Goodies and Galvanise, which is not good. But then even I'm not expecting MIA to make it big as a singles artist - maybe I'm harking back to some golden age that probably never existed, when a record like Maxinquaye could sell loads of copies off the back of some good reviews.

Matt DC (Matt DC), Tuesday, 22 February 2005 16:52 (twenty years ago)

did Maxinquaye actually SELL that much tho?

there aren't many GENRES still marketable as opposed to just certain ARTISTS. Unless 'Fwd Riddim' did well more because enough people thought 'oooh grime, cool' as opposed to 'oooh this particular grime track is particularly good' which i doubt to be honest.

Sven Bastard (blueski), Tuesday, 22 February 2005 16:54 (twenty years ago)

yeah i was listening to alcazar last week and thinking 'man, ten years ago, maybe even six years ago this could be a hit, a big hit even, in the us.' nowadays? 'galang' would break ALOT easier than alcazar. TO OUR SHAME.

j blount (papa la bas), Tuesday, 22 February 2005 16:54 (twenty years ago)

Didn't "Fwd Riddim" do well because it was released in indie week? If it was released this week, say (biggest singles week for a good year, no?), would it have made top 30?

Dom Passantino (Dom Passantino), Tuesday, 22 February 2005 16:55 (twenty years ago)

i dunno, the two girls look a bit like the Olsens mixed with Kylie. they just need to get on TV there...

xpost

Sven Bastard (blueski), Tuesday, 22 February 2005 16:56 (twenty years ago)

good point Dom

Sven Bastard (blueski), Tuesday, 22 February 2005 16:56 (twenty years ago)

14 Tricky Disco Tricky Disco Jul 1990
34 Tricky Overcome Jan 1995
28 Tricky Black Steel Apr 1995
12 Tricky vs The Gravediggaz The Hell EP Aug 1995
26 Tricky Pumpkin Nov 1995
36 Tricky Christiansands Nov 1996
10 Garbage featuring Tricky Milk Nov 1996 Notes
28 Tricky Tricky Kid Jan 1997
29 Tricky Makes Me Wanna Die May 1997
25 Tricky Money Greedy / Broken Homes May 1998


3 Tricky Maxinquaye Mar 1995
30 Tricky Pre-Millennium Tension Nov 1996
23 Tricky Angels With Dirty Faces Jun 1998
22 Tricky with DJ Muggs & Grease Juxtapose Aug 1999
34 Tricky Blowback Jul 2001

Dom Passantino (Dom Passantino), Tuesday, 22 February 2005 16:57 (twenty years ago)

Tricky at the Disco? i bet that was fun...


i keep forgetting to adhere to my own declaration of the singles chart's utter irrelevance now. because it really is. certainly for acts like MIA.

Sven Bastard (blueski), Tuesday, 22 February 2005 16:57 (twenty years ago)

all those Tricky singles are still fantastic incidentally. did 'For Real' not make Top 40 tho?

Sven Bastard (blueski), Tuesday, 22 February 2005 16:58 (twenty years ago)

this is boring yall

roxymuzak (roxymuzak), Tuesday, 22 February 2005 17:01 (twenty years ago)

wanna make out or something?

Sven Bastard (blueski), Tuesday, 22 February 2005 17:03 (twenty years ago)

anyone?

Sven Bastard (blueski), Tuesday, 22 February 2005 17:04 (twenty years ago)

Worst come on ever.

Ned Raggett (Ned), Tuesday, 22 February 2005 17:05 (twenty years ago)

M.I.A. got name-dropped in a Chicago Tribune live review of Keane the other day!! ("Keane is so middle-of-the-road they make Coldplay look like Sri Lankan agit-rapper M.I.A.")

jaymc (jaymc), Tuesday, 22 February 2005 17:33 (twenty years ago)

that is one clumsy namedrop!

j blount (papa la bas), Tuesday, 22 February 2005 17:34 (twenty years ago)

I know. Especially since 90% of the Tribune's readers will have no idea who's being referred to. (I mean, in a construction like that, it's not a good sign if you have to use a prefatory description ["Sri Lankan agit-rapper"] for your readers to get your point.)

jaymc (jaymc), Tuesday, 22 February 2005 17:37 (twenty years ago)

agit-rapper!

Sven Bastard (blueski), Tuesday, 22 February 2005 17:44 (twenty years ago)

i dunno tho, i like it if the Tribune writer actually loves MIA and is trying to sneak her into anything they write.

Sven Bastard (blueski), Tuesday, 22 February 2005 17:45 (twenty years ago)

Wait, haha, I think the article was written by Josh in Chicago.

jaymc (jaymc), Tuesday, 22 February 2005 17:49 (twenty years ago)

yay josh!

j blount (papa la bas), Tuesday, 22 February 2005 17:52 (twenty years ago)

didnt seem that awkward to me. Also, fwd rhythm was a hit because its just a much more hit-worthy song, it has nothing to do w/ how it was "marketed" or whatever.

deej., Tuesday, 22 February 2005 18:39 (twenty years ago)

'first of all the forward rhythm might as well be a fucking dance song it got played on hot 97 here in the states and its nowhere near as abrasive and awkward'

whether some station in the US played isn't the point as it charted over here - 'forward' did manage the abrasive/pop line pretty well (think it had a better vocal hook) - but even so I know a cpl of video channels I have didn't play the video here, can't imagine radio (beyond pirate) playing it.

as far as the charts go -- isn't it the case that they will have the quiet week (or 'indie') where other stuff will sneak in? still top 30/40 isn't bad for 'forward' (also another fun fact: I have heard it as blaring on the bus, but also from a mobile hurrah!).

Having said all that maybe 'galang' wasn't pushed properly? I don't know. xp

Julio Desouza (jdesouza), Tuesday, 22 February 2005 18:51 (twenty years ago)

julio, hot 97 is like the big mainstream hip-hop station in nyc.

and here in the states i can't imagine a quiet week where stuff will "sneak in" the same way it does in the UK. I guess there are sort of stylistic vacuums that will come from time to time but to really get onto the charts here, shit has to have some pretty widespread support.

And I think fwd rhythm was much more "pop radio" than "galang," which had blanket journalism coverage from what I can tell.

djdee2005 (djdee2005), Tuesday, 22 February 2005 19:03 (twenty years ago)

in other words, galang had plenty of promotion and its a cool song but its hardly a hit song.

djdee2005 (djdee2005), Tuesday, 22 February 2005 19:08 (twenty years ago)

Is there actually that much press for MIA though? I've barely seen any*, especially in relation to dozens of other artists over here.
*Admittedly, I haven't exactly been looking.

-- Matt DC (runmd...), February 22nd, 2005.

big featured review (with picture) in the current Blender, and seperate featured review and artist profile (both with pictures) in the current Rolling Stone, fyi.

Al (sitcom), Tuesday, 22 February 2005 19:25 (twenty years ago)

and I think both reviews mention grime but I'll have to check when I get home.

Al (sitcom), Tuesday, 22 February 2005 19:26 (twenty years ago)

"galang," which had blanket journalism coverage from what I can tell.

I really didn't notice any press around 'Galang', either in its original 2003 release or the XL re-release. Now, for Arular, yes, but not then.

Alba (Alba), Tuesday, 22 February 2005 19:30 (twenty years ago)

Dude how do you explain all the press surrounding her?

By analogy, ask yourself why Big & Rich get way more attention on ILX than do the equally good, equally interesting Montgomery Gentry. I'd say (1) B&R speak more to our hopes and dreams, (2) we're more likely to identify with what B&R are doing (and we can do this even before reading bios/seeing pictures: we identify with what the sound is doing), (3) ILXers were having an engaging argument/discussion about B&R, so other ILXers listened to B&R out of curiosity and in order to participate in the discussion (to some extent, we're interested in B&R because we're interested in ILX). The last reason can be somewhat arbitrary: e.g., people in the press talk about what other people in the press are talking about, and that helps to define what counts as newsworthy.

So it isn't that M.I.A. belongs to an elite, therefore has press connections (though she may), but that she's doing something that people like us are likely to talk about and care about.

(Calling "people like us" an elite isn't entirely off the mark, because in this little cultural niche we are the vanguard of the chitchat; but obviously, there are other elites with a bit more influence, e.g. board of directors of Bechtel, Halliburton, etc.)

Frank Kogan (Frank Kogan), Wednesday, 23 February 2005 01:22 (twenty years ago)

Very thoughtful. Very well put. But are you describing a 21st-century cyber-Algonquin round table or a critical cluster fuck?

Just asking.

MV, Wednesday, 23 February 2005 04:25 (twenty years ago)

I wonder what makes M.I.A. more likely to be talked about, though. More people here relate to her because...? (serious q')

djdee2005 (djdee2005), Wednesday, 23 February 2005 04:44 (twenty years ago)

coz she's a big bundle of floating signifiers stripped of their situated localized complexity.

Sterling Clover (s_clover), Wednesday, 23 February 2005 04:46 (twenty years ago)

I don't know that I like her music more because I relate to her. If anything, I like her, um, Otherness. And anything that defies certain critics' effort to define it by its context is all right by me.

MV, Wednesday, 23 February 2005 04:53 (twenty years ago)

btw, I checked and the Blender review mentions grime (but only in passing along with a lot of other subgenres) and the Rolling stone review and profile don't. and there are a total of 4 pictures of her in those 2 mags, which supports the argument for the hype having to do with her looks (although in a weird way I was pleasantly surprised by how unflattering her photo is on the album cover).

also, why is this woman crouching or kneeling in almost every single published photo I've seen of her? is there something wrong with her legs? or were all her publicity photos taken in a room with a 3 foot high ceiling or something?

Al (sitcom), Wednesday, 23 February 2005 05:01 (twenty years ago)

coz she's a big bundle of floating signifiers stripped of their situated localized complexity.

Isn't this what S.R. said? I still think his voice review was good.

djdee2005 (djdee2005), Wednesday, 23 February 2005 05:03 (twenty years ago)

http://www.google.com/search?hl=en&lr=&ie=ISO-8859-1&safe=off&q=arular+grime

Sterling Clover (s_clover), Wednesday, 23 February 2005 05:10 (twenty years ago)

oh, only 177 results for a fairly obscure artist. Pas mal.

djdee2005 (djdee2005), Wednesday, 23 February 2005 05:13 (twenty years ago)

Did you mean: a ruler grime

Al (sitcom), Wednesday, 23 February 2005 05:14 (twenty years ago)

Am I the only person here who genuinely prefers Peaches to M.I.A.?

joseph cotten (joseph cotten), Wednesday, 23 February 2005 05:36 (twenty years ago)

Just out of curiousity is Ce'Cile even that popular in Jamaica? I've never got the impression she was. Is Tanya Stephens? Esp. given their Germaican connections, I always got the impression that these were two ladies who were perhaps more known and popular outside of Jamaica then inside, but I could be wrong.

Alex in SF (Alex in SF), Wednesday, 23 February 2005 05:56 (twenty years ago)

Am I the only person here who genuinely prefers Peaches to M.I.A.?

Hm. Maybe. Have you heard the new album in its entirety? I've been rocking out to "Hombre" all day.

poortheatre (poortheatre), Wednesday, 23 February 2005 05:59 (twenty years ago)

I donno alex, she's playing a bunch of venues in ja although obv i don't know that this has anything to do w her popularity, the jamaican girl who does my dancehall hookup here at school likes here though.

April 10th Teenfest St Thomas, JA
April 10-12 Teensplash Clarendon/Kingston, JA
April 16th Club Caribbean - Plattsburgh State University Upstate, New York
April 18th Irie FM - Jamaica Carnival Kingston, JA
April 23-24 Springbreak Montego Bay, JA
May 29th Fuel White River Pk, St. Ann, JA
June 4th Montreal Int'l Reggae Festival Montreal, Canada
June 6th TBA Brooklyn, New York
June 23-26 France Tour France
June 27-Aug 2 European Tour Europe

djdee2005 (djdee2005), Wednesday, 23 February 2005 07:49 (twenty years ago)

likes here = likes her.

djdee2005 (djdee2005), Wednesday, 23 February 2005 07:50 (twenty years ago)

coz she's a big bundle of floating signifiers stripped of their situated localized complexity.

Is this really the case though? When I first heard M.I.A. I immediately thought: "ah yes, London, nice." (although in a way it could be New York, LA, Amsterdam, Paris.) There's so much floating signifiers can do before they get tied up into a...mmm...new context.
Obviously this then can be followed-up with accusations of "the myth of cosmopolitism.” Etc. etc. But it is a good myth. J

- I agree with The Lex above that there’s nothing inherently contradictory about her “two images”. (That was what I was getting at in my own clumsy way.)

- Above I meant: destroy the personal enjoyment of a very interesting artist (not that "the media are destroying her" thing.)

- Djdee has a point about connections, etc. But why is this so important in M.I.A’s case? So many talented people are forgotten because they just don’t get a break. Yet somehow this always comes up with women (echoes of ye olde “she fucked her way to the top”?)

-I prefer Peaches too in the end (the nerve of that woman, moving to Berlin, hoping some of that decadent-Euro-techno glamour will rub off on her. Man, she even isn’t from Germany! ;)

Omar (Omar), Wednesday, 23 February 2005 08:17 (twenty years ago)

coz she's a big bundle of floating signifiers stripped of their situated localized complexity.
-- Sterling Clover (s.clove...), February 23rd, 2005.

[i hope that was meant kind of parodically. gives me a po-mo 'lincoln centre' vibe]

nah, i thought immediately she was from london without at that point knowing anything of the 'backstory'. wish i had been able to maintain that ignorance.

NRQ, Wednesday, 23 February 2005 09:59 (twenty years ago)

Sterling, have you ever been to London? MIA's voice is so strongly localised that it doesn't sound like it could be made anywhere else. Arular doesn't sound like it could have been made anywhere else*, which is one reason why I don't hold with this 'fake dancehall'. If Arular is a bundle of floating disconnected signifiers then, fine, so is the city I live in.

What's key about this record is that all the influences, the dancehall and the hip-hop and the baile funk and the grime and the electro and the Bangles or whatever all hold nicely together, there's an energy that seems to fuse everything into a coherant whole rather than a messy collage of styles.

*Actually, I'd go as far as to say that this record sounds definably WEST London. I only wish she'd kept that line from Piracy Funds Terrorism where she goes "I've got pride in my innit".

Matt DC (Matt DC), Wednesday, 23 February 2005 10:03 (twenty years ago)

That was an atrociously worded first paragraph. I apologise, it's early. What I meant to say was:

"Sterling, have you ever been to London? MIA's voice is so strongly localised that Arular doesn't sound like it could be made anywhere else, probably not at any other time either. This is one reason why I don't hold with this 'fake dancehall' label. If Arular is a bundle of floating disconnected signifiers then, fine, so is the city I live in."

Matt DC (Matt DC), Wednesday, 23 February 2005 10:05 (twenty years ago)

http://www.mgthomas.co.uk/dancebands/Musicians/MusicianPhotos/Tommy%20Kinsman%20London%20Frivolities%20Band.jpg

Sterling Clover (s_clover), Wednesday, 23 February 2005 14:37 (twenty years ago)

MIA is performing 3/20 in Philadelphia at hollertronix. Details are sketchy but right now its at the UACA [7th & Poplar] and the cover is 12$.

maria tessa sciarrino (theoreticalgirl), Saturday, 26 February 2005 02:34 (twenty years ago)

West London=MIA=Acton=jel=Ealing

This is where I get to say my ends gets a shout out (along with a million other London areas) on the first tarck of the Ruff Sqwad mixtape! Still...pretty unlikely!

adam.r.l. (nordicskilla), Saturday, 26 February 2005 03:00 (twenty years ago)

I had a very dirty dream about MIA last night.

teeny (teeny), Saturday, 26 February 2005 03:57 (twenty years ago)

FROM A DIRECT SOURCE: THE SAMPLE CLEARANCE NEWS IS A HOAX. SHE IS SIGNING A VERY SIZABLE MAJOR LABEL DEAL. MIGHT BE INTERSCOPE OR ISLAND DEF JAM.

DIPLORIDER, Saturday, 26 February 2005 07:19 (twenty years ago)

http://www.villagevoice.com/music/0509,christgau1,61607,22.html

j blount (papa la bas), Tuesday, 1 March 2005 18:52 (twenty years ago)

That piece puts Reynold's to shame frankly.

Alex in SF (Alex in SF), Tuesday, 1 March 2005 19:10 (twenty years ago)

christgau droppin science

cozen (Cozen), Tuesday, 1 March 2005 19:16 (twenty years ago)

Wow no kidding thats an amazing piece.

djdee (djdee2005), Tuesday, 1 March 2005 19:17 (twenty years ago)

This is one of those pieces where, if the artist reads it, will become part of biographical canon. I wouldn't be surprised if Maya starts using Christgau's frame for her past. Maybe he's just clarifying everything she's ever said or done.

mike h. (mike h.), Tuesday, 1 March 2005 19:20 (twenty years ago)

That article is very good, I half to agree.

RS, Tuesday, 1 March 2005 19:25 (twenty years ago)

Have. (As if I don't already come off bad enough elsewhere on this thread.)

RS, Tuesday, 1 March 2005 19:25 (twenty years ago)

Wow, great piece.

The Lex (The Lex), Tuesday, 1 March 2005 19:57 (twenty years ago)

You all just like it because it mentions ILM!

He did some reading (on which note, is Sri Lanka really unheard of in New York's leftist intellectual circles?) and writes it up then... what?

Legitimate Reynolds slap aside, he doesn't really say anything very interesting about terrorism, authenticity, reconciling unpalatable politics with artistic appreciation, or MIA, really.

I dunno - maybe it's growing up with the rights and wrongs of an armed struggle in Northern Ireland debated all around me, but the whole thing seems a bit weirdly 101 to me:

But my reading suggests that more Sri Lankan Tamils want equality than want Eelam, and from this distance I'm not pro-LTTE. Hence I strongly advise fellow journalists to refrain from applying "freedom fighter" and other cheap honorifics to M.I.A.'s dad.

Are journalists doing this? Who says "freedom fighter" anyway - the phrase has been a rhetorical relic since the Reagan administration bandied it around.

The Tamil situation isn't a black and white issue (which armed struggle is?), and M.I.A. is aware of that. Surprise surprise.

because M.I.A.'s documentable experience connects her to world poverty in a way few Western whites can grasp.

But he hasn't even talked about her poverty until this point! Perhaps she was really poor in Sri Lanka, though having university educated dad suggests otherwise. Over here, she grew up on a council estate and says her mum works for minimum wage. Well OK, but that's not any different to the experience of an awful lot of white people. Does Christgau just mean that because there is some abject poverty in Sri Lanka, by coming from there she is connected with it in some loose but important sense? What is that sense?

I dunno. It's an interesting article for some of the background material, but when it comes to dealing with the issues raised by the Reynolds piece and this thread, I think Byron Bitchlaces does it better.

Alba (Alba), Tuesday, 1 March 2005 21:18 (twenty years ago)

Yeach, I've just read over what I wrote and don't like how I sound. Apologies for pomposity.

Alba (Alba), Tuesday, 1 March 2005 21:29 (twenty years ago)

"But he hasn't even talked about her poverty until this point!"

Being connected to world poverty HAS nothing to do with her necessarily being POOR!

Alex in SF (Alex in SF), Tuesday, 1 March 2005 21:39 (twenty years ago)

Remember that Christgau and Reynolds are both working under onerous word limits imposed a couple of years ago, so neither could add flesh to the ideas. 101 is what was needed here.

I do think that she'd have been world-based even if she'd been born well-to-do in London. One has some choice as to one's experiences and outlook.

Frank Kogan (Frank Kogan), Tuesday, 1 March 2005 22:47 (twenty years ago)

My main problem with the Reynold's piece is here:

"what's missing from Arular is character: not quirkiness (although she's no Bruza or Elephant Man) so much as local character—those telling details that transmit the true flava of a scene. Arular, strictly speaking, comes from nowhere."

I just couldn't believe this was actually him. What happened to the cosmopolitan and trans-cultural embrace of styles that swirl around agglomerations like London? And how is Arular anything other than a London record??? Does Simon's own writing really transmit the true flava of a scene he directly participates in (and does he think he should be required to)? Should Tim Finney only be allowed to talk about Australian indie rock? W-T-F?

Spencer Chow (spencermfi), Tuesday, 1 March 2005 23:02 (twenty years ago)

Funny quote to pull: I always feel like "I salt and pepper my mango" is kinda self-consciously trying too hard on exactly that front.

nabiscothingy, Tuesday, 1 March 2005 23:03 (twenty years ago)

Yeah, Spencer, I agree, that seems to have bothered everyone who read the piece. I mean, does Bambaataa's "Planet Rock" have enough local detail? Does Joey Beltram's "Energy Flash"? These tracks (and "Galang") are flavors. That's their job, to be flavors, not "transmit" them.

When I get the chance I should look at Blissblog, to see how Simon's elaborating.

x-post

Frank Kogan (Frank Kogan), Tuesday, 1 March 2005 23:11 (twenty years ago)

This is one of those pieces where, if the artist reads it, will become part of biographical canon. I wouldn't be surprised if Maya starts using Christgau's frame for her past.

When I was reading it, I was similarly thinking: even if Christgau's interpretation isn't quite what M.I.A. was intending, she might still want to adopt it as her own.

RS, Tuesday, 1 March 2005 23:33 (twenty years ago)

i think MIA has produced Reynolds' best blogging in ages.

Reynolds: ""what's missing from Arular is character: not quirkiness (although she's no Bruza or Elephant Man) so much as local character—those telling details that transmit the true flava of a scene. Arular, strictly speaking, comes from nowhere."

Spencer: "I just couldn't believe this was actually him. What happened to the cosmopolitan and trans-cultural embrace of styles that swirl around agglomerations like London? And how is Arular anything other than a London record???"

the key thing is your idea of what London is like. it isn't an agglomeration or particularly 'trans-cultural' (whatever that means) although it is cosmopolitan in a downbeat kind of way. reynolds' idea of london, embodied in the ardkore-garage-grime 'nuum, is i think closer to 'the truth' than 'arular' presents, though it *does* come over as a 'london record'.
point is, if london's musics do synthesize styles, what they are not (often anyway) in reynolds mythology is a knowing 'embrace of styles', which is what, say, basement jaxx often risk.

NRQ, Wednesday, 2 March 2005 11:28 (twenty years ago)

it's odd that 'coming from nowhere' is seen as a negative, but considering it ws reynolds wrote it.

cozen (Cozen), Wednesday, 2 March 2005 12:11 (twenty years ago)

Well that's the thing, it's not a negative at all.

The Lex (The Lex), Wednesday, 2 March 2005 12:26 (twenty years ago)

I'm still not sure how he meant "coming from nowhere" as a pejorative, it sounded like he was merely trying to place her sound in the vast world of music that is out there, not say "it is bad because it comes from nowhere." And it DOESNT come from a movement really. Kano doesn't "come from nowhere" because grime is, like, a huge movement; london girls imitating dancehall is not a "movement," and it makes for great music in this case, but that doesn't make it "come from" a broad musical movement! And I think that if she lived in essex (i don't actually know english geography, so thats a random place i've heard) she'd be any less likely to come up w/ this "london" sound.

I mean, does she shout out london streets or the clubs she dances at or the side of london she's repping or something? It doesn't have much local/personal color that i can tell.

djdee (djdee2005), Wednesday, 2 March 2005 12:28 (twenty years ago)

dee she does that constantly - "I was missing in action, on a street in Acton", "got brown skin but I'm a West Londoner" etc.

and though Reynolds doesn't explicitly use 'coming from nowhere' as a pejorative MIA's lack of links to localised scenes is what he bases most of his critique on, so I don't think it's too far-fetched to infer that he doesn't exactly consider it a positive.

The Lex (The Lex), Wednesday, 2 March 2005 12:31 (twenty years ago)

And art college students are just as much a part of London as grime MCc ffs!

The Lex (The Lex), Wednesday, 2 March 2005 12:32 (twenty years ago)

SR probably didn't mean that in ALL cases ALL artists should be repping their hoods and keeping it real, so coming from nowhere is not ALWAYS a pejorative. Obviously it was a pun, so was a concise way of expressing some of his reservations, rather than a pox on all non-localist music.

But you could take it as a pejorative IF you thought that eg MIA was an art-school take on shanty styles, because of the undeclared cultural transactions going on. SR was always dead agin the false dream of a 'one-world' music, see his stuff on 808 State and FSOL in 'Energy Flash'. He's being consistent with that.

NRQ, Wednesday, 2 March 2005 12:34 (twenty years ago)

Yes art students live in London -- point is MIA is the one who is claiming teh realness (ie non-art-schoolness): that's why SR called her out. "Got brown skin but I'm a West Londoner" is a terrible line from a localist perspective -- it only makes sense to non-Londoners, non-Brits. Given the large non-white population of West London, it's strange thing to say. If Dizzee said "Got brown skin but I'm an East Londoner" you'd be like, wtf?

NRQ, Wednesday, 2 March 2005 12:38 (twenty years ago)

When has MIA ever tried to hide the fact that she went to St Martin's College? She's claiming realness, because her reality is both being an immigrant and a hipster, and she realises that those are not incompatible and don't make her any less real. She's never tried to pretend she's part of any 'scene'.

The Lex (The Lex), Wednesday, 2 March 2005 12:41 (twenty years ago)

i think you do have a point, as it goes, but that reynolds' arguments are being ignored. she doesn't claim to belong to a scene but, as SR says, she plays the realness game: "(refugee/freedom fighter, and a lot of pieces mention "her mum worked as seamstress", often stressing "at minimum wage" or for super-added anti-imperial frisson, "did sewing for the Queen"!!!)" which is all okay if you like that kind of thing and believe that the hipster world is not incompatible with the immigrant world (which is true in theory), but if like reynolds you're suspicious of hipsterism...

NRQ, Wednesday, 2 March 2005 12:49 (twenty years ago)

http://www.houseofzero.com/images/catalog/t_mw_roots_bb_front.gif

cozen (Cozen), Wednesday, 2 March 2005 13:12 (twenty years ago)

The "heys" in 10 Dollar always make me think of Krusty the Clown.

Jordan (Jordan), Wednesday, 2 March 2005 15:19 (twenty years ago)

Sorry to sound cynical, I think a lot of this backstory stuff is being stressed by MIA and the people promoting her alike because it makes for good copy and therefore increased press.

Who says "freedom fighter" anyway

MIA herself for one thing.

Matt DC (Matt DC), Wednesday, 2 March 2005 15:54 (twenty years ago)

Also I'd interpreted "got brown skin I'm a West Londoner" as her talking over the head of actual Londoners to other listeners, generally those who haven't been there and may think its all like the King's Road and Notting Hill (the film). The same sort of thing Dizzee's doing on Graftin'.

Matt DC (Matt DC), Wednesday, 2 March 2005 15:58 (twenty years ago)

MTV getting in on the action...

JoB (JoB), Wednesday, 2 March 2005 16:10 (twenty years ago)

I always feel like "I salt and pepper my mango" is kinda self-consciously trying too hard on exactly that front

I figured that was there mostly because of the nice "o" assonance with the rest of the verse. And also maybe because she salts and peppers her mango. I think there's way more "trying too hard" in this thread's assorted efforts to construe M.I.A. as a package of slick marketing moves (as if British/Sri Lankan refugee/art-school female MC was such an obvious commercial guise) than in anything on her album.

Reynolds' "from nowhere" line irritated me when I first read it, and it still does. Partly because of its (intended or not) patronizing tone -- I mean, what a fucking thing to accuse a refugee immigrant of, "You're not from anywhere," right, I think she figured that out, you know? I think it's part of what her music's about. But more than that, Arular does too sound to me like it's from somewhere -- it's from whatever constitututes the global pop marketplace, as filtered through M.I.A.'s specific experience. And the globe is a place, last time I checked. Insistences on some kind of "local" pedigree sound uncomfortably tribalistic, and surprise me coming from someone with as much taste for pop miscegenation as Reynolds.

gypsy mothra (gypsy mothra), Wednesday, 2 March 2005 16:47 (twenty years ago)

O. T. M.

Matt DC (Matt DC), Wednesday, 2 March 2005 17:01 (twenty years ago)

She is now signed to Interscope. Album drops stateside in mid-April. Check it: http://www.billboard.com/bb/daily/article_display.jsp?vnu_content_id=1000825977

P, Friday, 4 March 2005 17:35 (twenty years ago)

I'm telling ya, a retrospective Behind the Music special by June as she works on her comeback album.

Ned Raggett (Ned), Friday, 4 March 2005 17:49 (twenty years ago)

"Galang" has sold 800 copies! See, she's gonna be huge!

gypsy mothra (gypsy mothra), Friday, 4 March 2005 18:32 (twenty years ago)

March 22 now.

dan. (dan.), Friday, 4 March 2005 19:22 (twenty years ago)

After reading through this thread I finally went and DL'd the whole album just so I could hear more than 'Galang' and 'Fire Fire' and now I really don't get what the fuss is about. Dodgy / poorly-informed politics entirely put aside, the music is thoroughly average.

Graeme (Graeme), Friday, 4 March 2005 19:28 (twenty years ago)

"Average" is a strange word, in that the alb doesn't sound much like anything else I've heard (doesn't even sound that much like Piracy Funds Terrorism). I think you may mean "mediocre" (though of course I disagree). Also, not "getting" what the fuss is about is nothing to be proud of. You don't have to believe that she's worth the fuss, but if you don't get what the fuss is about, then you're not ready to have an informed opinion on whether the fuss is worthwhile.

Frank Kogan (Frank Kogan), Friday, 4 March 2005 19:38 (twenty years ago)

I think you may mean "mediocre"

No, I mean "average" as in ordinary, unexceptional, middling. Of average merit. Neither great nor terrible. Mediocre works just as well too.


You don't have to believe that she's worth the fuss, but if you don't get what the fuss is about, then you're not ready to have an informed opinion on whether the fuss is worthwhile.

I've re-read this sentence a couple of times and it's still not clear to me what the point you are attempting to make is. I'll clarify what I meant when I wrote that 'I really don't get what the fuss is about now' though: After hearing the album in it's entirety, there is nothing about it that strikes me as warranting the level of press coverage or debate that it has received.

Graeme (Graeme), Friday, 4 March 2005 20:54 (twenty years ago)

Does anything in pop culture really warrant the amount of media attention it receives? The amount of froth generated on a daily basis for albums, movies, tv shows, etc. with far less artistic merit than MIA is staggering, so I wouldn't begrudge her the relatively modest amount of hype that she has received so far.

o. nate (onate), Friday, 4 March 2005 20:57 (twenty years ago)

Hype is fun.

Spencer Chow (spencermfi), Friday, 4 March 2005 21:06 (twenty years ago)

The amount of froth generated on a daily basis for albums, movies, tv shows, etc. with far less artistic merit than MIA is staggering

True, although the flipside is that there are artists with greater artistic merit than MIA who are receiving little or no hype whatsoever. I don't particularly care about this one way or the other though so it isn't something that informs my opinion of her album.


I wouldn't begrudge her the relatively modest amount of hype that she has received so far.

Who's begrudging? She'll sell a load of copies of her album. Good for her. It's just a shame it's not as interesting or exciting an album as the hype suggests.

Graeme (Graeme), Friday, 4 March 2005 21:38 (twenty years ago)

True, although the flipside is that there are artists with greater artistic merit than MIA who are receiving little or no hype whatsoever.

I think she's pretty much at or near the top of my current artistic merit list.

Spencer Chow (spencermfi), Friday, 4 March 2005 21:40 (twenty years ago)

I'm kind of reserving judgment on her artistic merit at this point. Piracy Funds Terrorism was an invigorating blast of fresh air to me, but I'm not really sure how much of the credit for that should go to MIA and how much to Diplo or even the artists he sampled. I'll wait until I hear Arular to make my Solomonic pronouncements.

o. nate (onate), Friday, 4 March 2005 21:43 (twenty years ago)

Who cares who's responsible???

Spencer Chow (spencermfi), Friday, 4 March 2005 21:50 (twenty years ago)

Well, I'm just not sure how much I should be salivating in anticipation of Arular, or whether I should be seeking out some Diplo sets instead.

o. nate (onate), Friday, 4 March 2005 22:02 (twenty years ago)

Arular >>>> Piracy Funds Terrorism

jaymc (jaymc), Friday, 4 March 2005 22:04 (twenty years ago)

(At what point can we retire the "I dislike this artist, ergo he/she is undeserving of press coverage" argument?)

The Ghost of Dan Perry (Dan Perry), Friday, 4 March 2005 22:07 (twenty years ago)

jaymc otm

djdee (djdee2005), Friday, 4 March 2005 22:08 (twenty years ago)

djdee otm

Spencer Chow (spencermfi), Friday, 4 March 2005 22:23 (twenty years ago)

At what point can we retire the "I like this artist, ergo he/she is undeserving of people criticizing her press coverage" argument? I think Graeme is OTM; there are tons of artists that are more deserving of the hype than M.I.A....I "get" why people have such an immediate response: her style has a euphoric yet aggressive rush to it, one that is filled with hook after solid hook...the hype is causing people to apply an unnatural depth to her content, however....her lyrical style is filled with one liners that provide extra hook but certainly do not amount to the complexity that is being applied by critics..her political mentions are obviously added to sound cool and hook listers, but they serve no more purpose than a commercial jingle...it's fun, it's immediate, but it's in no way timeless....very "of the moment" which is the type of thing that breeds hype, but no the type of thing that will be considered "classic" over time

Space Is the Place (Space Is the Place), Friday, 4 March 2005 22:27 (twenty years ago)

"but no the type of thing that will be considered "classic" over time"

Well thankfully I'm not the kind of person who gives a shit about that sort of thing.

Alex in SF (Alex in SF), Friday, 4 March 2005 23:09 (twenty years ago)

I have to hear this album. tht diplo radio set somebdy posted up on ilm is amazing, listen to it 4 times a week almost, and I'm gutted boomselection's archives are down so I can't get at pfterrorism. when's the release dates?

cozen (Cozen), Friday, 4 March 2005 23:17 (twenty years ago)

I like Arular but even more, I love the discourse that's arisen around M.I.A... rarely have I so enjoyed the back and forth between critics and fans (not that there's a bright line between the two). I think Simon Reynolds touched on this in one of his blog postings-- the difficulty of positing that the artist can be separated from the hype, what your friends say, what the New Yorker says, what everybody says. It all seems part of M.I.A.-as-phenomenon. I'm excited to see her in SF this month and have no real expectations beyond verifying that she's just as foxy in person and seeing how many people end up dancing. (Some NYT review said she and her crew were about the only people dancing at one of her NYC shows.) "Pull up the people" and "amazon" are my faves.

Amar, Tuesday, 8 March 2005 01:36 (twenty years ago)

but no the type of thing that will be considered "classic" over time


I know this is an obvious complaint, but I hate this line of criticism. A.) Who the fuck knows what'll be "considered classic over time"? Wanna know how many parents tut-tutted their children about the Beatles that way? Or about Louis Armstrong, for god's sake? B.) But more to the point, who the fuck cares? Does anyone choose their preferences in music, film, art, whatever, based on its likelihood of being appreciated in 100 years? And if so, why? Who cares what people in 100 years will think about anything? They'll probably all be stupid.

gypsy mothra (gypsy mothra), Tuesday, 8 March 2005 17:24 (twenty years ago)

mike skinner yeah!

cozen (Cozen), Tuesday, 8 March 2005 17:55 (twenty years ago)

I guess its funny to me the urgency with which some people are taking to this conversation; YES, talking about the really real with regard to the situation in Sri Lanka is essential.

BUT....to most desis, thats like, second friggen nature. How do you NOT consider the reality of the situation in Sri Lanka when MIA throws up a shout-out to Tigers?????

Its funny to me, and really a sign of how bad things are, that columinists in the Village Voice are paid to do what should really come natural as a thinking person.

And its also funny how excited people are getting about having a really real conversation.

The sad thing as a desi is, while the impetus is there for this discussion, the spaces are all taken up by world-views for whom this stuff is always brand new.


How about a cultural space in the US that is not forever getting in touch with the really real.

You know what thay would entail don't you?

jojobrown, Wednesday, 9 March 2005 04:06 (twenty years ago)

FFS, there's no "but" in the line "got brown skin, I'm a West Londoner". How then could you possibly object to those two statements of fact? Unless like Reynolds you seem to believe that her brown skin is some kind of sinister ploy to fool her audience...

Flyboy (Flyboy), Wednesday, 9 March 2005 10:16 (twenty years ago)

Flyboy, if there's no 'but' there, what does the lyric mean? There's an implied 'but', otherwise the line makes no sense. 'Got 32 teeth, have long hair'.

NRQ, Wednesday, 9 March 2005 11:22 (twenty years ago)

Huh? Are you really not familiar with the convention of people telling you things about themselves in a record? How many times does Mos Def tell you he's from Brooklyn?

Flyboy (Flyboy), Wednesday, 9 March 2005 11:30 (twenty years ago)

I've never heard him say 'got brown skin, am from Brooklyn' (and at least that would rhyme) is the point. But if you disagree, fine, I'm not making a federal case.

NRQ, Wednesday, 9 March 2005 11:42 (twenty years ago)

Check out that lengthy Reynolds reply to Christgau on his blog, and the Reynolds defenders on Dissensus.com (Woebot & Stelfox) plus supporters. Criticizing her use of simplistic radical chic lyrics I can understand (but as Jess dubplatestyle Harvell says one should do the same with homophobic dancehall), but the suggestion that it's wrong of her to use dancehall, baile funk, or grime is way too purist/authenticity defender for me. I can understand someone saying they don't like the way she uses those genres, but isn't anything fair game (as long as you credit!). Even if she just is 'fake' or Neneh Cherry-like, so what, I like that brand of pop.

steve-k, Wednesday, 9 March 2005 12:12 (twenty years ago)

actually, that lines makes sense cos to me its sorta neccessary. she's repping being brown and from West Landaaan

In the cultural milleu where an Asian in the UK who slings hard-core roots bhangra with a modern feel to it, and have to prove your music is "down".......having to shout out being both brown and from West London and repping it hard and authentic (whatever that means)....might have seemed like a fun/vital option for MI to A.

She's got pride in who she is, where she sorta came from.

Browns in touch with something really real unfortunately still aren't allowed sometimes to fit the paradigm, even when they do


Actually alot of the criticism of her is pretty normal.....she DOES have a reason for that brown skin....it connects her to a feeling of responsibility/impetus for memory. She can't really just f it all and think only about herself; cos she brown. Its hard. Try to get awat and sing about self-involved ish when you know peeps getting ish for the real? Its not easy. And once its not easy, its hard to stop. You start inadvertantly caring about the problems of peeps you ain't never met, because you empathisize without your own permission.

so then you can't let things slide that someone else might say...not my business. So you might never show it but certain things wrong bother you deep and its part of what gives you soul/anger/makes you you


So yeah, in a way, saying what she said makes sense as a "authentic" person

jojobrown, Wednesday, 9 March 2005 12:50 (twenty years ago)

GOD I just read that Dissensus thread on MIA and apart from Jess's posts it is SO. FUCKING. DUMB. and extraordinarily narrow-minded. and very, very prejudiced on more levels than I want to count.

fucking IDIOTS, all of them.

The Lex (The Lex), Wednesday, 9 March 2005 13:25 (twenty years ago)

I mean, seriously, GET ONE CLUE about what pop music is/is about.

MIA is totally faux but so the fuck what? The new Neneh Cherry is cribbing off genres she likes in what is clearly an UNPRECEDENTED MOVE IN MODERN POPULAR MUSIC.

IDIOTS. FUCKING IDIOTS.

The Lex (The Lex), Wednesday, 9 March 2005 13:28 (twenty years ago)

I'm not common.

Must...resist...Pulp...reference...

Ned Raggett (Ned), Wednesday, 9 March 2005 13:31 (twenty years ago)

Again, The Lex OTM. So it is about grime in the end. What a joyless bunch with their brown-shirt purity of the culture/form talk.

Omar (Omar), Wednesday, 9 March 2005 14:08 (twenty years ago)

Lex so OTM.

Spencer Chow (spencermfi), Wednesday, 9 March 2005 18:19 (twenty years ago)

My favorite part of the Woebot post on Dissensus is when calls her a stupid simplistic woman for the "I am soldier" line and then claims NO man would get away with using that kind of metaphor. Cuz, of course, I remember when Matt was going apeshit about "Headquarters/Rep Ur Endz" for playing that same game. The critics wouldn't let up on Essentials or Roll Deep on all those AWOL-type "I am a soldier in the gangsta hardstep cause" guys or on No Limit or whomever for using military metaphors. Yeah, right.

Alex in SF (Alex in SF), Wednesday, 9 March 2005 18:26 (twenty years ago)

stelfox, you so crazy!

cozen (Cozen), Wednesday, 9 March 2005 19:14 (twenty years ago)

MIA is totally faux but so the fuck what?

OW ALEX FFS!!! Reynolds has thrashed this to death but the answer to your question is that MIA IS DOING THE WHOLE TERRORIST CHIC THING. THAT IT WHY THE FAUXNESS SITS ILL. Can't you see this? The problem isn't that she's faux -- the Clash were faux, too -- the problem in both cases is the [overly simplistic] [and possibly irresponsible?] self-placement in the discourse of righteous rebel rock shanty house.

NRQ, Wednesday, 9 March 2005 19:48 (twenty years ago)

I kind of wish that people would argue about this on the same message board.

TS: ILM vs. Dissensus.

deej., Wednesday, 9 March 2005 19:49 (twenty years ago)

the problem is that the music doesn't make up for the faux-ness.

The Good Dr. Bill (The Good Dr. Bill), Wednesday, 9 March 2005 19:50 (twenty years ago)

Did Jess just migrate to a diff. board? I don't understand.

jaymc (jaymc), Wednesday, 9 March 2005 19:50 (twenty years ago)

I think he did it because on dissensus he can have a ma$e avatar.

deej., Wednesday, 9 March 2005 20:01 (twenty years ago)

Why not just consider her aesthetic as a kind of anti-globalism sci-fi, like shanty cyber punk?

Spencer Chow (spencermfi), Wednesday, 9 March 2005 20:59 (twenty years ago)

jess writes for pfork now too jaymc! sadder than ludacris man

j blount (papa la bas), Wednesday, 9 March 2005 21:16 (twenty years ago)

Hahaha so cruel.

Alex in SF (Alex in SF), Wednesday, 9 March 2005 21:18 (twenty years ago)

I can't believe that people are dissing on MIA for a little posturing. These same people will happily ignore murder, homophobia, sexism, gangs etc in order to enjoy a rap or grime track, either at the level of "oh look at the cute macho posturing" or "the production on this track is like wow! listen to the tablas on the Missy record!". WTF? I don't get this at all. Haters are missing out on a lot of fun.

Spencer Chow (spencermfi), Wednesday, 9 March 2005 21:31 (twenty years ago)

If any of them walked into a club and heard "10 Dollar" blasting I guarantee that they would immediately start dancing and then try to figure out who it was.

Spencer Chow (spencermfi), Wednesday, 9 March 2005 21:35 (twenty years ago)

...and then stop dancing if they figured it out. ;)

Omar (Omar), Wednesday, 9 March 2005 21:42 (twenty years ago)

Haha well that certainly sounds like Stelfox.

Alex in SF (Alex in SF), Wednesday, 9 March 2005 21:44 (twenty years ago)

xpost
Haha, exactly.

Spencer Chow (spencermfi), Wednesday, 9 March 2005 21:45 (twenty years ago)

the answer to your question is that MIA IS DOING THE WHOLE TERRORIST CHIC THING. THAT IT WHY THE FAUXNESS SITS ILL.

this is NOT the main reason why any of MIA's detractors on Dissensus dislike her! It is only a small part of Simon Reynolds' antipathy towards her*. they don't like her because she appropriates 'their' pet genres, makes them less 'pure' by - gasp! - not sticking to any one template, and - worst of all - is no longer living in poverty and has hip friends.

*(and the weakest part of his argument, as he only considers the polar positions that 'the politics have nothing to do with the record and therefore we can ignore them' and 'the politics are central', which totally misses what MIA actually does which is to weave politics into what she does as something integral but not central. and for what it's worth, I think MIA's political sentiments are the most 'real' aspects of her music.)

Also, Spencer otm. TS: MIA using terrorist imagery vs TOK using homophobic imagery.

Another thing I would note is that MIA's detractors are terrified that she is going to be a massive critical touchstone/commercial star in place of more deserving artists. I don't think she is, at all. It would shock the hell out of me if she had a UK top 40 hit, let alone top 10. They can probably sleep safe knowing that she will flop.

The Lex (The Lex), Wednesday, 9 March 2005 23:44 (twenty years ago)

just for the record about half of the posts on that dissensus thread were defending her. let's not get all up on this "evil-old-boy-purist-critic-" thing.

captain easychord (captain easychord), Thursday, 10 March 2005 00:15 (twenty years ago)

also, curious as to hear the response to MIA from serious hip-hop heads (i.e. rap-ists) anyone?

captain easychord (captain easychord), Thursday, 10 March 2005 00:18 (twenty years ago)

(when I got pissed off earlier the vast majority of posts on that thread were either vitriolic hatred or 'er, haven't heard her really', Jess's posts being the exception - and no one has actually replied to his points there yet! it is nice to see more defenders on it now.)

oh jesus not the hip-hop heads. no no no. please no.

The Lex (The Lex), Thursday, 10 March 2005 00:20 (twenty years ago)

this isn't about you.

but you're still fucking stupid.

no, I don't offer an alternative.

cozen (Cozen), Thursday, 10 March 2005 00:20 (twenty years ago)

however many crossposts to appease you.

cozen (Cozen), Thursday, 10 March 2005 00:20 (twenty years ago)

I'm mostly talking to myself.

yes, I realise this is the bad strategy.

cozen (Cozen), Thursday, 10 March 2005 00:21 (twenty years ago)

the hip hop heads no. it's true, they are pretty intolerent in general.

captain easychord (captain easychord), Thursday, 10 March 2005 00:26 (twenty years ago)

Yeah Lex, well I'm glad Reynolds finally fessed up on this point on Dissensus

"MIA is on her way, in the US, to being the poster child for a whole bunch of genres (that grime meme will stick, i can guarantee it)."

When I finally saw a picture of her I immediatly thought "she should compete in that arena with yr Kylies and Beyonces" (although yes I agree obviously she'll fail, and all the Wiggers With Blogs can sleep sound in their Wiley blankets dreaming of "their" little scene.)

That "she could write about those musics instead of making them" now is the funniest thing said in this highly entertaining debate.

Omar (Omar), Thursday, 10 March 2005 08:37 (twenty years ago)

(ugh wtf sorry dude I ws really drunk and bellicose last night, apologies, I didn't mean it. whomever I may have been talking to.)

cozen (Cozen), Thursday, 10 March 2005 13:01 (twenty years ago)

jesus, you've all talked about me almost as much as the record.

stelfox, Thursday, 10 March 2005 13:14 (twenty years ago)

well you've talked about us far more than the record (cf: MIA's fans, loathing of)

The Lex (The Lex), Thursday, 10 March 2005 13:20 (twenty years ago)

and i NEVER FUCKING IGNORE homophobia, vilomence, gang crime or any of the unsavoury aspects of the music i like. i've written more about these subjects than anyone on these boards and i get heartily sick of being accused of being an apologist. it's offensive to me, hurtful and completely fucking unfair. how many of you people with your oh so worthy agendas have ver actually fucking confronted TOK about their homophobia and got it into mainstream print? how many of you have tackled elephant man and vybz kartel on the same issues? until you can at least match me or prove that what i do is somehow less valid than than spouting off on an internet forum, please quit it with the spurious, wrongheaded accusations.

stelfox, Thursday, 10 March 2005 13:22 (twenty years ago)

the dissensus thread is a bit crap really, but i can't help thinking it's because the 'antis' have been pushed into sourness by the fact the 'pros' seem not to listen to arguments at all. the pros choose to talk about hype and background WHEN IT SUITS THEM Lex, so you can't play that card to stelfox now. this has already been said anyway.

N_RQ, Thursday, 10 March 2005 13:25 (twenty years ago)

but i'll leave you all in your ikea brand exoticised ivory towers because you won't listen anyway.

stelfox, Thursday, 10 March 2005 13:35 (twenty years ago)

dave, as a stelfox regular talk of ivory towers *might* be a bit loose?

N_RQ, Thursday, 10 March 2005 13:48 (twenty years ago)

haha durrr i mean 'dissensus regular'.

N-RQ, Thursday, 10 March 2005 13:48 (twenty years ago)

M.I.A. has helped me learn so much.

cozen (Cozen), Thursday, 10 March 2005 13:49 (twenty years ago)

I was aout to say, Dave's comment re: ivory towers is pretty much exactly what I am thinking about that Dissensus thread, Reynolds in particular.

(ps apologies for not having as much journalistic leverage as you to get interviews with these people, at this stage discourse on message boards is about all I can do.)

(the antis have never needed any pushing to be sour)

The Lex (The Lex), Thursday, 10 March 2005 13:54 (twenty years ago)

Why not just consider her aesthetic as a kind of anti-globalism sci-fi, like shanty cyber punk?

Hey, William Gibson and Neuromancer were right after all!

Ned Raggett (Ned), Thursday, 10 March 2005 13:58 (twenty years ago)

I see some interesting things going on in the later part of the Dissensus thread, even though Reynolds misinterprets something I said.

I'm fine with Reynolds and Woebot not liking the way M.I.A. uses radical chic lyrics and the way she uses favela funk, grime, and dancehall--I just wish they would be consistent about their use of that analysis and not suggest as they seem to--that certain 'street' supported genres are holy and not to be touched! Now Stelfox does say he found a German dancehall record he liked--but that's missing the point--M.I.A. is not trying to make a purist dancehall record. I'm fine with Stelfox not liking what M.I.A. is doing, but don't suggest that she's made a bad dancehall record. That's not what she's trying to do.

Reynolds now has clarified that when musicians use instruments like guitar and bass to "appropriate," he's cool with that(postpunk), but he doesn't like 21st century hi-tech 'appropriation.' He never addresses what he thinks of Brazilian style appropriation(he may have addressed this once on his blog but I don't recall).

His comments on Byron Bitchlaces blog have me confused on when he considers being "artschool" is ok, and when it isn't. Actually I'm not clear anymore on when he thinks "street" is worthy, and when it isn't.

Reynolds -"it's not about authentic/inauthenticity per se, it's about a different kind of energy and hunger that you get from these more insular scenes as opposed to the more eclectic, cosmopolitan sensibilty bred in art school (whose products generally have more options than music as a way of making it)

you can feel it"

Steve-k (Steve K), Thursday, 10 March 2005 15:27 (twenty years ago)

Reynolds now has clarified that when musicians use instruments like guitar and bass to "appropriate," he's cool with that(postpunk), but he doesn't like 21st century hi-tech 'appropriation.'

What a get-out clause. Jesus. As if you don't get things "wrong" with a sampler & stuff.

My pet theory at the moment is that the haters are projecting their own guilt on M.I.A. A sort of sublimated self-hatred regarding their own (sub)cultural tourism. Of course the guilt cuts deeper because she's a woman, shadows of Mommie, and they still desire her. (I'm joking of course. ;)

Omar (Omar), Thursday, 10 March 2005 15:43 (twenty years ago)

I liked Tom Ewing's criticism in the pub last week. "I don't care about all this fake-real stuff but she's got a voice like a parrot".

This is like the Frankenstein's monster of ILM threads because MIA somehow seems to have managed to encapsulate every single possible bugbear ever on this board. Nice going.

Matt DC (Matt DC), Thursday, 10 March 2005 15:52 (twenty years ago)

Overlooking the (unnecessary and inaccurate) pop at Stelfox, there are pertinent threads made upthread. MIA, by virtue of being female and having been to art school, is 20 times more likely to be called out for 'appropriating' terrorist imagery than any grime MC using explicitly violent guns and gangsters imagery*. Was there this level of frenzied debate surrounding Cock Back? Not that I noticed...

*Although maybe they don't need to considering grime MCs call each other out all the time on the fakeness of their gangster posturing

Matt DC (Matt DC), Thursday, 10 March 2005 16:00 (twenty years ago)

My pet theory at the moment is that the haters are projecting their own guilt on M.I.A. A sort of sublimated self-hatred regarding their own (sub)cultural tourism.

Or they could, y'know, just think she's not as good as she's being made out to be and be frustrated by the fact that so many people appear willing to give her a free pass re: musical / political / ideological shortcomings they see her as having.

The only thing about this whole debate that I find difficult to comprehend is that it is generating quite so much text.

Graeme (Graeme), Thursday, 10 March 2005 16:12 (twenty years ago)

"Or they could, y'know, just think she's not as good as she's being made out to be and be frustrated by the fact that so many people appear willing to give her a free pass re: musical / political / ideological shortcomings they see her as having."

I think they would be discussing those shortcomings in a slightly different manner. No, there is something more personal at work for a good number of these folks.

Alex in SF (Alex in SF), Thursday, 10 March 2005 16:14 (twenty years ago)

Also Stelfox has got to be the most amusing human being in the world to bait (well except maybe dee.) He's like a crazed trained seal who pops up on command with these blustery and hysterical retorts and then disappears just as suddenly grumbling and swearing.

Alex in SF (Alex in SF), Thursday, 10 March 2005 16:18 (twenty years ago)

I think they would be discussing those shortcomings in a slightly different manner. No, there is something more personal at work for a good number of these folks.

Maybe so, I haven't read the entire thread in question but what vehemence I did see I figured was coming from the writers being particularly passionate about the music / artists that are inspiring / informing MIA.

Another factor may just be that these discussions are going on on internet discussion boards. The nature of debate on places like this often seems to lead people to take extreme positions / make hyperbolic statements.

(x-post)

Graeme (Graeme), Thursday, 10 March 2005 16:23 (twenty years ago)

Having just read the Dissensus thread I have two observations:

1. Jess is bang OTM on his first couple of posts.
2. Reading Dissensus for ages and then switching straight back to ILM really hurts your eyes. Bright light! Bright light!

Matt DC (Matt DC), Thursday, 10 March 2005 16:24 (twenty years ago)

the most amusing human being in the world to bait

You've obviously never spent time on the boards at anncoulter.org.

Graeme (Graeme), Thursday, 10 March 2005 16:25 (twenty years ago)

3. The comments by the guy on that thread who said that the people raving about MIA are, essentially, being seduced by the whole backstory are projection of the highest order.

Also OTM from the Christgau piece: The decoratively arrayed, pastel-washed tigers, soldiers, guns, armored vehicles, and fleeing civilians that bedeck her album are images, not propaganda—the same stuff that got her nominated for an Alternative Turner Prize in 2001. They're now assumed to be incendiary because, unlike art buyers, rock and roll fans are assumed to be stupid.

Matt DC (Matt DC), Thursday, 10 March 2005 16:26 (twenty years ago)

I heard Stelfox has ginger hair.

Senior Executive/CEO (nordicskilla), Thursday, 10 March 2005 16:28 (twenty years ago)

And that he runs a consulting business in ind-oh-neesia.

Senior Executive/CEO (nordicskilla), Thursday, 10 March 2005 16:29 (twenty years ago)

I hate the way Dissensus is laid out.

Alex in SF (Alex in SF), Thursday, 10 March 2005 16:29 (twenty years ago)

Also Stelfox has got to be the most amusing human being in the world to bait (well except maybe dee.)

ROARRRRRRR

djdee (djdee2005), Thursday, 10 March 2005 16:30 (twenty years ago)

I hate the way Dissensus is laid out.

OK now you've just gone too far.

djdee (djdee2005), Thursday, 10 March 2005 16:31 (twenty years ago)

"Maybe so, I haven't read the entire thread in question but what vehemence I did see I figured was coming from the writers being particularly passionate about the music / artists that are inspiring / informing MIA."

So you missed the waves of personal enimity from Woebot then? And the fact that Simon has contradicted himself near to a dozens of times in his vain attempt to explain why M.I.A. is doing bad bad things?

Alex in SF (Alex in SF), Thursday, 10 March 2005 16:32 (twenty years ago)

No seriously I can't stand boards where I have to click multiple times just to follow the train of the whole thread.

Alex in SF (Alex in SF), Thursday, 10 March 2005 16:33 (twenty years ago)

The decoratively arrayed, pastel-washed tigers, soldiers, guns, armored vehicles, and fleeing civilians that bedeck her album are images, not propaganda—the same stuff that got her nominated for an Alternative Turner Prize in 2001. They're now assumed to be incendiary because, unlike art buyers, rock and roll fans are assumed to be stupid.

Matt, this is question-begging a bit isn't it? Just because people are self-defined art fans doesn't make their political sensibilities any more refined. Also, if you can discern "images" from "propaganda" (are these even opposed categories) you're a better man than I.

NR_Q, Thursday, 10 March 2005 16:35 (twenty years ago)

1. Jess is bang OTM on his first couple of posts.

but in a shock move no one in that thread actually picked up on his points (such as "the thing is that many people are now waking up to the fact that grime/dancehall/desi/whatever sonics are the most exciting thing going. but the voices - be they sizzla or dizzee or daddy yankee - arent's speaking for them, in the voice of lefist, feminist, queer, whatever.")

I can't believe MIA and Diplo's fucking relationship is now being used as ammunition against her.

The Lex (The Lex), Thursday, 10 March 2005 16:37 (twenty years ago)

Way to miss Christgau's point NR_Q.

Alex in SF (Alex in SF), Thursday, 10 March 2005 16:38 (twenty years ago)

"I can't believe MIA and Diplo's fucking relationship is now being used as ammunition against her."

Oh THAT doesn't shock me at all. In fact, that's another amusing bit from Simon's volumnious blog bits and what not is the fact that he can't seem to actually separate the two. He's more than willing to switch his critique to Diplo when it doesn't work for M.I.A. and then indict her by association.

Alex in SF (Alex in SF), Thursday, 10 March 2005 16:41 (twenty years ago)

http://www.dissensus.com/showthread.php?t=1010

djdee (djdee2005), Thursday, 10 March 2005 16:44 (twenty years ago)

don't think i'm being thick alex -- isn't xgau just saying 'terrorist imagery is fine if it's art', w/o questioning any further?

NR_Q, Thursday, 10 March 2005 16:46 (twenty years ago)

Just because people are self-defined art fans doesn't make their political sensibilities any more refined. Also, if you can discern "images" from "propaganda" (are these even opposed categories) you're a better man than I.

Likewise, if you can view these images and see them explicitly as propaganda then you are a better man than I. They're not opposed, but they're not hand in hand either. The problem is that art audiences are assumed to be intelligent and able to read all sorts of nuances into things while as soon as we're looking at a pop audience its like "oh, people won't understand any of these nuances this MUST be condoning terrorism because her audience is so stupid she'd have to hold their hand through every ambiguity".

Matt DC (Matt DC), Thursday, 10 March 2005 16:46 (twenty years ago)

Oh god that's even worse than his original post. Pathetic.

Alex in SF (Alex in SF), Thursday, 10 March 2005 16:46 (twenty years ago)

isn't xgau just saying 'terrorist imagery is fine if it's art', w/o questioning any further?

No. See my last post.

Matt DC (Matt DC), Thursday, 10 March 2005 16:47 (twenty years ago)

I can't believe MIA and Diplo's fucking relationship is now being used as ammunition against her.

It's the "she fucked her way to the top" classic. Oh that one has been used already (maybe on the Christgau thread?)

Omar (Omar), Thursday, 10 March 2005 16:48 (twenty years ago)

Also on that thread, the utterly condescending and somewhat ironic use of the phrase "lack of self-awareness" is really fucking annoying.

Matt DC (Matt DC), Thursday, 10 March 2005 16:49 (twenty years ago)

especially as if ANYONE in this lacks self-awareness, it's THEM!

The Lex (The Lex), Thursday, 10 March 2005 16:52 (twenty years ago)

Also, if you can discern "images" from "propaganda"... you're a better man than I.

Thanks, but I knew that already. Fortunately I'm not alone.

Flyboy (Flyboy), Thursday, 10 March 2005 16:55 (twenty years ago)

Cruel. But honourable.

Alex in SF (Alex in SF), Thursday, 10 March 2005 16:56 (twenty years ago)

You have real integrity. Also you would never drink tea with Justine Frischmann now, would you?

Alex in SF (Alex in SF), Thursday, 10 March 2005 16:57 (twenty years ago)

I mean, its just the assumed viewpoints in this debate that is so annoying. The "wow man, she's like really really real, her music's this amazing hybrid of baille funk and hip-hop and dancehall and grime and electro that I've never heard AND she's an immigrant with a Tamil Tiger dad which makes her EVEN COOLER because she's, like, BEEN THERE MAN". Has anyone actually said that? Is this anything other than building the ultimate corny indie fuck strawman?

Matt DC (Matt DC), Thursday, 10 March 2005 17:00 (twenty years ago)

Matt,
no, but the marketing campaign accompanying the music seems to have ye olde cornball indie strawman in mind, which is what they are reacting to. And I think it makes sense that they do so, i get turned off from a lot of music by the context its presented in. I can't really defend huge swathes of their arguments, though. I'm going to sit here on my fence and not care much about MIA either way.

djdee (djdee2005), Thursday, 10 March 2005 17:03 (twenty years ago)

Oh the strawmen have definitely been flying fast and furious (it's easier to create a fake argument and tear it apart than actually engage in like a real debate with someone who is pointing out your inconsistencies.)

Alex in SF (Alex in SF), Thursday, 10 March 2005 17:03 (twenty years ago)

If we judged artists on the morals and demographics of their marketing campaigns there would be no room for Britney Spears in our lives.

The Lex (The Lex), Thursday, 10 March 2005 17:08 (twenty years ago)

Apparently critiqueing artists' fans and agents is the new thing.

Alex in SF (Alex in SF), Thursday, 10 March 2005 17:10 (twenty years ago)

I mean, really, the closest reference point to any of this is electroclash/electropop/electrowhatever. Arular seems to sit far closer to Fatherfucker or Anniemal or She's In Control or even Human After All than it does with any grime or dancehall or even Lumidee or Kelis.

Matt DC (Matt DC), Thursday, 10 March 2005 17:12 (twenty years ago)

Haha by which I mean 'records only liked by ILMers'.

Matt DC (Matt DC), Thursday, 10 March 2005 17:14 (twenty years ago)

I actually do find the whole schtick hugely annoying and Freedom Fighter Skit itself makes me cringe, but that isn't hampering my enjoyment of the rest of the music as yet.

Matt DC (Matt DC), Thursday, 10 March 2005 17:15 (twenty years ago)

Apparently critiqueing artists' fans and agents is the new thing.

Haha you just realize you've created another strawman, right?

djdee (djdee2005), Thursday, 10 March 2005 17:18 (twenty years ago)

Yeah, watch me devote miles of text to tearing it apart now. Heh that would be ironic.

Alex in SF (Alex in SF), Thursday, 10 March 2005 17:22 (twenty years ago)

Arular seems to sit far closer to Fatherfucker or Anniemal or She's In Control or even Human After All

i think you're absolutly spot-on there.

Omar (Omar), Thursday, 10 March 2005 17:27 (twenty years ago)

I thought that's what this was for.
xp alex

djdee (djdee2005), Thursday, 10 March 2005 17:27 (twenty years ago)

I think this sums up simon's position.

(from his latest post)

for me scenius beats genius most of the time -- the work of a lone artist has to be really exceptionally good to beat that

djdee (djdee2005), Thursday, 10 March 2005 17:32 (twenty years ago)

Well, I disagree with that on every possible level. It's so... exclusive, as in it excludes so much. It's an incredibly unconvincing position to take as a music lover.

The Lex (The Lex), Thursday, 10 March 2005 17:39 (twenty years ago)

I'm fine with Stelfox not liking what M.I.A. is doing, but don't suggest that she's made a bad dancehall record. That's not what she's trying to do.

where did i say that she was making a bad dancehall record. she's not. she's just made a crappy record that people like for all the wrong reasons. it has comparatively little to do with dancehall... about as much as ace of base, except they were a lot better.

anyway i'll leave you all to it and will never dare to criticise any of the nerdosphere's sacred cows ever again *rolls eyes*

stelfox, Thursday, 10 March 2005 18:01 (twenty years ago)

"she's just made a crappy record that people like for all the wrong reasons."

Haha the WRONG REASONS! The wrong reasons. Ohmigod that's precious.

Alex in SF (Alex in SF), Thursday, 10 March 2005 18:03 (twenty years ago)

"for me scenius beats genius most of the time -- the work of a lone artist has to be really exceptionally good to beat that"

Okay this is a fair cop. BUT that was really all he needed to say. The rest of this posturing and hand-wringing has little or nothing to do with this.

Alex in SF (Alex in SF), Thursday, 10 March 2005 18:08 (twenty years ago)

and alex if i pop up like a trained seal or whatever condescending analogy you used, it's when i'm accused of homophobia by omission or being a racist or whatever. it's pretty annoying.

stelfox, Thursday, 10 March 2005 18:11 (twenty years ago)

Stelfox, for the record, I was not speaking about you in particular.

Spencer Chow (spencermfi), Thursday, 10 March 2005 18:12 (twenty years ago)

Oh don't hammer on his ego like that, Spence.

Alex in SF (Alex in SF), Thursday, 10 March 2005 18:14 (twenty years ago)

damn, i really have touched some nerves haven't i?
anyway, enjoy yourselves, but remember i'm not the one who got all personal about this, alex et al.

stelfox, Thursday, 10 March 2005 18:20 (twenty years ago)

"damn, i really have touched some nerves haven't i?"

Cute. Pot Kettle some color or another.

Alex in SF (Alex in SF), Thursday, 10 March 2005 18:23 (twenty years ago)

I love this evident concern that she's going to get identified as "grime" and come to represent "grime" for clueless Americans...when in fact I'll be surprised if that word surfaces in 1/10th of what gets written about her. (And then watch the hollering about how she stole from grime without anyone acknowledging it, etc.)

gypsy mothra (gypsy mothra), Thursday, 10 March 2005 18:34 (twenty years ago)

You know who is really stealing from grime? The fuckers on eBay who sell DVDrs of Aim High, Practice Hours, etc.

Alex in SF (Alex in SF), Thursday, 10 March 2005 18:36 (twenty years ago)

Grime does not pay.

gypsy mothra (gypsy mothra), Thursday, 10 March 2005 18:37 (twenty years ago)

I've listened to tons of grime, but the MIA record makes me want to dance more. Grime to me verges on the complete destruction of UK Garage via macho hip hop Americanization. MIA is more pop-dance, even freestyle (much more than she is Peaches-ish retroclash).

Spencer Chow (spencermfi), Thursday, 10 March 2005 18:42 (twenty years ago)

Yeah, even after listening to a fair amount of grime over the past few years, it was only about my 4th or 5th reference point for M.I.A. (A lot of that has to do with PFT, of course, where beats that could be construed as grime-related were supplanted with plain ol' genius hip-hop.) Her dancehall assocations, e.g., are a lot more obvious and explicit. Anyway, I understand a lot of the debates, and I'll allow that Arular doesn't always rev up quite the way it could, but I think it's weird to accuse people who like her album of needing anything more than the music to justify their appreciation. I first heard "Sunshowers" courtesy of Fluxblog, and I knew nothing about M.I.A., figured she was some UK one-hit wonder or something (hadn't even heard "Galang" at that point), and I still liked it enough to put it on a mix disc I made for a bunch of friends last summer.

gypsy mothra (gypsy mothra), Thursday, 10 March 2005 18:50 (twenty years ago)

she's just made a crappy record that people like for all the wrong reasons.

What are these reasons? I don't want to look like I'm part of a pack of ravenous vultures here but are you actually going to try and engage with the point I made over on Dissensus?

Because as far as I'm can see this thread itself is the single largest and arguably most prominent piece of MIA discussion anywhere in the world. As far as I can see outside the nerdosphere, a small coterie of music industry/media types and maybe her family, MIA's current profile is virtually zero. Where are all these people fetishising the whole Tamil Tiger/immigrant backstory coming from? I don't actually mind you disliking MIA (parrot voice or otherwise) but I just don't get where the reasoning is coming from AT ALL.

Matt DC (Matt DC), Friday, 11 March 2005 00:19 (twenty years ago)

(Arguably its coming from the press, but as the number of column inches I've actually seen devoted to MIA in this country is minimal I can't really comment. I'm sure, as noted upthread, this strawman is exactly what her marketing people are going for but I don't notice people falling for this en masse just yet. If anything, its the opposite, people are picking the myth apart, debating it, which surely is positive?)

Matt DC (Matt DC), Friday, 11 March 2005 00:27 (twenty years ago)

And anyway, this all getting passe, right? I mean, the album's almost out, ffs. Time to move on to the Lady Sovereign fights.

gypsy mothra (gypsy mothra), Friday, 11 March 2005 00:47 (twenty years ago)

Or back to the Lady Sovereign fites.

Alex in SF (Alex in SF), Friday, 11 March 2005 00:48 (twenty years ago)

who wants to bet that the Sov fights are going to involve exactly the same people making exactly the same arguments, with 'bubblegum grime' standing in for 'art school dancehall'

The Lex (The Lex), Friday, 11 March 2005 00:49 (twenty years ago)

i would pick on the whole awful 'wrong reasons' thing too but it's not as if Stelfox will explain it or engage with any opposing perspectives EVER, so who gives a fuck.

The Lex (The Lex), Friday, 11 March 2005 00:51 (twenty years ago)

The Bubblegrime Wars!

xpost:
Yeah, the "wrong reasons" thing is just...so stupid.

gypsy mothra (gypsy mothra), Friday, 11 March 2005 00:51 (twenty years ago)

Haha amusingly Simon, Matt and Dave aren't bothered by Lady Sov at all (it's the "real' grime purists who get all hot in the trousers about her.)

Alex in SF (Alex in SF), Friday, 11 March 2005 00:53 (twenty years ago)

The Kids don't like Sov, it seems (I have a representative sample of one: this one teenage girl who loves MIA but REALLY loathes Sov - phrases such as 'pikey who's trying to be something she's not' and 'no 1 on my shite list' have rolled forth from her)

The Lex (The Lex), Friday, 11 March 2005 00:57 (twenty years ago)

ironically it is Sov who has the best chance of commercial success! with her ja-fake-en accent and rubbish flow and palatable production! and thereby taking money and attention from the REAL GRIME made by REAL MEN

The Lex (The Lex), Friday, 11 March 2005 00:59 (twenty years ago)

Is M.I.A. playing SXSW? Anybody know, and if so, where?

Mr Deeds (Mr Deeds), Friday, 11 March 2005 01:03 (twenty years ago)

wow. this whole thing left me a bit sour, but Eppy just cheered me up a lot with that astounding piece.

The Lex (The Lex), Friday, 11 March 2005 01:18 (twenty years ago)

Yeah that's good. I like this bit:

This is all to say (kinda) that the music, vocals, and lyrics are all basically doing the same thing: reflecting a personal sensibility rather than any particular collective set of expectations. It is a private self that does not seek to express itself by performing the impossible task of filtering all outside influences, but instead accepts the world, all of it, as part of its makeup and then attempts to produce what would please this makeup most. And this pleasure also includes the pleasure of pleasing other people with what it is doing. Get it?

gypsy mothra (gypsy mothra), Friday, 11 March 2005 01:31 (twenty years ago)

Likewise, if you can view these images and see them explicitly as propaganda then you are a better man than I. They're not opposed, but they're not hand in hand either. The problem is that art audiences are assumed to be intelligent and able to read all sorts of nuances into things while as soon as we're looking at a pop audience its like "oh, people won't understand any of these nuances this MUST be condoning terrorism because her audience is so stupid she'd have to hold their hand through every ambiguity".

i didn't say they were, my pretty basic point was that it's not enough to say "x is just playing with/recontextualizing terrorist imagery, look she went to art school so it must be in good faith", which was xgau's line. propaganda is composed of images, so you can't really oppose the two in the way he did.

i'm not sure how ambiguous MIA was being about the PLO. but anyway i am just throwing this stuff about: it is possible to argue against her use of imagery without going to the extreme of saying 'don't use terrorist stuff at all', so you, know, that's for at least engaging.

Alex in SF and Flyboy -- fuck yourselves, or at least learn to make points. One or the other.


N_R!, Friday, 11 March 2005 09:32 (twenty years ago)

go fuck yourself lex.

stelfox, Friday, 11 March 2005 14:54 (twenty years ago)

matt, i'll happily email you or reply to you on dissensus, where we can discuss stuff in a civil tone, but i really can't be arsed to stay here being insulted by anyone else. i didn't crop up on this thread until i saw several people were having a rare old time abusing and ridiculing me for having an opinion contrary to theirs and making pertinent points about the selling of not just a record, but mia herself. my points are already pretty well justified but i'm happy to engage with people who listen, ever, and know what it is to have the slightest bit of respect. jesus, and some of you are shocked people like jess have chosen to switch boards? here's a clue: for the most part, a total sewer.

stelfox, Friday, 11 March 2005 15:00 (twenty years ago)

"for the most part, it'sa total sewer", i meant, obviously

stelfox, Friday, 11 March 2005 15:03 (twenty years ago)

dissensus, where we can discuss stuff in a civil tone

Happens here too, dude. Spare me the demonization of one board against another.

Ned Raggett (Ned), Friday, 11 March 2005 15:39 (twenty years ago)

Fair enough - we'll continue this on the Dissensus thread if need be. Probably a good thing as I'll be away from my computer for a few days and by the time I get back this thread will be twice the length anyway ;)

(Personally I think Dave should go back to his ILE days of posting recipes and stories of people with bizarre sexual preferences on daytime TV. It seemed like a more innocent age)

Matt DC (Matt DC), Friday, 11 March 2005 15:52 (twenty years ago)

ALSO REALLY BORING QUESTION I CANNOT BELIEVE IT HAS TAKEN 850+ POSTS TO GET ROUND TO:

Are there supposed to be big gaps between every track here? It seems like everything should crash straight into one another but it doesn't on the MP3s I have.

Matt DC (Matt DC), Friday, 11 March 2005 15:53 (twenty years ago)

well, ned i've hardly seen much evidence of it here.
did i mention anybody here on the dissensus thread?
did i start making personal potshots at people?
no.
in actual fact, i'd sensibly avoided a thread dedicated to hyping an artist i don't like and a record no one had even heard at its start.
what would have been the poinT?
i only came here when someone mailed me saying i should take a look at what was being said about me.
all the flouncing bitchiness, condescending dismissiveness and crackpot student political agendas is why i think this place sucks and equally why i don't post here often.
and for the record, i think matt's right re not posting about music here.

stelfox, Friday, 11 March 2005 15:58 (twenty years ago)

all the flouncing bitchiness, condescending dismissiveness and crackpot student political agendas is why i think this place sucks and equally why i don't post here often.

No forum is perfect, to my mind. Also, all you have to do is look way upthread when Cicatrix and others to find anything but 'crackpot student political agendas' at play, for instance. If you are comfortable being reductionist, don't let me stop you.

Ned Raggett (Ned), Friday, 11 March 2005 16:02 (twenty years ago)

well, i wasn't really talking about MIA's agenda in that instance, ned. but, yeah, reductionism works nicely for me in this instance. sorry, it's nothing personal.

stelfox, Friday, 11 March 2005 16:15 (twenty years ago)

Haha I love the idea that Dave is pitching himself as the voice of reason and sensitivity here. Oh the ironing.

Alex in SF (Alex in SF), Friday, 11 March 2005 16:46 (twenty years ago)

Is this thread a parody of itself yet?

djdee (djdee2005), Friday, 11 March 2005 16:47 (twenty years ago)

m.i.a.
"arular" (interscope)
8/10

we're not being promised the end of the world and we're not getting it!

cozen (Cozen), Friday, 11 March 2005 17:23 (twenty years ago)

SR links to this amazing piece on MIA:
http://claps.blogspot.com/2005/03/so-hey.html

Spencer Chow (spencermfi), Friday, 11 March 2005 23:29 (twenty years ago)

some of you are shocked people like jess have chosen to switch boards

actually, I think jess is pretty much on record as saying "fuck an online message board" but whatever.

Honorary Banana Slug (nordicskilla), Friday, 11 March 2005 23:36 (twenty years ago)

And yes, I see he is up on Dissensus.

Honorary Banana Slug (nordicskilla), Friday, 11 March 2005 23:38 (twenty years ago)

She was just posted on the front page over at metafilter.
http://www.metafilter.com/mefi/40374

It's odd, reading the thoughts of people outside the "critic-o-sphere" who aren't acquainted with her backstory and haven't been obsessing over her for months.

"Is M.I.A. redefining the world of 21st century global pop... or is it just crap?"

"I mean, I guess all this "Let's Pretend It's the 80s" gusto is okay (Electroclash, fucking ridiculous looking fashion, cocaine chic, self-obsession) but at what point do we say, "Okay, but what's the future?""

TayBridgeCatastrophe (TayBridge), Saturday, 12 March 2005 11:32 (twenty years ago)

metafilter likes phish and nu-metal

a banana (alanbanana), Saturday, 12 March 2005 15:22 (twenty years ago)

SR links to this amazing piece on MIA

Grief, that's almost crazy. Don't get me wrong, I like it! But Eppy should get it published or something so it's not lost in the blogosphere (and can get some renumeration for it and etc.).

Ned Raggett (Ned), Saturday, 12 March 2005 15:29 (twenty years ago)

Eppy always write like that. You see his song-by-song analysis of Blueberry Boat?

I don't think he's appeared on this thread, has he?

Alba (Alba), Saturday, 12 March 2005 15:50 (twenty years ago)

You see his song-by-song analysis of Blueberry Boat?

Having done things like that myself for albums, I appreciate the obsessiveness. ;-) I also appreciate the ability to be so thorough with something so new, generally speaking something has to sit in my system for a long, long time first. The resultant thoughts may be less timely but the approach suits me more.

Ned Raggett (Ned), Saturday, 12 March 2005 15:53 (twenty years ago)

oh god, I wish I hadn't posted that metafilter link. it's getting so stupid over there that I'm kind of awestruck. Someone ought to go over there and teach that j.p. hung about rockism. or just post the eppy piece in full.

TayBridgeCatastrophe (TayBridge), Saturday, 12 March 2005 16:12 (twenty years ago)

Comparison for you... not in terms of music, but if you're debating the significance of the back story...

Som Wardner of My Vitriol. Sri Lankan born, relocates (under what circumstances I don't know) to London at a similar age, goes to university, writes songs, forms a band, does the art, becomes the next big thing very briefly and slips into relative obscurity.

Only the references to his background, in the songs, in the imagery, and in the bios, are brief or non-existent. Not hidden, but just not made a huge thing of.

I get this sense that MIA's background is important to middle class white males, but why? I'm a middle class white male and often I can relate better to culture which reflects a similar background. Is this bad? It would hardly be shocking if I was working class and said the same thing.

Perhaps Som's background wasn't made a huge deal of because rock bands aren't under pressure to be real. Why does the story not sound so exotic in this context? Is rock assumed to be fake?

But such a conclusion would be to ignore that MIA herself has foregrounded her background.

While Som's lyrics occaisionally test my fandom when they descend into songs apparently about nothing, I'd rather have that than constant ill thought out references to politically resonant words.

Having said that, I'm suspending judgment on MIA until I've heard more than 3 tracks, I'm just posting because I feel its useful to have a comparison in order to test one's assumptions and prejudices about the relationship between and artists life and work.

Taprobanus, Saturday, 12 March 2005 22:19 (twenty years ago)

someone on metafilter is falling over themselves to compare her to ashlee simpson. talk about not getting it.

heywood jablomi (heywood), Sunday, 13 March 2005 00:58 (twenty years ago)

My work here is done.

Stupornaut (natepatrin), Sunday, 13 March 2005 02:10 (twenty years ago)

I wish I had ILM mod priveleges so I could lock this thread after Nate's last comment...

Taprobanus - I don't ever remember anyone referring to Sri Lankan politics with regard to My Vitriol. Possibly because making noisy Foo Fighters-esque guitar pop that's kind of vague in the connotations department is a bit different from making self-consciously modern and multiracial (ack horrible fucking word but I can't think of another right now) dancehall-inspired electropop. You could, I presume, listen to the whole My Vitriol back catalogue and think it was made entirely my white middle-class kids from Surrey, which isn't the case with MIA. Mostly because race and politics aren't used as currency in the former.

Aside, Galang was played in a lowest-common-denominator indie disco last night and it got the usual half-cleared dancefloor reaction that anything other than XFM indie or 80s pop usually gets. But the people who were dancing went fucking mental for it.

Matt DC (Matt DC), Sunday, 13 March 2005 14:04 (twenty years ago)

"Internet dancing"

Alba (Alba), Sunday, 13 March 2005 14:10 (twenty years ago)

Her familiar picture showed up on the front of The Philadelphia Inquirer (story in the arts & entertainment section). (I haven't actually read this yet.)


Posted on Sun, Mar. 13, 2005

R E L A T E D L I N K S
• With her war-zone pop, M.I.A. gets political, but not preachy
• Audio | M.I.A. - "Arular"

Hip-hop tiger

The Sri Lanka-born singer's rebellion comes in a brilliant collage of global street beats.

By Dan DeLuca

Inquirer Music Critic


NEW YORK - When Maya Arulpragasam moved from Sri Lanka to London, she was 10 years old and understood only a smattering of English.

"I only knew three or four words," recalls the rapper who performs as M.I.A. Laughing, she recites them: "Elephant. Mango. And Michael Jackson."

After her deliriously catchy single "Galang" hit dance clubs last summer, Arulpragasam became an instant media darling, the most accessible face of a British hip-hop scene that has produced Dizzee Rascal, the Streets, and Panjabi MC.

Long before her debut album Arular (it comes out March 22), M.I.A. was anointed as the future of world music by the New Yorker. The buzz was heightened by "Sunshowers," another single, in which she boasted of her originality ("From Congo to Colombo / Can't stereotype my thing yo") and mocked gangsta silliness ("It's a bomb yo / So run yo / Put down your stupid gun yo").

Piracy Funds Terrorism, her widely circulated mix tape with Philadelphia DJ Diplo, with whom she'll perform next Sunday at the Ukrainian American Citizens Association, raised expectations higher still.

With Arular, they're met. Arulpragasam's debut is a brilliant, candy-colored collage of global street beats and political resistance. On a baker's dozen spring-loaded, joyously confrontational tracks, M.I.A. maps out her MO. She draws on urban sources as far-flung as Brazilian favela funk, Puerto Rican reggaeton, and percolating American hip-hop to concoct a grabby, sonic hand grenade suitable for the dance floor or aerobics class.

It doesn't hurt that Arulpragasam, now 28, looks like a runway model. Or that the former visual artist and filmmaker has a compelling back story - and radical-chic credentials - a bit more exotic than that of your average pop-music hopeful.

Her father, Arul Pragasam, is a leader of the Tamil Tigers, the Hindu rebels who have used suicide bombing in their two-decade violent struggle against the majority Sinhalese Buddhist government of Sri Lanka. (The sides are now in an uneasy cease-fire.)

She hasn't seen her father since 1995. As a child, she was told he was her uncle, so she couldn't identify her father to government troops. It's his nickname, which means "the ruler," that gives M.I.A.'s album its name.

When she was growing up in Tamil-controlled northern Sri Lanka, Arulpragasam says, her family faced government-sponsored violence: She and her siblings had to dodge bullets at school, and she says her cousins were tortured by government troops.

After her mother took the children to London in 1986, Arulpragasam cast about for a fresh identity. She found it, and taught herself to speak English, by listening to hip-hop acts such as Public Enemy, Big Daddy Kane, and Roxanne Shante.

"Those records were rhythmic, so whether you understood the language or not, you could understand the music," she says.

In her record company's offices, she's wearing a gold necklace with a pendant in the shape of a Kalashnikov rifle. It symbolizes "these rebellious genes that I was born with... . There's always been a little bit of fight in me."

Listening to hip-hop as an adolescent refugee in London sparked it. "It gave me a way to dance, and then it gave me a way to be, and to speak, and an attitude, which all made me feel stronger than what I was.

"I didn't know how to be Madonna. I couldn't do it. I couldn't dye my hair and wear red lipstick and sing 'Who's That Girl?' It just didn't look right. But I could brush my hair back and wear big earrings and look like Roxanne Shante. It kind of half-worked."

Arular opens with a skit in which schoolchildren sound out the word ba-na-na and M.I.A. shouts out her message: "Get yourself an education!"

Arulpragasam did just that, graduating from the prestigious Central St. Martins College of Art and Design, where she studied documentary filmmaking. She set out to be a visual artist (see her agitprop artwork at www.miauk.com).

But visual art, she says, wasn't "nourishing," so she took up an offer by Elastica singer Justine Frischmann to film the band's 2002 U.S. tour.

The opener was Peaches, the one-woman band who uses the Roland TR-505, the cheapo beat-making machine known as a Groovebox. Arulpragasam spent long hours with it, learning to make rudimentary beats and write songs. And M.I.A. - which stands for "Missing in Acton," in reference to the gritty section of London she lived in - was born.

"Elastica was this big band with six roadies and a big tour bus, and Peaches made it this whole underdog type of thing," Arulpragasam says. "One Groovebox, one microphone, one girl. And she made just as loud music, and just as much noise. I was like: Wow, that really takes guts."

She wrote the confrontational, celebratory songs on Arular on her own Groovebox. She collaborated with a host of producers, including Diplo, the Mississippi-born DJ originally named Wesley Pentz. He handled knob-twiddling chores on "Bucky Done Gun," which mixes the raucous baile funk sound from Rio de Janeiro with a sample from the "Theme from Rocky."

The pair have been dating, though the London-Philadelphia relationship poses a challenge: "I think I don't see him enough," she says. They met after she heard his single "News Flash" and loved it. "It had that same homelessness about it. It didn't have a particular genre, which is what people always say to me: Your song doesn't fit anywhere. So I went on a mad mission to find other people like that, because then we could make a home."

The duo are on tour, and will hit the South by Southwest Festival in Austin, Texas, this week before coming to Philadelphia.

"What we're trying to do is the same thing," says Diplo on the phone before a gig in Las Vegas. "Like my exploration of world music, looking for something fresh, and trying to mix it with crunk music from down South, and dancehall. She has a great sense of what's going on everywhere. And she makes club records that have content to them, which nobody else does these days."

Last Halloween, at Hollertronix, the occasional party Diplo hosts with his partner, Low Budget, at the Ukrainian hall in Philadelphia, M.I.A. got onstage and rapped over her "Galang" record.

"I was so drunk and nervous," she says. "It was like the second time I'd been on stage, ever. But I got up anyway, and everybody was singing along and knew all the words."

Some of the words on Arular have already gotten Arulpragasam in hot water, like the line in "Sunshowers" that goes, "Like P.L.O., we don't surrendo." MTV won't play the video unless the line is edited out. Arulpragasam says she won't back down.

"It was an easy reference to people who don't surrender, and I feel like I generally stand for any underdog," she says, now walking down Broadway to meet radio and retail honchos at a trendy Russian vodka bar.

"When you make poor people 'the other,' then they will become that. By fearing them and making them your enemy, then they will become that. And if you do that, you're playing with fire."

Arulpragasam hopes that her music can have a global reach.

"The modern reality is that we're all hybrids," she says. "If I can erase some stupid stereotypes and boxes and prejudices, and encourage people to be individuals, that'd be good. But I haven't really found an identity between being British and Sri Lankan. Instead, I've kind of looked around and said, 'Who else feels like that?'... I feel like I'm ready to communicate with everybody."

RS £aRue (rockist_scientist), Sunday, 13 March 2005 17:03 (twenty years ago)

Piracy Funds Terrorism, her widely circulated mix tape with Philadelphia DJ Diplo, with whom she'll perform next Sunday at the Ukrainian American Citizens Association, raised expectations higher still.

Sounds like she hit the big time.

RS £aRue (rockist_scientist), Sunday, 13 March 2005 17:08 (twenty years ago)

just to give everyone the extremely grassroots report, my sister (she's 14) woke me up this morning to tell me about this inquirer article. she was really angry: "now everyone's gonna know about m.i.a. now!"

Nick Sylvester, Sunday, 13 March 2005 17:54 (twenty years ago)

I'm sure people are going to pick apart that article in order to hate, but nothing about it bothers me *at all*.

Also, I love Roxanne Shante (which seemed like an odd inspiration for MIA).

Spencer Chow (spencermfi), Sunday, 13 March 2005 19:14 (twenty years ago)

I'm sure people are going to pick apart that article in order to hate, but nothing about it bothers me *at all*.

I don't think it's any cause to hate on the *music* but I'm not going to be relying on her as some sort of source of deep insight anytime soon (I don't do that with any artist or most people in particular anyway, of course). Idealistically I'm perfectly fine with this:

"It was an easy reference to people who don't surrender, and I feel like I generally stand for any underdog,"

But cynically speaking, I have different thoughts. For instance, talking about the line that brought her response up, the whole issue of the PLO/Fatah and whether or not it has surrendered/been compromised/etc in the eyes of some is yet another can of worms (look at the popular support and role of Hamas in contrast, as demonstrated by recent elections).

That said, I think it is terribly wrong in the end to assume or demand political hyperawareness from an artist -- any artist, really -- but at the same time I find willful reduction of complexities hard to deal with with an openly politicized artist brings certain issues to the fore. This is a pop artist in a pop artist piece, not an editorial in The New Republic or whatever, and the ease of simplicities in broader contexts is clear and understandable. It's still simplistic, though. I wouldn't necessarily consider myself all the more greatly aware in the end compared to many others, and yet.

Ned Raggett (Ned), Sunday, 13 March 2005 19:42 (twenty years ago)

'with with' should be 'with when'

Ned Raggett (Ned), Sunday, 13 March 2005 19:44 (twenty years ago)

Ned, frankly I have no idea what you're getting at there. Fatah? Hamas? What do they have to do with anything here?

Anyway, I am continually mystified with the obsession over MIA's politics. Why must ILM and music criticism in general circle like vultures around each and every statement she makes that could be considered remotely political? There is a *profound double standard* at work here. Let's find the discussion this deep about Primal Scream's "Bomb the P*ntagon" shall we? What about Franz Ferdinand's use of Futurist imagery. Are they really familiar with Futurism? How can they live with themselves if they truly understand the legacy of it? And the name! How can they be so cavalier about the memory of the millions of WWI dead. And don't get me started on New Order. Do they really understand Cambodian politics? Public Enemy? What right do they have to say anything or to use imagery that suggests shooting someone. Sex Pistols? The Clash? Springsteen? WTF people? I hate to be reductive about this, but I'm finding it hard to understand this critique apart from either an unconscious misogynistic double-standard, and/or some weird English thing about art school artists (I'm guessing here). The dissensus thread actually made me physically ill.

Also, why wouldn't she be qualified to be political. She went to college and her familiar seems to be involved in revolutionary politics. She's experienced the third world first and second hand. She's at least as well educated as most people here and most people making political statements. Why does everyone assume that her politics and imagery are somehow simplistic or not complex or not thought out? That said, her statements as I read them, and her lyrics, don't seem to draw any clear line or make any clear statement about policy or any f*cking endorsement of anything. They are a *generalized* rant against globalism and apathy (which again points to a more complex understanding of politics than most are giving her credit for). I guess there's no accounting for people obsessing over an artist's biography, but people are missing out on some amazing and exciting *music* - certainly some of my favorite in years.

Spencer Chow (spencermfi), Sunday, 13 March 2005 21:58 (twenty years ago)

Why does everyone assume that her politics and imagery are somehow simplistic or not complex or not thought out?

Because she's an attractive female popstar, durr.

"Like PLO I don't surrender" didn't even register with me when I heard it. What exactly is it about this line that makes it any better or worse than "Dizzee run tings like Idi Amin"? Except that the Dizzee line is funnier.

Matt DC (Matt DC), Sunday, 13 March 2005 22:26 (twenty years ago)

This statement doesn't seem either simplistic or naive:

"The modern reality is that we're all hybrids. If I can erase some stupid stereotypes and boxes and prejudices, and encourage people to be individuals, that'd be good. But I haven't really found an identity between being British and Sri Lankan. Instead, I've kind of looked around and said, 'Who else feels like that?'... I feel like I'm ready to communicate with everybody."

I mean, that openness is one of the things I like about her. And about assorted other people (Manu Chao, e.g.) who kind of cross that everywhere/nowhere boundary by inclination as much as design.

gypsy mothra (gypsy mothra), Sunday, 13 March 2005 22:29 (twenty years ago)

Spencer Chow nails it in two paragraphs and we can all go home now. Phew!

NRQ, I'm sorry to offend you, but if you can't get with the idea that something represented in art isn't necessarily being advocated, then I'm not sure where to start.

Flyboy (Flyboy), Sunday, 13 March 2005 22:40 (twenty years ago)

"And don't get me started on New Order. Do they really understand Cambodian politics? Public Enemy? What right do they have to say anything or to use imagery that suggests shooting someone. Sex Pistols? The Clash? Springsteen? WTF people? I hate to be reductive about this, but I'm finding it hard to understand this critique apart from either an unconscious misogynistic double-standard, and/or some weird English thing about art school artists (I'm guessing here)."

Not sure about Springsteen and the Pistols, but didn't all of those groups recieve similar scrutiny/criticisim that MIA is recieving. Also could people please stop using the rascist/sexist arguement against MIA haters (well, unless you have some actual evidence beyond the fact that they are criticising someone who is female and isn't white). It is just cheap and lame (and please no whiny posts about SR starting it with the brown skin line, which was also cheap and lame).

"she's just made a crappy record that people like for all the wrong reasons."

Admittedly this point is lame, but it's actually quite similar to(what seems to be) the MIA lovers arguement against the MIA haters (i.e. they are disliking it for all the wrong reasons).

edwardc53, Monday, 14 March 2005 01:39 (twenty years ago)

"Not sure about Springsteen and the Pistols, but didn't all of those groups recieve similar scrutiny/criticisim that MIA is recieving."

Should add to this that whether or not the criticisms are valid should be taken on a case by case basis.

edwardc53, Monday, 14 March 2005 02:06 (twenty years ago)

'aggregaton'

(w. optional 'e')

cozen (Cozen), Monday, 14 March 2005 09:39 (twenty years ago)

I mean, 'agreggaton'

cozen (Cozen), Monday, 14 March 2005 09:40 (twenty years ago)

Also could people please stop using the rascist/sexist arguement against MIA haters (well, unless you have some actual evidence beyond the fact that they are criticising someone who is female and isn't white).

Considering most of her detractors are comparing her unfavourably to grime and dancehall acts* I'm not sure the colour of her skin has anything to do with it. I was being a bit flippant with the misogyny line as well seeing as certain MIA-haters are very pro-CeCile/Lady Sovereign/Lady Fury etc.

*That said, much as I like it, there's nothing on Arular I find a tenth as exciting as Destruction VIP, I Luv You or Pow! Its just a shame that no grime album since Boy In Da Corner has managed to keep up that level of intensity.

Matt DC (Matt DC), Monday, 14 March 2005 10:37 (twenty years ago)

I hate to be reductive about this, but I'm finding it hard to understand this critique apart from either an unconscious misogynistic double-standard, and/or some weird English thing about art school artists

the latter especially.

also, a lot of MIA's detractors come off as having been so immersed in their particular subculture that they've forgotten how pop music works, ie it's a world where (gasp) sometimes artists appropriate elements of other genres and (shock) are sometimes not exactly what they claim to be.

What possibly bothers me most isn't that MIA has haters, or that their criticisms are mostly silly, but that there's been a kind of rupture in the anti-rockism discourse - I guess the alliance of pro-pop massive and grime/hip-hop/dancehall heads was always fairly fragile but I had hoped that it'd be stronger than this. the regression to rockist values on that Dissensus thread was quite sad.

The Lex (The Lex), Monday, 14 March 2005 10:50 (twenty years ago)

No Lex that's not what they're saying. If anything its an attempt to move the debate on - there's been the old "TS: music as pop v music as folk" thing surrounding grime especially for some time and I think the line is it's not enough to dismiss criticism just by saying 'you're being rockist'. Which to an extent I agree with.

In any case, the broadly generalised detractor's line is that through her entire image MIA is appealing for some level of authenticity and that she fails by her own criteria. In the same way as its not enough for Libertines defenders to go "it's just catchy guitar pop" when the band themselves have gone out of their way to construct a cult of themselves with all this guff about mythology and poetry.

Matt DC (Matt DC), Monday, 14 March 2005 11:05 (twenty years ago)

The dissensus thread actually made me physically ill.

that comment has just made me crack up laughing - not out of hilarity but abject pity. if it really made you physically ill, i'm sorry, you really need to sort your priorities out, spencer.
that's an utterly shameful thing to say. someone accused me of being hysterical upthread (i have only become moderately annoyed here because someone wheeled out the usual doesn't like MIA ergo is racist/like "real" dancehall - a term i never use - ergo rabid homophobe, depsite the messes of print and online evidence to the contrary. i say moderately annoyed because i expect very little more from ilm in general), but that really takes the cake.
what with all the highfalutin paranoiac right-on, creeping-right-wing-agenda-seeking claptrap that's been spouted here, if ytou really want to feel sick you'd be better to look at real-world problems, like um... hey, how about this: people blowing the shit out of each other in the middle east...
i feel pretty quesy when i hear people using that sort of stuff in a glib, ironic fashion to sell a shitty record.

stelfox, Monday, 14 March 2005 11:14 (twenty years ago)

it's a world where (gasp) sometimes artists appropriate elements of other genres and (shock) are sometimes not exactly what they claim to be

thank you for that lesson in music criticism. i'll be sure to remember it.

stelfox, Monday, 14 March 2005 11:20 (twenty years ago)

Matt could you point me towards some good examples of music as pop vs music as folk argument? cheers.

I don't read very much into MIA's declarations of authenticity: all artists from all genres tend to make a point of emphasising their own 'realness', from Justin Timberlake telling us how much of Justified he wrote himself to singer-songwriters distancing themselves from 'manufactured pop'.

The Lex (The Lex), Monday, 14 March 2005 11:24 (twenty years ago)

It sure is cosy in the sewer. :)

Omar (Omar), Monday, 14 March 2005 11:27 (twenty years ago)

people blowing the shit out of each other in the middle east...
i feel pretty quesy when i hear people using that sort of stuff in a glib, ironic fashion to sell a shitty record.

Assuming you're talking about M.I.A., to what extent has she actually done this? "Like PLO I don't surrender" is ONE LINE which, as far as can tell, has to be read as occupying a slightly more ambiguous middle ground than either meaning "I fully support the aims and methods of the PLO" and being "ironic". As has been stated, I think it's fair to say that many music listeners have become used to having to deal with one or two politically/ethically/morally dubious lyrics here and there from artists they like - and calling those artists out on that is all well and good, but I would agree that this does not seem to applied consistently by everyone who has objected to M.I.A.'s lyrical (and other) content. This is before we even get on to the fact that once we examine the Israel/Palestine situation beyond the level of "people blowing the shit out of each other", different people here may have very different reasons for having reservations about that particular lyric...

Flyboy (Flyboy), Monday, 14 March 2005 11:44 (twenty years ago)

right, agreed, that was a cheap shot and a bit extereme. but reckoning that your lunch made a comeback appearance because people have been talking about why they don't like a record that they're apparently not allowed to criticise or have reservations about, for some reason, is more absurd.

stelfox, Monday, 14 March 2005 11:53 (twenty years ago)

"MIA is appealing for some level of authenticity and that she fails by her own criteria."

so what if she succeeds by OTHER criteria? why does what she's TRYING to do, as if any of us can even tell-what, am i supposed to believe everything every singer says in an interview?, matter so much to you?especially when, as somebody said, almost every artist out there tries to come off authentic, in just about every genre in existence? what matters isn't what she's attempting; it's what she DOES

composer of outlaw music for 40 years, Monday, 14 March 2005 15:58 (twenty years ago)

*pops up like trained turtle*

Er, hi. I have not posted on this thread, but I posted on the related xgau response-to-reynolds thread and got called various dirty names, so I stopped posting.

I do get published places, but there are not a whole heck of a lot of places that will print ~3500 words by a mainly unknown writer. If you know of any that will, please do let me know. As is, though, I'm pretty happy just posting them on my blog.

I don't really have much else to say about MIA right now--that post pretty much covered it. Reynolds seemed to feel it closed the discussion, and now that I've pooped all that out, I'm sort of spent. Er, so to speak. But I am following the continuing debate. That MeFi thread is pretty hi-larious.

It's funny--the reactions to that piece have either been just generally positive (thanks!) or "wow that's long," which makes me wonder if it's actually completely stupid but it's so intimidating no one wants to deal with it. I hope not!

Anyway, flame on, ILMers!

Eppy (Eppy), Monday, 14 March 2005 16:00 (twenty years ago)

what, am i supposed to believe everything every singer says in an interview?

It's funny, this is one of several ways in which the new authenticity is just like all the old authenticities. Like, people who are into hip hop but don't buy into "keeping it real" have had to reconcile themselves to artists they like making silly claims to authenticity all the time; Franz Ferdinand made that ridiculous comment about how real music was coming back or something, and that doesn't meant I have to hate them for being trendy dandies...

Flyboy (Flyboy), Monday, 14 March 2005 16:26 (twenty years ago)

and btw how good or in their case shitty the libertines' music is has ABSOLUTELY NOTHING to do with what happens in their lives and/or interviews - neither of which i can imagine why anybody would pay attention to in the first place, kinda like their music come to think of it but that's beside the point

composer of outlaw music for 40 years, Monday, 14 March 2005 16:41 (twenty years ago)

and btw how good or in their case shitty the libertines' music is has ABSOLUTELY NOTHING to do with what happens in their lives and/or interviews

really? ABSOLUTELY NOTHING? i'm some way sympathetic to this, but it's pushed to such ridiculous and rote po-stro extremes: if you REALLY believe that texts have nothing to do with authors, hats off for the effort, but i think you're mistaken.

NR_Q, Monday, 14 March 2005 16:48 (twenty years ago)

when did i say texts have nothing to do with authors? i just said the text is the same no matter what bullshit the author spouts about it.

dig:

Do the 50 Cent sagas draw you towards him, or away? How much do you buy into an artist's mythology?

and oh yeah what is "po-stro"?

composer of outlaw music for 40 years, Monday, 14 March 2005 17:10 (twenty years ago)

hmv.co.uk -> search for Arular ->

1. Banana Skit
2. Pull Up The People
3. Bucky Done Gun
4. Sunshowers
5. Fire Fire
6. Dash The Curry
7. Amazon
8. Bingo
9. Hombre
10. One For The Head Skit
11. £10
12. Uraqt
13. Galang


If this is the recut final tracklist, then that would mean:

- Freedom Skit is gone ("freedom fighting dad bombed this pad, called him a terror, start a revolution" etc)

- Sunshowers moved up to track 4 (something familiar near the beginning)

- URAQT on there

- £10 ("what can I get for ten quiddah?" Mark E. Smith remix? probably just a typo, though.)

- Dash The Curry (her reading the local curry menu in a vaguely rhythmic manner) (or maybe not, I don't know. wouldn't that be great?)

- no idea if M.I.A. is still on there (if it is, it's still hidden, I suppose)

StanM, Monday, 14 March 2005 17:12 (twenty years ago)

"URAQT" isn't going to be on the US version (sample clearance) I believe, but AFAIK it has always been pitched to be on the UK version.

Alex in SF (Alex in SF), Monday, 14 March 2005 17:14 (twenty years ago)

I do get published places, but there are not a whole heck of a lot of places that will print ~3500 words by a mainly unknown writer. If you know of any that will, please do let me know.

Hm! We must start a magazine.

Ned Raggett (Ned), Monday, 14 March 2005 17:38 (twenty years ago)

Does anyone know the name of the M.I.A. song that goes "we [something] like we're natural, and that's what we wanted all along"?

Flyboy (Flyboy), Monday, 14 March 2005 17:39 (twenty years ago)

this shilly-shallying about with release dates and tracklists...what's going on over there? and when IS it out?
it feels like this is our collective longest gap ever between us hearing an album on ILM and it getting a 'street date'.
longer even than 'kish kash' and that felt like forever.

god i was absolutely HAMMERING this at the weekend.
has anyone said 'best debut album of the century so far' yet?

piscesboy, Monday, 14 March 2005 17:57 (twenty years ago)

"MIA is appealing for some level of authenticity and that she fails by her own criteria."

also sorry but how exactly is this different from grime-proper again? i've been listening to run the road a lot, and almost all those guys rap in cute unthreatening sounding accents about how dangerous they are. it's not convincing at all! and that might even make it better!

composer of outlaw music for forty years, Monday, 14 March 2005 18:33 (twenty years ago)

*Excellent* interview in Pitchfork today from ILM's own *excellent* Mark_P.

Spencer Chow (spencermfi), Monday, 14 March 2005 18:37 (twenty years ago)

As long as you're here, Spencer -- about the only thing I find a bit curious about your post in response to mine is the suggestion of an idea that whatever non-musical discussion there is about MIA is somehow either obscuring the music itself or de facto is a criticism *of* the music. The music's hardly gone away and I do enjoy the album -- I don't flat out think it's the greatest thing since sliced bread but I trust my saying that doesn't mean I'm some sort of reactionary double-standard awful person, y'know? ;-) (The argument about whether it's 'pure' grime or not or whatever's going on via dissensus seems beyond pointless.)

Ned Raggett (Ned), Monday, 14 March 2005 18:43 (twenty years ago)

(And remember, I was going to go the show! I wouldn't have done that if I thought the album sucked!)

Ned Raggett (Ned), Monday, 14 March 2005 18:45 (twenty years ago)

Ned, I wasn't directly addressing you with that - I was just confused about your rather specific statetment on middle-east politics.

Also, I now fully accept that people will focus on extra-textual details in discussing an artists work (bio, origins, authenticity, cred etc). Although I try very hard to avoid this. I'll usually only look into the biographies of artists whose work I *really* enjoy and it has only ever enhanced my love of their actual work (I suppose my interest at that point is to understand their artistic process in order to inform my own). A Matos comment on another thread about one of his pet-peeves being when people say that someone else is listening wrong really got me to thinking about this (I had been trying to say that the author has always been dead, but I recognize as valid that for some people, the music is always bound up in a conscious engagement with the artist's biography).

Spencer Chow (spencermfi), Monday, 14 March 2005 19:09 (twenty years ago)

That said, I've been concerned how far away from the music the M.I.A. criticism are. I keep reading these threads (and the Dissensus thread) to understand better why that happens and why so profoundly with her.

Spencer Chow (spencermfi), Monday, 14 March 2005 19:18 (twenty years ago)

I'm glad Freedom Fighter Skit is gone but if MIA has indeed been dropped then she's insane. (Maybe MIA has just been renamed but I doubt it).

Matt DC (Matt DC), Monday, 14 March 2005 19:38 (twenty years ago)

I was just confused about your rather specific statetment on middle-east politics.

Confused by what I said or why I said it? Those seem to be two separate things. Why I said it was because I am eternally and increasingly fascinated by the grey of politics, where morality versus raw power intersect and fall apart again. How that plays out in ideological fronts and statements is of great interest to those who would analyze a text, I'd feel, and you yourself provided a slew of examples where that also applies. (In ways that's why Matt DC's comment about Dizzee is actually one of the best ones on this thread.)

I keep reading these threads (and the Dissensus thread) to understand better why that happens and why so profoundly with her.

Well, it could be to the credit of the music as well, as well as simply being extramusical by a certain default. If MIA's music is an unexpected Macguffin for a larger argument, how is this different from so many other works of art in other media that have provoked -- perhaps unintentionally! -- such discussion? It does not remove the feeling of good pop rush from the matter, any more than as Alex in SF noted the subject matter of so much dancehall removes the pop rush he feels from that.

The fact remains that for me, at least, MIA's album ended up producing a discussion on this thread about a specific conflict and situation that I only knew about in the most vague way, and radically changed my perception of it -- it was educational, informational and moving. That value gained may have had nothing to do with the music as such but in the end I've found it more of continuing interest and cause for reflection -- which I think is no bad thing at all, and reflects my own interest in world politics and larger social situations, which I think is no bad thing at all either! But that's my own personal decision on how to engage with this, no more.

Ned Raggett (Ned), Monday, 14 March 2005 19:41 (twenty years ago)

"It does not remove the feeling of good pop rush from the matter, any more than as Alex in SF noted the subject matter of so much dancehall removes the pop rush he feels from that."

Where and when did I say this? That doesn't sound like me at all haha (although I was having a conversation last night about how Jah Cure being a convicted rapist is pretty difficult to separate from his music--ESP. since he keeps reminding you that he's INCARCERATED in his songs!)

Alex in SF (Alex in SF), Monday, 14 March 2005 19:49 (twenty years ago)

Where and when did I say this? That doesn't sound like me at all haha

Funny, I thought you'd said it once or twice. Something like how you were hardly unaware of homophobic lyrics in many dancehall hits, that you weren't ignoring them and had problems with them but still really liked the music and wasn't going to pretend otherwise. Was I wrong?

Ned Raggett (Ned), Monday, 14 March 2005 19:51 (twenty years ago)

Ned, I don't think we have an argument about anything other than a slightly different sense of the degrees to which an ILM(usic) thread's discussion should be about music, and when it might be better served on another thread (which you very kindly started on ILE). My more negative points are not only about her politics (which I do feel that some have unfairly pigeonholed her into just Sri Lanka - I feel like her commentary is *much* broader), but *why* critics feel compelled to pick her apart (when I don't see it happening in the same way with other *political* artists).

Spencer Chow (spencermfi), Monday, 14 March 2005 19:52 (twenty years ago)

Oh I see (it was the "pop rush" phrase that confused me slightly.) Yes, that is true.

Alex in SF (Alex in SF), Monday, 14 March 2005 19:55 (twenty years ago)

*why* critics feel compelled to pick her apart when I don't see it happening in the same way with other *political* artists

Well, because she's new? And getting attention? (I mean, the Clash aren't going to fill that role easily enough, for instance. ;-)) That may sound obvious, I don't know, but surely by default this is how initial reaction to something is in large part driven. (Also, I tend to draw a distinction between 'political' and 'politicized,' but I picked that up years ago from Mr. Reynolds, so you may choose to ignore that as you will. ;-))

It's true we probably don't have an argument except by degrees -- and keep in mind I'm usually more than happy to enjoy music 'as is'! I think the 'unfair pigeonholing' might well have in part resulted here, at least, from the sheer intensity of the debate way up top -- had it been about something else, it could well have been pigeonholed into that instead.

Ned Raggett (Ned), Monday, 14 March 2005 20:00 (twenty years ago)

Ned, the attention seems *disproportionately* focused on her bio/origins/politics compared with other new artists.

Spencer Chow (spencermfi), Monday, 14 March 2005 21:17 (twenty years ago)

Doubtless, but I wonder if in the US it's in part because her origins are so (comparatively) unfamiliar? I mean, I really don't know, just guessing here.

Ned Raggett (Ned), Monday, 14 March 2005 21:33 (twenty years ago)

Let's go back to some of the musical criticism. Reynolds 'scenius more than genius' argument makes a certain amount of sense, although I find it, as did Lex above, kind of limiting. Yet Reynolds fairly raves about the new LCD Soundsystem cd in a review I read elsewhere. He can dislike or like something for any reason he wants, but I don't understand why LCD/James Murphy's appropriations of postpunk and Eno and the Fall gets more of a free ride than M.I.A. If M.I.A.'s music sounds like she is coming from nowhere as he asserted rather than from a specific scene, where is LCD coming from? Or is he supposed to be like a David Bowie style artist who comes from outside the scene in a semi-interesting way? LCD/Murphy has no radical chic lyrics, maybe? Reynolds has come down hard on the Clash for their radical chic aspects, and Matt Woebot also (but not on Luke Haines--see Beider-meinhof thread elsewhere).

steve-k, Monday, 14 March 2005 21:57 (twenty years ago)

Matt Woebot has come down hard on Sandinista Clash is what I mean.

steve-k, Monday, 14 March 2005 22:00 (twenty years ago)

Time Out Ny and Pitchfork MIA interviews...

steve-k, Monday, 14 March 2005 22:59 (twenty years ago)

There are so many people in London now who don't fit into a niche. There are kids who listen to both hip-hop and indie and there are kids who dress a certain way but act another way. But it's OK. That could be the new thing-- that we're all a bit confused.

Pitchfork: Like me in my bedroom listening to a Crime Mob record.

M.I.A.: Exactly! We have a right to [listen to] everything.

Pitchfork: A friend has a theory that, no matter where it comes from or how underground it is, all music is made with the intent to be heard by as many people as possible.

M.I.A.: When Lauryn Hill got really big with the Fugees, apparently she turned around and said, "I don't make music for white people." I feel the opposite, 'cause it is about communicating. I want to talk about where I fit it on this planet.

My problem is that politics is the first thing that defines who I am. It's like, "You're just The Other, you're this thing. You have evil thoughts about the world." When I watch President Bush on the telly going, we need to fight the axis of evil and kill these terrorists by all means necessary, I just go, "Shit, poor Dad." In the 70s all he wanted to do was be a revolutionary like Bob Dylan. He had idealistic views about changing the world for the better and fighting for people who don't have a voice-- the same thing that Bob Dylan wanted to do. Now, he's like this straight-up, evil terrorist; a gunned masked man with a semi-automatic ready to take down and behead people.

It's not like that; it's really not. It's so much more complex. They've made a cartoon character out of a terrorist.

Flyboy (Flyboy), Monday, 14 March 2005 23:02 (twenty years ago)

She sounds pretty sensible and politically aware to me. Not a "stupid" woman prone to oversimplification.

Alex in SF (Alex in SF), Monday, 14 March 2005 23:08 (twenty years ago)

They've made a cartoon character out of a terrorist.

ironic that this is a charge which has been levelled at her!

I wonder whether some of the antipathy stems from the expectation that someone with her level of formal education should be more politically... aware? sensitive?

It definitely doesn't strike me that she's using her politics in an exploitative way.

The Lex (The Lex), Monday, 14 March 2005 23:18 (twenty years ago)

The bit where she talks about being hopelessly Westernised, and thus in turn feeling "stuck in the middle with nowhere to go", is hugely relevant.

"And it's brilliant, because instead of being depressed about not having a home, you can embrace it and turn it into freedom. It frees me from having any cultural connections."

Flyboy (Flyboy), Monday, 14 March 2005 23:32 (twenty years ago)

"My problem is that politics is the first thing that defines who I am. It's like, "You're just The Other, you're this thing. You have evil thoughts about the world." When I watch President Bush on the telly going, we need to fight the axis of evil and kill these terrorists by all means necessary, I just go, "Shit, poor Dad." In the 70s all he wanted to do was be a revolutionary like Bob Dylan. He had idealistic views about changing the world for the better and fighting for people who don't have a voice-- the same thing that Bob Dylan wanted to do. Now, he's like this straight-up, evil terrorist; a gunned masked man with a semi-automatic ready to take down and behead people."

seeing as you quoted this flyboy, with approval, i think, how much is being "represented" here and how much "advocated"? or is it at all possible that the opposition won't stand? personally i find MIA here incredibly faux-naive: one moment she's talking about 'the Other', next it's 'poor dad'. as for the bob dylan stuff: would the daughter of a member of the IRA get away with such a facile comparison? by making it, it is she who's dealing in cartoon characters (terrorists are 'either' bob dylans or gunned-up beheaders).

NR_Q, Tuesday, 15 March 2005 10:29 (twenty years ago)

You've just completely left out her next sentence: "It's not like that; it's really not. It's so much more complex." There's some ambiguity there, but what she seems to be saying is that someone who started out as an idealist is now perceived to be a monster. How is that contentious, unless you take the Bush administration line that terrorists are just born "evil"? You don't even have to be sympathetic to a cause to agree that history is full of people who started out with noble intentions and went on to do terrible things.

Now what's really interesting is that the ambiguity is found in the implication that her father's idealism (or even her understanding of his politics as idealism) is not as complicated as the reality of the situation, and the implication that although the "evil terrorist" cartoon is a simplification, it is not entirely without elements of truth - in other words, I think one can interpret this as meaning that she's partly acknowledging the process by which idealism can be distorted and lead to violence.

Flyboy (Flyboy), Tuesday, 15 March 2005 11:30 (twenty years ago)

Forgive my for playing devil's advocate here Flyboy, but if she's "acknowledging the process by which idealism can be distorted and lead to violence" on behalf of terrorist orgs everywhere, couldn't the same be said of the other side? Most (more than 50% supposedly) Americans believe that the Bush cause is the idealistic one, (free Iraq! Down with evil tyrant Saddam! Women's rights!) and that some human rights became distorted at Abu Graib and that some civilians were accidentally shelled over there. oops.

I just want to clutch my head and groan. Seeing both sides of an issue can be next to immposible, because sometimes the very words we use don't have the same meaning for each of us. MIA seems to want to reclaim the word 'terrorist', to expand the discussion past "they just hate us! they're just jealous!" to get the blinkered West to see a shared humanity. Not something its had an easy time doing since..ever. Ham-handed, self-interested American 'intervention' deserves its own scathing critique, but in trying to show the softer side of terrorism (pardon the sarcasm) she misses the fact they often make life hell for the very people they say they represent!

Also, is it just me or does it seem like she softening the edges of her views in interviews? Maybe they're just publishing expanded bits of interviews now (heightened interest =more page space), instead of just providing quippy snippets? Less about the Sri Lankan conflict, more about terrorism in general, and a Bashing Bush always wins points. I know it does with me.

That Pitchfork interview interested me more for the conversation on identity and her life in London. I'm wary of her "freedom fighter" talk (for all the reasons I've posted above) and wonder if she's sincere and confused, or PR savvy and shallow...but the stuff she said about being sent to special-needs programs, aspirational Sri Lankans, and the third-world dream of escaping to a gilded life in the West crashing before the harsh, racist reality...fuck. I can identify with each one. My youngest sister's first US teacher insisted that she was deaf-mute. The stupid cow even brushed aside our explanations when we TOLD her my 4yr old sister, who could already read in two languages, was not used to speaking English with strangers and was just shy.

Everytime I read an interview with MIA, I'm like, clutching my head over the politican stuff.. and like rah!!rah!! about the social/cultural stuff she says...I can't think of anyone else who's been so blunt and direct about some of the latter. Most immigrant stories focus on adult foreigners, or of first generation, born here, one world outside/third world inside stories.....She's got a unique perspective.. One that I guess I share, but whenever I've tried to talk about it before, I've quailed and given up ...people don't understand, tell me I'm wrong, get offended... Pretty much exactly what she's facing now, and I'm part of the group questioning her! I dunno..perhaps I'm too fastidious.. how thin does something need to be sliced before it's exactly right? Her opinions of the LTTE and terrorism in generally seem like those of someone too busy trying to show another side to have understood exactly what that other side IS.

The Lex, you said:

"They've made a cartoon character out of a terrorist.
Ironic that this is a charge which has been levelled at her!"

Well, it's what she's doing to herself with the images she's plastered on her website, videos, CD, clothes. When you show up to an interview wearing a Tshirt with a picture of a grenade on it...and then talk about your "freedom fightining" relatives...Anyone closely familiar with violence KNOWS not to fucking take it lightly..I watched the video for Galang the other day and all these cute stenciled bomb/missiles fell in pop art sheets behind her...The images of planes the the album cover is hardly an accident, or without significance...and leads one to think that she'll appropriate ANY terrorist imagery, since the LTTE have never used a plane for anything violent. If she's serious about wanting to discuss terrorism, if she's serious about the validity of the LTTE..then plastering herself with these images might not be the best way to go.

I was startled and flattered to find myself referenced in Robert Christgau's Voice article, but one point I'd like to disagree with. Although it is silly to view her art as incindiery or propaganda, I think using her art in this manner undermines what she's trying to say. And it's not the music fans are stupid, but I do think (and I know this is contentious) a picture of a grenade on a wall asks that we contemplate its significance differently from the same image on a Tshirt. The first, however pompously, asks that we be thoughtful. The latter is banal and shrill. And yes, there's no reason why it has to be on a wall to be 'Art' and Tshirt can be a valid medium, and graffitti rules, and all that...but just, for me, what she's trying to say (oppressed people turn to violence for a reason) gets undercut by the gimmicky enthusiasm invested in these symbols.


cicatrix, Tuesday, 15 March 2005 19:59 (twenty years ago)

Sorry for all the typoes..banged that out in a bit of a rush.

cicatrix, Tuesday, 15 March 2005 20:54 (twenty years ago)

No worries -- it's good to see you here again, Cicatrix!

Ned Raggett (Ned), Tuesday, 15 March 2005 21:09 (twenty years ago)

Well, it's what she's doing to herself with the images she's plastered on her website, videos, CD, clothes.

yeah, this is true. (great, thoughtful post as ever btw.) I don't necessarily think this is a bad thing per se though my justification for that may well be iffy.

I think that many of MIA's apparent contradictions and confused statements about this situation are down to the fact that she seems to be approaching politics from an artistic perspective, rather than approaching art from a political perspective: ie her motives are primarily artistic not political, and while the latter is an integral part of the former it is not what she gives ultimate priority. And art almost necessarily takes liberties with meaning and accuracy - and I think she feels justified in this because it makes for better art (according to her definition of art).

I also think that the fact that she refers to the album as one component of what she calls 'the MIA project' is telling: I assume the collages and paintings which won her the Alternative Turner Prize are also part of this project, and I'd like to see what else is. It's clear she doesn't intend Arular to be considered in total isolation.

Something I've been surprised about: she's 28! I did get the impression before that she was pretty young, about 21 or so.

The Lex (The Lex), Tuesday, 15 March 2005 21:12 (twenty years ago)

I was saying to one of my bandmates the other day how my first reaction to finding out M.I.A. was 28 was "oh, that's pretty old to be starting out in music!" and then realizing that that's like the average age of our (just-starting-out) band.

jaymc (jaymc), Tuesday, 15 March 2005 21:20 (twenty years ago)

Yeah, you damned senile cripples.

Ned Raggett (Ned), Tuesday, 15 March 2005 21:24 (twenty years ago)

>I also think that the fact that she refers to the album as one component of what she calls
>'the MIA project' is telling: I assume the collages and paintings which won her the
>Alternative Turner Prize are also part of this project, and I'd like to see what else is.

I believe she was only nominated for the Alternative Turner Prize.

Brian Miller (Brian Miller), Tuesday, 15 March 2005 21:33 (twenty years ago)

sincere and confused, or PR savvy and shallow

I think she's sincere and PR savvy.

Also Cicatrix, do you like the music?

Spencer Chow (spencermfi), Tuesday, 15 March 2005 21:52 (twenty years ago)

Thanks Ned and Lex. It's nice to know that my thoughts make sense, and that I'm not just dancing on a creaky limb.

I didn't know about 'The MIA Project.' Interesting..will have to look into that. In my dream world, she'd take her media-inciting knowhow and affiliate this project with something like Amnesty International. But, then again, there wouldn't be a need for Amnesty International in my dream world.

Lex - "she seems to be approaching politics from an artistic perspective, rather than approaching art from a political perspective" - brings us back to the earlier debate on whether artists should be responsible for the content of their art, etc. One that wasn't resolved here, and probably won't be anywhere else either. It also opens the art world Pandora's box of whether meaning is more important that the work itself, whether the artist's back-story matters as much as the artist's creation, etcetc...all of which she seems to bring to the discussion on her music. In this context, her music seems to be the most disposable (and I don't mean that in a negative sense) piece of the puzzle - you either like it (as I do) or you don't, but there's not much to dissect, the Simon Reynold's article notwithstanding.

Speaking of which, (tossing my teaspoon here into the whole ocean of what's been said about the Reynold's piece) the most laughable line was the last: "Arular, strictly speaking, comes from nowhere." Hells yeah, dawwwg. That's the point! She's searching for other dislocated people, other sounds, having been branded and 'other' and embracing it.

Despite my own reservations about her, I found the article to be one of the worst examples of music criticism I've read in ages. "What was up with having four genuwine black girls from the 'hood troop onstage to dance for a bit"? MIA's teen years were spent idolizing Roxanne Shante, that's what. What a weird, snobby article. Just attending St. Martin's seems enough for Reynold's to assume that she's some well-off, anglicized, snot cannibalizing her way up the music scene. So when poor refugee girl done good, she ain't no refugee no mo? I went to a good college on scholarships, loans and grants..and once, as I said something about my family being poor when we moved to the States, a girl said "oh come on! Your dad's a doctor, isn't he?" Speechless, I just left the room. No, he wasn't bitch. Five of us lived on my mom's elementary school-teacher salary, cause no one would hire dad. Oh yeah, don't let the "brown skin throw you off." Either it means your dad's a doctor, or you've got to prove you lived in shanty town.

What's missing is "local character—those telling details that transmit the true flava of a scene."??! What scene? The Sri Lankan scene? Would Mr. Reynolds recognize the "telling details" of a Sri Lankan anything? Who the fuck heard of Sri Lanka before the Tsunami? (And I still had to explain the geography of that to someone last weekend). What telling details of the hip hop scene do the Hindi songs they sample represent? Anyone wanna bust Missy Elliot for lacking local character?

That mocking tone made me want to slap him.

Anyway, dissecting her music as truly this or that, seems silly and utterly beside the point to me. She's got great taste in music, explores it thoroughly, and made something fun. The lyrics are so nonsensical that the PLO "no surrendo" line is about as offensive to me 50 Cent saying "i love you like a fat kid likes cake." I had a fat period dammit. And I liked cake.

cicatrix, Tuesday, 15 March 2005 22:45 (twenty years ago)

haha brilliant. Spot on with all of that re: the Reynolds piece. I mean, he finally explained is position perfectly clearly with the whole 'scenius > genius' thing, which is a point of view I find utterly bemusing. Music is not a team sport ffs!

In this context, her music seems to be the most disposable (and I don't mean that in a negative sense) piece of the puzzle

otm. The most 'controversial', and politicised, aspects of the MIA project are definitely the images: I find it very easy to separate my opinions on the music from my opinions on the artwork a) partly because I don't go to the website very much, and I have only seen the proper album once, but mostly b) because I first heard MIA's music, and formed an attachment to her voice and her sound, way before I knew anything about the back story/politics. Maybe for people only now discovering MIA, while all of this talk is going on, it's a different matter.

The Lex (The Lex), Tuesday, 15 March 2005 23:02 (twenty years ago)

Cicatrix completely OTM.

Spencer Chow (spencermfi), Tuesday, 15 March 2005 23:05 (twenty years ago)

Spencer, I suppose it's better than confused and shallow. I guess I;m just wary of people who are good at self-promotion. They usually lose any qualms about remaining sincere about things.

One of the most sincere (and cynical. I don't know whether despite or because of her sincerity) Indian DJs I know should be HUGE by now. But although lots of people know her name, she doesn't get as much press, gigs, etc as she should becauseshe just doesn't play herself (or expectation of what 'Indian' should be) up in any way. My favorite story is of the time this woman asked her if there was anything particularly spiritual about the song she was spinning. She just said, "no, he's singing about how he likes to drink a lot and fuck."

On one hand she was left alone, undisturbed by stupid questions for the rest of the night. One the other hand, she was left alone.

cicatrix, Tuesday, 15 March 2005 23:10 (twenty years ago)

My favorite story is of the time this woman asked her if there was anything particularly spiritual about the song she was spinning. She just said, "no, he's singing about how he likes to drink a lot and fuck."

I like your friend already. Evil/sarcastic senses of humor are the spice of life. :-)

Ned Raggett (Ned), Tuesday, 15 March 2005 23:16 (twenty years ago)

DJ Rekha (shout out!)

The funniest part was that she wasn't being sarcastic. That was actually what the song was about!

cicatrix, Tuesday, 15 March 2005 23:17 (twenty years ago)

No no, I'm sure that's what the song was really about! I meant more in the 'time to deflate your expectations' sense. (Perhaps I just read too much into what I would do in those situations.)

Ned Raggett (Ned), Tuesday, 15 March 2005 23:19 (twenty years ago)

Remember Cicatrix, I live in HOLLYWOOD. My comments regarding sincerity might be considered suspect! That said, I don't think that self-promotion and sincerity are mutually exclusive at all. I think there's an art to avoiding saying *the wrong thing*, but I also feel like M.I.A.'s candor and willingness to say potentially wrong things suggests a kind of sincerity.

Spencer Chow (spencermfi), Tuesday, 15 March 2005 23:20 (twenty years ago)

Ned, or perhaps I read too much into what I would do in your comment :)

cicatrix, Tuesday, 15 March 2005 23:21 (twenty years ago)

Hurrah! And thus Cicatrix and I clear the air via mutual over-reading. ;-)

That said, I don't think that self-promotion and sincerity are mutually exclusive at all.

What are you talking about, you damned shallow hipster? Now are you gonna help make me famous or do I have to snort all this coke myself?

Ned Raggett (Ned), Tuesday, 15 March 2005 23:23 (twenty years ago)

Forgive my for playing devil's advocate here Flyboy, but if she's "acknowledging the process by which idealism can be distorted and lead to violence" on behalf of terrorist orgs everywhere, couldn't the same be said of the other side? Most (more than 50% supposedly) Americans believe that the Bush cause is the idealistic one, (free Iraq! Down with evil tyrant Saddam! Women's rights!) and that some human rights became distorted at Abu Graib and that some civilians were accidentally shelled over there. oops.

I've not said here that it didn't apply to the "other side", have I? Nor as far as I'm aware has she.

I would argue, though, that the majority of even supposedly liberal or left-leaning popular culture assumes the idealism of those on "the other side" (the West Wing, etc). The scales are certainly tipped in that direction, anyway.

Also, is it just me or does it seem like she softening the edges of her views in interviews?

Or perhaps it's just that an incomplete/distorted idea of "her views" has been constructed on the basis of insufficient evidence?

Flyboy (Flyboy), Wednesday, 16 March 2005 10:26 (twenty years ago)

it's impossible to have any belief in her whatever and that's the most important thing, for me.

stelfox, Wednesday, 16 March 2005 10:31 (twenty years ago)

Because pop stars need to be messiahs? Don't get me wrong, I quite like it when they appear to be, but you always get let down in the end when that happens...

Or do you mean believe as in the idea that there has to be a direct correlation between her music and her life (as much as we can possibly know it)? How many musicians can we really "believe" in in that sense?

Flyboy (Flyboy), Wednesday, 16 March 2005 10:34 (twenty years ago)

See, to me the Reynolds line that "we don't like people pretending to be something they're not in life, why should we like it in music" is fascinating because it really is a return to (what I see as)really old-fashioned ideas of authenticity and integrity in art. There was a time when stage actors were distrusted because they were literally pretending to be somebody else. It just seems like this way of thinking will never go away, even though it never even reconciles with the artists that are championned by the people who espouse it (does D Double E really go around caving people's whole face in with bullets, etc?).

Flyboy (Flyboy), Wednesday, 16 March 2005 10:42 (twenty years ago)

Since the Dissensus thread has now been locked - stelfox, surely you can see that in this thread alone, the following doesn't hold water:

if people were saying: "MIA isn't as smart as she wants to appear, flim-flams about politically, is rather trite and facile in many ways, but i love the way she sounds" i'd have absolutely no problem whatever. unfortunately they're not - far from it, in fact.

Loads of people are saying almost exactly that!

Flyboy (Flyboy), Wednesday, 16 March 2005 10:52 (twenty years ago)

it's impossible to have any belief in her whatever and that's the most important thing, for me.

I just believe in Yoko and me.

gypsy mothra (gypsy mothra), Wednesday, 16 March 2005 10:54 (twenty years ago)

What a weird, snobby article. Just attending St. Martin's seems enough for Reynold's to assume that she's some well-off, anglicized, snot cannibalizing her way up the music scene. So when poor refugee girl done good, she ain't no refugee no mo?

This has always been a blind spot in Reynolds' work, though. See his attack on Detroit techno in Generation Ecstasy, where he basically rips Derrick May et al for daring to aspire to be middle class. He's always paid much more attention to class and gender stratification than race.

just saying, Wednesday, 16 March 2005 13:43 (twenty years ago)

And PS: I think the idea that M.I.A. is getting attacked because she's a woman is mistaken. In Reynolds' case, he is simply defending the little patch of East London that he's basically been pushing as the bleeding edge of music for the last 15 years.(See his weird assertion that M.I.A. is taking up grime's space in the spotlight--weird because she sounds nothing like grime.) All marauders--whether it's Derrick May, Timbaland, or M.I.A.--must be repelled until the hardcore continuum is finally given its due!

just saying, Wednesday, 16 March 2005 13:55 (twenty years ago)

she comes across as very charming in yr interview, mark. was she? did you do it in person?

cozen (Cozen), Wednesday, 16 March 2005 19:42 (twenty years ago)

"Or perhaps it's just that an incomplete/distorted idea of "her views" has been constructed on the basis of insufficient evidence?"

Well, as I said in my next sentence, Flyboy, it could be that we're getting more than just snippets because magazines are willing to give more space to her now. She hasn't exactly been shy about sharing her experiences and opinions in interviews, so I tend to think there's ample evidence of her views. Enough so that her contradictions can sometimes become apparent, though I'd say those are not more than anyone else would in the process of talking about themselves. (though still irritating to me since she's the first to bring such a pop culture spotlight onto Sri Lanka and I want her to get it right.)

"It really is a return to (what I see as)really old-fashioned ideas of authenticity and integrity in art."
Oh no...as wonderful as I'd those ideas may be in theory, they are impossible to ascertain! They might have fit (and I'd argue that it still would have been falsely) in an old-fashioned world when people stayed within the lines of their own nation states, and no cross-pollination of any sort ever happened...but when the fuck was that? The moors invaded in Spain, Marco Polo went to China, Sri Lanka's 'indigenous' Batik patterns were originally from Indonesia, American R&B begat ska begat reggae bagat dancehall begat reggaeton etfuckincetera... Who gets to be the connoisseur? Most 'experts' grudgingly allow that they're playing at a game with made-up rules.

And things get especially dicey when Western critics decide to arbitrate the authenticity of something from someplace they really don't know squat about. I mean, come on.. Sri Lanka? I'm FROM there, and I still feel like I don't know what's going on since I don't live there anymore. And Simon Reynolds or some other critic with a thumb up his butt thinks he can dismiss MIA as not being "authentic"?? Fucking hell.

This discussion takes such weird swerves - it's slightly disorienting. I got on here to voice a note of caution about the LTTE. They're not 'freedom fighters' etc.. but also said that since this was about her DAD she couldn't be faulted too much for not seeing the other side. I was also really irritated by what I saw as glib use of terrorist iconography.

But now Stelfox says "it's impossible to have any belief in her whatever and that's the most important thing, for me." ? Dude, what don't you belive? That Sri Lanka is a horrifically violent place and most people there deal with shit that's permanently scarring? That she had a rough time in the UK? That she felt lost, confused, didn't fit in anywhere, and was totally misunderstood? Are you looking for a musician or a deity?

cicatrix, Wednesday, 16 March 2005 19:53 (twenty years ago)

"Because pop stars need to be messiahs?"

Ha! Flyboy, you said it first. I missed this the first time around.

What's this I hear about MIA being signed to Dr. Dre's label? Is that true? Anyone care to speculate about how that'll turn out?

cicatrix, Thursday, 17 March 2005 01:27 (twenty years ago)

At this point, who knows exactly? But we all patiently wait. One thing's for sure, it's almost kinda nuts to be almost burned out from all the talk about her when the vast majority of people have heard nothing of or by her yet! ILX will do that to ya. ;-)

Ned Raggett (Ned), Thursday, 17 March 2005 03:02 (twenty years ago)

"...but the stuff she said about being sent to special-needs programs, aspirational Sri Lankans, and the third-world dream of escaping to a gilded life in the West crashing before the harsh, racist reality...fuck. I can identify with each one. My youngest sister's first US teacher insisted that she was deaf-mute. The stupid cow even brushed aside our explanations when we TOLD her my 4yr old sister, who could already read in two languages, was not used to speaking English with strangers and was just shy."

Cicatrix, do you really think that constitutes a "harsh racist reality" or just a stupid fart of a teacher? I mean sure, immigrants often have a sense of disappointment at the myth vs. reality of the USA, but on the other hand, one certainly gets the impression, here in New Jersey at least, that many South Asian immigrants are thriving here. Look at the waterfront high rise apartments or the journal square area in Jersey City. Take a walk down the halls of a major computer or engineering firm. Sure, there's racism too, but wouldn't you say the "reality" is at least a mixed bag rather than some sort of harsh nightmare?

Hurting (Hurting), Thursday, 17 March 2005 03:19 (twenty years ago)

Hurting, yes I agree with you that it is a mixed bag. But from my observations/experience you tend to get the better goodies in the bag if you've moved to an area with a sizeable number of well-established South Asians, your family's got good connections, your degrees hold up to US standards (US or European basically), and the country's in an immigrant-friendly mood. Right now, I think, Americans are confusedly seeing India as the new circa-80s Japan..what with ads saying your job went 'here' (big sign to India) and customer service people who introduce themselves as 'Bernard' when you know it's actually Arjun.

When my family moved here, Andrew Dice Clay (he's the joke now, but at the time...) was hugely popular for making jokes about shit-colored people, my dad's MBA and physics degree from the best Sri Lankan college wasn't worth the paper it was printed on, we moved to a Polish and Irish blue-collar neighbour where the kids followed me home calling me a dot-head... etcetc... but we were still pretty damn lucky because my mom's brothers and sisters were here already and provided shelter and family ...a cushion of sorts for all of us.

Waaay upthread I mentioned a SL friend born into a comfortable enviorenment in Connecticut who really had no "harsh racist reality" until he moved to NYC. I can easily believe that MIA had it a lot rougher than I did, because I know the South Asian kids who had cab-driving/cornershop owning parents also got nailed.

Anyway, it's just tough to judge stuff like that, you know? It's pretty ridiculous to play some "I suffered more!" one-upmanship game. I call bullshit on brown skin being a free pass to socio-political moral superiority (or whatever someone called it somewhere on this board)...it's just not. But you can't get away from the fact that you're not white, and unless you have zero self-awareness whatsoever (and I'm always shocked to meet brown people who really don't..anyone heard of Dinesh D'souza? no? good.) you have that sense of dual reality, of what Americans (or Europeans) know and accept, and what your own family/culture/country gives you in an experiental sense.

Look, I didn't really know what racism WAS until I moved to the US. And whenever someone is shockingly rude or nasty, my first impulse is to think he/she is just a jackass as forget about it. Even when the rudeness is pointedly about my skin. Sometimes it can be just a clueless assumption. At my first full-time job at a cubicle farm full of middle-aged community-college grads, people just assumed I had kids and no college degree. Cause, you know, teenage mothers and affirmative action and all that. That kind of thing happens all the fucking time. Then again in college people thought I was a pampered doctor's kid. You just learn to brush it off and move on. I'm probably wrong but I find the people who scream racism the loudest have faced it the least often...but that's presumptious thing to say, and doesn't mean it doesn't happen.

Not to go on about this (sorry! I know I already have!) but sometimes the harsh part is just the dislocation you feel being in an alien place where nothing is familiar and everything is rather unwelcoming. It's a struggle to understand, be understood, to fit in. And even if you were born here, chances are your life outside your home is very American, while indoors your parents insist on keeping up traditions your friends wouldn't understand, and most kids develop dual identities as a result. MIA glomming onto anything and everything that spoke to her feeling of otherness, I hope, makes sense in this regard.

cicatrix, Thursday, 17 March 2005 07:15 (twenty years ago)

Flash-forward

M.I.A.’s innovative beats and rhymes are distilled in London but fed by her intriguing - past in Sri Lanka, says Kitty Empire

Sunday March 20, 2005
The Observer

It’s not easy to sum up MC and self-taught beatbox avenger M.I.A., the most exciting new artist 2005 has thrown up thus far. But that’s no hardship. Her invigorating debut album, Arular, out next month, brings together snatches of Jamaican dancehall rhythms and chat, playground chants, squelchy, danceable electro courtesy of producers like Richard X, hip hop from Philadelphia party-maker Diplo, nonsense rhymes, inventive spirit and fractured reportage. ‘I just try to reflect how we live today,’ shrugs west Londoner Maya Arulpragasam, whose moniker stands for Missing In Acton (the west London suburb) as well as the more familiar Missing In Action. ‘You get exposed to everything. I’m kind of like a walking mixtape.’
easy to sum up MC and self-taught beatbox avenger M.I.A., the most exciting new artist 2005 has thrown up thus far. But that’s no hardship. Her invigorating debut album, Arular, out next month, brings together snatches of Jamaican dancehall rhythms and chat, playground chants, squelchy, danceable electro courtesy of producers like Richard X, hip hop from Philadelphia party-maker Diplo, nonsense rhymes, inventive spirit and fractured reportage. ‘I just try to reflect how we live today,’ shrugs west Londoner Maya Arulpragasam, whose moniker stands for Missing In Acton (the west London suburb) as well as the more familiar Missing In Action. ‘You get exposed to everything. I’m kind of like a walking mixtape.’

The disparate elements of her music reflect the dizzying twists and turns of Maya Arulpragasam’s 28 eventful years. She spent her early life in war-torn Sri Lanka, the daughter of a Tamil Tiger. Arriving in the UK as a refugee, she and her mother ended up on a grim estate in Mitcham, Surrey. But, as she notes wryly, getting called a ‘Paki’ by ill-informed racists was very small beer compared to being shot at by Sinhalese government forces chasing her father.

In her teens, she discovered the righteous power of hip hop, but rather than aspiring to be a musician, Arulpragasam opted for art school and a future as a documentary-maker. She turned to visual art when her film about Sri Lankan youth in the Sinhalese–Tamil conflict was suppressed in the post-11 September climate; a prescient Jude Law owns a few of her works.

But her ghetto blaster was never far from her can of spray paint. Arulpragasam ended up designing the sleeve for Elastica’s final album, The Menace, and she went on tour with the band in the US as a documentary maker. Elastica’s support act was provocative MC Peaches, who taught Arulpragasam to use a beatbox and gave her the courage to swap art for music.

‘Just before I found music, I just had this show, and everything was going really well with the art, like being nominated for the Alternative Turner Prize,’ she recalls. ‘But I still had time in my life to go out and do normal things, watch telly. I knew when I found the right medium nothing else would exist. When I rediscovered music, nothing else existed, I just shut down, stopped answering my calls, didn’t leave the house, never brushed my teeth.’

Her calling card was last year’s breathtaking ‘Galang’, which united Jamaican slang for ‘go on’ with the South Asian root galangal and landed her a deal with XL. Since then, she has been courted by major labels in the US and she met Jay-Z and LA Reid of Island Def Jam; last month, she was finally signed by Interscope and mainstream success looks a distinct possibility.

‘I’m not really motivated by fame,’ sighs MIA. ‘Perpetuating the celebrity myth is really not what I’m about. But at the same time I’m really into stepping into a big arena like America without having any qualifications or any understanding of being a proper, like, muso musician, and turning a few things upside down.’

How America – let alone the UK – copes with Arulpragasam’s highly politicised rhymes remains to be seen; her website has had hits from a curious US government, whetted by MIA’s Tamil Tiger heritage. MIA’s album is named after the nom de guerre of her father, Arular, whom she hasn’t seen in years. She knows he’s still active in the Tamil struggle, though.

‘There are a few reasons for naming it after him,’ MIA explains. ‘In Sri Lankan, arular means ‘enlightenment from the sunshine’, or something, but a friend pointed out that it was a pun in English, “a ruler”, which is funny because he is a politician. And my mum always used to say about my father, “He was so useless, all he ever gave you was his name”, so I turned it around and turned that nothing into something. And at the same time I thought it would be a good way to find him,’ she confesses. ‘If he really was an egomaniac he’d be looking himself up (on the net) and he’d get this pop album stealing his name that would turn out to be by me, and he’d have to get in touch.

_________________________________________

piscesboy, Sunday, 20 March 2005 22:46 (twenty years ago)

I just get the feeling (very scientific, I know) that she's coming at this from a very Western perspective. I don't doubt that she lived in Sri Lanka during her childhood, and that her life was very hard when they moved to the UK...but it doesn't seem like she's retained much besides vague memories, you know? So she doesn't really understand anything about the country, and forces these snippets about her father and lingering memories of fear and deprivation into mages/storylines that makes sense to an European/American.

I'm not neccessarily criticizing her right to do that.."authenticity" is a foolish word, in my opinion...but somthing here smacks of good PR and marketing, and to use the continuing tragedy in Sri Lanka for such purposes is just... vile.

Take this Observer article. She talks of what 'arular' means in "Sri Lankan." Sri Lankan??! Um, there is no such language! Sinhalese, Tamil, Malayali, English, Pali, even some Dutch...but there is no "Sri Lankan" language and anyone who would even say that is really obviously clueless.

I thought Arular was a Tamil word (given the LTTE cause and all) and that the meaning was beyond my rudimentary knowledge of the language. It probably is, but MIA doesn't seem to have a clue.

She really is so charismatic though, isn't she? The bit about her dad having to get in touch with her now, almost breaks your heart. I want to support her so badly...there are no other Sri Lankans out there, and taking sniper shots at the first person who does well seems so unbelieveably petty and spiteful...if only her fuzzy areas were about something less grimly serious to so many people.

cicatrix, Monday, 21 March 2005 19:55 (twenty years ago)

anyone heard of Dinesh D'souza? no? good

Regrettably I have. Alas.

(Keep up these excellent posts, Cicatrix! You have the ability to tease out many aspects of a gray situation -- in many levels -- very well, as yer a good writer. :-) )

Ned Raggett (Ned), Monday, 21 March 2005 20:10 (twenty years ago)

Ugh - Dineh D'Souza. Gore Vidal ripped him a new one on a talkshow in 2003.

Alfred Soto (Alfred Soto), Monday, 21 March 2005 20:12 (twenty years ago)

re: final track listing:

- URAQT on there

it's the Diplo mix from PFT - no idea if the original will crop up anywhere

- £10 ("what can I get for ten quiddah?" Mark E. Smith remix? probably just a typo, though.)

indeed yes, just a typo

- Dash The Curry (her reading the local curry menu in a vaguely rhythmic manner) (or maybe not, I don't know. wouldn't that be great?)

skit, like 'Ba-na-na' pt II, fun!

- no idea if M.I.A. is still on there (if it is, it's still hidden, I suppose)

it is, and it's hidden.

I wouldn't be at all surprised if this was all rejigged yet again though.

The Lex (The Lex), Monday, 21 March 2005 20:38 (twenty years ago)

it doesn't seem like she's retained much besides vague memories, you know? So she doesn't really understand anything about the country, and forces these snippets about her father and lingering memories of fear and deprivation into mages/storylines that makes sense to an European/American.

agree totally: I think this is actually a massively important point in the context of the MIA project. far from being something which is first and foremost politically motivated, it seems more like the work of someone who doesn't really understand her own heritage (something very common for 2nd-gen immigrants): you get the impression that this is MIA's art is her means of learning about it herself, making sense of this world which is in her blood yet alien to her through the medium of her art. Taking her as a voice of authority on anything would be to miss this point entirely, I think.

Take this Observer article. She talks of what 'arular' means in "Sri Lankan." Sri Lankan??! Um, there is no such language! Sinhalese, Tamil, Malayali, English, Pali, even some Dutch...but there is no "Sri Lankan" language and anyone who would even say that is really obviously clueless.

I'd be surprised if she was THAT clueless. I would not be surprised, however, if the Observer subs were, and just changed it randomly. we were reading that paper in the pub yesterday and the amount of sloppy errors, horrid layout, and bizarre, surreal headlines which surely must have been taking the piss was astounding.

The Lex (The Lex), Monday, 21 March 2005 20:47 (twenty years ago)

Alfred Soto, do you remember which talk show? I take an almost malicious pleasure in seeing dear Dinesh get kicked around. Maybe I can dig up a transcript or something?

Lex, do you have any links to anything about the MIA project? I've searched a bit but haven't found much. I'm very curious to know more.

Ned. Thanks, as always, for your encouragement. It usually takes about ten seconds after I hit 'submit' for me to heartily wish this board had a 'delete' feature.

cicatrix, Monday, 21 March 2005 21:59 (twenty years ago)

cicatrix, all I know of the MIA project is the stuff everyone's seen - the album artwork, the paintings on her site, what she's said in interviews about it (oh and Arular itself). I'd like to know more too, though I'm not sure how much more art there is at the moment - I think she refers to it as an ongoing thing, and I also got the impression that she conceptualises it at least party as a state of mind (ie her process of self-discovery).

looking at the lyrics booklet for the first time the other day, I was surprised at how many words I'd misheard - at least one in every song. you know, I sang "lazy days, galangalangalang" for over a year before I realised it was "blaze-a-blaze". I remember there was a whole argument over 'Bingo' - whether it was "hitting a six", "hitting a sex" or "hitting the States". it's "hitting a six", yay for cricket metaphors!

The Lex (The Lex), Monday, 21 March 2005 22:06 (twenty years ago)

Wow this is an amazing thread. i'd never read it in full before, it kept crashing my home computer somehow!

Tim Finney (Tim Finney), Wednesday, 23 March 2005 05:08 (twenty years ago)

More hype? Don't mind if I do!

Stupornaut (natepatrin), Wednesday, 23 March 2005 05:31 (twenty years ago)

I gotta say, I was incredibly skeptical about this album after the Great ILM Dizzee Rascal Firesale; when I finally got around to it, just thought Dizzee was a third rate MC with barely listenable beats. But this Arular shit is GOOD. Also, really great thread. Thank you thank you ILM, my faith restored, one more time again.

mcd (mcd), Wednesday, 23 March 2005 22:59 (twenty years ago)

OK Dizzee's not that bad, I tend to exaggerate, but I'm not a thread killa. I just spent the last two days listening like crazy and the last two hours reading reviews, etc, of Arular. I want to hear what you think. OK, it's clear enough that the pan-globalist thing parallels dj /rupture/nu-tigerbeat 6 (I love dj /rupture's mixes) ingesting-spooling post-Colonial thru to current African music, bollywood breaks, mash-ups and the walkabout/hobo pop of Manu Chao, is there anything else in this genre? On another thread it was called "unauthentic spaceage dancehall" which might sell the sound and the meaning short. It reminds me of the mash-up culture of Belize-- the nightclubs like Jamaican soundsystem parties with distorted bass frequencies, air rife with sexual tension, playing all of it: Miami bass, dancehall, cheezy Eurodance, hip hop hits, Lucky Dube, Peter Tosh & Bob Marley, punta rock and soca. And Arular doesn't sound like a clever old trick like maybe Beck's new album. Politics aside, if that's possible, (and I don't have enough of a background/understanding to comment) the grassroots stance is attractive. Is Diplo's Florida anything like this?

mcd (mcd), Friday, 25 March 2005 20:36 (twenty years ago)

Diplo's "Florida" is supposed to sound like Dj Shadow or something.

steve-k, Friday, 25 March 2005 20:49 (twenty years ago)

And another thing. While I ask about Diplo and ref dj/rupture, this record strikes me as a cultural amalgamism with traits that I (ashamedly, romantically) wish were American, collected and transmitted from a mix of cultures (like jazz or hip hop). Yet this album could never have been American, not today. It's too incendiary. And besides (I'm foolish), this happens in all countries, where musics from beyond borders can marinate, then resonate, from radio/tv/the internet, from immigrant mobility, from distribution networks, ever faster into something new. Even the streetest American hip hop these days has aims at commercial viability or even takeover from the get-go, and not a unique stance to spew on/about/against, soaking any attempt at pan-global authenticity that might otherwise easily come from immigrant communities in Brooklyn, Philly, Houston or Hartford. That thing in Simon Reynolds piece about inauthenticity seems to miss the point, since this music is authentic in that the streets, dancehall, whatever, can be claimed by EVERYONE now. This is the world.

Anyway, I guess these are qualities that I just missed or went over my head with regards to grime, the genre. And maybe its hold on me wasn't as dramatic or immediate and I should try again.

And none of this where/why/when/how should matter at all if the music is any good, right?

mcd (mcd), Friday, 25 March 2005 21:20 (twenty years ago)

Okay, this is the first time in a while that an album has generated a megathread and I haven't looked around for a preview of it; I was in the record store today and it was on sale so I just bought it without having heard a single note of it.

Fucking best decision I've made all week and I haven't even gotten to the end of the album yet.

The Ghost of Dan Perry (Dan Perry), Saturday, 26 March 2005 00:41 (twenty years ago)

That thing in Simon Reynolds piece about inauthenticity seems to miss the point, since this music is authentic in that the streets, dancehall, whatever, can be claimed by EVERYONE now. This is the world.

Exactly. Like I said somewhere up there in the lower-middle reaches of this thread, since when is the globe not a place?

gypsy mothra (gypsy mothra), Saturday, 26 March 2005 01:45 (twenty years ago)

"And Arulpragasam doesn’t downplay her Tiger connection, she flaunts it, it’s integral to her marketing. She did a mix album using unauthorized samples called Piracy Funds Terrorism. Her song ‘Sunshowers’ refers to suicide bombs (‘And some showers I’ll be aiming at you’), her first album bears her dad’s eponymous codename. Jungle guerrillas are all over the ‘Sunshowers’ video, there’s a large running tiger in her excellent concert visuals, she does a soldier step on stage and a shoutout to the P.L.O."

flogging a *live* horse:
whoooooo! this is a hot record. Bucky Done Gun!! i don't know a thing about the politix, but the militant album art is PUNK ROCK, some fuck-the-police type shit that gets people nervous (get nervous, get nervous). Refugee Education?! Where's my S1W's? Her show sounds like P.E.#1!

Moongood (Bobby Peru), Saturday, 26 March 2005 02:50 (twenty years ago)

Moongood, where is that quote from? Is it recent? Somewhere on this thread? I'd like to read the rest of it.

Um..and just cause I'm a little tone deaf when it comes to sarcasm...are you for real with the rest of your post?

cicatrix, Saturday, 26 March 2005 08:07 (twenty years ago)

This album opened my eyes to the sonic deficiencies of mp3s. BASS!

Alex in SF (Alex in SF), Saturday, 26 March 2005 17:09 (twenty years ago)

lex where did u get yr copy from??!! any chance u can post/scan the lyric booklet?!!

so has the 1 for the head skit gone aswell lex?

are they seriously running with THAT cover art?

piscesboy, Sunday, 27 March 2005 18:38 (twenty years ago)

That is the cover art. The tracklisting on the US version is EXACTLY the same except that "MIA" is merged into "Galang" (so still 12 tracks.)

FTR all this talk about this record sounding like or innappropriately borrowing from dancehall or grime or baile funk (with the exception of "Bucky Done Gun" which has that Rocky by way of DJ Marlboro sample) is totally ridiculous. These songs aren't structured remotely like dancehall, sound absolutely nothing like grime, and the sonic similarities between ANY of these genres only extend as far as a certain electro voib which virtually everyone is plundering these days. The tinny qualities of mp3s maybe make all this stuff maybe sound much more similar than it should, but believe me comparing these things on CD or vinyl is just silly.

Alex in SF (Alex in SF), Sunday, 27 March 2005 18:49 (twenty years ago)

I don't have a copy piscesboy, I have friends who do. and yes, they're running with THAT cover art.

The Lex (The Lex), Sunday, 27 March 2005 21:15 (twenty years ago)

Surviving Sri Lanka, "What Do We Do Now?", MIA's Music, & More :

Those of us who are young and not dead from the 80's & 90's ethnic violence horror show in Sri Lanka & now living in the West should work to make things better, and also the non-Sri Lankan westerners who care about human well being can work to make things better, because we have the luxury of being able to do so ($s, political freedom & freedom of expression, the LTTE being baned by the US & UK, cheap net access, etc.)
Here is a group of international activists that got started a couple of years ago, they are called Nonviolent Peaceforce, they are keeping an eye on both sides and trying to work out a peaceful settlement, on the web at:
http://www.nonviolentpeaceforce.org/english/srilanka/slpintro.asp
I have met these people, I keep in touch with them and they are legit.
They help both the Tamils and the Sinhalese in need.

Another good group of folks in Sri Lanka are Sarvodaya, they have been helping people for decades, working on healing the wounds from the never ending war (& now the tsunami too).
http://www.sarvodaya.org/
They too help both the Tamils and the Sinhalese in need.

And on to less important things: M.I.A, her music, the whole LTTE thing. Here's my take: MIA's music = good, LTTE = bad, real freedom & equality for Tamils in Sri Lanka = good, Behavior of Sri Lankan governments since 1948 towards Tamils = bad. Will I support MIA by buying her music? Probably not (I do not want any of that money going to the LTTE and their war crimes activities). BUT, has the existence of the LTTE kept Sinhala extremist behavior in check all these years (Sri Lanka has not yet had a Rwanda scale massacre - although at least 100,000 dead from the 20 year war so far)? It's possible. Both sides have massacred civilians and I do not know if the killings would have been kept in check if both sides were not armed. Suicide bombing is for fools. Hopefully no one on this planet will ever win a war by randomly killing civilians through the idiotic & evil method of suicide bombing.

So what's the solution music fans? Maybe: We are alive, we will remember the dead, we will do what we can to save the living. International involvement and pressure may cause LTTE to become a political party that respects democracy, human rights, etc., and international pressure may cause the Sri Lankan government to become an actual democracy, value & support ethnic & religious diversity, human rights, rule of law. The horrors of the killings also may soften the hard core hearts of the Sinhala extremists who view all non-Sinhala, non-Buddhists as enemies. Perhaps the experience of the last couple of decades will push the survivors on the Sinhala side to demonstrate through action that they are in-fact Buddhists (peaceful people sympathetic to the suffering of others), not just people who say they are and then spend their time oppressing minorities.

Future generations will hold all of us responsible to some degree for atrocities that happen in our time. We gotta do what we can with what we got to make this world a more human place.

Aside from the heavy & controversial stuff, I am glad MIA is becoming popular because this artist will introduce the Sri Lankan conflict to a whole group of people who have never thought about it before.

Talk to u all soon. All of life is not suffering. Humans made this mess and humans are gonna clean it up.
Sujewa
PS 1:
My Sri Lankan cred/about me:
Born there in the early 70's (parents sinhala buddhist - liberal, moderate, and my identity is not at all defined by the ethnic heritage or religion in which I was raised - more on this below), moved to the US in the mid 80's, got tons of family there & here, visited SL in '89 and saw people dead by a road side, massively influenced by the LTTE/SL Gov/JVP Conflicts/Violence/Killings (the SL situation made me realized the horror & futility of violence, made me wanna work against it), D.I.Y. indie filmmaker in DC, I believe everyone on the planet is related, so all the Tamils & all the Sinhalese, even the evil ones (who should pay for their crimes), are my brothers & sisters. MIA is nice, but I prefer my music more hardcore, by pacifist peacemaker supporting musicians - like Fugazi (although I did enjoy The Nation of Ulysses, they did flaunt the guerrila chic thing back in the early 90's - but they made no real claims of authenticity & actual connections - less of an ethical dilemma - Ulysses music).
My film web site: http://www.wilddiner.com/
PS 2: great to see Priv & the other 2 or 3? expat sri lankans talking on these two forums. Your first person/eyewitness accounts are valuable, tell us more.
PS 3: Let's form an International Sinhala-Tamil Friendship Society or something like that to help Sri Lanka (maybe we can get MIA to play a beneift show to feed the hungry in SL or something :)

Sujewa Ekanayake, Monday, 28 March 2005 00:46 (twenty years ago)

there's a new M.I.A track floating around. Called "Do Ya".

It's alright. Not that good.

Hari A$hur$t (Toaster), Monday, 28 March 2005 00:58 (twenty years ago)

Cicatrix writes beautifully City Pages:

http://citypages.com/databank/26/1268/article13099.asp

Pete Scholtes, Monday, 28 March 2005 13:15 (twenty years ago)

Wow, I really enjoyed reading that.

The Ghost of Dan Perry (Dan Perry), Monday, 28 March 2005 13:50 (twenty years ago)

Yeah, I was going to post that myself -- she was kind enough to mention this to me a couple of days ago and I was VERY impressed. Yer an excellent writer, Cicatrix, and this is easily the best piece on MIA I've read yet.

Ned Raggett (Ned), Monday, 28 March 2005 13:53 (twenty years ago)

Wow, that was great. It laid out the complexities of the artist and of the political situation very succinctly. It's the kind of writing that starts conversations, as M.I.A. is the kind of artist who starts conversations.

mcd (mcd), Monday, 28 March 2005 14:12 (twenty years ago)

The tracks that I've downloaded from this sound great. I think I'll pick this up the next time I'm in a record store. The only slightly annoying vocal tic she has is that glissando thing she does sometimes at the end of a line where her pitch swoops upwards. Is that her own personal invention or does that mannerism come from some musical tradition? I don't recall hearing anything quite like it in other dancehall or world music.

o. nate (onate), Monday, 28 March 2005 14:30 (twenty years ago)

It's from watching Neighbours.

Alba (Alba), Monday, 28 March 2005 14:33 (twenty years ago)

Pete! You outed me!
:-)
I'm glad you guys (most critical audience ever!) liked it. I've been chewing my nails worrying that it didn't make sense and that I sound like a jackass. I had a very short deadline (two days!) so I pinched a few phrases from my posts here, as you might have noticed.

Please feel free to email me with suggestions, comments, etc. I love feedback.

cicatrix, Tuesday, 29 March 2005 18:12 (twenty years ago)

Alex OTM about the bass. Its so ferocius on vinyl/CD. The MP3s were weak. Loved the album, love it more now.

jmeister (jmeister), Wednesday, 30 March 2005 02:45 (twenty years ago)

Excellent article!

Spencer Chow (spencermfi), Wednesday, 30 March 2005 05:00 (twenty years ago)

WOW - excellent job cicatrix, best thing i've read (and suspect i'll read) on mia. GREAT JOB. big ups to pete too!

j blount (papa la bas), Wednesday, 30 March 2005 05:16 (twenty years ago)

Great job cicatrix!

The Lex (The Lex), Wednesday, 30 March 2005 17:56 (twenty years ago)

and now, an even

David Allen (David Allen), Wednesday, 30 March 2005 18:00 (twenty years ago)

thousand

David Allen (David Allen), Wednesday, 30 March 2005 18:01 (twenty years ago)

"Refugee Chic: The new album from the Sri Lankan sensation M.I.A."
http://www.slate.com/id/2115958/

Also mentions ILM debate.

He seems to be saying, rather disconcertingly, that she's getting all this attention for being a woman. wtf?

cicatrix, Thursday, 31 March 2005 17:01 (twenty years ago)

From the Slate article:
If M.I.A. were black and covering similar ground—lyrics about poverty and politics sprinkled amid dance-friendly chants—she'd be pigeonholed to a particular scene: dancehall, grime, hip-hop, etc. If she were white, she would be derided as a holdover from the electro renaissance of four years ago. If she were a man, she wouldn't leave a fingerprint.

Can anyone explain his point to me? I don't agree with this at all. And he link the word "man" in the last sentance to Punjabi MC...Dude, that's bhangra! There are tons of djs doing what Punjabi MC does. And to compare MIA to electroclash...as if she were white she'd be W.I.T? Remember those talentless bags? Anyone see a connection? anyone?

cicatrix, Thursday, 31 March 2005 17:09 (twenty years ago)

hey, 'Ooh I Like It' is as good as anything on 'Arular'

Sven Basted (blueski), Thursday, 31 March 2005 17:22 (twenty years ago)

Ha, I read by Jon Caramanica and clicked off of the page; I can't think of a single review I've read of his where I've agreed with him.

The Ghost of Dan Perry (Dan Perry), Thursday, 31 March 2005 17:49 (twenty years ago)

I think you've left us with nothing else to say, GoDP ;)

cicatrix, Monday, 4 April 2005 03:16 (twenty years ago)

And many thanks to everyone who read the citypages article. I really appreciate the encouragement. Some part of writing about MIA made me feel like a vulture feeding off her gravy train...but then her thing seems to be that people concerned with such niceties deserve a kick in the head...so it's about time I got over myself :)

cicatrix, Monday, 4 April 2005 03:46 (twenty years ago)

I'll stick up for JC in a general sense, but I can't explain that section you've pointed out....

Nice piece, btw, Cicatrix.

djdee (djdee2005), Monday, 4 April 2005 04:01 (twenty years ago)

M.I.A.'s first single, "Galang," which she released in 2003, has a breezy and chirpy sound, almost like an elementary-school recess.

Okay, this makes no sense at all. The song is in a minor key, is awash in distortion and has what sounds like a gigantic steam factory as a rhthym section. How does that add up to "breezy and chirpy"?

The Ghost of Dan Perry (Dan Perry), Monday, 4 April 2005 12:37 (twenty years ago)

YAH YAH YAAAAAAAAY

Tim Finney (Tim Finney), Monday, 4 April 2005 12:45 (twenty years ago)

Tim OTM

heh.

djdee (djdee2005), Monday, 4 April 2005 12:51 (twenty years ago)

Dan, 'chirping' is maybe the closest verb which describes what MIA does with her voice!

what I've always loved about 'Galang' is that all the things you say are true (though I would say 'landmines detonating' rather than 'gigantic steam factory' - maybe 'landmines detonating IN a gigantic steam factory', now I think about it again) - but it still feels like a perfect summer pop anthem. Like, made for blaring out of car windows on the hottest day of the year as you're tripping down the pavement slightly drunk on white wine.

The Lex (The Lex), Monday, 4 April 2005 12:52 (twenty years ago)

But what if you only have red wine?

Ned Raggett (Ned), Monday, 4 April 2005 13:12 (twenty years ago)

Do you even drive anyway Ned?

Tim Finney (Tim Finney), Monday, 4 April 2005 13:16 (twenty years ago)

Sorry I meant drink.

Tim Finney (Tim Finney), Monday, 4 April 2005 13:17 (twenty years ago)

Perhaps the two are conflatable. (And I v. much drink, I believe I had some alcohol in your presence back in 2002!)

Ned Raggett (Ned), Monday, 4 April 2005 13:19 (twenty years ago)

I thought that was red cordial.

Tim Finney (Tim Finney), Monday, 4 April 2005 13:24 (twenty years ago)

If M.I.A. was a man, no one would describe the end of "Galang" as "breezy and chirpy".

The Ghost of Dan Perry (Dan Perry), Monday, 4 April 2005 13:31 (twenty years ago)

Also, Panacea's Low Profile Darkness is perfectly suited to being blared out of a car on a beautiful sunny day but that doesn't mean that anything on that album could be described as "breezy and chirpy" (IOW, the context in which you can see yourself enjoying a song/album doesn't automatically ascribe that context's attributes to the music!).

The Ghost of Dan Perry (Dan Perry), Monday, 4 April 2005 13:33 (twenty years ago)

(And finally, "Sunshowers" IS somewhat breezy and chirpy, so it's really bizarre that he completely skipped over the song that could be described with his pet phrase and applied it to the famous one, presumably because people would be so busy thinking about everything but the actual song that he could get away with it.)

The Ghost of Dan Perry (Dan Perry), Monday, 4 April 2005 13:35 (twenty years ago)

(FEEL MY WHITE HOT RHETORIC)

The Ghost of Conan The Argumentor (Dan Perry), Monday, 4 April 2005 13:44 (twenty years ago)

"Sunshowers" more breezy and chirpy but also much less good (unless you're talking about the Piracy Funds Terrorism version which is fabulous obv)

Tim Finney (Tim Finney), Monday, 4 April 2005 22:06 (twenty years ago)

I'm blasting "Bucky Done Gun" in my headphones all the time, and my office chair is now doing the electric booty.

donut debonair (donut), Monday, 4 April 2005 22:09 (twenty years ago)

I listened to this on the way to work this morning. The first few songs are my faves, but I think that's partially because I hadn't heard any of her stuff before having the album.

I've got tickets to see her play with LCD Soundsystem. :-D

Check it out. You can get a Galang ringtone:
http://www.polytonic.co.uk/melody/413680_Mia-Galang.htm

Sarah McLusky (coco), Wednesday, 6 April 2005 14:58 (twenty years ago)

Got my tix to see her and LCD as well. Roxor on etc.

Ned Raggett (Ned), Wednesday, 6 April 2005 15:29 (twenty years ago)

did anyone else notice that justine frischmann has a writing credit on "galang"?

Actor Sizemore fails drug test with fake penis (jingleberries), Wednesday, 6 April 2005 15:48 (twenty years ago)

I knew it sounded like Wire.

firstworldman (firstworldman), Wednesday, 6 April 2005 16:00 (twenty years ago)

and Steve Mackey of Pulp worked on it too!

Alfred Soto (Alfred Soto), Wednesday, 6 April 2005 16:20 (twenty years ago)

My mental mantra right now: "Dih, dih, dih on your mobile phone...."

Maria :D (Maria D.), Wednesday, 6 April 2005 17:02 (twenty years ago)

2005!!!!

cozen (Cozen), Wednesday, 6 April 2005 17:05 (twenty years ago)

I have heard of this year. IT AND YOU WILL BE AN OLDIE ONE DAY. ;-)

Ned Raggett (Ned), Wednesday, 6 April 2005 17:07 (twenty years ago)

I got this the other day, and have listened to it now a couple of times. There is a lot of detail that I missed on the mp3s. It's still growing on me, but I like it.

o. nate (onate), Wednesday, 6 April 2005 17:58 (twenty years ago)

I suppose I'm the only one who cannot stand 10 dollar...

(the vocals ruin everything for me)

seahorse genius (seahorse genius), Wednesday, 6 April 2005 18:11 (twenty years ago)

Hey..I didn't mention this sooner in case a) she meant something different, and b) some other Sri Lankan brought it up first..

but that "salt and pepper my mango" line? It's just how people in SL sometimes eat the fruit. Mix chili powder, vinegar, salt, pepper, sugar and lightly coat a cut-up mango. Combination varies by household, but same thing more or less...if y'all knew this already, sorry for the obvious!

cicatrix, Wednesday, 6 April 2005 18:37 (twenty years ago)

Frankly that sounds delicious!

Ned Raggett (Ned), Wednesday, 6 April 2005 18:42 (twenty years ago)

The more I look into/learn about the lyrics of "Galang", the more convinced I am that that song is genius. It is completely fantastic that such an angry, seething narrative can be transformed into something that people earnestly feel would fit right at home on Radio Disney; it's pure subversive wonderment.

The Ghost of Dan Perry (Dan Perry), Wednesday, 6 April 2005 18:44 (twenty years ago)

Re "Galang".. I know!! That's why I love it too! I don't know if it's angry though..I hear it more like a shrug.. "too late, you down/d-d-down/ta na ta na ta na" ...

There's a bollywood movie, Dil Se that has sort of the same jarring quality..It's very 'love in the time of terrorism' and has a musical numbar that left me gasping, caught between laughter and horror...lovers dance as burning tires roll by, and they coyly peek at each other through bombed out walls...The songs are awesome, the plot leaves my head reeling..

cicatrix, Wednesday, 6 April 2005 19:06 (twenty years ago)

I love this album now, but I'm guessing right around, oh, two weeks after the M.I.A. show, I'll want to completely forget this album. :(

38 minutes is too short.

donut debonair (donut), Wednesday, 6 April 2005 19:08 (twenty years ago)

for me scenius beats genius most of the time - the work of a lone artist has to be really exceptionally good to beat that

Haven't seen this in context, but it seems awfully simplistic, a false dichotomy if there ever was one. Geniuses can and often do belong to scenes, and even artists who are not part of full-fledged scenes are seldom "lone." And for better or worse, those musicmakers who get called genius are the ones who help create or reshape scenes, often by reworking elements of scenes that they're familiar with but not part of (think of Elvis Presley, Rolling Stones) or by changing the rules so drastically that they cause their scene to fragment, and they run off with some of the pieces (think of James Brown, Bob Dylan). And creating a scene is a good part of their achievement (I'd rather be remembered for helping to create an interesting conversation than for writing the greatest record review or something).

Simon when working out his ideas sometimes puts forth simple-minded statements that he then goes on to undermine and contradict, to the enrichment of his ideas. E.g., on p. 4 of Generation Ecstasy he writes the inexplicably stupid "It was some revelation to experience the music in its proper context - as a component in a system. It was an entirely different and un-rock way of using music: the anthemic track rather than the album, the total flow of the DJ's mix, the alternative media of pirate radio and specialist record stores, music as a synergistic partner with drugs, and the whole magic/tragic cycle of living for the weekend and paying for it with the midweek comedown. There was a liberating joy in surrendering to the radical anonymity of the music, in not caring about the names of tracks or artists. The 'meaning' of the music pertained to the macro level of the entire culture, and it was much larger than the sum of its parts." I mean, delete the supposed indifference to tracks and artists, and substitute "familiar" for "different," and "very rock way of using music" for "un-rock way of using music," and then maybe the statement is OK. Like, in The Electric Kool-Aid Acid Test the West Coast freaks even used the word system to describe what they're trying to connect to via music and acid. And go back in time, and this is more or less every rock (or before that skiffle or swing or jazz) scene in existence, not to mention (give or take DJs and drugs and access to specialty shops) eight-year-old girls in rec rooms in 2000 lip-syncing to Destiny's Child or eight-year-old girls in 1964 dancing to "I Wanna Hold Your Hand" and going on about whether Paul is cuter than George. And are they more interested in the Beatles or in each other? Well, being interested in one guarantees being interested in the other, and using music in your life is how you connect it to "the macro level of culture." Jeez! But when Simon stops being the teacher's pet waving dumb pseudointellectual dichotomies he's not an idiot, and actually you can't go two pages in Generation Ecstasy without his comparing rave to rock in some way - a couple pages before the "un-rock" claim he calls the music a psychedelic dance culture - and he ends with a 40-page list of records; the book as a whole is way smarter than its occasional pomo posturing.

Anyway, I haven't made it to Blissblog recently, but I'm assuming that Simon's dumb (and offensive) "Arular, strictly speaking, comes from nowhere" may have been his fumbling attempt to get to an idea that he hadn't yet come close to working out. For what it's worth, I share a lot of Simon's kneejerk prejudices against art-school bohemia, but in my case this prejudice is informed by the fact that at times (on and off from '64 through '79, basically) this bohemia produced some of the greatest pop music ever, and it was this bohemia's sudden plummet into dull bullshit (i.e., alternative rock) that inspired a tirade from me in 1986 that mutated into a fanzine/discussion group called Why Music Sucks.

Frank Kogan (Frank Kogan), Wednesday, 6 April 2005 20:53 (twenty years ago)

DJ Rekha (shout out!)

I second this. She was really helpful to me when I was trying to gather info in my attempts to understand Truth Hurts. I told her that she should write about music. There's a glaring absence in the U.S. press of the Asian/Asian-American musical experience. My guess is that people of Asian descent made a significant contribution to reggae (Leslie Kong and Earl Chinna Smith come to mind), and I wouldn't be surprised if there were contributions to hi-NRG, reggaeton, and hip-hop as well, and that this might affect the musics' sounds. But also, given that there's no North American pop music that's officially Asian, I wonder how/if Asian-American kids go about coming up with a music that they identify as their own. -Of course, kids don't necessarily adopt their parents' music - "ethnic" or not - as their music, and differentiating from parents and peers is as crucial as identifying with them.

Frank Kogan (Frank Kogan), Wednesday, 6 April 2005 21:24 (twenty years ago)

pft is better than arular imho...for some reason, i can't listen to an entire song on arular without having to skip to the next one. pft was so full of seams that it was seamless, but arular comes across as gimmicky and full of fronting.

i respect the opinions expressed on here, the above is mine.

cellyrae, Thursday, 7 April 2005 18:22 (twenty years ago)

Despite my own reservations about her, I found the article to be one of the worst examples of music criticism I've read in ages.

You must not read a lot of music criticism, Cicatrix. Compared to the general across-the-board tedium, cowardice, and stupidity of the rock press, Reynolds's piece shines long a million suns and hurts your head like a thousand dogs. Maybe for you it's the most irritating piece of music criticism you've read in ages, but "irritating" isn't always bad - 'tis the irritated oyster that makes the pearl, after all. At least the man attempts ideas, poses questions that he himself isn't sure how to answer, and so forth, which set the rest of us going. If I were an editor I'd have been delighted to print it (though I'd have questioned Simon for writing "strictly speaking" when he meant "figuratively speaking"). Actually, the main flaw with the article (other than my disagreeing with its conclusions) is that it skims along referring to a lot of received ideas without stating them - and in this, actually, it transmits the true flava of its own shallow scene (alt press postxist quasi-intellectualism). I'd pose a question one of his questions like this: "Why do art-school world mashups come out shallower than, e.g., favela world mashups?" The answer he comes up with (the former are from nowhere) is wrong, of course, since the former are very much from somewhere. By the way, I love Piracy Funds Terrorism and love M.I.A., but only like Arular. But even though M.I.A. is something of an exception to the general shallowness, or even if you don't think the art-international-bohemia does tend towards shallowness, you should prod yourself (or let Simon's piece prod you) into asking yourself why bohemia tends to produce what it produces. Because its - and M.I.A.'s - shallowness/nonshallowness is ours (and Simon's).

Simon does tend to go wrong in answering his initial question - why does he like but not love M.I.A. - by jumping to how the music is made and where it comes from while overlooking what the music does and what people can do with it (which of course is a work in progress). Not that the former has nothing to do with the latter, but the latter is more crucial; if you want to talk scenically, the scenes that receive the music are more crucial than the scenes that produce it. (Of course, they can be one and the same, but usually the receivers are more varied than the producers.)

Frank Kogan (Frank Kogan), Saturday, 9 April 2005 13:20 (twenty years ago)

"Simon does tend to go wrong in answering his initial question - why does he like but not love M.I.A. - by jumping to how the music is made and where it comes from while overlooking what the music does and what people can do with it (which of course is a work in progress). Not that the former has nothing to do with the latter, but the latter is more crucial; if you want to talk scenically, the scenes that receive the music are more crucial than the scenes that produce it. (Of course, they can be one and the same, but usually the receivers are more varied than the producers.) "

OTM

Tim Finney (Tim Finney), Saturday, 9 April 2005 14:24 (twenty years ago)

Anybody seen U.S. Soundscan numbers on this album?

Mr Deeds (Mr Deeds), Saturday, 9 April 2005 15:48 (twenty years ago)

she's been right behind the Postal Service on the Electronic Albums chart. Doing better than Daft Punk.

miccio (miccio), Saturday, 9 April 2005 16:09 (twenty years ago)

of the "independent artists" who went on sale two weeks ago, she's behind C-Murder, Bloc Party and the Decemberists but above Copeland.

miccio (miccio), Saturday, 9 April 2005 16:12 (twenty years ago)

I saw "Galang" on MTV today. It was weird.

ana (ana), Sunday, 10 April 2005 10:42 (twenty years ago)

How can I both start and be late to a party? Damn. So far my only contributions have been breathless, hyperactive aesthetic-based ones (i.e. "my schtick"). I figure I'll try to get a bit deeper into this, despite the fact that this thread's gotten pretty damned intimidating with its breath and intensity here. It might be kind of redundant in light of what others have said, but I didn't just want to cut and run after starting the ball rolling.

The issues with her politics are touchy and I'm going to try to tread carefully, but while I haven't read too many of her interviews (and therefore can't really mull over the attributed "Tamil = freedom fighter" remarks), the war/armaments iconography she uses in her art seems to knowingly play off a longstanding tradition, musically or otherwise, of militarism as pop signifier. You got your Iggy Pop "heart fulla napalm" ca. Nam slogging through its late phases; the ironic typography of the "SS" in "KISS" and the army thereof; Sid and Johnny's swasitka couture; Joey Ramone as a shock trooper in a stupor and a Cuban working for the CIA on the same album; the S1Ws; Che as Rage Against the Machine mascot; camo as Southern rap uniform/Master P's gold tank -- and that "Complaint Department: Please Take a Number (Which is Conveniently Attached to a Grenade Pin, Hee Hee)" t-shirt that shows up in one of the more omnipresent press kit photos is one of the oldest jokes in the book. (The airliner on the album cover could reference 9/11, maybe, or it could reference what took her out of and brought her back to London, or maybe she couldn't find suitable clip-art of a B-52 -- yeah, I'm reaching.) I know going into something like Arular that it's bound to have potential connections to questionable political mindsets that make people uncomfortable, but this isn't an album about the Sri Lankan civil war specifically but early 21st-century international-terrorism-obsessed Western/Mideast/Subcontinental/Asian strife, connecting a lot of threads in a wide variety of regions (like gypsy mothra said, "generalized Third World/Global South power-to-the-people rabble-rousing"), and it's politically (both in imagery and lyrics) a lot more abstract and generalist (though what she posts on her website is certainly more specific). She does probably have to keep things that way to appeal to a wider audience, naturally, so unfortunately some mouthbreathing Aston Kutcher doppelgangers are gonna take away some superficial sense of "yeah dude Sri Lankan guerrillas r bitchin'" without thinking about and weighing the bigger picture behind the music's motivation (particularly re: the "representation vs. advocacy" split). You don't have to agree with the politics of the musician to find the music intriguing (and yeah I know: "but what if your favorite pop star was a member of the Ku Klux Klan?!?! Huh, then what, smart guy??" Yeah and what if Von Trier films had CGI Matrixy fight scenes? Some theoreticals just aren't feasible and if I had the energy to extrapolate on that particular gotcha I would, just... maybe later). But on the other hand, I don't have enough first-person experience with M.I.A.'s said politics (as opposed to PE's Nation of Islam endorsements or Toby Keith jingoism), so I defer anything deeper than my "conflict is interesting" generalities to cicatrix and Parvati and gt et al. if they're still up to posting. If she speaks to my sensibilities, it's when she addresses "part-time jobbers at the call center" on "MIA".

As far as the hype/realness issue, it's 1:30 in the morning. Fuck trying to take that apart, man. And fuck the "only internet nerds care about it so it is not legitimate" sentiment. You spit that nonsense, go choke on a Mentos.

PS: A couple of her songs are on the soundtrack to spinners-and-crunk-intensive racing video game Midnight Club 3: DUB Edition, so take that for whatcha will.

Stupornaut (natepatrin), Friday, 15 April 2005 05:48 (twenty years ago)

(OK, one of her songs -- "Fire Fire" -- I think the other one -- "Denang" -- is by some other act called M.I.A.)

Stupornaut (natepatrin), Friday, 15 April 2005 06:15 (twenty years ago)

In the reopened thread on M.I.A. on Dissensus, Simon still is "jumping to how the music is made and where it comes from while overlooking what the music does and what people can do with it (which of course is a work in progress)." ALthough earlier in the thread he had acknowledged that he liked how the Slits utilized reggae, he has since returned to his 'artschooler M.I.A. has used street music in an inauthentic fashion' argument. His argument I think would be more effective if he phrased it simply in terms of saying that he didn't think her use of musical signifiers from various street genres was effectively done. But he seems to be sticking to his argument that not only is what she's doing shallow, but she 'shouldn't' be doing it.

From his critical comments about the Clash on his blog, it's clear that 'rebel chic' elements offend him greatly. He rails against that on his blog at least more than he ever does against sexism or other 'isms.." I agree that M.I.A. "September 11th trade towers dollar sign" artwork is stupid, but I'm not gonna reject her music because of that.

I find the album uneven--there's a number of compositions I love, and some in which her vocals and beats lack strinking idiosyncratic qualities. I don't mind when Stelfox dismisses her because he doesn't like the beats or her vocals, but when Simon gets into his 'authenticity' argument, that's when you get into problems.

steve-k, Friday, 15 April 2005 13:07 (twenty years ago)

i agree withe evrything simon say, it's just that if it was a fucking banging album i'd be able to see past all its other more philosphical and ideological limitations. simon didn't "jump on" anything at all, he just defended himself when some moron virtually accused him of being a racist.

stelfox, Friday, 15 April 2005 13:48 (twenty years ago)

i can't type and i'm in a rush

stelfox, Friday, 15 April 2005 13:48 (twenty years ago)

I think I must've said this earlier in this massive thread....however...I'm amazed that all these critics and pseudo-critics are spending more time discussing her music then she actually took to create it...her beats are interesting in their aggressiveness, I suppose (though, have you ever used a Roland Groovebox? It ain't rocket science...Diplo, however...)....her lyrics are unique in the way that they reference the Tigers etc (simply because they're an obscure group to many).....but....this is "surface" music....there isn't any depth to her collage of "shocking" one-liners...there's nothing "hidden" here...if she's contradictory, it's not in a conscious way (maybe "stream of conscious")..it's all out in the open, she didn't take the time to create something more profound, so why are people treating this like there's content to argue?...these critiques argue more about the critiquing process and the cultural perception of political messaging than the actual music..it's not like people argue this way over the lyrics of The Decemberists (much more of a curiousity)...I think this exposes the overwhelming problem with the critique of "pop" music...it reduces the argument to semantics because, essentially, there's not enough content to make an interesting argument out of..if you try to create art out of chewing gum, at the best you'll get some interestingly shaped chewing gum...but there's only so much you can do with it...I'm sure you'll disagree

Space Is the Place (Space Is the Place), Friday, 15 April 2005 14:10 (twenty years ago)

You have got to be shitting me. Arular isn't discussing as art or a signifier of this decade's political effect on pop because the beats were easy to make? So does that mean the Sun Ra film your handle is based on doesn't have any weight as cinema because (to use the same criteria you use for M.I.A.) it's basically a low-budget sci-fi film with politics and music as surface detail and does not work on the same level as Godard?

Stupornaut (natepatrin), Friday, 15 April 2005 15:23 (twenty years ago)

no, Arular isn't worth discussing in so much detail because it doesn't transcend the one liners and moderately interesting beats. Comparing M.I.A to Sun Ra is ludicrous...my whole point is that M.I.A is not worth the tremendous, widespread argument...Sun Ra's movie never sparked argument that was anywhere near as widespread....you can critique the movie any way you wish, you can critique Arular anyway you wish...my point is that it's not worth the incredible attention, and this is what baffles me

Space Is the Place (Space Is the Place), Friday, 15 April 2005 16:33 (twenty years ago)

I should also add that Sun Ra as an artist gives a critic infinite amounts of depth, ambiguity and vision to argue and discuss...the argument over M.I.A. only goes as deep as her politics and groovebox

Space Is the Place (Space Is the Place), Friday, 15 April 2005 16:37 (twenty years ago)

x-post. Space, your only argument for saying that M.I.A. isn't worth this much discussion is because she only used a Roland Groovebox and the lyrics don't meet your standards. Since when is the type of instrument used, and the complexity of the lyrics the only gauge of what is worthy of discussion?

I keep asserting that the tremendous amount of discussion is in large part because of the combination af arguments Reynolds used. He didn't merely say this is a pop record he didn't like, he suggested that an artschool performer who he said was from 'nowhere' shouldn't be utilizing street beats, and was doing so in an 'unauthentic' manner. He took on issues of politics, race, and class. I'm with Nate. Space,what makes you think you have the right to decide which music has 'content' worth arguing about? Space, please don't tell us you think the Decemberists and Sun Ra have 'content' but Roland Groovebox created music with lyrics overtop, doesn't? Complexity and rocket science in musical creation doesn't dictate aesthetic relevance or merit, anyway. Also, it's hard to guess which threads will get tons of posts and which won't anyway.

steve-k, Friday, 15 April 2005 16:50 (twenty years ago)

Arulpragakhan.

Plus-Tech Whiz Kid (Disco) (Barima), Friday, 15 April 2005 16:55 (twenty years ago)

SitP: Get one dance lesson

Stupornaut (natepatrin), Friday, 15 April 2005 16:56 (twenty years ago)

There's plenty to talk about with respect to M.I.A. in terms of irregular phrasing, call and response, narrative construction, polyrhythm, sample spotting and track arrangement, let alone the wider political ramifications of half of her songs. I thought everyone outgrew the "I don't like it therefore it is worthless" argument at age 19?

The Ghost of Dan Perry (Dan Perry), Friday, 15 April 2005 17:05 (twenty years ago)

I only outgrew it last year!

Alba (Alba), Friday, 15 April 2005 17:15 (twenty years ago)

Didn't you get the memo? We're all turning 20 again this year.

The Ghost of Dan Perry (Dan Perry), Friday, 15 April 2005 17:26 (twenty years ago)

"Space, please don't tell us you think the Decemberists and Sun Ra have 'content' but Roland Groovebox created music with lyrics overtop, doesn't?"

I think that there's a depth of imagination to Sun Ra and The Decemberists, an obvious attention to detail and precision..that transcends their influences....M.I.A. is simply a product of her's..I don't feel that, from an artistic standpoint, that she had "bled" to make this...I don't feel that she's explored the inner reaches of herself to create this...it seems like she thought of a few catchy commercial jingles to a moderately interesting beat...can someone create music with a groovebox and lyrics on top that DOES transcend this? Of course...for you to ask that shows you're missing my poiint"

"SiTP: Get one dance lesson"

Your mockery comes off embarassingly arrogant...I listen to plenty of dance music and frequently go to clubs..your assumption is based on the fact that I think your muppet prancing around is weak, do you like all music that is danceable? When I listen to Michael Mayer or Villalobos or Arthur Russell, I feel that I'm listening to something that was bled for, something that was sweat and slaved over...not a mix tape of partially disguised influences

Space Is the Place (Space Is the Place), Friday, 15 April 2005 17:29 (twenty years ago)

Okay, if you don't think anyone "bled" over "Galang", "Hombre", "Amazon" or "10 Dollar", you need to listen again.

The Ghost of Dan Perry (Dan Perry), Friday, 15 April 2005 17:34 (twenty years ago)

10 dollar is the weakest song on the album, definetely the best example of her taking a "controversial" issue and doing absolutely nothing with the idea, her chanting sounds like a Sprite commercial, the beats pound along well enough, but everything comes across as undeveloped...the other three (especially Galang) are stronger, but as a whole the album is full of half-baked ideas and lack of direction..It's probably better if people overexpose this anyway, better her than artists with the possibility of longevity

Space Is the Place (Space Is the Place), Friday, 15 April 2005 18:45 (twenty years ago)

10 dollar is the weakest song on the album, definetely the best example of her taking a "controversial" issue and doing absolutely nothing with the idea, her chanting sounds like a Sprite commercial, the beats pound along well enough, but everything comes across as undeveloped

As underdeveloped as this criticism? "Yeah, the beat's nice but it sounds like a Sprite commercial..." says more about what you think of Sprite commercials than it does about "10 Dollar".

The Ghost of Dan Perry (Dan Perry), Friday, 15 April 2005 18:51 (twenty years ago)

In other words, why do you think the album is "underdeveloped"? What are you looking for? What would a proper level of development for the album have been? What are the shortcuts taken in the creation of the songs on this album that diminish its quality? How could M.I.A. have made beter use of the themes/imagery she's playing around with?

The Ghost of Dan Perry (Dan Perry), Friday, 15 April 2005 18:53 (twenty years ago)

Finally, the concession on the beat undercuts the idea that no one "bled" over creating "10 Dollar".

The Ghost of Really Done This Time (Dan Perry), Friday, 15 April 2005 19:03 (twenty years ago)

"I feel that I'm listening to something that was bled for, something that was sweat and slaved over"

ihttp://www.musicpix.net/albums/John-Mayer/C77B7449_001.jpg

Like this?

Alfred Soto (Alfred Soto), Friday, 15 April 2005 19:09 (twenty years ago)

http://www.people.com.cn/media/200302/24/NewsMedia_242956.jpg

Alfred Soto (Alfred Soto), Friday, 15 April 2005 19:13 (twenty years ago)

Now that man SWEATS over his music. is this what you mean?

Alfred Soto (Alfred Soto), Friday, 15 April 2005 19:23 (twenty years ago)

she takes an idea, such as being kidnapped in the Amazon and says nothing other than, "I'm kidnapped in the amazon"..she seems completely emotionally detached...I'm looking for some type of attachment, something that shows she has taken this idea from the depths of her soul (or whatever cliched phrase represents artistic integrity)...and lyrically, saying "I'm kidnapped in the amazon" could be fine - but when Ellen Allien says simply, "the brain is lost" it actually feels like we are inside her pounding brainwaves...with M.I.A. it feels that she said "here's a catchy phrase" and paired it with an aggressive beat, without slaving over it, editing it and revising it to bring out its true potential, or making it completely unique to her (which Diplo does)..on its own, Arular is interesting enough, though void of anything more than an occasional immediate melody or a nice beat...placed alongside Ellen Allien, Arular looks embarrassing...still, my point was that criticism of this is silly and here I am becoming part of the problem

Space Is the Place (Space Is the Place), Friday, 15 April 2005 19:42 (twenty years ago)

still, my point was that criticism of this is silly and here I am becoming part of the problem

MY CUNNING PLAN IS WORKING

The Ghost of Dan Perry (Dan Perry), Friday, 15 April 2005 20:25 (twenty years ago)

she takes an idea, such as being kidnapped in the Amazon and says nothing other than, "I'm kidnapped in the amazon"

Did you skip the track before it wound up a case study of Stockholm Syndrome?

I'm looking for some type of attachment, something that shows she has taken this idea from the depths of her soul

Oh, so you want stuff that sounds like it took a ridiculous amount of practice and effort and tweaking and perfection, otherwise it is worth nothing to you. That just seems completely joyless and kneejerk to me. If you could start dropping names that appear outside the pages of Wire maybe you'll make a better argument, but this just reeks of virtuoso-muso snobbery. (Ellen Alien?)

Stupornaut (natepatrin), Friday, 15 April 2005 23:57 (twenty years ago)

Actually I do hate Human After All because it sounds like it takes ideas and goes nowhere with them, but [a] that lied in direct contrast with Daft Punk's previous work; [b] is way, way, way more flat and lifeless than Arular; [c] maybe I'm not entirely understanding where yr coming from but I'm not very good at arguing with people who have obnoxious reasons to dislike things

Stupornaut (natepatrin), Saturday, 16 April 2005 00:04 (twenty years ago)

(well, if not obnoxious, then at least misguided)

Stupornaut (natepatrin), Saturday, 16 April 2005 00:05 (twenty years ago)

Haha Nate! Watch us fall into our own trap of metacriticism! OH NO!

There are little touches all over this album that I love; the double-tracked voices on "Sunshowers", the mounting paranoia of "Galang", the irregular phrasing in "Galang" and "Pull Up The People", the chopped-up "Rocky" theme in "Bucky Done Gun", the wide range of shout-outs ("Kill Bill", Missy and Timbaland, the PLO), the chirpy glissandos that apparently are getting on everyone else's nerves, the beat arrangement of "Hombre", the synth quote of "You Got Me Burnin'" by Cloud 9 in "Fire Fire" (!!!). My biggest complaint is that it's too short.

The Ghost of Dan Perry (Dan Perry), Saturday, 16 April 2005 00:13 (twenty years ago)

Damn it, now I want a Sprite.

Stupornaut (natepatrin), Saturday, 16 April 2005 00:20 (twenty years ago)

Ha, me too!

The Ghost of Dan Perry (Dan Perry), Saturday, 16 April 2005 00:25 (twenty years ago)

honestly, I don't hate arular...and I agree that Human After All is much worse...again, I was just baffled to see her become such a hype machine...I don't fault her, I fault critics for looking too deeply into her shallow work...sure, there's "irregular phrasing", but not more irregular than other dancehall...sure there's shout-outs, but since when is that a basis of artistic merit?....it's fun, I don't disagree...I just wonder why artists with more to discuss don't recieve the same attention....I'm american and never read the Wire, but I own a wide variety of albums (worked at a radio station, own 5,000 plus) and I'm sure that many of them aren't covered in that magazine...its hard not to reference German techno when discussing dance music, as that's the most exciting now IMO...and yes, I'd put Mayer, Villalobos, Allien and Superpitcher way above M.I.A. on the quality scale...I think Diplo helped garner her the praise that she's recieved, and now people struggle to find reasons why she's worthy...sure, if you look hard enough you'll find some way to prove yourself right, I'm just being honest...I think she's a lot weaker than most of the german DJs, definetely weaker than a lot of the grime artists, and not even close to Ghostface, Doom, Roots, etc....if you want to label this as magazine whoring, go right ahead, but I'm only going by my own instinct

Space Is the Place (Space Is the Place), Saturday, 16 April 2005 02:21 (twenty years ago)

I just wonder why artists with more to discuss don't recieve the same attention

I'd put Mayer, Villalobos, Allien and Superpitcher way above M.I.A. on the quality scale

Discussions of quality aside (ie, Mayer's album sucks, for instance)

faceless German techno vs. hot babe with controversial lyrics

you do the math. crying about it is hopelessly naive

bugged out, Saturday, 16 April 2005 02:28 (twenty years ago)

if it's because she's hot (which is subjective of course, because I don't things she's that attractive) then fine...I'm not so naive as to think this couldn't be the reason for people's obsession with her...but its funny how critics try to attach a signifigance to her beyond their physical attraction

re: Mayer's album, yr nuts

Space Is the Place (Space Is the Place), Saturday, 16 April 2005 14:18 (twenty years ago)

Dolly Parton is ok, but I prefer Schoenberg.

Spencer Chow (spencermfi), Saturday, 16 April 2005 15:07 (twenty years ago)

faceless German techno vs. hot babe with controversial lyrics

you do the math. crying about it is hopelessly naive

-- bugged out (bu...), April 16th, 2005. (later)

PRUSSIAN BLUE - White Power Folk Duo.... of 12-year-old twin sisters...

Dom Passantino (Dom Passantino), Saturday, 16 April 2005 15:14 (twenty years ago)

"...the intellectual yet excitable I Love Music message board..."

The Lex (The Lex), Sunday, 17 April 2005 23:42 (twenty years ago)

'Firm, yet yielding to the touch.'

Ned Raggett (Ned), Sunday, 17 April 2005 23:51 (twenty years ago)

It's a good review and Kitty Empire's a spiffing writer but I think it slips a bit too much here and there into the kind of rhetoric re: her background that this thread has been busy unpacking and questioning like mad. Probably has to do with the particular audience for the review and where it appeared, possibly.

Ned Raggett (Ned), Sunday, 17 April 2005 23:54 (twenty years ago)

I think she qualifies the rhetoric pretty well.

Spencer Chow (spencermfi), Monday, 18 April 2005 00:11 (twenty years ago)

But enough of that, more ILX mentions!

Ned Raggett (Ned), Monday, 18 April 2005 00:12 (twenty years ago)

Space is the Place likes the Roots more than M.I.A. Wow, those guys play real instruments not Roland Grooveboxes. Space, maybe you should list some classical musicians--I understand those folks play instruments and real complicated music. Straight-ahead pop ala "Galang" has substance no matter how 'simple' it sounds (in fact, simplicity can be a virtue).

Steve-k (Steve K), Monday, 18 April 2005 04:03 (twenty years ago)

Simplicity as pop perfection example 34154315454 -- Prince's "Kiss" smashing to number one.

Ned Raggett (Ned), Monday, 18 April 2005 04:10 (twenty years ago)

From that Kitty Empire piece:

Arulpragasam's combination of groundbreaking music and lush backstory is like catnip to music journalists,

This is OT and everything, but can we please have a moratorium on "catnip" as a metaphor? I know it's been around forever ("he's catnip to women," etc.), but it somehow slipped the bonds of occasional cutesy invocation in the last 6 months and is running wild across the mediasphere. Like this, from the Seattle Times a few weeks ago:

The opportunity to save the streetcar is like catnip for politicians.

NO it isn't! They're not running around banging their heads into walls, rolling on the floor in ecstasy and humping furniture over it! Have any of these people actually ever seen a cat on catnip? Not many things are like catnip!

And even if Kitty Empire's usage is somewhat more defensible, anyone named Kitty is barred on principle from catnip-related metaphors. ffs.

gypsy mothra (gypsy mothra), Monday, 18 April 2005 05:34 (twenty years ago)

i like the last roots album a hell of a lot more than arular.

stelfox, Monday, 18 April 2005 08:33 (twenty years ago)


There's a bollywood movie, Dil Se

Ah yes, the well-esteemed, and rightly so, Mani Ratnam (who is way overdue for a return) . Cicatrix, have you seen Roja or Bombay ? Same terroristic / societal thematic concerns, same sort of brilliant focus paid to the Rahman soundtrack, and wedding the overwhelming images with the music and choreography; I highly recommend them. He also has such an individualistic style, it's a shame he doesnt work more often...or faster, whichever it may be. (His Iruvar which I also have yet to see, stars Aishwarya "I'm everywhere now and Julia Roberts said I'm pretty, never mind if I can't act" Rai, and is actually a Tamil film - about state corruption, was also supposed to be v good).

Of course, kids don't necessarily adopt their parents' music - "ethnic" or not - as their music, and differentiating from parents and peers is as crucial as identifying with them.

-- Frank Kogan (edcasua...), April 6th, 2005. (Frank Kogan)

Not always, or as you say, not necessarily - even though I'd like to proffer myself as a counterexample. My mom listened constantly to Lata M, I knew it was my "ethnic music," and listening to Lata M instead of Tiffany helped forment whatever is (now) left of my identity.

The splintering comes much earlier probably, in terms of psychological development - in terms of an "ethnic" (for home) and "regular / worldly" (for outside the home) identity(ies) - probablly around ages 5-7, long before you start listening to any music regularly as your own.It's just that around adolescence, I think some immigrant kids go whole hog in embracing that domestically external, scholastic/societal identity, but most retain some shade of both, and become adept at switching from one to the other based upon the necessity of the situation (language plays a big part here). As far as music is concerned though, I know a lot of kids simply stop with the "ethnic" music altogether once they reach their teens even if beforethey had only involuntarily listened to it in their homes, due to (over) exposure; I concede that I am prolly in the minority here, as I held onto my Lata, etc tapes closer and closer the older I got!

Vic in Alderaan (Vic), Monday, 18 April 2005 09:32 (twenty years ago)

Er, this is gonna sound a bit lame, but if anyone fancies winning an MIA poster log on to my zine's sister blog http://beardmag.blogspot.com, cos Beggars are sending me ten to give away. My postman is gonna hate me!
It's one helluva album. Funky, funny and sexy as hell.

Stew (stew s), Monday, 18 April 2005 10:51 (twenty years ago)

ONLINE PIRACY FUNDS TERRORISM: download parts of three different M.I.A. tracks in mp3 format and upload your own mixes.

James Mitchell (James Mitchell), Monday, 18 April 2005 11:45 (twenty years ago)

Steve-K - first of all, I was talking about Roots Manuva (but yes, I'd also say that the last Roots album was a step ahead of Arular)...second, I already mentioned that the Groovebox wasn't the reason for her mediocrity...RZA created Enter the 36 Chambers and many of the early solo Wu-Tang albums with just an ASR-10, a turntable, and a few busted mics, so I'm not arguing that the simple recording method holds her back...and, yes, simple pop music can have substance (Prince being a good example)...but Prince's music has a lasting quality, I can still listen and enjoy much of his 80s work, and I'm sure I will still be able to in the future...Arular is extremely of the moment, an instant gratification...behind this I'm afraid its pleasures are extremely hollow, again because all it has is face value...at the risk of repeating myself, in championing this people are championing the aesthetic of instant catchiness, like a commericial jingle, rather than rewarding the struggle, the adventure, and the quest to transcend simple face value...some call this the "middle mind", some call it "popism"...but its an extremely discouraging trend in our culture because it rewards the "instant feeling" rather than the search for something more

Space Is the Place (Space Is the Place), Monday, 18 April 2005 14:09 (twenty years ago)

The big problems with your argument are:

- one person's instant gratification is another person's substance;
- instant gratification does not by definition have to fade away into contempt and disavowal.

There are tons of albums in my record collection that I've owned for years which I loved the instant I heard the opening notes of the first track and you could not pry out of my hands without killing me, including:

Orbital - In Sides (heard in 1996)
Pop Will Eat Itself - Cure For Sanity (heard in 1990)
The Cure - Kiss Me, Kiss Me, Kiss Me (heard in 1987)
New Order - Substance (heard in 1987)
The Jets - s/t (heard in 1985)
Men Without Hats - Rhythm Of Youth (heard in 1982)

Saying that something is written to make an immediate impact has absolutely no bearing on whether said work has staying power; the two aren't mutually exclusive and never have been. Conversely, not everything that isn't immediately entertaining is entertainment that will last for the ages.

The Ghost of Dan Perry (Dan Perry), Monday, 18 April 2005 14:22 (twenty years ago)

Dan OTM. SITP living on Saturn.

Alex in SF (Alex in SF), Monday, 18 April 2005 15:01 (twenty years ago)

if you'd re-read what I wrote, you'd notice that I said instant gratification doesn't necessarily equal hollowness...all pop music is essentially "instant" but I wouldn't classify all pop music as hollow...when it comes to Prince (especially Sign O' The Times period) there is a heartfelt connection that its obvious he has with his music..in other words, its catchy, but not something that was created simply to be catchy...the catchiness came as a result of his influences, quest for transcendence and soul-searching...M.I.A. feels like more of a mask, and I don't mean that her respect for her own nationality is fake (though the military imagery seems a big overblown), but maybe that she's a bit naive, and overall her struggle doesn't amount to much more than an image...an image that, as its result is aesthetically unique b/c of the mix of cultures, people feel has substance...but, with the layers peeled, I'm afraid, it goes nowhere...and this is my problem with the popist or middle-minded point of view...there's no digging or searching, instead there's the lazy acceptence that "this sounds unique, and damn its catchy" so its more worthy of attention than something not as obvious...and you may think I come at this looking to critique, but I was actually excited about this after the mix tape..and instantly pleased w/ Pull up the People and Galang...but after sitting with it, and surrounding it with other works, I see through it...and it already bores me to listen to

Space Is the Place (Space Is the Place), Monday, 18 April 2005 17:22 (twenty years ago)

SITP, I just don't understand how you have decided which music is only "instant" and which is "transcendent' Is it just in the ear of the beholder (perhaps supported by a critical consensus)? You seem to have first heard something in her music that attracted you, and then later you got turned off by the album(or certain songs of the album and/or subsequent media coverage or interviews). Did individual songs make you peel away the onion and decide there was nothing there, or something else? Just a general feeling after listening to the album and thinking about her music, vocals, lyrics, & whatever else, and deciding that her album/persona whatever, didn't have 'transcendence' or 'substance' for you?

steve-k, Monday, 18 April 2005 18:23 (twenty years ago)

SITP is making this part of the thread seem like those unnecessary 'bonus track' remixes at the end of CDs in 1990.

Ned Raggett (Ned), Monday, 18 April 2005 18:40 (twenty years ago)

Hahaha!

"This is the thread where we anticipate and then flip out over how great M.I.A.'s 'Arular' is" (Sensory Amplification Mix)

The Ghost of Dan Perry (Dan Perry), Monday, 18 April 2005 20:07 (twenty years ago)

...by Omnipotent Baby. (Or if we were truly doing something from 1990, Ivan Ivan or Shep Pettibone.)

Ned Raggett (Ned), Monday, 18 April 2005 20:14 (twenty years ago)

Oh God, I am now imagining "Fire Fire (Shep Pettibone Extended Mix)" and am drowning in a sea of bongos.

The Ghost of Dan Perry (Dan Perry), Monday, 18 April 2005 20:41 (twenty years ago)

Hahaha. Worse places to go, my friend. (But it's too immediate so you can't like it.)

Ned Raggett (Ned), Monday, 18 April 2005 20:56 (twenty years ago)

OTM OTM OTM

*high five*

sorry guys, the shit's weak...

Space Is the Place (Space Is the Place), Tuesday, 19 April 2005 02:11 (twenty years ago)

Yes, yes it is.

Ned Raggett (Ned), Tuesday, 19 April 2005 02:19 (twenty years ago)

can we please stop talking about this already?

Aerodynamic (Aerodynamic), Tuesday, 19 April 2005 02:54 (twenty years ago)

YOU HAVE CONVINCED ME OF ARULAR'S SHITOSITY MY GOOD SIR HERE I GO THROWING MY COPY IN THE WASTE PAPER BASKET TA-DA

Stupornaut (natepatrin), Tuesday, 19 April 2005 02:56 (twenty years ago)

The hit I get off this is almost entirely visceral and surface-level. I don't get much of an emotional kick out of it, and I think that an emotional kick is generally what brings me back to stuff after any initial novelty or thrill has passed. I don't know. Perhaps I'm just balking at the hype machine surrounding it, but I can kinda see what SITP means.

Sick Mouthy (Nick Southall), Tuesday, 19 April 2005 07:39 (twenty years ago)

Main Entry: vis·cer·al
Pronunciation: 'vi-s&-r&l, 'vis-r&l
Function: adjective
1 : felt in or as if in the viscera : DEEP <visceral conviction>
2 : not intellectual : INSTINCTIVE, UNREASONING <visceral drives>
3 : dealing with crude or elemental emotions : EARTHY <a visceral novel>
4 : of, relating to, or located on or among the viscera : SPLANCHNIC
- vis·cer·al·ly /-r&-lE/ adverb

The Ghost of Dan Perry (Dan Perry), Tuesday, 19 April 2005 13:30 (twenty years ago)

I resolve to use 'splanchnic' somewhere use.

Ned Raggett (Ned), Tuesday, 19 April 2005 13:32 (twenty years ago)

Somewhere USE? Somewhere soon. Hm, my brain is getting soft(er).

Ned Raggett (Ned), Tuesday, 19 April 2005 13:33 (twenty years ago)

I thought everyone outgrew the "I don't like it therefore it is worthless" argument at age 19?

I don't know why everyone is jumping on this in particular. Isn't this (saying "I don't like it, therefore it's not worth talking about") roughly the same as quite typical statements here by aesthetic subjectivists (which inlcudes most of us, I think) along the lines of: "I don't like this, this sucks"? What's so wrong with saying, "I don't like this, I don't understand why people are getting so excited about it and talking about it so much." I mean, we have a huge thread devoted to the most over-the-top rants about DMB, its fans, and so forth.

RS_LaRue (RSLaRue), Tuesday, 19 April 2005 13:43 (twenty years ago)

(I'm bored. I really don't care.)

RS_LaRue (RSLaRue), Tuesday, 19 April 2005 13:47 (twenty years ago)

There's nothing wrong with saying "I don't like this, I don't understand why people are getting so excited about it and talking about it so much." That is not the way SITP's argument is coming across to me, and even if it was coming across to me that way, since I do want to talk about this album my first reaction is going to be to bring up the things I find entertaining and interesting about the music and why I enjoy it so much. If every thread was a unanimous acclaimfest or abrogation of its topic, this board would be the most tedious thing imaginable; posters that deem stuff I want to talk about unworthy of discussion by others can kindly fuck right off.

The Ghost of Dan Perry (Dan Perry), Tuesday, 19 April 2005 14:15 (twenty years ago)

(The non-brusque version of the latter part of that post would read "I don't mind people disagreeing with me about music, but I'll be damned if someone's going to even imply that there's music that isn't worth discussing, especially if it's something I like and want to talk about.")

The Ghost of Dan Perry (Dan Perry), Tuesday, 19 April 2005 14:25 (twenty years ago)

I've just realised that in this entire 1000+ post, sometimes acrimonious thread, no one has yet used the flip-off "is your dad a dealer, cos you're dope to me". They should have.

The Lex (The Lex), Tuesday, 19 April 2005 14:29 (twenty years ago)

Lex, is your dad a dealer? Cuz etc etc.

Last night I realized that "Sunshowers" is actually better than "Galang". Like, leaps and bounds and mountains better, to the point where the only song on the album that beats it is "Hombre". MIA certainly seems to be an artist for whom knowing the motivation behind her songs increases their appeal to me exponentially, particularly since the gulf between the subject matter and the sonic signifiers is so massive.

(Having said all that, I'm listening to "Mindcontroller" by 80 AUM right now and remembering exactly how tuff and rugged that track is; MIA should rev up some old-school hoover sounds for her next batch of tracks.)

The Ghost of Dan Perry (Dan Perry), Tuesday, 19 April 2005 14:34 (twenty years ago)

'Sunshowers' has grown loads on me, but I still think the album version sounds... weak, compared to the 'Push It' mash-up on Piracy Funds Terrorism. Her enunciation is stunning, it's the song which most proves Eppy's point about MIA's voice acting like a trad dancehall riddim - it can fit with any beat.

The Lex (The Lex), Tuesday, 19 April 2005 14:38 (twenty years ago)

I held onto my Lata, etc tapes closer and closer the older I got!

You would have been in the minority even a few years ago, Vic, but there's a flood of South Asian Kids now who embrace the culture and music wholeheartedly. There's a change in the air, I think. When I moved to the states, like most immigrant children, I wanted to assimilate as fast as fucking possible. But, like you, I'm returning to the music of my childhood (well, that also included a lot of bad europop al la A-ha, Roxette, et al, so well..whatever)...and I'm noticing that not only is it common for people my age (suddenly any group with an Indian in it, regardless of genre, has an 'aap jaisa koi' cover) to return to this music, but teenagers are into importing contemporary Indian culture and disseminating it here.

thanks for the movie suggestions, btw. I haven't seen them, and will get right on it!

cicatrix, Tuesday, 19 April 2005 19:29 (twenty years ago)

But but but a-ha is great, cicatrix! :-)

teenagers are into importing contemporary Indian culture and disseminating it here.

Roxor. :-)

BTW, Sam, do I owe you an e-mail or vice versa?

Ned Raggett (Ned), Tuesday, 19 April 2005 19:36 (twenty years ago)

well it isn't so much a case of "returning" to it for me, as i never left it...i got into western pop culture more as a teenager, but it was always there in the background. now it just amuses me that it's gotten "trendy." =) btw Cicatrix, i dunno what city u live in, but u have to see the restored/colored version of Mughal-e-Azam which might be playin at a theatre near you.

Vic in Alderaan (Vic), Tuesday, 19 April 2005 22:54 (twenty years ago)

Intelligent conversation about MIA stopped as soon as the dodgy Fader cover hook-up happened.

Pow!, Wednesday, 20 April 2005 01:44 (twenty years ago)

Anybody know how many copies this has sold in the U.S.?

Mr Deeds (Mr Deeds), Wednesday, 20 April 2005 04:41 (twenty years ago)

count them.

kacka thompson (kacka), Wednesday, 20 April 2005 06:49 (twenty years ago)

try.

kacka thompson (kacka), Wednesday, 20 April 2005 06:50 (twenty years ago)

i love you. leave MIA alone. yes, ellen allien is better, of course. let MIA have her time. she's made it. smart girl. she's smart. not stupid.

kacka thompson (kacka), Wednesday, 20 April 2005 06:51 (twenty years ago)

Holy hellfire!

Anyone see how the album is being advertised in the press????!!!

'"Don't Let the Brown Skin Throw You Off" Simon Reynolds, Village Voice' says the ad. Talk about your out-of-context.

that's in the nme!

Has this been mentioned? I wonder if he's seen it?

piscesboy, Saturday, 23 April 2005 08:17 (twenty years ago)

hahahahahaahahhaahahhahahahhahahahahhahahahahahahhahahahahahhaahahahahahahhahahahahahahah *dies*

j blount (papa la bas), Saturday, 23 April 2005 08:21 (twenty years ago)

!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

The Lex (The Lex), Saturday, 23 April 2005 08:31 (twenty years ago)

Nyurgh, what a HORRIBLE conception for an ad! I'd like to see them try that over here! Jeez!

Ned Raggett (Ned), Saturday, 23 April 2005 08:32 (twenty years ago)

hahahahahaha

PS. what is with XL's cd cases? Do they use the worst cases known to man, or something? Every album I've bought that's come out on XL, almost as soon as I open the case all the little teeth on the cd holding bit just fall off. Possibly from the sheer strength and friction from... opening the case... lightly. It doesn't matter, really, but it always bugs me. It ruins the shinyness of owning the actual object, for me. DON'T DO IT! The card sleeve seems a bit superfluous, too.

Suedey (John Cei Douglas), Saturday, 23 April 2005 12:40 (twenty years ago)

Nobody mentioned the interview in the Guardian this past friday that mentioned ILM?!

Hari A$hur$t (Toaster), Saturday, 23 April 2005 14:01 (twenty years ago)

now that I am reading the actual press on MIA, I am beginning to see the anti-MIA brigade's point about lazy broadsheet hacks calling her a "new kind of world music" when their knowledge of what she's cribbing off is limited (or at least their coverage of it is non-existent). This is still their fault rather than MIA's, but there are so many other ways to talk her up.

The Lex (The Lex), Saturday, 23 April 2005 19:33 (twenty years ago)

omg piscesboy, is this true!!! scan it in!! this is the greatest (i.e. most horrifying) thing ever!

Sterling Clover (s_clover), Saturday, 23 April 2005 19:43 (twenty years ago)

I now have to admit something -- I understand all the 'OMG she's hot' stuff about her but I was trying to look beyond that because of everything else being much more interesting to talk about. Then I see this photo with the Guardian story:

http://image.guardian.co.uk/sys-images/Guardian/Pix/arts/2005/04/21/lee_mia3.jpg

*jaw drops*

Okay, back to everything else.

Ned Raggett (Ned), Saturday, 23 April 2005 19:50 (twenty years ago)

"It is my past but it's also the future we're dealing with," she explains. "For the first 10 years of my life I was the underdog and those images were relevant and now I'm an overdog and those images are exactly what poses a threat to my environment. I got hit round the face by music in the year 2002 and I looked around and that's what I found - my cousin died as a Tiger in Sri Lanka and I'm worried about being gassed on the tube. I'm just making connections."

That imagery also peppers her lyrics, most controversially on Sunshowers, with a line that sticks out like a hand grenade in a fruit bowl: "Like PLO, I don't surrender." At first she claims it's just an easy analogy, but I suggest that's a cop-out for someone so savvy.

"Come on, that's not fair that I can't mention Palestine," she protests. "What we've done is said all the acts of terrorism or rebellion are connected and there's one big conspiracy of terrorism. That's dangerous. So I have to be brave about that. There's issues about the PLO that people don't know and if a line like that puts that idea in people's heads that's a good thing. It's really important to find out what everybody thinks about the PLO, not what I think."

Hmm. It's a further explanation and I agree it's not fair that she can't mention Palestine, and further that it's incredibly stupidly easy to oversimplify 'terrorism' into one great huge Other. But after that I scratch my head. At this point I'm almost ready to say that the whole language and ambivalence about many different things is so loaded maybe nothing *can* be said, at least not in the bullet form desired for an article like this.

Ned Raggett (Ned), Saturday, 23 April 2005 19:58 (twenty years ago)

But I'm also figuring That Line is already becoming the equivalent of That Line by the Fall in "The Classical," as recently grappled with as an omnipresent and obscuring issue that overshadows so much else on the 'black feminist critic' thread.

Ned Raggett (Ned), Saturday, 23 April 2005 20:00 (twenty years ago)

yeah it's true. i must have stared at it for about 2 minutes just to let it sink in. it's tiny, about the smallest ad u can get in a music paper, about the size of 2 postage stamps. i wonder if that ad is *only* going into the NME and other white boy rock papers.
if so, what point are they trying to make? and what, not knowing the context, will the readership make of it? also if XL/MIA *are* aware that their readership won't know the context, what do they think they are saying to the NME readership?

i think somebody way upthread (or was it on a different one?) actually pulled out the quote with a 'wtf' next to it, which is why it stuck in my mind anyway even before the advert.

and just when this thread had stopped making my head spin...


piscesboy, Saturday, 23 April 2005 20:30 (twenty years ago)

omg, omg, omg

I just found out that MIA went to my middle school!

The Lex (The Lex), Monday, 25 April 2005 12:36 (twenty years ago)

(haha I totally had Ned's reaction to that picture)

The Ghost of Dan Perry (Dan Perry), Monday, 25 April 2005 13:11 (twenty years ago)

i'm kinda horrified that ilm gets quoted in newspapers.

stelfox, Monday, 25 April 2005 13:19 (twenty years ago)

you should try actually reading this thread then

j blount (papa la bas), Monday, 25 April 2005 13:24 (twenty years ago)

i'm not that bored yet

stelfox, Monday, 25 April 2005 13:30 (twenty years ago)

a lack of curiosity is something to take pride in! i salute you!

j blount (papa la bas), Monday, 25 April 2005 13:31 (twenty years ago)

So has anybody talked bout how "galangalangalang" could be taken as a onomonpoetic rendering of gunfire?

The Ghost of Dan Perry (Dan Perry), Monday, 25 April 2005 13:33 (twenty years ago)

TS. "Galangalangalang" vs. "Wa-da-da-da-dang"

Stupornaut (natepatrin), Monday, 25 April 2005 13:34 (twenty years ago)

ts: "galang galang" vs. "bling bling"

j blount (papa la bas), Monday, 25 April 2005 13:36 (twenty years ago)

OR: "galang galang" = "bling bling" + "hanky panky"

j blount (papa la bas), Monday, 25 April 2005 13:36 (twenty years ago)

More of a fire alarm I'd say?

Tom (Groke), Monday, 25 April 2005 13:37 (twenty years ago)

Fuck, Blount, now you made me think of that goddamn Madonna song from the Dick Tracy soundtrack.

Ned Raggett (Ned), Monday, 25 April 2005 13:37 (twenty years ago)

my work here is done

j blount (papa la bas), Monday, 25 April 2005 13:38 (twenty years ago)

Where would the fire alarm be coming from, though? In the song, someone has burst through a door with a shotgun and start picking off people who aren't getting out of the way fast enough; I guess someone could have hit an alarm to clear the building but I don't really see it in the narrative image.

The Ghost of Dan Perry (Dan Perry), Monday, 25 April 2005 16:02 (twenty years ago)

Haters should tune in to her KCRW perforance/interview. She sounds obviously in command of her politics - much more so than the ugly unconscious misogyny underpinning a lot of the criticism has assumed. The performance is great too, nice mixups and the sound/voice etc are all great.

Spencer Chow (spencermfi), Monday, 2 May 2005 20:57 (twenty years ago)

I think there's a big pile of "She's pretty ergo she must be stupid" at work in a lot of the criticism about her.

The Ghost of Dan Perry (Dan Perry), Monday, 2 May 2005 21:04 (twenty years ago)

She's on Jimmy Kimmel tonight - look out for me in the audience!

Spencer Chow (spencermfi), Tuesday, 3 May 2005 21:20 (twenty years ago)

We demand you show your patented MIA move.

Ned Raggett (Ned), Tuesday, 3 May 2005 21:24 (twenty years ago)

it's a good interview. also LOVE whatever beat it is diplo drops over "fire fire"

jones (actual), Tuesday, 3 May 2005 21:33 (twenty years ago)

Wow, she really is a bad dancer.

Jimmy Kimmel had no idea what he was saying when he was introducing her.

Michael F Gill (Michael F Gill), Wednesday, 4 May 2005 03:58 (twenty years ago)

I really like her dancing. There are clips of her practicing on her website.

Spencer Chow (spencermfi), Wednesday, 4 May 2005 06:34 (twenty years ago)

Actually, I just watched the broadcast and I have absolutely no idea why you would say her dancing is bad - I thought it was GREAT!

Spencer Chow (spencermfi), Wednesday, 4 May 2005 07:16 (twenty years ago)

She didn't look comfortable moving her body to the groove! This could of been just due to being on tv though.

Michael F Gill (Michael F Gill), Wednesday, 4 May 2005 07:20 (twenty years ago)

Again, the camera work was insane (bad insane). Also, she had more room to do her thing at Coachella. She's got a real side-to-side thing going on.

Spencer Chow (spencermfi), Wednesday, 4 May 2005 07:26 (twenty years ago)

The camera work made me want to throw up and I never suffer from motion sickness.

The Ghost of Dan Perry (Dan Perry), Wednesday, 4 May 2005 17:27 (twenty years ago)

(PS: I am listening to PFT for the first time right now and, 5 tracks in, if this had been my first exposure to MIA I would never have investigated the album. Please tell me this gets better???)

The Ghost of Dan Perry (Dan Perry), Wednesday, 4 May 2005 18:18 (twenty years ago)

Dan it gets much, much better. apart from the 'Amazon'/'Goodies' mash-up and the 'Walk Like An Egyptian' bit, PFT only really kicks off in the second half, but when it does it doesn't let up. When you hear 'Sunshowers'/'Push It' you will start dancing automatically.

The Lex (The Lex), Wednesday, 4 May 2005 18:21 (twenty years ago)

The very first track is "Galang" - how could it start slow?

o. nate (onate), Wednesday, 4 May 2005 18:30 (twenty years ago)

Hahaha I almost came right back here when the "Walk Like An Egyptian" part hit and said "Okay, never mind, I get it now." I'm not completely blown away by the "Goodies" mashup because I really like the Richard X remix beat much, much more than the original beat (plus MIA is totally demented on that remix) but I now can see why people are into this whereas before I was having pretty much the same reaction I've had to 50 Cent mixtapes (ie, "What the hell are people getting so excited about???").

Also, the "One For The Head" mashup is AWESOME.

(xpost: Because that version of "Galang" is leaden, enervated and unexciting.)

The Ghost of Dan Perry (Dan Perry), Wednesday, 4 May 2005 18:34 (twenty years ago)

Because that version of "Galang" is leaden, enervated and unexciting

Are you serious? I can understand someone preferring the "Arular" version (though I'm not sure I do), but if you'd never heard the "Arular" version and PFT was your only exposure to the song, are you saying you wouldn't have found anything to like in it?

o. nate (onate), Wednesday, 4 May 2005 18:36 (twenty years ago)

Yes. It took me three weeks to warm up to the Arular version and a lot of that came from the juxtaposition of the gonzo beat and the wacked-out narrative; take away one and the other isn't as strong.

The Ghost of Dan Perry (Dan Perry), Wednesday, 4 May 2005 18:38 (twenty years ago)

(Lex, you are so right about "Sunshowers"!!!!!!!)

The Ghost of Dan Perry (Dan Perry), Wednesday, 4 May 2005 18:59 (twenty years ago)

I think more than anything else (grime, dancehall, electroclash), she sounds related to Basement Jaxx's project. Several of the tracks on Arular could fit very easily onto Kish Kash or Rooty. If say "10 Dollar" was on one of those records there'd be none of this lame critical hand-wringing (mouths would drop, booties would shake etc).

Spencer Chow (spencermfi), Thursday, 5 May 2005 16:48 (twenty years ago)

To my ears, Basement Jaxx have much more of a maximalist sampling aesthetic - everything and the kitchen sink - whereas M.I.A. sticks to more of an electro sound palette. Plus M.I.A. has better beats.

o. nate (onate), Thursday, 5 May 2005 16:51 (twenty years ago)

You are quite the crusader, my good Mr. Chow. :-) (It's an apt point; it reminds me of how friend and fine writer Angus Batey, in talking of the Jaxx with a few of us a few years back, noted that it could *only* have come from the UK in ways, that it could synthesize and try many different sounds and styles from all over the place and put it together well. Similarly with MIA, surely.)

Ned Raggett (Ned), Thursday, 5 May 2005 16:52 (twenty years ago)

No crusading, only fact!

Anyway as far as appropriation goes, Basement Jaxx early records were maximal Brazilian house (and my favorite stuff of theirs actually) with all lyrics in portuguese.

Spencer Chow (spencermfi), Thursday, 5 May 2005 16:58 (twenty years ago)

Oh speaking of Brazil, Cicatrix mentioned to me that she's visited Sao Paulo in a couple of weeks with some folks and wanted to know what the music of the area was like, so since you just were in that neck of the woods...

Ned Raggett (Ned), Thursday, 5 May 2005 17:09 (twenty years ago)

VisitING, rather.

Ned Raggett (Ned), Thursday, 5 May 2005 17:09 (twenty years ago)

Only had a layover in Sao Paulo, but there was an electronic music festival going on right after I left. There's great nightlife in Sao Paulo with virtually any style to suit your taste (as in Rio).

Spencer Chow (spencermfi), Thursday, 5 May 2005 17:17 (twenty years ago)

Noted. And how big *is* baile funk down there in general, ie is it the definite and total center of pop currently?

Ned Raggett (Ned), Thursday, 5 May 2005 17:19 (twenty years ago)

It's complicated and should probably be discussed on one of the threads (I think the last one was called "baila funk" or something).

Spencer Chow (spencermfi), Thursday, 5 May 2005 17:22 (twenty years ago)

It seems Alan Sparhawk from Low is a big fan (see the end of his post).

Sean M (Sean M), Monday, 9 May 2005 11:44 (twenty years ago)

I partied with some Brazilians the other night. They said baile funk was the real deal.

giboyeux (skowly), Monday, 9 May 2005 11:47 (twenty years ago)

I've read that some Brazilians snear at it the way some people dismiss rap--it's just foul-mouthed nasty ghetto(favela) stuff.

steve-k, Monday, 9 May 2005 12:29 (twenty years ago)

Have heard '10 Dollar' twice in clubs in the past half week, the "what can I get for 10 dollar? Anything you want!" bit makes people chant along and punch the air with their fists.

Re: baile funk - I just discovered an ancient mp3 on my computer which I'd never got round to playing of MC Vanessinha's 'Dança de Peteca' (as sampled on the PFT interludes) - it is mind-blowingly good and I want moooore.

The Lex (The Lex), Monday, 9 May 2005 12:34 (twenty years ago)

I loved this.

cozen (Cozen), Monday, 9 May 2005 12:36 (twenty years ago)

What happened cozen?

Tim Finney (Tim Finney), Monday, 9 May 2005 12:37 (twenty years ago)

FWIW - NPR's Morning Edition had Oliver Wang doing a piece on the album today, and there's going to be a feature tomorrow on "the man that brought M.I.A. to the public".

David R. (popshots75`), Monday, 9 May 2005 13:07 (twenty years ago)

I think more than anything else (grime, dancehall, electroclash), she sounds related to Basement Jaxx's project. Several of the tracks on Arular could fit very easily onto Kish Kash or Rooty. If say "10 Dollar" was on one of those records there'd be none of this lame critical hand-wringing (mouths would drop, booties would shake etc).

so if it were a different record by different people, critics might think differently of it!?!?!? what on earth are you trying to say?

stelfox, Monday, 9 May 2005 13:12 (twenty years ago)

xpost -- Hey, I didn't know Spencer was being interviewed by NPR!

Ned Raggett (Ned), Monday, 9 May 2005 13:13 (twenty years ago)

Yes I believe that is exactly what he was trying to say Dave.

Although a more grounded-in-reality test might have been what people would have thought if "Amazon" or "$10 Dollar" had appeared on the Richard X album.

Tim Finney (Tim Finney), Monday, 9 May 2005 13:16 (twenty years ago)

"Yes I believe that is exactly what he was trying to say Dave."

if you mentally insert an "on" into "if it were a different record" so that it became "if it were on a different record", as I did oops.

Tim Finney (Tim Finney), Monday, 9 May 2005 13:20 (twenty years ago)

Haha Tim, I thought you were being me (ie, deeply sarcastic and scathing)!

The Ghost of Dan Perry (Dan Perry), Monday, 9 May 2005 13:26 (twenty years ago)

Sao Paulian's (my girlfriend being one) are usually not too keen on 'funk', which they view as 'trash'...the lyrics are indeed quite explicit and because of its exposure there I think they miss the "raw appeal" that attracts non-brazillians...but Sao Paulo has some great clubs (and an even greater exchange rate) with a suprising variety of music (I've heard everything from Primal Scream to My Bloody Valentine to dancehall to funk, mpb, etc.)...as Spencer said, you can basically find anything you're looking for....for buying music, the House of Rock is the best place in Sao Paulo - its actually an entire mall with different stores for each genre

Space Is the Place (Space Is the Place), Monday, 9 May 2005 13:31 (twenty years ago)

Baile Funk is very Rio-centric. We spoke with funk MC/Producer Mr. Catra and he very carefully explained that the music itself should be referred to as "Funk, Carioca-style" (Carioca being the equivalent of Londoner, New Yorker, Angeleno etc). It reminded me of some old interview where Karl "Tuff Enuff" Brown was explaining why everyone should use the term "UK Garage" instead of "Speed Garage".

Spencer Chow (spencermfi), Monday, 9 May 2005 16:25 (twenty years ago)

oh I'm sure I still love it, tim, but the initial-interstitial rush wore off as the vortex wound down. when everyone stopped talking about it and the sun went away, the vitalic album grabbed me and hasn't really let go. I'm sure I'd still love it and will love it again later in the year.

cozen (Cozen), Monday, 9 May 2005 16:39 (twenty years ago)

I never really understood the constant likening of her music to grime & dancehall until I listened to baile funk, which gave a frameable background against which to lift out the grime & dancehall tints. there's such a brilliant brashness to the deliveries of the baile funkers - and excuse me if this if this sounds patronising & arrogant but it's meant as more an interpretive appreciation than practical fact (though that it may be) - it almost sounds like they're somehow trying to figure out, in front of us, as these tracks unfold, how to sing, shout, rap over it. it gives the music its sound of newness, for me.

cozen (Cozen), Monday, 9 May 2005 16:43 (twenty years ago)

I was meant to write a review of this, which was going to concentrate on rhetorical spaces, topoi, and the building, management and defense of common senses but I foolishly managed to wipe my current writing folder, setting me back a couple of months.

cozen (Cozen), Monday, 9 May 2005 16:44 (twenty years ago)

haha my foolishness has, for once, done the world a favour!

cozen (Cozen), Monday, 9 May 2005 16:46 (twenty years ago)

Wow, I'm late to both her CD and this thread (I almost subconsciously avoided listening to it I think). This thread deserves its own book and made-for-Lifetime movie so I've only skimmed through it.

I think it's a very good album but I don't feel like I'm hearing Sgt. Pepper for the first time like I feel many of you are. And it was a big mistake if her people were indeed trying to break the States before the U.K. I liken it to selling a jam band to the U.K. before the U.S.

Cunga (Cunga), Tuesday, 10 May 2005 05:05 (twenty years ago)

"Haha Tim, I thought you were being me (ie, deeply sarcastic and scathing)!"

I was thinking that i'd just leave it as it was and hope people thought i was trying to be you, but then the caveat would have just confused people.

"oh I'm sure I still love it, tim, but the initial-interstitial rush wore off as the vortex wound down. when everyone stopped talking about it and the sun went away, the vitalic album grabbed me and hasn't really let go. I'm sure I'd still love it and will love it again later in the year. "

Cozen it wouldn't shock me if you had fallen out of love with it though - for me much of it can sound great or quite flat depending on the circumstances (okay, by "much" i basically mean the first four tracks and the skits - everything else is stellar).

Tim Finney (Tim Finney), Tuesday, 10 May 2005 06:46 (twenty years ago)

Washington City Paper's Mark Jenkins writes about & criticizes some of the Village Voice's writings about M.I.A. in this week's issue. Check it out at:
http://www.washingtoncitypaper.com/indc/what/what.html

The Sujewa, Friday, 13 May 2005 16:29 (twenty years ago)

You sure it's that? Seems to be more a rant about Starbucks and Springsteen.

Ned Raggett (Ned), Friday, 13 May 2005 16:36 (twenty years ago)

http://www.washingtoncitypaper.com/archives/indc/what/2005/what0422.html

The Ghost of Dan Perry (Dan Perry), Friday, 13 May 2005 16:47 (twenty years ago)

Hmmm.

Ned Raggett (Ned), Friday, 13 May 2005 16:52 (twenty years ago)

Mixed-race? What could that mean in the case of a woman whose parents are both Sri Lankan, both Tamil, and thus both (apparently) of South Indian descent whose continuity stretches back centuries? Does Hermes have access to DNA tests that indicate otherwise? Or does he just assume that anyone who isn't of either sub-Saharan African or Nordic European stock must be "mixed-race"? Who else, then, would be mixed? Rachid Taha? Puffy AmiYumi? Ravi Shankar? Natalie Imbruglia?

pwned

o. nate (onate), Friday, 13 May 2005 16:58 (twenty years ago)

i don't always agree with him, but i've long thought that he's one of the few people worth reading abt music

gabbneb (gabbneb), Friday, 13 May 2005 17:05 (twenty years ago)

Interesting how he assumes the race of the reviewer!

Spencer Chow (spencermfi), Friday, 13 May 2005 17:14 (twenty years ago)

did anyone ever confirm that they were using "don't let MIA's brown skin fool you" in UK print ads?

s1ocki (slutsky), Friday, 13 May 2005 17:35 (twenty years ago)

Interesting how he assumes the race of the reviewer!

One of those weird named fake people in LA would say that. ;-)

(Actually, Spencer, a sudden but serious enough thought -- is there anyone who's criticized or pondered more negatively about MIA or something about her that you thought did a good job? Not like in terms of you even agreeing with her necessarily.)

Ned Raggett (Ned), Friday, 13 May 2005 17:39 (twenty years ago)

psst diplo/MIA in the studio with missy last week, rumour has it

jones (actual), Friday, 13 May 2005 17:40 (twenty years ago)

Yay rumor!

Ned Raggett (Ned), Friday, 13 May 2005 17:41 (twenty years ago)

Interesting how he assumes the race of the reviewer!

How do you figure?

The Ghost of Dan Perry (Dan Perry), Friday, 13 May 2005 17:59 (twenty years ago)

yeah i didn't see that either...

s1ocki (slutsky), Friday, 13 May 2005 18:16 (twenty years ago)

I don't see where he assumes anything about the race of the reviewer, though he does indulge in speculation about the reviewer's motives. Perhaps the reviewer just made a simple mistake and misread something somewhere which led him to conclude that M.I.A. was from a mixed racial background. Maybe the London-Sri Lanka connection confused him.

o. nate (onate), Friday, 13 May 2005 18:22 (twenty years ago)

interesting how he assumes the racial assumptions of the review reviewer!

s1ocki (slutsky), Friday, 13 May 2005 18:24 (twenty years ago)

haha

The Ghost of Dan Perry (Dan Perry), Friday, 13 May 2005 18:27 (twenty years ago)

Muy interesante.

Ned Raggett (Ned), Friday, 13 May 2005 18:33 (twenty years ago)

He appears to be assuming that the reviewer is an American but that's about as far down the assumption train I can go without making even more egregious assumptions.

The Ghost of Dan Perry (Dan Perry), Friday, 13 May 2005 18:44 (twenty years ago)

"And thus Pope Dan was assumed into critic's heaven."

Ned Raggett (Ned), Friday, 13 May 2005 18:45 (twenty years ago)

from the article:
"In other words, because M.I.A's family fled the Sri Lankan civil war, and because M.I.A. subsequently went to art school, she's not really brown anymore. (Do you suppose it works the other way? If Reynolds lived for 15 years in a Brazilian shantytown, forced to kowtow to drug barons and never knowing when a cop might shoot him just for sport, would he be no longer be white?)"

The assumption is that the reviewer is white - which is incorrect.

Spencer Chow (spencermfi), Monday, 16 May 2005 16:31 (twenty years ago)

http://music.hyperreal.org/library/publicity/simon_reynolds/

I think that since Reynolds titles his essays things like "A White Brit Rave Aesthete Thinks Aloud," one could be excused for assuming that he is white.

The Ghost of Dan Perry (Dan Perry), Monday, 16 May 2005 16:40 (twenty years ago)

(Never mind, I thought that link went to an essay, not blissblog. Your point stands.)

The Ghost of Dan Perry (Dan Perry), Monday, 16 May 2005 16:41 (twenty years ago)

So does yours - I always assumed he was (but then again, many people assume the same about me).

Spencer Chow (spencermfi), Monday, 16 May 2005 16:47 (twenty years ago)

Sadly, some people assume the same about me.

The Ghost of Dan Perry (Dan Perry), Monday, 16 May 2005 16:48 (twenty years ago)

(After meeting me in person, I mean.)

The Ghost of Dan Perry (Dan Perry), Monday, 16 May 2005 16:49 (twenty years ago)

You're Latvian right?

Spencer Chow (spencermfi), Monday, 16 May 2005 16:53 (twenty years ago)

His sweat is rendolent of that Baltic air.

Ned Raggett (Ned), Monday, 16 May 2005 16:54 (twenty years ago)

You remember the nationality of Latke on "Taxi"? That's what I am.

The Ghost of Dan Perry (Dan Perry), Monday, 16 May 2005 17:03 (twenty years ago)

Dude, I thought you were from Mypos.

Ned Raggett (Ned), Monday, 16 May 2005 17:05 (twenty years ago)

Dan's cousin is actually Larry Appleton.

Alex in SF (Alex in SF), Monday, 16 May 2005 17:06 (twenty years ago)

You remember the nationality of Latke on "Taxi"?

Potatostanian?

Stupornaut (natepatrin), Tuesday, 17 May 2005 00:24 (twenty years ago)

Hey Everyone,

New Canadian film about slain Sri Lankan female human rights activist.
Here's the URL:
http://www.nfb.ca/trouverunfilm/fichefilm.php?id=51681&lg=en&v=h#

The movie is called "No More Tears Sister: Anatomy of Hope & Betrayal"

Here's a synopsis (from the film's web site):
A story of love, revolution, and betrayal, No More Tears Sister explores the price of truth in times of war. Set during the violent ethnic conflict that has enveloped Sri Lanka over decades, the documentary recreates the courageous and vibrant life of renowned human rights activist, Dr. Rajani Thiranagama. Mother, anatomy professor, and symbol of hope, Rajani was assassinated at the age of thirty-five. Stunningly photographed, using rare archival footage, intimate correspondence and poetic recreations, the story of Rajani and her family delves into rarely explored themes - revolutionary women and their dangerous pursuit of justice.

Looks like the film will be playing in NYC & Seattle soon.

Check it out.

Sujewa
PS: on this second web site for the film there is - and as far as I can tell - there is an accurate time line of conflict related events, here's the link:
http://www.nfb.ca/webextension/nomoretearssister/
scroll down to: Sri Lankan ethnic conflict and war: Timeline
(perhaps may be of use to those M.I.A. fans & critics who are baffled & confused by the situation in Sri Lanka)
*******************************************************************

Sujewa, Friday, 20 May 2005 07:43 (twenty years ago)

cool thanks sujewa

jones (actual), Friday, 20 May 2005 14:30 (twenty years ago)

Hey! I just got back from Brazil. I'm stuck between perspectives - American and Sri Lankan - trying to talk or even think about it cause it encompasses both and then a thousand others....and that's from ONLY a week in Sao Paulo. I got sneeringly eviscerated by snobby Paulistas at a house party (where they played funke carioca) and hugged by girls in a favela (who said loved Beyonce).. I'm still sorting all this out in my head..

cicatrix, Sunday, 22 May 2005 18:01 (twenty years ago)

some boring clips of her being boring at coachella.
http://www.punkassbitch.com/Shows/MIA-Coachella-SunShowers1.avi
http://www.punkassbitch.com/Shows/MIA-Coachella-BuckyDoneGone1.avi
http://www.punkassbitch.com/Shows/MIA-Coachella-Dancing.avi

...boring

Aerodynamic (Aerodynamic), Sunday, 22 May 2005 18:37 (twenty years ago)

Rah for the return of Cicatrix! And great to see the post about that film. Everyone should check it out.

Ned Raggett (Ned), Sunday, 22 May 2005 18:49 (twenty years ago)

xpost:

I was at that performance and it was actually incredibly exciting. Easly the highlight of the weekend. The crowd was very into it.

Spencer Chow (spencermfi), Sunday, 22 May 2005 18:53 (twenty years ago)

(I was reading Aerodynamic's comments as being sarcastic...)

Ned Raggett (Ned), Sunday, 22 May 2005 18:55 (twenty years ago)

I don't see that but either way I was just relating my experience of the show.

Spencer Chow (spencermfi), Sunday, 22 May 2005 19:09 (twenty years ago)

it just looks boring to me.
i like the album and all but her live show just looks boring as hell.
maybe it's one of those "you have to be there" type things?

Aerodynamic (Aerodynamic), Sunday, 22 May 2005 22:51 (twenty years ago)

Well, my main reason for ever attending any show is to hear my favorite songs *LOUD*, and her music is very exciting coming through big speakers. Most of my favorite bands don't do much of anything on stage, so I don't usually expect much to happen visually.

Spencer Chow (spencermfi), Monday, 23 May 2005 00:49 (twenty years ago)

The SF show was disappointing, but there were some technical/timing issues so mine might not be a reflective experience.

Alex in SF (Alex in SF), Monday, 23 May 2005 04:35 (twenty years ago)

it was a bit weird how diplo ended the songs almost like he was mixing into something else, but then it would just stop.

s1ocki (slutsky), Monday, 23 May 2005 05:11 (twenty years ago)

anyone find?

s1ocki (slutsky), Monday, 23 May 2005 05:12 (twenty years ago)

Sri Lankan film "The Forsaken Land" wins Palm d'Or award at this year's Cannes Film Festival. Here is the Cannes web page w/ info:
http://www.festival-cannes.fr/films/fiche_film.php?langue=6002&id_film=4256722

Yeah, it's about the war, I think. Director says it's about land w/ out "peace, war or God". Light entertainment no doubt.

Lookin' forward to seeing it.

Sujewa # 13, Monday, 23 May 2005 07:50 (twenty years ago)

Here's the exact quote by the director of "The Forsaken Land" (I kind of messed it up above):
" With the film, I wanted to examine emotional isolation in a world where war, peace and God have become abstract notions."

Sujewa # 13.5, Monday, 23 May 2005 07:55 (twenty years ago)

Is it about MIA?

Spencer Chow (spencermfi), Monday, 23 May 2005 08:52 (twenty years ago)

it was a bit weird how diplo ended the songs almost like he was mixing into something else, but then it would just stop.

i loved it - his style is choppy anyway but in the context of the MIA set it was like he kept wanting to rock the party, then remembering he had a show to do. and the hollaback girl thing was funny.

jones (actual), Monday, 23 May 2005 16:21 (twenty years ago)

do you have that hollaback rmx jones? i can YSI it for you if you want...

s1ocki (slutsky), Monday, 23 May 2005 17:18 (twenty years ago)

i got it but thanks dewd! (like all the other ones it is TOO SLOW and has too much gwen stephani on it)

jones (actual), Monday, 23 May 2005 17:51 (twenty years ago)

the task is yours, mr. jones

s1ocki (slutsky), Monday, 23 May 2005 18:24 (twenty years ago)

Sorry to haul this thread back to that stale Simon Reynolds piece...but I'm still surprised to find people who think he has a valid point re MIA's global hopscotching. I've tried to explain why this makes me feel so livid, but I just found a writer who does a better job than I have so far. This is from Salon.com. A writer of Peruvian ethnicity but comfortable suburban American upbringing talks about the questions and attitudes he faced when on his first book tour:

It's not that writers of color in this country don't have their work judged on literary merit; it's that we are not judged exclusively on these grounds. The writer's biography is also examined, his or her stats plugged into an authenticity equation to determine, once and for all, how real the work is. There are many reasons why this is self-defeating, and many reasons why we should not play along. When we should be judged on the basis of our ability to imagine worlds and empathize with our characters, we are instead reduced to merely representing that which we must surely know firsthand. When we allow ourselves to be praised for "being authentic," when we traffic in biography, we are complicit in our own disenfranchisement: Suddenly we are dismissed as serious artists. It's no longer art; it's reportage and facsimile. It's real.

The writer is Daniel Alarcon, and the rest of the (really pretty funny) piece is here:
http://www.salon.com/books/feature/2005/05/24/alarcon/index1.html

It's the "authenticy equation..to find how real the work is" bit that I find so resonant in Reynold's criticism. His disparaging comments about MIA's St.Martin's education also echo in the Alarcon piece when he notices that people are disappointed to be told that no, his parents were not illegal immigrants.

cicatrix, Tuesday, 24 May 2005 20:24 (twenty years ago)

I'm kind of shocked that Reynolds would fall into such a blatantly racist line of thinking, but I'm not shocked at all that people would accept it and not recognize it as racist.

The Ghost of Dan Perry (Dan Perry), Tuesday, 24 May 2005 20:36 (twenty years ago)

That piece also links to another essay "I am NOT a magical realist" written 8 years ago by an author from Santiago. Hilarious. Even if you're bored of stop-boxing-me-in commentary, it's still a really funny read:
http://www.salon.com/june97/magical970611.html

cicatrix, Tuesday, 24 May 2005 20:39 (twenty years ago)

Actually, GoDP, I think 'racist' might be too harsh. IMO, it's more like a 'ooh, look at me, I'm such a clever boy' line of thinking. And people fall for the smart-aleck lines and glittery arguments that belie a woefully limited perspective.

Someone above made the snarky comment that I must not have read much music criticism.....um, yeah, it's true. I haven't. I find most of it borders on onanism. I might have read some Reynold's pieces before without noting the name of the writer...but it's also likely that I haven't read a word and therefore don't know what a thoughtful, sensitive, erudite human being he truly is. I read his defense of that article on his blog (dunno. still don't understand it. so many big words confused me. scenius?) and was highly amused to see that he volunteers a claim to Sri Lankan ancestry too. The precise fraction in blood, in fact. I mean, what..did he get a CPA for that?

As Alarcon and Fuguet write so marvellously, sometimes a western embrace of the foreign can be suffocating because the westerner dictates what is and is not 'foreign'. And there is, obviously something seriously wrong with that.

cicatrix, Tuesday, 24 May 2005 21:00 (twenty years ago)

I find most of it borders on onanism

*washes hands* I'm sorry, what?

...was highly amused to see that he volunteers a claim to Sri Lankan ancestry too. The precise fraction in blood, in fact. I mean, what..did he get a CPA for that?

Zing! :-)

Ned Raggett (Ned), Tuesday, 24 May 2005 21:08 (twenty years ago)

*washes hands* I'm sorry, what?
bwahhhhh!!!

cicatrix, Tuesday, 24 May 2005 21:10 (twenty years ago)

Re: "The Forsaken Land"
>>
Is it about MIA?
-- Spencer Chow
>>>

No Spencer, it is not about MIA as far as I know. It is however about Sri Lanka and from what I can figure out about the war (the one that MIA reffers to in her biography & work) & its effects on Sri Lankans. I have not seen it yet but when I do I will give you more info. on it.

Sujewa
*******

Sujewa, Wednesday, 25 May 2005 04:23 (twenty years ago)

That Salon snippet is one of the most OTM things ever posted on this board.

Spencer Chow (spencermfi), Wednesday, 25 May 2005 05:11 (twenty years ago)

Thanks Spencer..I'm glad you like it, cause I thought the whole article was spot-on. Wish I could think, and write, as lucidly.

Anyway, wow..it's suddenly really quite here...

*tumbleweeds blow by*

cicatrix, Thursday, 2 June 2005 00:13 (twenty years ago)

Since this thread was revived, I'm going to use it to ask JOHN JUSTEN if he's heard the entire MIA album yet and not just "Sunshowers" (which also completely turned me off the first time I heard it, before I got the backstory).

The Ghost of Dan Perry (Dan Perry), Thursday, 2 June 2005 12:22 (twenty years ago)

http://en.wikipedia.org/wiki/Maya_Arulpragasam

Scroll down.

RS (Catalino) LaRue (RSLaRue), Sunday, 12 June 2005 16:32 (twenty years ago)

Infamous IDM thread which questions the controversy of M.I.A.'s politics and her authenticity

La Monte (La Monte), Sunday, 12 June 2005 16:46 (twenty years ago)

in the new issue of scratch, guess who timbaland sez he wants to work with next.

strng hlkngtn, Sunday, 12 June 2005 17:17 (twenty years ago)

plus she's getting davinche remixes...

jermaine (jnoble), Sunday, 12 June 2005 17:27 (twenty years ago)

Dan, are you seriously Latvian? I'm from Riga (massive x-post)

joseph cotten (joseph cotten), Sunday, 12 June 2005 19:27 (twenty years ago)

People were talking earlier (on this thread?) about that little voice upward thing she does at the end of lines much of the time, and asking about precedents. Celia Cruz used to something similar fairly often. (By posting to this thread I don't mean to endorse M.I.A.'s music.)

RS (Catalino) LaRue (RSLaRue), Monday, 13 June 2005 13:29 (twenty years ago)

Dan, are you seriously Latvian?

Haha! No. African-American.

The Ghost of Dan Perry (Dan Perry), Monday, 13 June 2005 15:31 (twenty years ago)


in the new issue of scratch, guess who timbaland sez he wants to work with next.

coldplay?

miccio (miccio), Monday, 13 June 2005 15:34 (twenty years ago)

two weeks pass...
Anyone still interested in MIA commentary should check out sepiamutiny.com ... The love/hate/mockery/defense rachets up a whole 'nother notch when a bunch of south asians pile on. good times ;)

cicatrix, Tuesday, 28 June 2005 21:26 (twenty years ago)

Hey guys, Know you're happy here, but i made an M.I.A forum over at :

http://mia.12.forumer.com/index.php

adzyc, Wednesday, 29 June 2005 12:47 (twenty years ago)

manc gig half empty last nite the story goes.

piscesboy, Wednesday, 29 June 2005 16:37 (twenty years ago)

manc?

cicatrix, Wednesday, 29 June 2005 19:09 (twenty years ago)

hester

kit brash (kit brash), Thursday, 30 June 2005 02:36 (twenty years ago)

two weeks pass...
I was there, was amazing

www.miafans.tk

adzyc, Monday, 18 July 2005 10:51 (twenty years ago)

one month passes...
Timbaland in July issue of Scratch Magazine: "There's this one girl I'm dying to work with that's from London. Her name is M.I.A. She's hard, boy. She's so dope, I need to get with her bad. I'm into all that type of stuff. That brings somethin' out of me."

JoB (JoB), Wednesday, 31 August 2005 07:58 (twenty years ago)

I agree with Timbaland.

Spencer Chow (spencermfi), Wednesday, 31 August 2005 16:58 (twenty years ago)

Anyone know where I could find the original, non-PFT version of "URAQT"?

The Ghost of Black Elegance (Dan Perry), Wednesday, 31 August 2005 17:04 (twenty years ago)

Does that even exist?

Spencer Chow (spencermfi), Wednesday, 31 August 2005 17:05 (twenty years ago)

If not, we could make it happen. ('We' not including myself, lacking programming knowledge and all.)

Ned Raggett (Ned), Wednesday, 31 August 2005 17:07 (twenty years ago)

You know, I like a lot of "URAQT" but the horn riff does start to irritate me about half way through (love 'til then though, and love Q).

Spencer Chow (spencermfi), Wednesday, 31 August 2005 17:15 (twenty years ago)

The PFT version is AWESOME; more dance tracks should be based on theme songs from 70s sitcoms. I was just wondering if there was an original version around.

The Ghost of Black Elegance (Dan Perry), Wednesday, 31 August 2005 17:21 (twenty years ago)

I would pay good $$$ for a Kompakty thing what rides the flute loop from the theme to "Taxi". (Also Dan: did you like Ma$e's "Welcome Back"?)

disco violence (disco violence), Wednesday, 31 August 2005 20:57 (twenty years ago)

as opposed to the Field's "Action," which rides the flute loop from "Reach Out I'll Be There"?

Matos-Webster Dictionary (M Matos), Wednesday, 31 August 2005 21:01 (twenty years ago)

Well, that too. (And does T.I.'s "24s" count in the '70s sitcom music sweepstakes, since the chorus interpolates the "running around doing crazy shit and trying to avoid disaster" music from the Fat Albert cartoons?)

disco violence (disco violence), Wednesday, 31 August 2005 21:17 (twenty years ago)

(Also Dan: did you like Ma$e's "Welcome Back"?)

Um. Not so much. Ma$e is like Kryptonite to me.

The Ghost of Black Elegance (Dan Perry), Wednesday, 31 August 2005 21:38 (twenty years ago)

http://www.vh1.com/shared/media/news/images/m/Mase/mase_180x180.jpg

HI DERE (M Matos), Wednesday, 31 August 2005 21:49 (twenty years ago)

See? All of my superpowers went away and I'm on the verge of death.

The Ghost of Black Elegance (Dan Perry), Wednesday, 31 August 2005 21:54 (twenty years ago)

man I've seen that look shot at me before

gear (gear), Wednesday, 31 August 2005 21:56 (twenty years ago)

usually only when i accidentally wander into the gay erotica section at used bookstores, though

gear (gear), Wednesday, 31 August 2005 21:56 (twenty years ago)

i know, "accidentally"

gear (gear), Wednesday, 31 August 2005 21:57 (twenty years ago)

Hahahahahahahaha MIA has just covered, totally without irony, "Every Day I Love You Less and Less" on Jo Whiley.

She really is fucking desperate to sell some records, huh?

Dom Passantino (Dom Passantino), Tuesday, 6 September 2005 11:12 (twenty years ago)

seven months pass...
so... does anyone give a flying shit about this album anymore?

*crickets*


right. now to find that goddamn dizzee rascal thread.

Alex in Baghdad, Thursday, 27 April 2006 18:28 (nineteen years ago)

You mean is it experiencing the normal lull that happens when you love an album and play it a lot and then for a while you don't play it a lot? Sure.

Do you mean I'm supposed to shamefacedly prostrate myself and say "Yes! Yes! It's true! It's not really any good! I only pretended to like it to look cool!"?

right. Wrong.

Rick Massimo (Rick Massimo), Thursday, 27 April 2006 19:31 (nineteen years ago)

Sorry Rick, you have to be talking about it ALL the time or else. OMG! I haven't mentioned MBV in a while! I have to kill myself!

Ned Raggett (Ned), Thursday, 27 April 2006 19:34 (nineteen years ago)

I knew the Beatles were just hype!

Rick Massimo (Rick Massimo), Thursday, 27 April 2006 19:35 (nineteen years ago)

kinda cheap to put the *crickets* thing in before you've even seen if anybody's responded to your post!!!

s1ocki (slutsky), Thursday, 27 April 2006 19:35 (nineteen years ago)

why talk of MIA when I can talk about Destroyer's Rubies?? AMIRITE??

timmy tannin (pompous), Thursday, 27 April 2006 19:41 (nineteen years ago)

I listened to Piracy Funds Terrorism just the other week. It still sounds pretty good.

o. nate (onate), Thursday, 27 April 2006 19:42 (nineteen years ago)

i liked it fine when it came out and i heard it yesterday for the first time in months and i like it still.

lf (lfam), Thursday, 27 April 2006 19:42 (nineteen years ago)

The best record of the 3 next years, still.

snowballing (snowballing), Thursday, 27 April 2006 19:43 (nineteen years ago)

I'm not that crazy about the album but some of the tracks still sound pretty amazing. I still really fancy her too.

jimnaseum (jimnaseum), Thursday, 27 April 2006 19:45 (nineteen years ago)

I still think it's just alright.

There needs to be a photoshop of the actual Internet Music Bandwagon. Perhaps a mural.

Cunga (Cunga), Thursday, 27 April 2006 19:47 (nineteen years ago)

I actually like Arular more now than I did for the first month or so after its official release.

Telephonething (Telephonething), Thursday, 27 April 2006 19:48 (nineteen years ago)

I still like it a bunch and I like some of the remixes on the various re-releases of her singles (the Cham/Dave Kelly one, the DJ C one) a bunch too. And I'd very much like to hear the promised Piracy Funds Terrorism Part Deux as soon as she and Diplo can bothered to actually like ya know put it out.

Alex in SF (Alex in SF), Thursday, 27 April 2006 19:52 (nineteen years ago)

I'm generally with jim/Cunga re: its worth (which is worthy)

Ned Raggett (Ned), Thursday, 27 April 2006 19:54 (nineteen years ago)

The best record of the 3 next years, still.

Absolutely inane.

Nigel (Nigel), Thursday, 27 April 2006 19:58 (nineteen years ago)

ILX is always wrong when it comes to predicting the next big thing. Always.

shookout (shookout), Thursday, 27 April 2006 19:59 (nineteen years ago)

We got Arcade Fire right! Give us that, at least.

Dom Passantino (Dom Passantino), Thursday, 27 April 2006 20:01 (nineteen years ago)

The best record of the 3 next years, still.

Nobody is anticipating a follow up then?

fandango (fandango), Thursday, 27 April 2006 20:02 (nineteen years ago)

I've heard she's huge in northen Slovenia.

snowballing (snowballing), Thursday, 27 April 2006 20:02 (nineteen years ago)

If the next album goes to plan, she could be as big as Day One.

Dom Passantino (Dom Passantino), Thursday, 27 April 2006 20:03 (nineteen years ago)

arular = still decent, piracy = still awesome last i heard it, both = have no need to play on my own anytime remotely soon since i heard them both waaay too much on radio, at clubs, parties, waiting in line at taco stand, etc. as is. cf. ANNIE ( - radio). outsold/outplayed the libertines so thank god for small miracles.

j blount (papa la bas), Thursday, 27 April 2006 20:05 (nineteen years ago)

Libertines "Up the Bracket" >>>>>>>>>>>>>>>>>>>>>> M.I.A. "Arular"

Michael Burble, Thursday, 27 April 2006 20:29 (nineteen years ago)

dizzee=still great
arular=still great
piracy=still overrated (how can it be better when it features an inferior version of her best track???)

haterz=still sad

bucky, Thursday, 27 April 2006 20:33 (nineteen years ago)

I don't like M.I.A., but yeah, there's nothing sadder than searching for old ILM threads to be "contrarian" on.

31g (31g), Thursday, 27 April 2006 20:36 (nineteen years ago)

When Diplo spun here the other night he started with a new MIA song. It was slower and more straightforward, like Do Ya, with an easy/forgettable chorus (in a good way) and an American rapper that I couldn't identify.

Though that might sound lukewarm the track was in fact motherfucking aces.

jergins (jergins), Thursday, 27 April 2006 20:38 (nineteen years ago)

i think that MIA track is her on E-40's 'tell me when to go'. diplo plays it on the most recent mad decent podcast.

t_g, Friday, 28 April 2006 03:31 (nineteen years ago)

arular = still decent, piracy = still awesome last i heard it, both = have no need to play on my own anytime remotely soon since i heard them both waaay too much on radio, at clubs, parties, waiting in line at taco stand, etc. as is. cf. ANNIE ( - radio). outsold/outplayed the libertines so thank god for small miracles.
-- j blount (jamesbloun...), April 27th, 2006.

at the taco stand? it's like, i live in london, i work with a girl mia's age from acton, and, well, even she barely knew who she was!

the Enrique who acts like some kind of good taste gestapo (Enrique), Friday, 28 April 2006 12:43 (nineteen years ago)

Yeah, but bcz you live in London you don't have a taco stand do you?

Raw Patrick (Raw Patrick), Friday, 28 April 2006 13:00 (nineteen years ago)

Substitute tacos for falafel then.

Dom Passantino (Dom Passantino), Friday, 28 April 2006 13:01 (nineteen years ago)

I'm English and I never heard it anywhere, except "Galang" once and that was in New York.

I've never heard it anywhere near falafel either, though as I may eat some tonight who knows?

Raw Patrick (Raw Patrick), Friday, 28 April 2006 13:03 (nineteen years ago)

MIA's kinda like Monty Python in that just because it's this cultish thing in the States, yanks seem to think that it must be this huge cultural behemoth over here, when in fact nobody gives a shit.

Dom Passantino (Dom Passantino), Friday, 28 April 2006 13:06 (nineteen years ago)

What is this "Monty Python"?

Raw Patrick (Raw Patrick), Friday, 28 April 2006 13:09 (nineteen years ago)

ILM doesn't care about the next big thing, only the next good thing.

Konal Doddz (blueski), Friday, 28 April 2006 13:12 (nineteen years ago)

STEVEM FOR PRESIDENT

Dan (ILM Tag Line Right There) Perry (Dan Perry), Friday, 28 April 2006 13:13 (nineteen years ago)

ILM: Quality First

gear (gear), Friday, 28 April 2006 14:49 (nineteen years ago)

I heard MIA playing in a shop in Prague last year.

Isn't Timbaland supposed to be producing her new album? Or was that just a rumor?

o. nate (onate), Friday, 28 April 2006 14:53 (nineteen years ago)

fuck that, he'll have used all his good new shit up on Furtado.

Konal Doddz (blueski), Friday, 28 April 2006 14:55 (nineteen years ago)

Yeah, she was going to work with Timbaland, but then this happened.

StanM (StanM), Friday, 28 April 2006 15:32 (nineteen years ago)

pet turtel!

Dom Passantino (Dom Passantino), Friday, 28 April 2006 15:34 (nineteen years ago)

keep the faith homeslices =)

fandango (fandango), Friday, 28 April 2006 15:46 (nineteen years ago)

LIVE! THIS FRIDAY!
MIA with Dizzee Rascal and Arctic Monkeys

teelu, Friday, 28 April 2006 16:22 (nineteen years ago)

[spam]

Bullet-Proof-Servers, Thursday, 11 May 2006 19:04 (nineteen years ago)

this album was made on fucking mario paint

Jeff Gordon, Friday, 19 May 2006 04:22 (nineteen years ago)

And with that we had the 1337 post.

Cunga (Cunga), Friday, 19 May 2006 04:34 (nineteen years ago)

Jeff is so OTM it's not even funny. Proof here.

punis (punis), Friday, 19 May 2006 16:55 (nineteen years ago)

two months pass...
i'm poster number 1340 on this thread.

Aditya (dan138zig), Thursday, 10 August 2006 09:17 (nineteen years ago)

you and your bloody lists

Konal Doddz (blueski), Thursday, 10 August 2006 09:23 (nineteen years ago)

ten months pass...

The best record of the 3 next years, still.
-- snowballing (snowballing), Thursday, April 27, 2006 12:43 PM (1 year ago)

gershy, Sunday, 8 July 2007 06:55 (eighteen years ago)

I knew the Beatles were just hype!

-- Rick Massimo (Rick Massimo), Thursday, April 27, 2006 7:35 PM

BIG HOOS aka the steendriver, Sunday, 8 July 2007 07:07 (eighteen years ago)

understatement of the century from SPIN (via metacritic):

Will likely be the best political album this year. [Mar 2005, p.88]

Jordan Sargent, Sunday, 8 July 2007 07:22 (eighteen years ago)

three weeks pass...

<I>The best record of the 3 next years, still. </I>

what a ridiculous comment. regardless, i can't stand this album. it really does sound, as someone mentioned earlier, that it was made on mario paint. while that's fine-- many of my favorite albums were made on mario paint-- this album is very grating and makes me want to rip out my own eardrums to save me from the pain.

Richard Wood Johnson, Thursday, 2 August 2007 18:53 (eighteen years ago)

many of my favorite albums were made on mario paint

YSI?????

Curt1s Stephens, Thursday, 2 August 2007 18:54 (eighteen years ago)

I'm sure you can get all of Aphex Twin's stuff on sl*k.

Richard Wood Johnson, Thursday, 2 August 2007 19:00 (eighteen years ago)

http://www.youtube.com/watch?v=nPTuu0S6VhM

Curt1s Stephens, Thursday, 2 August 2007 19:02 (eighteen years ago)

Mario Paint! YES! i think one of the main motivations for my mother sending me to a child therapist was because of the animations i showed her with mario's severed bloody head exploding out of a cannon, etc. i wonder if i could beat that fly swatter game, now.

poortheatre, Thursday, 2 August 2007 21:11 (eighteen years ago)

Yes, M.I.A.'s 'music' will bring back all your Mario Paint memories. Just bask in the cloying sounds of that super nintendo banging away at its cheesy robotic rhythms till you feel like decapitating people.

Richard Wood Johnson, Thursday, 2 August 2007 22:04 (eighteen years ago)

meh. let's see if her next album features meows.

poortheatre, Friday, 3 August 2007 00:01 (eighteen years ago)

or woofs.

poortheatre, Friday, 3 August 2007 00:04 (eighteen years ago)

she says something about "dogging on a honda" or some shit. it would have made sense for her to put that 'woof' sound on it. at the very least she could have used that 'uh-oh' sound.

Richard Wood Johnson, Friday, 3 August 2007 14:04 (eighteen years ago)

stop ruining thread with your mario paint horseshit

blueski, Friday, 3 August 2007 14:20 (eighteen years ago)

* Mario Paint was one of the first instances of Totaka's Song, and the first to be found.
* The Wii console's system interface screens use songs from Mario Paint.
* the doodle eraser in the wii photo channel is identical to the rocket eraser

Catsupppppppppppppp dude 茄蕃, Friday, 3 August 2007 17:16 (eighteen years ago)

stop ruining thread with your mario paint horseshit

I realize that it might upset you to know that such a rudimentary tool could have been used to make an album of this stature, but it is really worth investigating. you may like other mario paint artists.

Richard Wood Johnson, Friday, 3 August 2007 22:52 (eighteen years ago)

six months pass...

Snakes On A Plane!

Dom Passantino, Wednesday, 6 February 2008 10:28 (eighteen years ago)

Maybe the world isn't ready for a song that sounds like it's a nonstop string of killer choruses. Maybe that's the reasoning.
-- Matthew "Flux" Perpetua, Saturday, 15 January 2005 01:19 (3 years ago) Bookmark Link

^^^This is the reason why someone needs to go back in time and kill Xenomania at birth.

Dom Passantino, Wednesday, 6 February 2008 10:32 (eighteen years ago)

one year passes...

10 days left of the decade.

time to bump the classic threads.....

for me this is the definitive ILXor thread.

my opinionation (Hamildan), Tuesday, 22 December 2009 12:56 (sixteen years ago)

apologies accepted

Space Is The Place, Tuesday, 22 December 2009 14:54 (sixteen years ago)

five years pass...

so ten years!

http://www.rollingstone.com/music/features/arular-10-years-later-m-i-a-reflects-on-globe-shaking-debut-20150320?page=5

guess that bundt gettin eaten (Alfred, Lord Sotosyn), Friday, 20 March 2015 17:51 (ten years ago)

What happened with Oprah? There was a picture of you two together, but then you kinda slammed her.

In 2009, Time nominated me for one of the most influential people of the 21st century or something and I met Oprah at that party. And I was like, "Hey, people are gonna fucking die in my country. Like, please pay attention." And she was like, "You're shit because you were rude to Lady Gaga and I'm not talking to you. And I'm gonna interview Tom Cruise jumping on my sofa, so fuck off."

Did she really react like that? That's crazy.

Yeah, she didn't talk to me. She shut me down. She took that photo of me, but she was just like, "I can't talk to you because you're crazy and you're a terrorist." And I'm like, "I'm not. I'm a Tamil and there are people dying in my country and you have to like look at it because you're fucking Oprah and every American told me you're going to save the world."

guess that bundt gettin eaten (Alfred, Lord Sotosyn), Friday, 20 March 2015 17:51 (ten years ago)


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